#blackfoot
I've always been in place,
in situ
Maybe (just maybe) ...
I'm sui generis?
When my lifeline intersected with spacetime on this continuum
I found myself moving toward a collision course with duality and non-duality
Moving towards a zero-point
What are we talking about?
Nothing (Rafelski & Muller, 1985)
As a geographer, the mimetic expression was dualistic
As one plane flowed through another;
as fiat lux flowed through Medicine Rock
I found wisdom
I further explored the duality @ this place
(also known as University of Lethbridge)
The U of L is an interesting duck
It walks like an Albertan university
It talks like an Albertan university
But one of these things is certainly not like the other
The U of L got its chops as a house of learning for the Liberal Arts
Follow those roots and you'll see conduits to another spacetime known as UCBerkley
U of L memetics share material memories from the birth of the Free Speech Movement (1964)
And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime
I'm sure at the very least that he was listening to Hendrix wax on about Castles
As Erickson designed this modernistic monolith called University Hall
There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968)
He was certainly knowledgeable of the Blackfoot stories of the Old Man
And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level
Strange but true, Erickson's first degree was in foreign languages
So what I see is Canada's premier architect wrote a poem for us in 1968
In a foreign language
And that poem would be expressed over the next forty to fifty years
Some of those primary poetic elements were:
Berkley, California
Hippie Movement
Creep (or gravity)
Base level
Blackfoot creation stories of the Old Man
Jimi Hendrix poetry and his savage musical genius
"and so castle's made of sand melt into the sea, eventually."
So let's reinterpret that line to be more U of L centric
(through my glossy apertures)
"and so monolith's made by man melt back into god eventually."
........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Because I Am Indigenous.
There’s always a brume of skepticism (of fear) that will loom like a fly,
Slightly past 9:30pm on a Friday and the twilight is taking the sky
I find myself reciting; “It’s too dangerous. It’s too dangerous.”
I feel this way because it’s another day with another alert on the news broadcast; another “missing person’s” poster hanging on the bleak walls,
The articles are increasing while the fight to battle against it is decreasing,
We attend more social gatherings where we mourn more than we celebrate;
We mourn, can’t you hear us?
Our missing indigenous women;
Of injured sisters, mothers, Aunty’s and cousins.
Of our murdered women.
There’s so much injustice and shame in our system,
Our voices get silence and we get dismissed with one wave of your ******* palm and no second glance.
Shame.
Because I am Indigenous,
My cultural beliefs are frowned upon; my healing ceremonies that takes away the discrimination toxicity, my herbs that help heal my throat that’s yelling at you to listen,
My prayers in my two native tongues for those effected by your colonialism.
My cultural heritage that is label as witchcraft and locked away in shelves cloaked by their leatherback book that they hold so close to their sinful chests
And dangling cross.
Colonialism.
Discrimination.
Because I am Indigenous woman,
I am afraid to walk alone.
Because I am Indigenous,
I am afraid to be a victim of a hate-crime.
Because I am Indigenous.
I am also resilient.
Jan 10, 2019
Jan 10, 2019 at 3:40 PM UTC