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#chicagopoetry
There's a private, invisible flock of comedians chanting soapbox knock-knocks in my parking lot             Noisy, clang, boom thingy aloft and clipping the air around the slimy snow And why does ajax keep butting its nose into everything I’ve got? They’re all just boom-lost facades in a canonical, sly-faced rant. So slanted, frankly, and poised toward a milder pace that the clang clipped the frosty branches beneath a drunken frat-house party. Ah, the dandy-clang : native to the sandy graves and morose olive branches.             But only on the night of the dandy-clang, candy dances for the branches are not partial to missed solid caches             of want and woe             of tongue and toe and seldom shaken beneath the overbearing heat of a white-faced predator for times it was that here and now, because the wind had bitten harder What am I saying? That if the dandy-clang came. And if it produced the branches of the dancing eve fame... with but not together. The clouds up in the ether that lake and earth should wither
0
May 31, 2012
May 31, 2012 at 7:10 PM UTC
Wiggle Room between a Carrot and the Potatoes
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
0
May 21, 2015
May 21, 2015 at 1:32 AM UTC
Au(O)ral and in-tune
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
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95
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
0
Jan 14, 2013
Jan 14, 2013 at 8:33 PM UTC
All Play in These Times
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
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26
Words are electric shocks; Reviving ghosts of who you were.
0
Jan 3, 2015
Jan 3, 2015 at 5:44 PM UTC
Ghostwriters (10w)