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#brute
War is Obsolete by Michael R. Burch War is obsolete; even the strange machinery of dread weeps for the child in the street who cannot lift her head to reprimand the Man who failed to countermand her soft defeat. But war is obsolete; even the cold robotic drone that flies far overhead has sense enough to moan and shudder at her plight (only men bereft of light with hearts indurate stone embrace war's arctic night). For war is obsolete; man's tribal gods, long dead, have fled his awakening sight while the true Sun, overhead, has pity on her plight. O sweet, precipitate Light! — embrace her, reject the night that leaves gentle changelings dead. For each brute ancestor lies with his totems and his "gods" in the slavehold of premature night that awaited him in his tomb; while Love, the ancestral womb, still longs to give birth to the Light. Which child shall we ****** tonight, or which Ares condemn to the gloom? Keywords/Tags: war, children, violence, guns, war and peace, destiny, god, gods, brute, brutality, ******
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Apr 16, 2020
Apr 16, 2020 at 1:38 AM UTC
War is Obsolete
A free portrait! Imagine that, At no charge this troglodyte Decided that I deserved a rendition in pulsing crimson, me! He effortlessly sliced the curve of my face, And then holding true to brute form, Let his fists do the rest of the painting. In a breath’s thought I fought the idea That this strong browed man was a fan of Yves klein, but then he caringly guided my sight Floor-bound and I noticed that he was a Monochromatic ******* Now, I wasn’t expecting Monet, But in truth the elegance of the lazy red river Careening down my cheek and neck got my hopes up. And then further was impressed by his liberalness With bottomless black crimson Where he’d only previously flirt with young pinot noir As he took a break to wash and massage his stained hands I clutched at the hope that perhaps he was done with the Onslaught with such blunt tools, As such methods could ruin the whole piece Unfortunately, he returned And his care for each swipe was becoming more More impassioned, but less precise, I asked if he perhaps needed a second break? Perhaps I could assist him, I wanted to give it a try myself, but my hands were Tied. In vain, I tried to tell him that, Perhaps, His bearish skills and appearance, Would be better suited to a life of leather, whips, and Oedipus Complexes, But his response was, Cutting. You should never laugh at an artist Especially the bad ones Because then their work some how finds a way to get worse I asked if he’d learned how to work from his father, And whether his father had worked him in any Other Manner, and that’s when I became dizzy I think. Apparently struck a nerve.
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Feb 5, 2018
Feb 5, 2018 at 7:20 PM UTC
Untitled
A free portrait! Imagine that, At no charge this troglodyte Decided that I deserved a rendition in pulsing crimson, me! He effortlessly sliced the curve of my face, And then holding true to brute form, Let his fists do the rest of the painting. In a breath’s thought I fought the idea That this strong browed man was a fan of Yves klein, but then he caringly guided my sight Floor-bound and I noticed that he was a Monochromatic ******* Now, I wasn’t expecting Monet, But in truth the elegance of the lazy red river Careening down my cheek and neck got my hopes up. And then further was impressed by his liberalness With bottomless black crimson Where he’d only previously flirt with young pinot noir As he took a break to wash and massage his stained hands I clutched at the hope that perhaps he was done with the Onslaught with such blunt tools, As such methods could ruin the whole piece Unfortunately, he returned And his care for each swipe was becoming more More impassioned, but less precise, I asked if he perhaps needed a second break? Perhaps I could assist him, I wanted to give it a try myself, but my hands were Tied. In vain, I tried to tell him that, Perhaps, His bearish skills and appearance, Would be better suited to a life of leather, whips, and Oedipus Complexes, But his response was, Cutting. You should never laugh at an artist Especially the bad ones Because then their work some how finds a way to get worse I asked if he’d learned how to work from his father, And whether his father had worked him in any Other Manner, and that’s when I became dizzy I think. Apparently struck a nerve.
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One feverishly feigned embrace And struck with hand, dagger graced Though the votive venial It precipitated the coup de grace Ignorant stood captivated, Discourse evaporated As conspirators followed suit Silence serenaded the orchestrated, Symphony of treachery accentuated by sovereignty's strikes, resolute Although he knew the fate awaited And pain he could not substitute The fight he would not forsake, and so suffered mute Until his soul was devastated by the visage venerated... The coda extricated, "Et tu, Brute?"
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Apr 2, 2016
Apr 2, 2016 at 9:36 PM UTC
Snakes