Hello Poetry
Submit your work and get some sparkles! Create free account
#bw
Wǔxíng Category: Fire (火) 2-xx The stainless tank sits heavy on the leaden bench, Where spiral coils hold the latent, winding path. In total dark, the fingers guide the celluloid, A tactile dance within the light-tight steel. The rhythmic pour of chemistry begins its work, The metal lid contains the agitation’s pulse. Cold water rinses clean the silver’s final ghost, Before the drying rack reveals a frozen world. The simplicity of where silence speaks in silver, As one strips away the color to hear the whispers of the shadows, Where black and white erase time from the equation of a life. It is a soul where emotion is rendered in a raw texture of contrast, A world of gray dancing on the fringes between truth and dream. This art is the quietest form of noise, save for the shutter’s snap, An alchemy of light where the mundane is converted to the eternal. It is like reading the book and living it, rather than merely watching, Finding a sanctuary in the slow birth of a memory in the dark. Across the light table, the Ektachrome awakens, A slide of vivid blue that burns the metal frame. The pigment meets the grain in a luminous wash, Like acrylic glazes layered on a sanded board. Where once was only contrast, now the spectrum flows, A saturated heat that melts the winter’s edge. The brush of an artisan leaves a ridge of light, Mapping the transition where the shadows turn to gold. The world is reimagined through a lens of additive light, Where the brilliance of the spectrum provides a new depth. It is the bold stroke of color that shatters the monochrome chill, Bringing a vivid richness to the structural truths of the frame. The eye learns to seek the warmth hidden within the exposure, Finding that the most striking images are those that hold the heat. Beyond the grain and the chemical baths of the past, A new clarity emerges, developed in the light of the present, A masterpiece born when the shadow finally meets the sun. 刘嘉文 © 2026 Liujiawen2024. All Rights Reserved.
0
Feb 24
Feb 24, 2026 at 7:00 PM UTC
The Halide and the Hue (2026)
Wǔxíng Category: Fire (火) 2-xx The stainless tank sits heavy on the leaden bench, Where spiral coils hold the latent, winding path. In total dark, the fingers guide the celluloid, A tactile dance within the light-tight steel. The rhythmic pour of chemistry begins its work, The metal lid contains the agitation’s pulse. Cold water rinses clean the silver’s final ghost, Before the drying rack reveals a frozen world. The simplicity of where silence speaks in silver, As one strips away the color to hear the whispers of the shadows, Where black and white erase time from the equation of a life. It is a soul where emotion is rendered in a raw texture of contrast, A world of gray dancing on the fringes between truth and dream. This art is the quietest form of noise, save for the shutter’s snap, An alchemy of light where the mundane is converted to the eternal. It is like reading the book and living it, rather than merely watching, Finding a sanctuary in the slow birth of a memory in the dark. Across the light table, the Ektachrome awakens, A slide of vivid blue that burns the metal frame. The pigment meets the grain in a luminous wash, Like acrylic glazes layered on a sanded board. Where once was only contrast, now the spectrum flows, A saturated heat that melts the winter’s edge. The brush of an artisan leaves a ridge of light, Mapping the transition where the shadows turn to gold. The world is reimagined through a lens of additive light, Where the brilliance of the spectrum provides a new depth. It is the bold stroke of color that shatters the monochrome chill, Bringing a vivid richness to the structural truths of the frame. The eye learns to seek the warmth hidden within the exposure, Finding that the most striking images are those that hold the heat. Beyond the grain and the chemical baths of the past, A new clarity emerges, developed in the light of the present, A masterpiece born when the shadow finally meets the sun. 刘嘉文 © 2026 Liujiawen2024. All Rights Reserved.
Continue reading...
38
Broken shadows cut against the corridors A hand extends up poetic, delicate, curved She is leaning against rigidity, structure, ancient history, poised like swans linking necks In solidarity and confinement a thin layer of water is disrupted by the pitter and patter of children’s feet Arms extended out to catch the wind, disappearing into the steam
0
Nov 10, 2019
Nov 10, 2019 at 12:52 PM UTC
Human Arches
whispers are just words in black and white, so let your voice fill my ear with sepia-tone paint my skin monochrome let your words tint my blood with white-out and my skin with ink. touch my hair and rub the colors of your heart onto my split ends like hair dye from a discount store, stain my face press your dyed fingertips into the hollows of my cheeks, because they lack color. let your gaze cast honeyed light on my shoulders let it warm my freezing fingers let it thaw my frostbitten lungs, make my elbows lighten with the heat of your palms imprint the spaces between my ribs with the marks of your fingers like puzzle pieces, meant to fit together.
0
Apr 30, 2018
Apr 30, 2018 at 6:39 PM UTC
color is our concept
It was all white Bright, ceaseless, full of possibilities Then it turned just black for you Nothing, too sudden, an ending Now in the gray area Here I still remain
0
Sep 27, 2016
Sep 27, 2016 at 9:45 PM UTC
b&w
Behind closed doors, there's something more; deeper than her personal art and healing heart. She's left only to herself. Her head that once was held head, fell and reality shook the room. The roar of laughter echoes and her insides shatter. Flaws are what make us whole. But for her, that's not how the story unfolds. Color leaves her eyes and she's no longer alive deep inside. The photograph that was once painted in color, faded to grey. -c. n.
0
Feb 23, 2016
Feb 23, 2016 at 12:13 AM UTC
Faded to Grey
There is no dust to settle, Two days from land and we are not ready, The whole year to prepare- poppy seed afternoons 6:00p.m. morning drunks to corroborate nightmare memories. Where are the aches and the sick bending bone-like threads of This corpse who romances sallow and pallid warlocks. Interior flesh ministries unveil festering ****** horrors. To not go out means chain smoking reds inside. Plaster the monster over my face so I cannot breathe. Then the unabashed words can take to the road with pitch forks and Long, drawn-out misunderstanding. I eat salmonella for preference. Ashes and soot and dirt and history sew its film atop every surface. This is not what I thought they meant by life on a deserted island. There is only me and I am still curious to see if I am advantageous. Finally they do not wont of me. This is the sorcery I have been executing In poor forms until this precise moment of lascivious loathe. If you cannot understand this I am serving the greater good. It is worse to Misunderstand than not know at all. Let your small hands to the sides of My face and your eyelashes rest atop my head. Lips inside hair. With precision I extract pearls from your saltwater tomb. I set the peas to our bed.
0
Nov 27, 2015
Nov 27, 2015 at 7:26 PM UTC
Draconian Negligees
"my mind may be filled with dark thoughts and every turn may be hiding a new demon. and everything i see may be in black and white but it's not my choice. i try to make others feel like the universe is a beautiful creation exploding at the seams with color and concentrated happiness.i may be sick but at least i dont make others feel like the only way to see the world is in black and white. and the only way to treat people is to assume that everyone is a lying son of a ***** and that everyone wants to steal your heart and stomp it into the earth . i may be sick but i'm not sickening."
0
Jul 19, 2015
Jul 19, 2015 at 3:33 AM UTC
sick
when mad girls are gone singing love songs a lonely lass whose eyes and lips dead shut lost in a big fat gigantic mess she lit a cigarette up and all is born again to put up with the thing she's done to remind her of who she was and to take her mind off like an ocean takes the ***** sands like an empty bottle takes the rain like an nuclear bomb takes clear air like the scars takes time to heal the world seems to drop dead mad girls are gone to hit the road a swift wind from the barley caresses her body all the stars go waltzing out in black and white and all the odds left within
0
Nov 8, 2014
Nov 8, 2014 at 1:48 PM UTC
empty streets
I am going to buy a billboard in the middle of some city Big white words on a big black canvas: "Stop romanticizing love." City people in their white city shawls holding their black city umbrellas will stop and laugh or take a picture City people will walk on by I tried every piano key and the door to your heart or soul or brain or whatever, just won't open One part of me wants to try my shoulder next I'm going to start a support group out here We'll play chess and read old newspapers A circle of lovely, miserable silhouettes Complaining about our animal instinct. It is far easier this way. It is easier to believe the stories. We do not know just how wrong we are But we are vaguely aware. Someday I'll think back forget your name for a sec. Until then I will enjoy Watching you dodge my gaze.
0
Aug 21, 2014
Aug 21, 2014 at 1:35 PM UTC
B&W