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#andywarhol
I hide in the dark Where I shed light on the walls, The showman performs behind me and I only see a silhouette I'm fighting with shadows. Shadow boxing with shadow puppets, The candle that light that fire will fall and the puppetry will disappear. My hands still tied to the chair.
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May 23, 2016
May 23, 2016 at 11:14 AM UTC
That's me in Plato's Cave
Sun slits in through slats of kitchen window blinds and she is alone. The art major is cooking spaghetti, pretending her thrifted T-shirt bearing a cotton copy of Campbell's Soup Cans is not stained with tears and blood. Oh, but that's hysterics and hyperbole; art has a tendency of making its worshippers melodramatic...no? The blood is only tomato sauce and the tears... well, what are tears but water and salt? After all, dramatizing the mundane is just one awkward shade of artistic temperament. Visualizing life through a heavy silk screen. The art major sighs and stirs. The spaghetti is redder and redder as she cooks. Just as her paintings bleed more blood as she dangles a brush over them - the teary-eyed watercolours. The art major has decided that drawing out extremities of colour might transform her own life into a pop of a Warhol painting. The art major sighs and stirs. She thinks, tries to think in technicolour. Today's thought-pencilled thesis concludes (like a brush stroke of uncertain finality) that love is the red of tomato soup cans. Anger is the boil, passion is the gulp, danger, caution, warning, the hot breaths, fleeting warmths, the burn and sweet and tang. She looks down at the scarlet of Warhol's soup cans, blooming in worn out cotton on her chest. It might as well be blood, she thinks. It is, it is, it is. Blood red love - tomato soup cans. Sun sets in slits through kitchen window blinds and she is still alone. The art major sighs and stirs. The spaghetti is ready.
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Aug 2, 2015
Aug 2, 2015 at 6:41 AM UTC
Warhol
Sun slits in through slats of kitchen window blinds and she is alone. The art major is cooking spaghetti, pretending her thrifted T-shirt bearing a cotton copy of Campbell's Soup Cans is not stained with tears and blood. Oh, but that's hysterics and hyperbole; art has a tendency of making its worshippers melodramatic...no? The blood is only tomato sauce and the tears... well, what are tears but water and salt? After all, dramatizing the mundane is just one awkward shade of artistic temperament. Visualizing life through a heavy silk screen. The art major sighs and stirs. The spaghetti is redder and redder as she cooks. Just as her paintings bleed more blood as she dangles a brush over them - the teary-eyed watercolours. The art major has decided that drawing out extremities of colour might transform her own life into a pop of a Warhol painting. The art major sighs and stirs. She thinks, tries to think in technicolour. Today's thought-pencilled thesis concludes (like a brush stroke of uncertain finality) that love is the red of tomato soup cans. Anger is the boil, passion is the gulp, danger, caution, warning, the hot breaths, fleeting warmths, the burn and sweet and tang. She looks down at the scarlet of Warhol's soup cans, blooming in worn out cotton on her chest. It might as well be blood, she thinks. It is, it is, it is. Blood red love - tomato soup cans. Sun sets in slits through kitchen window blinds and she is still alone. The art major sighs and stirs. The spaghetti is ready.
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67
I That idol, with black eyes and pixie-cut, with aristocrats nobler than artists, holier than New York City hipsters; his selfishness running through her veins, purple and blue like blood, or tarnished by amphetamines in waves of ferocious sadness and yearning. At the border of her life- young hope twinkles, fades and dulls out- the girl with chandelier earrings, deer legs, dancing in silver reflections of tears gushing from the aftermath of shattered dreams dressed up as vivid illusions. Ladies who stroll outside of society, girls plucked from art school, with trust funds, superb luxury wardrobes, jewels on show but riches hidden in the ground of trusting valleys in burnt gardens- young and broken with eyes full of flashing lights, sullen, princess of costume and keeping hidden. Gently ignored and choked, unhappy. What boredom, without your "genius." It is she, the little girl, dead before innocence- The young artist, alive, does not stoop- his life creeks but for a second. His inspiration empty and studio up for sale. Her shutters pulled down and the key to superstardom in the lock forever because the soul is empty. The city's silver fountains drowned and cried for her fabulous elegance. II I am the life who mourns like blue summertime. I am the academic who waves manuscripts on elusive "culture" and "style." I am the pedestrian who looks up to the sky then turns to the ground. Smoggy greyness and dead black concrete pleads me to keep searching. I might well be the same child; lost and unhappy and hungry. Dreaming of touching stars but miles from Heaven. I am the artist. Manipulative creator and selfishness embedded into the sinews of my heart. The lamp shines brightly on these happy photographs. I keep falling for these stupid books. Edie, oh, Edie. You have gone and the world is ending!
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Jan 10, 2015
Jan 10, 2015 at 6:10 PM UTC
Edie
I That idol, with black eyes and pixie-cut, with aristocrats nobler than artists, holier than New York City hipsters; his selfishness running through her veins, purple and blue like blood, or tarnished by amphetamines in waves of ferocious sadness and yearning. At the border of her life- young hope twinkles, fades and dulls out- the girl with chandelier earrings, deer legs, dancing in silver reflections of tears gushing from the aftermath of shattered dreams dressed up as vivid illusions. Ladies who stroll outside of society, girls plucked from art school, with trust funds, superb luxury wardrobes, jewels on show but riches hidden in the ground of trusting valleys in burnt gardens- young and broken with eyes full of flashing lights, sullen, princess of costume and keeping hidden. Gently ignored and choked, unhappy. What boredom, without your "genius." It is she, the little girl, dead before innocence- The young artist, alive, does not stoop- his life creeks but for a second. His inspiration empty and studio up for sale. Her shutters pulled down and the key to superstardom in the lock forever because the soul is empty. The city's silver fountains drowned and cried for her fabulous elegance. II I am the life who mourns like blue summertime. I am the academic who waves manuscripts on elusive "culture" and "style." I am the pedestrian who looks up to the sky then turns to the ground. Smoggy greyness and dead black concrete pleads me to keep searching. I might well be the same child; lost and unhappy and hungry. Dreaming of touching stars but miles from Heaven. I am the artist. Manipulative creator and selfishness embedded into the sinews of my heart. The lamp shines brightly on these happy photographs. I keep falling for these stupid books. Edie, oh, Edie. You have gone and the world is ending!
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42
Nurture your gift Don’t let it sleep Grab a pen Stare at a stem Think of a story No, don’t feel sorry We are all little But in our writings, Everything can be better Strong men can be brittle Paint a face Lift up a soul Strike some lines Bring them colorful rhymes Put some color Give them a nice odor Splash positivity and be an author Or be a painter and be the next Andy Warhol No, don’t you give up You can bring up someone
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Nov 3, 2014
Nov 3, 2014 at 2:24 PM UTC
Nurture Your Gift
Where is my Campbell Soup Can? My Candy Darling, Edie Sedgewick, my "Factory"? I was promised 15 minutes, it said so on the box, on the manual of life, now where is it? Did I pass it? Dismiss it? Was it at the bottom of the ******* Jack box I so carelessly tossed aside? I think not. I think it does not exist, and therefore I think Andy failed me. Andy lied.
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Oct 28, 2014
Oct 28, 2014 at 10:21 AM UTC
Andy Lied