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#annesexton
Your demons don’t play well with mine, They bite and they bruise and entwine. Yours weaponize tears, Mine whisper, come near. The chaos is purely divine. We drift to escape, dark and slow, They bloom with our secrets and grow. Yours pull at my seams; Mine knot in your dreams. A dance only demons could know.
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Jul 24, 2025
Jul 24, 2025 at 10:31 PM UTC
Twisted Symmetry
i remember five months from now how i sprawled across your lap like chainlink and you traced an urban skyline peeking through my skin. i asked which radio tower was your favorite. what's most beautiful about the city we have yet to build.
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Feb 10, 2020
Feb 10, 2020 at 12:22 AM UTC
[untitled movement]
City cops, either all pigs or all fathers, break cement curbs with rubber as the shin of a warm body brushes a front bumper; warning sign clearer than headlights. I stand arrested across the highway. An idle ghost, mouth agape, eyeballing the Record Courier parking lot, officers breaking cement breaking kneecaps of a civilian. Where he kisses the ground I once analyzed the black of the sun, diseasing slowly from time and the light. I soaked the now with a present mind and active heart, living for life defined by want. I recall Impressionist interpretations of Carson Valley sitting on the windowsill of the Courier, a hand wrapped around my wrist using its nails to pick off my skin naively, so I’ll bleed out through my scabs and my corpse will be captured in that moment. Handcuffed, legs pressed between my shoulder blades, but seconds still pass. Divorced from a faded past, I wait until three uniforms shove a man into the backseat and drive to the station. We’re now shadows of our former selves in the lights of a cop car, separated from when our heartbeats were the loudest.
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May 1, 2019
May 1, 2019 at 1:20 PM UTC
Police brutality as a metaphor for growing up
There’s a house Anne built with a crumbling frame, she’d eat the paint chips off the wood and dream of a sun set she’d parallel as an identical being. A life cycle of dissolving lithium batteries in ***** chasing doctor death by staying still. Carbon monoxide filled the cavities in her brain and her corpse, a beautiful foundation destroyed in broad daylight, do loved ones say goodbye over the remains. And in blood visions I see the home I’ll put together and tear apart. Is what’s inevitable a tragedy? If I stay in the garage and let the car run, the wood in the floorboards would still be fresh. Anne, my future is in all the architecture I’ve admired. If they’re all delusions, then reality’s a great impressionist and I’ve been picking off all of the yellow paint. I will set with the sun, I will set with the sun when day time comes to an end. and over what’s left standing, say goodnight rather than goodbye.
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Apr 11, 2019
Apr 11, 2019 at 4:52 PM UTC
An identical being.
i see the same hillside. with you, completely there, growing into something taller than skylines with broken ribs. your breaths fall out your body over me. the way your pupils expand in shock works like flood lights into the dusk. our lips split as a still landscape, with your breaths still warm. my ribs crack to the beat of my heart. i see the same hillside, skyways and all, with you, completely, in the black of your eyes.
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Apr 11, 2019
Apr 11, 2019 at 2:35 AM UTC
untitled romantic couplet
love is what love is; i've always spoken it into monuments. their eyes would be pearls among cheeks captured in marble, and i spent a lot of time time tracing bone to bone over the bridge of my nose thinking if my touch is the same as others'. love is what love is and i've acted as Midas. under all the suns kisses are dandelions, we run through the blossom. in the scratched blackheads there's pollen and i lie fetal as a raisin and whisper **** it out". break my shoulders, whiten your hands, **** it out. love is what love is; I've started to wonder if raindrops **** intimately, so the pollen pours out at paint's pace. love is what love is what's real is what's slow. i can count blackheads among vacuum suction marks. water trickles down the post, jogs after each other 'til one catches the other in matrimony. i wonder if they **** if they love, and if the rising action is longer than what i have to live. but love is what is, slowly but surely. moments in time can't be lost if rain ***** forever.
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Apr 10, 2019
Apr 10, 2019 at 2:54 PM UTC
you, i.
i could have been a field medic, you suggested, with my gentle touch running down the thin skin of your spinal notches. i bite my nails but i still could pinch glass out of your pores and press my hand so red would fill my palm lines. the version of i, completed with you, is a war vet’s firework dream of what grandeur really is. you’d talk of lactating with your closed wounds, we’d retire to a wheat farm, and i’d plant your stomach into the garden. maybe the baby’s blood cells pump forsythia. our favorite, but really, yours. i could still be a field medic, you suggest, but not the only one. i’d stitch slits when, if ever, rain comes down on bare you planted & abandoned in the flower bed. you’d still lactate, just wouldn’t bleed. and the planted baby would know me as a father or a gardener but i’ll only ever be a medic. the statue i once was, imperfections cleared, is crushed marble on a mausoleum floor. medic can’t recover with no bones to heal.
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Apr 1, 2019
Apr 1, 2019 at 6:44 PM UTC
field medic (my abuser's partner also listens to pg.99)
I break down into a heartbeat through a whipped cream canister; God’s feet whomp at the Pearly Gates. Incapable of sin, I’m unable to think. Love jitters through every pore of my skin & laughter drools out. In an out-of-body only Malcolm In The Middle exists when Dewey asks, “is your brain big enough to get your feelings hurt? Me neither”. My life replicates art, choking out brain cells, and I no longer have to know what my heart feels. My brain is too small for that.
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Mar 26, 2019
Mar 26, 2019 at 5:59 PM UTC
a poem about doing whip-its
i. i watch people die. the romance moves slowly on camera film; a lover crashing through pvc to kiss pavement, windows behind relay a tragedy captured with ***** lights. ii. i transcribe scripts to my bathroom mirror. i see no Winslet. green in my eyes mark an imperfect creature, no feeder's hand to bite. i speak to my reflection in self indulgence. iii. i don't have a role to play. who i am is minors and leads of movies shaped by the past, but gas on the celluloid makes the memory blur. feelings died with the character dead in the past. iv. i just watch people die. casablanca; temporary love rejected when the bone and the heart shatters. v. i don't know who i'll become. i don't know if i'll become.
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Mar 20, 2019
Mar 20, 2019 at 2:56 AM UTC
Helen Palmer
wherever you go, there you are in a world of silver legacy where all you feel are living emotions of memories you thought were dead; hands on the dash, passenger seat, their eyes are too friendly. glass ***** that act like warm pillows, i'm ready to fall asleep. no melatonin, no split palms or slit wrists, no fever dreams of vision loss where i'm left a broken nose bruised beauty. i'll be a beauty, or something like that, but i won't be nothing like i've been recently.
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Feb 5, 2019
Feb 5, 2019 at 8:42 PM UTC
quarterback, baby.
you said: "pull my hair", and so i did. dragging the albatross across pavement stretching several states i turn my back to where i'm going for a fishermanwomxnbeing to spear me in the back and hang me as one of their own in case your feathers get bent and crows tear at your meat until i'm wearing nothing but a skeleton at my ankles but even then i doubt any killer will pry my mouth open the way you did when you wanted me to feed and even then i doubt they would look at me with the affectionate fear you had of never having the sight of two glass worlds you thought of as yours again and even then i doubt anyone would be able to **** me because i'd be dead already if i was completely without you and no evasive species has the strength or the claws to drag you sea from sea and open their wings wide enough to envelop you with the warmth of the beating heart you've called your pillow for as long as you have been sleeping well and asking me to pull your hair and so i have but i am tired of begging for my own ****** as i drag you around because you aren't my albatross. you're the one i love and i'll carry you as such. saying "I love you I love my baby I love my baby so yes yes oh yes you can fall asleep in my arms forever you will always be safe you will always be loved" whenever I'm carrying you until we can fly together forever.
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Nov 4, 2018
Nov 4, 2018 at 3:54 PM UTC
yiffing in the time of ******* pt. 2