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#anamnesis
An anamnesis of a Soul, place me gently in your hand Remember back to you again wearing you in the sand, Recalling something back & thru you we already knew I drink you holy eucharist sacred past in a present new Long since buried-comes alive-rises the dawn of a soul In the deep logic of a scent, a line, a feeling, a dark fold A heart remembers to read you ever reaching in a tome I almost touched a memory as the clouds of glory roam, The hearty trail leads back to you, a warm morning sun I'll wait for the world to turn to you--as always into one Smoothing wrinkles lingering, feel a way, I think of you Ah, moon-colored sea, foamy suds return to me in blue.
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Mar 13
Mar 13, 2026 at 10:29 AM UTC
An Anamnesis of a Soul
Salt Lake City, 2015 Like a tourist in my own childhood, I wander the neighborhood of my youth. It’s not quite a pilgrimage, as pilgrims know what they’re looking for. I stand at the flagstone fountain in the park and gaze across the street at the red brick bungalow where my family lived until I was 13. Am I supposed to intone something? Summon a spirit? Or perhaps I’m the one who’s been summoned. Ghost of myself. On this spot, there’s the illusion of level ground, but here at the northwest corner of this Victorian mountain city, the ground slopes in every direction if you walk a few yards. North up to the Wasatch, east up to the Wasatch, south more gently but up again, to the Wasatch, and west sharply down to the valley floor. Set into the hillside, the house faces west. A boarded-up plate glass window makes it blind in one eye. In the summer, from that window, we could see postcard sunsets,   fiery light sinking into the Great Salt Lake. In winter the gray stasis of inversion. The old brass address plate—61—still hangs Slightly crooked on the molding below the attic dormer. The steep cement steps to the wide front porch look worn by nostalgia. My grandparents bought this house in 1938, and sold it to my parents in 1957, so dad, the English professor, could walk to work at the U., a half block away.  I was 1. Double exposure.  I can’t separate this view From old photos and recollections. There to the right on the parking strip, I once hid under a giant cardboard box when I knew my sister was walking back from campus.   As she got close, I jumped out, causing a satisfyingly chilling scream.   She tried her best to be furious at me, but we were both laughing too hard. 1946:  Dad in black and white stands to the left of the porch’s north column in his graduation gown, his bachelor’s degree delayed seven years by a Mormon mission to Scotland and World War II. 1955: all my siblings and all the children of my mother’s sisters posed on the sweeping cement stairs for an iconic black and white portrait. Only one missing: Me.  Not born yet.  All those cousins Sitting on my steps before I existed.   There must be a word in some language for the feeling that gave me. I never could name it. I start up the alley to the north side to take a lap around the place. The brick’s discolored and damaged from a half-century’s growth of ivy, recently stripped away, like skin where a tattoo’s been removed. A picture I took in 1985 shows ivy completely covering the dim brick. At night, a car turning up this alley would cast crazily dancing lights on the ceiling of my pitch-dark basement bedroom, through this little porthole-size window. My heart  would race, knowing it meant my parents were home. The cement walk alongside the house is crumbling and has started to melt into the wild grass. The next window, at the landing of the basement stairs is where a black widow lived, encased in the space between inner and outer panes. I used to study the red hourglass on its abdomen, and tried to draw it. Couldn’t get it right. Was better at artillery. In the back, against this wall, an old radiator was standing, waiting for removal  after home improvements. It toppled over and landed on my brother’s foot. Crutches for weeks.  Bad luck, but maybe it inoculated him.  He’s still never had a broken bone. Here behind the garage, the old crabapple tree still stands, nurturing its sour but highly flingable fruit. At its base a hamster lies buried. The little side yard on the south looks the same, though the old white trellis that I used to climb when I was so tiny it would support my weight is gone. Back to the slope at the front of the house. Leaving for school in the morning I would leap this slope in a single bound. The old place looks creased and sleepy. It doesn’t remember who I am, is starting to fade into the past. It’s only about half here. The rest is memory and desire.
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Oct 28, 2016
Oct 28, 2016 at 3:57 PM UTC
Old House
Salt Lake City, 2015 Like a tourist in my own childhood, I wander the neighborhood of my youth. It’s not quite a pilgrimage, as pilgrims know what they’re looking for. I stand at the flagstone fountain in the park and gaze across the street at the red brick bungalow where my family lived until I was 13. Am I supposed to intone something? Summon a spirit? Or perhaps I’m the one who’s been summoned. Ghost of myself. On this spot, there’s the illusion of level ground, but here at the northwest corner of this Victorian mountain city, the ground slopes in every direction if you walk a few yards. North up to the Wasatch, east up to the Wasatch, south more gently but up again, to the Wasatch, and west sharply down to the valley floor. Set into the hillside, the house faces west. A boarded-up plate glass window makes it blind in one eye. In the summer, from that window, we could see postcard sunsets,   fiery light sinking into the Great Salt Lake. In winter the gray stasis of inversion. The old brass address plate—61—still hangs Slightly crooked on the molding below the attic dormer. The steep cement steps to the wide front porch look worn by nostalgia. My grandparents bought this house in 1938, and sold it to my parents in 1957, so dad, the English professor, could walk to work at the U., a half block away.  I was 1. Double exposure.  I can’t separate this view From old photos and recollections. There to the right on the parking strip, I once hid under a giant cardboard box when I knew my sister was walking back from campus.   As she got close, I jumped out, causing a satisfyingly chilling scream.   She tried her best to be furious at me, but we were both laughing too hard. 1946:  Dad in black and white stands to the left of the porch’s north column in his graduation gown, his bachelor’s degree delayed seven years by a Mormon mission to Scotland and World War II. 1955: all my siblings and all the children of my mother’s sisters posed on the sweeping cement stairs for an iconic black and white portrait. Only one missing: Me.  Not born yet.  All those cousins Sitting on my steps before I existed.   There must be a word in some language for the feeling that gave me. I never could name it. I start up the alley to the north side to take a lap around the place. The brick’s discolored and damaged from a half-century’s growth of ivy, recently stripped away, like skin where a tattoo’s been removed. A picture I took in 1985 shows ivy completely covering the dim brick. At night, a car turning up this alley would cast crazily dancing lights on the ceiling of my pitch-dark basement bedroom, through this little porthole-size window. My heart  would race, knowing it meant my parents were home. The cement walk alongside the house is crumbling and has started to melt into the wild grass. The next window, at the landing of the basement stairs is where a black widow lived, encased in the space between inner and outer panes. I used to study the red hourglass on its abdomen, and tried to draw it. Couldn’t get it right. Was better at artillery. In the back, against this wall, an old radiator was standing, waiting for removal  after home improvements. It toppled over and landed on my brother’s foot. Crutches for weeks.  Bad luck, but maybe it inoculated him.  He’s still never had a broken bone. Here behind the garage, the old crabapple tree still stands, nurturing its sour but highly flingable fruit. At its base a hamster lies buried. The little side yard on the south looks the same, though the old white trellis that I used to climb when I was so tiny it would support my weight is gone. Back to the slope at the front of the house. Leaving for school in the morning I would leap this slope in a single bound. The old place looks creased and sleepy. It doesn’t remember who I am, is starting to fade into the past. It’s only about half here. The rest is memory and desire.
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Distant shadows, Traveling into the absence of light. Illuminating a pathway of sorrow, Imagining the beauty of Helen’s sight. Diving into the abyss, Searching for lost remains. Encountering a series of melancholic words, Reliving one's past fate. Salvaging sunken letters, Written in Cephalopod ink. Subsiding into Davy Jones' locker, In quest of the skeleton key. Pursuing the Sirens voice, Inducing a tidal wave. Awakening to disillusion, Anchoring hope to reality once again. By: Michael M. De La Fuente
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Apr 13, 2016
Apr 13, 2016 at 10:03 AM UTC
Skeleton Key
Hardened to experience Like gum beneath a chair, I cannot explain This lasting hunger for simple fictions. Yet prompt me as you tried so long ago To imitate the joker in the balcony Who shouts “I’m gonna be sick!” And launches a bucketful of mushroom soup Over the railing, To this day I forget my only line.   The gestures, too.   And the sound effects?   The mind’s ear can’t hear them anymore, Let alone vibrate to them in Sensurround. But I’m still slouching down in familiar dark, Feet stuck to the floor, waiting for the previews to end, Hoping that a moving picture conjures Something whose absence has become So powerful that I begin to think It’s really the presence of something else. The aroma of our time together So many years ago lingers Like the faint odor of mushroom soup.
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Nov 19, 2015
Nov 19, 2015 at 2:29 PM UTC
Moving Pictures
Life: "There are days when we are open to beauty." Some of them are not. Life is a marvelous Cat playing with It's pray. With us. Praying. For us? Sometimes I love To be taken By it's sweet surprises. Me thinks: "Taboos are there to remain intact!" Tragically Obedient To the law Of Attraction We dance as infatuated Dervishes dressed in trousers Flowing forth. Toward each other's all pervading Persistent exoplanets orbiting 'ur private passions: :   Knowing it' self, its potency Penetrating our thoughts Mighty male: "Might I Satisfy You?" I'm such An obsolete Amethyst, good for lucky charms and ready made domesticated potions. Imploded desires rise and fall Within the invisible canopy Of our dreams and glances Watch us! They rise and fall Magnetized Elated Chalices Rise and fall Luminated Fulfiled Flawless Unbreakable Like legends       Love!! Legends love to be loved In silence Of our hearts Heard and ingrained Deep within our souls. In this modest mode I pretend to be     Bemused by little things tossing   And turning me around   Just to forget your presence     And to remember         Your immortal spirit.               I yearn for you! Surpressed passion is all I have; And blue heaven arched upon Spellbound portals. Sheer Kan devour my hide in Seek in the shade. Moist Of the first creative act Blows the raven away Along scented mahogany At the modest shelter Of our habitual insanity of Sparks and stars Bursting into Flames. . .our Suppressed desires. . . Merging ~˘
0
Jun 10, 2015
Jun 10, 2015 at 4:30 PM UTC
Elevated Chalice & Keen Portals
Life: "There are days when we are open to beauty." Some of them are not. Life is a marvelous Cat playing with It's pray. With us. Praying. For us? Sometimes I love To be taken By it's sweet surprises. Me thinks: "Taboos are there to remain intact!" Tragically Obedient To the law Of Attraction We dance as infatuated Dervishes dressed in trousers Flowing forth. Toward each other's all pervading Persistent exoplanets orbiting 'ur private passions: :   Knowing it' self, its potency Penetrating our thoughts Mighty male: "Might I Satisfy You?" I'm such An obsolete Amethyst, good for lucky charms and ready made domesticated potions. Imploded desires rise and fall Within the invisible canopy Of our dreams and glances Watch us! They rise and fall Magnetized Elated Chalices Rise and fall Luminated Fulfiled Flawless Unbreakable Like legends       Love!! Legends love to be loved In silence Of our hearts Heard and ingrained Deep within our souls. In this modest mode I pretend to be     Bemused by little things tossing   And turning me around   Just to forget your presence     And to remember         Your immortal spirit.               I yearn for you! Surpressed passion is all I have; And blue heaven arched upon Spellbound portals. Sheer Kan devour my hide in Seek in the shade. Moist Of the first creative act Blows the raven away Along scented mahogany At the modest shelter Of our habitual insanity of Sparks and stars Bursting into Flames. . .our Suppressed desires. . . Merging ~˘
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