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#amputee
You lay there in the hospital bed blind and legless. You depended on your hearing to discover what was going on around you. Your leg stumps were bandaged and as you lay there you felt like so much meat on a butcher’s bench. You had visitors now and then like Donald and Guy, but few others. Your house had been bombed in the air raid and your maid had been killed. You lay there going over it in your mind, how your lover Clive had been killed in Dunkirk, how you and he made love that last night together before he went and joined his regiment. Now a memory, and you doubted anyone would make love to you anymore. Donald had brought along with him the other day a man named Philip with him whom you didn’t know. He was soft spoken and asked questions. You wondered what he made of you sitting in the wheelchair in the open air of the hospital, blind and with bandaged leg stumps. Anthony another friend of Guy’s who you met a few times came once, but hardly spoke, and you could imagine him gazing at you with displeasure. He talked about the war and about his engagement in war work of some sort. You lay there and it was all going around in your head, but you were glad you were now alive and not dead.
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Feb 26, 2025
Feb 26, 2025 at 3:26 AM UTC
Grace and Visitors 1940.
Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!          Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!        After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!        End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!        Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???       Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!         Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...      “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!      Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...      “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”      In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!             “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”      I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!        Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!   In the letter we also read...      “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******  That is how he got his nick name according to a friend, Scott Gangel.”        "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!             It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...      I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???        Surfed waves on one leg Young wife... crazy life... grand death Harpooned by Barry ©  2019 Jim Davis
0
Jun 10, 2019
Jun 10, 2019 at 7:47 PM UTC
Harpoon Barry (a haibun)
Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!          Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!        After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!        End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!        Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???       Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!         Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...      “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!      Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...      “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”      In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!             “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”      I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!        Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!   In the letter we also read...      “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******  That is how he got his nick name according to a friend, Scott Gangel.”        "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!             It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...      I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???        Surfed waves on one leg Young wife... crazy life... grand death Harpooned by Barry ©  2019 Jim Davis
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23
I'm outside in the grounds I can smell the fresh air and flowers hear bird song someone has wheeled me out from the ward where the smells and voices hemmed me in hello Grace a voice says to my left I turn my blind eyes where the voice comes Philip is that you there? yes it is he replies I reach out to touch him he holds my hand in his where abouts have you been? I ask him war work stuff its stop secret can't say much o I see he squeezes my hand gently your doctor has said I can take you out for that meal next week he whispers take me out into town? yes up West have to risk the bombing from Hitler's bombing crew Philip says you don't mind taking me? why should I? I've no legs ****** blind I want to take you out he utters you can wear that red dress I bought you I recall the nurse talk about it the red dress thank you for taking me I tell him what about other things? other things? what if I need to go to the loo? I can't go on my own can't manage I tell him Joan's coming with Donald she'll help you Philip says a foursome? just the four Donald's driving I sit still and stare at where he is she won't mind taking me? of course not anyway Nurse Kavel will be there on duty just in case she makes five Philip says I am thrilled to be out not caring who stares at me that night I can't see I won't know a weird one out on show.
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Jun 22, 2016
Jun 22, 2016 at 2:01 AM UTC
OUT ON SHOW 1940
With my hands I move myself to the side of the bed, and stare around with sightless eyes, wondering if the nurse put the commode near the bed as she said she would. I try to balance on one hand as I search around with the other. The pain in my leg stumps nags at me each time I move. I touch the commode arm, and try and move myself in a position, that I may be able to get on the commode, but as I move forward I fall into darkness, and hit my head, and land on my back, and stare into a painful blackness. Grace, a voice says, what are you doing? I face the voice: I wanted to get on the commode, I say. You must ask, the voice says. I want to be independent, I say. Not just yet; now keep still while we assess you for damage, the voice says. She calls out for help; I hear footsteps running and another voice says, what's Grace doing on the floor? She was trying to get on the commode by herself, the other voice says. Shall I call a doctor to examine her? I'm all right, I say, nothing broken; just the usual pains and aches. Your head is bleeding, a voice says; other voices come. I lie still and stare at the darkness around me, attempting to stare at faces I cannot see.
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Jun 17, 2016
Jun 17, 2016 at 2:27 AM UTC
FACES UNSEEN 1940
Sightless, I use my other four senses to guide me through the remaining world about me. I smell the disinfect of the hospital ward, I hear the passing nurses and doctors, and the cries and chatter of other patients. I feel with my fingers where my stumps begin and my legs end. I taste the warmness of the cup of tea they brought me. I hear talk of invasion by **** troops; I hear music of a dance band and someone singing. Someone is washing me in the bed; towels are under me and over me; I feel like a child again; hands wash my stumps, clean my body, soap and rinse my ******* This darkness behind my eyes depresses me. Will I walk again? I ask at random. Of course, Grace, once your stumps are healed sufficiently and we can measure you up, the voice says, not stopping her work, her voice dry as sand. In my blindness I recall Clive touching me where the nurse touches; his hands there, his lips kissing me as we made love before he left for war and battle and death. I am being dried by a towel a hand feels along my skin to see how dry I am. Clive has gone and all I can think is ****
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Jun 9, 2016
Jun 9, 2016 at 1:25 AM UTC
SIGHTLESS WASHDOWN 1940.
We had just made love, then turned on our backs, and lit up cigarettes, staring at the ceiling, where shadows from the streets lamp made patterns. Why must you join the army, Clive? There's war coming, and I want to be there to push ****** back, Clive said. But why you? Why not someone else? Grace I cannot sit back and let others defend us, he said. But you're intelligent, you could work in the war effort in other ways, I said.   I don't want to do espionage work, I want to fight, he said. We lay there smoking, and now and then talking about the coming war, and afterwards about marriage and family. Grace, Grace, a voice calls me, mind you don't slip in the bath. I look to where the voice comes from. What? Don't slip in the bath, not easy balancing with just two leg stumps, the voice said. I move side to side carefully, sensing the water about me; it's the nurse,   but I cannot see her, my blind eyes just stare in her direction. Must have been daydreaming, I say. Your first proper bath since before you were bombed out, she says. Yes, it is, I say, sponging my ******* over with soapy water. How are the stumps healing? I say. Well, they're doing well, the doctors are happy with them. They still hurt, I say. They will for a while, the nurse says. I'll be an old maid now; no one will want to marry a legless blind woman like me, I say. The nurse sighs, now I don't think that is true, that Mr Kimberly seems struck on you. What good would I do him? I'd be a burden, and I don't want anyone to marry me out of pity. The nurse is quiet. I sit balancing as I sponge between my legs. There is pity, and there is love, she says. I don't know what he looks like, and how can I ever bring a child in the world blind as I am, and without legs? I say. If you want to you can, and will, she says firmly. She takes the sponge from my hand and washes my back and around my neck. I think what for? What the heck.
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Jun 2, 2016
Jun 2, 2016 at 1:57 AM UTC
FIRST BATH 1940.
We had just made love, then turned on our backs, and lit up cigarettes, staring at the ceiling, where shadows from the streets lamp made patterns. Why must you join the army, Clive? There's war coming, and I want to be there to push ****** back, Clive said. But why you? Why not someone else? Grace I cannot sit back and let others defend us, he said. But you're intelligent, you could work in the war effort in other ways, I said.   I don't want to do espionage work, I want to fight, he said. We lay there smoking, and now and then talking about the coming war, and afterwards about marriage and family. Grace, Grace, a voice calls me, mind you don't slip in the bath. I look to where the voice comes from. What? Don't slip in the bath, not easy balancing with just two leg stumps, the voice said. I move side to side carefully, sensing the water about me; it's the nurse,   but I cannot see her, my blind eyes just stare in her direction. Must have been daydreaming, I say. Your first proper bath since before you were bombed out, she says. Yes, it is, I say, sponging my ******* over with soapy water. How are the stumps healing? I say. Well, they're doing well, the doctors are happy with them. They still hurt, I say. They will for a while, the nurse says. I'll be an old maid now; no one will want to marry a legless blind woman like me, I say. The nurse sighs, now I don't think that is true, that Mr Kimberly seems struck on you. What good would I do him? I'd be a burden, and I don't want anyone to marry me out of pity. The nurse is quiet. I sit balancing as I sponge between my legs. There is pity, and there is love, she says. I don't know what he looks like, and how can I ever bring a child in the world blind as I am, and without legs? I say. If you want to you can, and will, she says firmly. She takes the sponge from my hand and washes my back and around my neck. I think what for? What the heck.
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108
We'd danced until there was no time left, the people were beginning to leave, Clive and I walked along the London streets hand in hand, we walked back to my house, I invited him in, the maid had gone off for the night, as I wanted us to be alone, then once we got undressed, were in bed, we kissed, I opened up to him, then I wake up to blackness, I hear noise on the ward voices and a trolley being wheeled around, I am lying on my back, and I panic for a moment or two, wondering where I am, then it hits me, I'm in hospital, I'm blind, I reach down with my hands, I know before I am there that my legs have gone, just the stumps, and I want the dream again want Clive and us making love, but it has gone the dream, and Clive, I hear a voice call out about a nurse, but I feel on the edge, feel along side of the bed, can't get the dream out of my head.
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May 27, 2016
May 27, 2016 at 1:18 AM UTC
OUT OF MY HEAD 1940
It is morning. I heard birds sing earlier. Used to look out and see them before my blindness. The ward is busy, voices calling, bodies rushing past, smell of disinfect and body waste. I lay back on the pillow and wait for someone to put me on the commode and see how my leg stumps are, they ached something awful in the night. I hate being dependant on others, that nurse in the night I had to call seemed rushed and said of a terrible air raid with many casualties. Near here? I asked. Jam factory, girls burnt or injured in the blast, the nurse had said. I wonder if Philip will come? Each day seems a slide down a long dark tunnel with no light to welcome, just an echo of voices calling for me from empty chambers and cries from bodiless voices as I slip by. I need the commode, I call, as a body rushes by, swish of uniform, won't be long, a voice replies. Hands pull back the blankets, lift me and undress me and place me on a throne, then leave me, quite alone.
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May 3, 2016
May 3, 2016 at 2:01 AM UTC
QUITE ALONE 1940.
The ward is busy I hear voices, and calls, and a bell rings nearby. My blind eyes see nothing, but I turn my head at each sound pretending I can see. A hand touches my arm.   Morning Grace, how are you? It's Nurse Kavel isn't it? I say. Yes it is, she says, how are you? My legs hurt, my toes itch me, I tell her. The stumps of your legs will hurt, but the itching toes is in the the brain's memory, she says. Are my leg stumps healing? They are improving, she says, once they have healed sufficiently the doctors will talk about getting you artificial limbs, and you will receive help on how to walk again. Will I walk again? Yes you will, Grace, the nurse says, in time, but for now we must do what we can to make you comfortable, and keep the stumps clean and able to heal. She pulls back the blankets, and lifts up my nightgown, and begins to unwrap the bandage on my right stump, and I look into the darkness, and see nothing, but in my mind, I think of Anthony, and us dancing (Clive had died a month earlier) and he was trying to cheer me up, and get me back into War-time society again, and he had taken me home, and kissed me goodnight on my doorstep. I lick my lips as if the kiss is now, and want it to be a kiss from someone not this darkness, and feeling undone.
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Apr 25, 2016
Apr 25, 2016 at 6:54 AM UTC
FEELING UNDONE 1940
I feel her washing me down below (Irish nurse this time round) lifting up my leg stumps washing them carefully then drying them slowly I am blind to beauty she may have or may not my failed eyes see darkness nothing else that better? The nurse says from my left sensual after that rubbing down I tell her ok Grace always here to please you once again the leg stumps are bandaged then I'm dressed by her hands all decent once again and she's gone just voices in the ward and me here lying still on my back a female now undone with no man to bring fun.
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Mar 20, 2016
Mar 20, 2016 at 5:04 PM UTC
NO FUN 1940.
My total independence has gone. I can't see where I 'm going, my blind eyes fail me. I can't walk anywhere as my leg stumps prevent that. I can't even do the usual things I used to do: like urinate or other. Just dependant on the nurses to come and deal with me, and the things that need doing. I lie in the bed waiting, listening to voices, hearing bedpans being taken by, wheelchairs needing oiling being pushed past the foot of my bed. I habitually go to scratch a foot that's not there because it itches. I go to get up to go somewhere, and I realise I have no legs to get there. I call out and wait and a nurse comes and says, what is it Grace? I want to get up and dressed and go out in the sunshine not be stuck here all day. I say. We will be with you in a minute, we had a rush on last night the German's bombed the docks and quite a few were injured and were brought here. She goes and I am left here in the dark. I think of Clive that night he brought me home from the dance, and I asked him to stay the night. It was the day before he was due to join the army, and I said, it could be our last time for ages, so he stayed, and we went to bed and made love as never before, and it was the last time. And that moment after he left, I felt so alive so fulfilled. Then went and got himself killed.
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Mar 13, 2016
Mar 13, 2016 at 3:11 AM UTC
GOT HIMSELF KILLED 1940
I'm outside in the wheelchair, sitting facing the sun, my blind eyes sense, but do not see the light. My leg stumps are covered by a blanket, I am tucked up neat and tight like a parcel. Hello, Grace, a voice says to my right. It's Guy. I smell him, the scent he wears is overpowering. Hello, Guy, how are you? I hear him take a chair and sit beside me. I am fine, but busy, Hitler's being a pest in France, and hush hush work in progress. He is silent; his hand touches mine. Enough of me, how are you? I am unsettled, I say, my legs ache and the stumps are sore. How are they treating you? He asks. Very well, but I am impatient, depressed, want answers where there are none, ask questions, but know the answers before I ask. How do you manage? He asks. I am getting there, slowly, but surely, I reply. His hand rubs mine gently. It reminds me of Clive's hand on mine that night he stayed and we ended up making love in my bed.   I miss that. Making love. Clive dead, killed in Dunkirk. How's Donald? He is busy, Gus says, can't say what he is doing, hush hush stuff. I see, I say, although don't. Philip is in the States; he hasn't forgotten you, Guy says, he will take you out for dinner once he is back. I can't imagine going out for dinner; people watching me being wheeled into a restaurant with no legs and blind, them staring, and me unable to know if they are looking and what they are wondering. Guy talks on, but I am thinking of Clive, of his kisses, of his body against mine, seeing it in my mind, even though I am blind.
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Mar 7, 2016
Mar 7, 2016 at 6:37 AM UTC
ALTHOUGH BLIND 1940
I'm outside in the wheelchair, sitting facing the sun, my blind eyes sense, but do not see the light. My leg stumps are covered by a blanket, I am tucked up neat and tight like a parcel. Hello, Grace, a voice says to my right. It's Guy. I smell him, the scent he wears is overpowering. Hello, Guy, how are you? I hear him take a chair and sit beside me. I am fine, but busy, Hitler's being a pest in France, and hush hush work in progress. He is silent; his hand touches mine. Enough of me, how are you? I am unsettled, I say, my legs ache and the stumps are sore. How are they treating you? He asks. Very well, but I am impatient, depressed, want answers where there are none, ask questions, but know the answers before I ask. How do you manage? He asks. I am getting there, slowly, but surely, I reply. His hand rubs mine gently. It reminds me of Clive's hand on mine that night he stayed and we ended up making love in my bed.   I miss that. Making love. Clive dead, killed in Dunkirk. How's Donald? He is busy, Gus says, can't say what he is doing, hush hush stuff. I see, I say, although don't. Philip is in the States; he hasn't forgotten you, Guy says, he will take you out for dinner once he is back. I can't imagine going out for dinner; people watching me being wheeled into a restaurant with no legs and blind, them staring, and me unable to know if they are looking and what they are wondering. Guy talks on, but I am thinking of Clive, of his kisses, of his body against mine, seeing it in my mind, even though I am blind.
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92
I wake up in a panic, but it is still darkness my blind eyes see, having dreamed I saw my garden at my house, but then it dawns on me that the house was bombed, and as I feel for my legs, I realize the stumps are there and the legs gone. I lie on the pillow and stare into darkness, listening to the sounds around: voices, calls, bedpans being used, footsteps,   wheelchair(needing oiling) going by the bottom of my bed. I smell disinfect and ***** and perfume, and ointment. Morning, Grace, a nurse says to me on my right, how are you this morning? I dreamt I was in my garden and saw the flowers and the apple tree and woke up to darkness and depression, I say, staring towards her voice, trying to give an impression I could see her. Yes, that happens to those who have seen before they lost their sight, the nurse says softly. She lifts up my nightdress and I feel her fingers touch the bandages on my stumps, her fingers moving over them. They still hurt, I say, still painful, despite the medication. I know, Grace, they can only take off the edge of pain, but they will get better as time heals the wounds and the stumps seal up properly, the nurse says. Another nurse comes on my left and says: there was a jam factory got bombed last night and some of the girls who worked there got horribly burnt by hot boiling sugar and jams. Yes, I heard, the nurse on my right says. I lie and sink into a deep hole of self-pity, listening to the talking as they unwrap my bandages and finger the stumps. As they touch me, I think of Clive, that night he first made love to me, his kisses, and him lying between my thighs and me sensing him within me and the bed moving beneath us as if on a vast sea of pleasure and we on a small craft moving up and down and him kissing my lips and ear and head. Now he is dead. The nurses touch my stumps, then clean them and wash them and bandage them up again, all the time talking around me of the jam factory blast and girls burnt and some dying, and I lie here gently crying.
0
Feb 27, 2016
Feb 27, 2016 at 4:36 AM UTC
GENTLY CRYING 1940
I wake up in a panic, but it is still darkness my blind eyes see, having dreamed I saw my garden at my house, but then it dawns on me that the house was bombed, and as I feel for my legs, I realize the stumps are there and the legs gone. I lie on the pillow and stare into darkness, listening to the sounds around: voices, calls, bedpans being used, footsteps,   wheelchair(needing oiling) going by the bottom of my bed. I smell disinfect and ***** and perfume, and ointment. Morning, Grace, a nurse says to me on my right, how are you this morning? I dreamt I was in my garden and saw the flowers and the apple tree and woke up to darkness and depression, I say, staring towards her voice, trying to give an impression I could see her. Yes, that happens to those who have seen before they lost their sight, the nurse says softly. She lifts up my nightdress and I feel her fingers touch the bandages on my stumps, her fingers moving over them. They still hurt, I say, still painful, despite the medication. I know, Grace, they can only take off the edge of pain, but they will get better as time heals the wounds and the stumps seal up properly, the nurse says. Another nurse comes on my left and says: there was a jam factory got bombed last night and some of the girls who worked there got horribly burnt by hot boiling sugar and jams. Yes, I heard, the nurse on my right says. I lie and sink into a deep hole of self-pity, listening to the talking as they unwrap my bandages and finger the stumps. As they touch me, I think of Clive, that night he first made love to me, his kisses, and him lying between my thighs and me sensing him within me and the bed moving beneath us as if on a vast sea of pleasure and we on a small craft moving up and down and him kissing my lips and ear and head. Now he is dead. The nurses touch my stumps, then clean them and wash them and bandage them up again, all the time talking around me of the jam factory blast and girls burnt and some dying, and I lie here gently crying.
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91
A nurse wheels me out into the sun and fresh air; I feel it on my face, sense the sunlight on my blinded eyes, darkness unenlightened. If you need me Grace, just call out, the nurse says, and is gone off back to the hospital ward. I look around me seeing nothing, but trying to give the impression that I can, that I am not blind. I listen intensely, never thought I would ever listen so much to every sound that came my way. I am wrapped in a blanket; my leg stumps well bandaged. I reach down with my right hand, feeling where the legs end; feel a shock each time that I have become shorter than ever after the bomb fell and that was it: my life changed forever, blind and legless. I sit and put my hand back in my lap. Voices come from nearby, other patients maybe, nurses or doctors or visitors. I feel a prisoner of my disabilities; locked in my body; unable to go to the loo or bathroom unaided; unable to see the beauty of the flowers in the grounds. When the nurses blanket bathed me this morning it felt oddly sensual: hands moving over my body, fingers washing between my own fingers, my leg stumps lifted and cleaned and re-bandaged gently; voices between them in conversation,; my body tingling by the touches. I recalled Clive in 1938 moving his hands over me that evening he stayed and we made love; his voice in my ear, his lips on mine, his fingers touching me all over and in soft places. Now all gone, no kisses, he dead, no more faces.
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Feb 4, 2016
Feb 4, 2016 at 11:04 AM UTC
NO MORE FACES 1940.
I am lying on the bed, the nurses are washing me down and all over, I feel the wetness on my skin, their hands and flannels move over me, I see nothing but darkness, hear their voices to each other, chats about this and that, of a bombing last night and causalities, and about that sailor whom one had met, and what he wanted to do, but she saying; I'm not that sort of girl, they wash over my leg stumps gently, touching softly, easing the stumps up and washing them, and I feel as if they are whole legs, but they aren't, just stump which hurt and pain me, how are you, Grace? one asks me, her voice kind and soft spoken, in pain and depressed, I say, wanting to reach out and feel their hands and touch their faces, but don't, my hands lie idle beside me like deserting troops in midst of battle. Now they dry me with towels ever so gently, one talks to me of seeing the doctor, some advice, some insight, but I'm elsewhere now, thinking of Clive back in 1938, and that time we stayed out late and he stayed at my place, and we made love in my bed, and like some captive prisoner (even though dead) he resides still, inside my lying down head.
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Jan 31, 2016
Jan 31, 2016 at 3:28 AM UTC
LYING DOWN HEAD 1940
Hello Grace someone says I listen struggling through darkness and my pain to try and recognize who it is it's me Jean the voice says turning round to the sound I reach out to touch her feel her hand she holds mine her fingers rubbing mine how are you? her voice asks are you ok outside here in the grounds I hate it inside there on the ward of that dark hospital I tell her I hear her bring a chair and sit down next to me I'm fine here she replies weather's warm the skies blue she pauses how are you? I feel left in the dark and legless I reply you still have your humour I can see I'm silent for a moment smelling her taking in her perfume that smells good I tell her what smells good? your perfume its is called Primitif Max Factor she replies I have none all mine went in the blast but a nurse has lent me a bottle I utter I reach down seeing if my nightgown covers up my leg stumps now bandaged Jean's silent possibly horrified at the sight of me there with no legs and no sight when she knows I loved to go dancing and go see the ballets now nothing but darkness sitting here in this chair (a wheelchair) do they hurt? she asks me all the time I have drugs but the pain comes through it I reply I'm sorry she utters don't be please I don't want the pity I just want my friends back as they were not just come to see me as I am like some freak I utter harder than I meant to her two hands now grip mine you're no freak she whispers your our Grace without legs or your sight still our Grace there's quiet as if God had turned off all the sounds of His world no bird song no traffic no breeze near no breathing then I say I want life want to live have children be a wife believe it and you will Jean replies bird song's back and traffic as if God had turned on all the sounds of His world and I am in this dark and darkness as if hurled.
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Jan 28, 2016
Jan 28, 2016 at 3:13 AM UTC
AS IF HURLED 1940
Hello Grace someone says I listen struggling through darkness and my pain to try and recognize who it is it's me Jean the voice says turning round to the sound I reach out to touch her feel her hand she holds mine her fingers rubbing mine how are you? her voice asks are you ok outside here in the grounds I hate it inside there on the ward of that dark hospital I tell her I hear her bring a chair and sit down next to me I'm fine here she replies weather's warm the skies blue she pauses how are you? I feel left in the dark and legless I reply you still have your humour I can see I'm silent for a moment smelling her taking in her perfume that smells good I tell her what smells good? your perfume its is called Primitif Max Factor she replies I have none all mine went in the blast but a nurse has lent me a bottle I utter I reach down seeing if my nightgown covers up my leg stumps now bandaged Jean's silent possibly horrified at the sight of me there with no legs and no sight when she knows I loved to go dancing and go see the ballets now nothing but darkness sitting here in this chair (a wheelchair) do they hurt? she asks me all the time I have drugs but the pain comes through it I reply I'm sorry she utters don't be please I don't want the pity I just want my friends back as they were not just come to see me as I am like some freak I utter harder than I meant to her two hands now grip mine you're no freak she whispers your our Grace without legs or your sight still our Grace there's quiet as if God had turned off all the sounds of His world no bird song no traffic no breeze near no breathing then I say I want life want to live have children be a wife believe it and you will Jean replies bird song's back and traffic as if God had turned on all the sounds of His world and I am in this dark and darkness as if hurled.
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147
I am pushed in a wheelchair along a corridor in the hospital by one of the nurses. Where are we going? I ask, seemingly rushing through blackness, like a tunnel with no ending. Dr Symonds needs to see you, a voice says from behind me, soft breathy voice, passing with me through the dark spaces of my blindness. There are smells and sounds around me, voices bodiless as if floating in air, like ghosts not seen, but there. I am pushed into a room, warm and cosy, the voices go, the pressure of the air changes, and a voices says out of the blackness, Hello Grace, how are you? I stare towards the voice, a deep man's voice, the doctor's; I sense him waiting for reply. My legs hurt, my toes itch, but when I go to rub or scratch them they're not there, gone, no legs, I say moodily, clutching the sides of the wheelchair. Hands rest on my shoulders, soft hands, gently massaging. That's understandable, it happens often, Dr Symonds says, nerve endings, the mind misunderstanding ghostly messages from limbs not there. Will I ever walk again? I ask the voice unsure where I am facing. We will have to see how matters develop, how your stumps heal, what is available for your needs, he says gently but professionally. He talks on, but I cease to listen, my mind is reaching out for meaning, for a sensibility, for an escape from his voice. I want to go out for dinner with Mr Kimberly, I want to be out of here, I'm going mad in here, I say, my voice stretching its boundaries, my fingers reaching for a real contact. Hands hold mine, soft hands, a nurse's, they squeeze gently. That would be good, the doctor says, but there may be complications, matters which he may not be aware of, simple things; your stumps will of course be well bandaged, but day to day issues may arise. What issues? What matters? I say moodily. Where is he taking you? The doctor asks. A restaurant he knows, I reply. How will he get you there? Is the restaurant accessible for a wheelchair? And what will he do if you have a call of nature while there? The doctor asks. I stare at the space of the voice, my hands held tight in my lap, I feel I am sitting awkwardly there and move my bottom. The nurse helps me get comfortable, then her hands leave me. I don't know, I reply, I don't know anything anymore, I seem like a child in a dark room waiting to be punished, fearing shadows, voices. The doctor goes on about matters, about him seeing and speaking with Philip, and I feel a huge chasm open beneath me, my legs want to run, to flee. I grab my stumps and feel for my legs for the dancing limbs I had, but they have gone, and I stare into the dark spaces, seeing only ghostly voices of the past, but no real faces.
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Jan 23, 2016
Jan 23, 2016 at 2:45 AM UTC
NO REAL FACES 1940.
I am pushed in a wheelchair along a corridor in the hospital by one of the nurses. Where are we going? I ask, seemingly rushing through blackness, like a tunnel with no ending. Dr Symonds needs to see you, a voice says from behind me, soft breathy voice, passing with me through the dark spaces of my blindness. There are smells and sounds around me, voices bodiless as if floating in air, like ghosts not seen, but there. I am pushed into a room, warm and cosy, the voices go, the pressure of the air changes, and a voices says out of the blackness, Hello Grace, how are you? I stare towards the voice, a deep man's voice, the doctor's; I sense him waiting for reply. My legs hurt, my toes itch, but when I go to rub or scratch them they're not there, gone, no legs, I say moodily, clutching the sides of the wheelchair. Hands rest on my shoulders, soft hands, gently massaging. That's understandable, it happens often, Dr Symonds says, nerve endings, the mind misunderstanding ghostly messages from limbs not there. Will I ever walk again? I ask the voice unsure where I am facing. We will have to see how matters develop, how your stumps heal, what is available for your needs, he says gently but professionally. He talks on, but I cease to listen, my mind is reaching out for meaning, for a sensibility, for an escape from his voice. I want to go out for dinner with Mr Kimberly, I want to be out of here, I'm going mad in here, I say, my voice stretching its boundaries, my fingers reaching for a real contact. Hands hold mine, soft hands, a nurse's, they squeeze gently. That would be good, the doctor says, but there may be complications, matters which he may not be aware of, simple things; your stumps will of course be well bandaged, but day to day issues may arise. What issues? What matters? I say moodily. Where is he taking you? The doctor asks. A restaurant he knows, I reply. How will he get you there? Is the restaurant accessible for a wheelchair? And what will he do if you have a call of nature while there? The doctor asks. I stare at the space of the voice, my hands held tight in my lap, I feel I am sitting awkwardly there and move my bottom. The nurse helps me get comfortable, then her hands leave me. I don't know, I reply, I don't know anything anymore, I seem like a child in a dark room waiting to be punished, fearing shadows, voices. The doctor goes on about matters, about him seeing and speaking with Philip, and I feel a huge chasm open beneath me, my legs want to run, to flee. I grab my stumps and feel for my legs for the dancing limbs I had, but they have gone, and I stare into the dark spaces, seeing only ghostly voices of the past, but no real faces.
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145
Voices around me and I try to sit up and it isn't easy I have to balance myself so that my stumps are just so or I'll fall back on the bed my hands steady me in the darkness I try and feel just where in the bed I am searching with my hand while my other hand steadies me I make sure I'm not too near the edge of the bed and wait listening a nurse comes I hear her clothes swish did you need something Grace? she says I reach out to touch her a call of nature I say is the commode this side I can't remember or see? she touches my hand other side Grace since my blindness I lose my direction I say wait there a moment she says and I hear her go off I sit balancing at the side of the bed staring into darkness hearing sounds I sense the need to go more and begin to panic here we are Grace another voice says and they lift me between them to the other side of the bed and arranging my nightdress they lift me onto the commode and sit me down and arrange me so I'm comfortable hold onto the handles at the side a voice says call us when you want us back another voice says I hear them walk off the shush of the uniforms and steps of their shoes I sit and listen and stare at the darkness and try and think of something to distract my mind from the business at hand I think of the last time I saw Clive before he left to join the army in late 1939 how we kissed and that last time we made love in my place and Sally(my maid) was out as it was her night off and it was wonderful and we lay there afterward and smoked and talked about the war and after and what we would do now what would he have said or done had he not been killed at Dunkirk? the last time I had *** that was I muse on that and feel depressed and want to see again and walk and dance I get choked up and suddenly I am aware where I am and why and quietly softly I cry.
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Jan 19, 2016
Jan 19, 2016 at 1:53 AM UTC
SOFTLY I CRY 1940
Voices around me and I try to sit up and it isn't easy I have to balance myself so that my stumps are just so or I'll fall back on the bed my hands steady me in the darkness I try and feel just where in the bed I am searching with my hand while my other hand steadies me I make sure I'm not too near the edge of the bed and wait listening a nurse comes I hear her clothes swish did you need something Grace? she says I reach out to touch her a call of nature I say is the commode this side I can't remember or see? she touches my hand other side Grace since my blindness I lose my direction I say wait there a moment she says and I hear her go off I sit balancing at the side of the bed staring into darkness hearing sounds I sense the need to go more and begin to panic here we are Grace another voice says and they lift me between them to the other side of the bed and arranging my nightdress they lift me onto the commode and sit me down and arrange me so I'm comfortable hold onto the handles at the side a voice says call us when you want us back another voice says I hear them walk off the shush of the uniforms and steps of their shoes I sit and listen and stare at the darkness and try and think of something to distract my mind from the business at hand I think of the last time I saw Clive before he left to join the army in late 1939 how we kissed and that last time we made love in my place and Sally(my maid) was out as it was her night off and it was wonderful and we lay there afterward and smoked and talked about the war and after and what we would do now what would he have said or done had he not been killed at Dunkirk? the last time I had *** that was I muse on that and feel depressed and want to see again and walk and dance I get choked up and suddenly I am aware where I am and why and quietly softly I cry.
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88
A gentleman brought these clothes in for you Grace Nurse Kavel says what clothes? what gentleman? I ask sitting up in the bed on the ward new dress and underclothes and I think he said his name was Philip Kimberly Nurse Kavel says I smell perfume and disinfect mixed I hear voices around me is he here? I ask no he brought these in early this morning while you were asleep the nurse says what colour is the dress? I ask red with flowers and where he got it from I have no idea the cost in coupon points must have been a lot I guess the nurse says where is it? I ask I hear her nearby and she places a dress in my lap I feel it and touch the material with my fingers I can't see the colour I say what kind of red? blood red and white flowers she says I put the dress to my cheek and sense its softness and feel the quality is it nice? I ask it's beautiful the nurse says near me did he say when he was coming again? I ask wondering what Philip looked like how he dressed I only knew his voice and that was all he will be in later to arrange when to take you out although he wants to speak with Dr Symonds first about you and any risks I sense doubt in her voice will I be allowed out to dinner? I ask we will make sure the stumps of your legs are well bandaged and you are presentable she says what's he look like? Mr Kimberly? yes I've not seen him before I say he's handsome and well dressed she says softly she takes the dress from my hands I’ll put the dress away in your cupboard for safety she says and I hear her walk away and lay there staring into darkness hearing voices in the ward wondering where he will take me for dinner and how I will cope in public without legs or sight like walking into the coldness of an out there night.
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Jan 15, 2016
Jan 15, 2016 at 3:43 PM UTC
NEW DRESS1940.
A gentleman brought these clothes in for you Grace Nurse Kavel says what clothes? what gentleman? I ask sitting up in the bed on the ward new dress and underclothes and I think he said his name was Philip Kimberly Nurse Kavel says I smell perfume and disinfect mixed I hear voices around me is he here? I ask no he brought these in early this morning while you were asleep the nurse says what colour is the dress? I ask red with flowers and where he got it from I have no idea the cost in coupon points must have been a lot I guess the nurse says where is it? I ask I hear her nearby and she places a dress in my lap I feel it and touch the material with my fingers I can't see the colour I say what kind of red? blood red and white flowers she says I put the dress to my cheek and sense its softness and feel the quality is it nice? I ask it's beautiful the nurse says near me did he say when he was coming again? I ask wondering what Philip looked like how he dressed I only knew his voice and that was all he will be in later to arrange when to take you out although he wants to speak with Dr Symonds first about you and any risks I sense doubt in her voice will I be allowed out to dinner? I ask we will make sure the stumps of your legs are well bandaged and you are presentable she says what's he look like? Mr Kimberly? yes I've not seen him before I say he's handsome and well dressed she says softly she takes the dress from my hands I’ll put the dress away in your cupboard for safety she says and I hear her walk away and lay there staring into darkness hearing voices in the ward wondering where he will take me for dinner and how I will cope in public without legs or sight like walking into the coldness of an out there night.
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91
It is still dark on the ward when I open my eyes I hear voices hear moans and groans some far off some near I need to *** and wonder where the commode is is it near? I sit up in the bed and push back the sheet and blankets and using my hands move myself to the edge of the bed and stare into the dark space ahead of me I put out my right hand and search about me (my left hand balancing me on the edge of the bed) my leg stumps bandaged are aching and this makes me anxious as I encounter a bedside cabinet and a water jug and class Grace what are you doing? a voice says to my left I try and find where she is who has spoken to me who are you? I ask Nurse Kavel she says her voice concerned but soft you should not be on the edge so fragile as you are what did you want? she asks again I'm searching for the commode I need to *** I say the commode is on the other side of the bed she says but surely you're not thinking of doing it alone? I need to *** I say and with no legs how was you proposing to get on the commode? she says her voice more concerned I didn't think of how I just felt the need I say even if you managed to get on the commode how did you propose to pull up your nightgown at the same time as sitting? she says I reach out to touch her and she grabs my hand with hers careful if you fall off the edge you will hit the floor and God knows what damage you will do she says I turn toward the voice and try to imagine what she looks like I am desperate to *** I say all right she says wait there and I hear her footsteps go off there is still other voices and sounds and far off someone cries I smell disinfect and ***** and bodies I hear footsteps return and she says sit still and I feel her hands lift me into a wheelchair (she seems strong or I am light as a doll) and settles me down she says right I will wheel you to the toilets to give you privacy and off we go in the darkness I feel as if I'm going through space on an adventure into a deeper darkness and just hope I get there before I explode my wee like a **** pushed aside by a harsh sea.
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Jan 7, 2016
Jan 7, 2016 at 10:41 AM UTC
A HARSH SEA 1940.
It is still dark on the ward when I open my eyes I hear voices hear moans and groans some far off some near I need to *** and wonder where the commode is is it near? I sit up in the bed and push back the sheet and blankets and using my hands move myself to the edge of the bed and stare into the dark space ahead of me I put out my right hand and search about me (my left hand balancing me on the edge of the bed) my leg stumps bandaged are aching and this makes me anxious as I encounter a bedside cabinet and a water jug and class Grace what are you doing? a voice says to my left I try and find where she is who has spoken to me who are you? I ask Nurse Kavel she says her voice concerned but soft you should not be on the edge so fragile as you are what did you want? she asks again I'm searching for the commode I need to *** I say the commode is on the other side of the bed she says but surely you're not thinking of doing it alone? I need to *** I say and with no legs how was you proposing to get on the commode? she says her voice more concerned I didn't think of how I just felt the need I say even if you managed to get on the commode how did you propose to pull up your nightgown at the same time as sitting? she says I reach out to touch her and she grabs my hand with hers careful if you fall off the edge you will hit the floor and God knows what damage you will do she says I turn toward the voice and try to imagine what she looks like I am desperate to *** I say all right she says wait there and I hear her footsteps go off there is still other voices and sounds and far off someone cries I smell disinfect and ***** and bodies I hear footsteps return and she says sit still and I feel her hands lift me into a wheelchair (she seems strong or I am light as a doll) and settles me down she says right I will wheel you to the toilets to give you privacy and off we go in the darkness I feel as if I'm going through space on an adventure into a deeper darkness and just hope I get there before I explode my wee like a **** pushed aside by a harsh sea.
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110
My heart, Once, you allowed me hope Boundaries of love I never thought could be broken. Now... You've taken me hostage The misery you inflict is worse than recovery I push you down I still feel you underneath Hurting me There's just no running from what I feel You've become my burden The Pain became too real I have to cut you off and let you go. I'll survive without you But with you, I won't. I can't do what you once allowed me to. I'll adjust to life without you. Goodbye love, Goodbye heartache. Surgeon be my only artist. Cut this heart away I'm tired of falling.
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Oct 4, 2015
Oct 4, 2015 at 9:15 PM UTC
Amputee
You don’t know how it feels. When you are cut from your lifeline like an apple being picked when it isn’t fully grown. When you are replaced with hard plastic and metal where bone should be. You probably want to know why he hates you. It is because he has to learn how to walk again. Because you can’t run like I could. Because you can’t kick a soccer ball like I could. Because you can’t make him itch like I could. Because you are a reminder of the infection. The infection... that took me away from him. I was made with him. You were made for him. You took six weeks to be created I took nine months. I was his first step, You were a puzzle piece that didn’t quite fit You had to be forced by people in white masks and blue gloves They couldn’t touch you and neither can he. So instead you lay on his bedroom floor. And I will not feel bad for you because I am lying in a medical waste bin. Waiting for my turn to enter the fire. This is my hell. I miss him, will you tell him that I miss him? Let him know the feeling is mutual. I understand if you tear this up there is no warmth in you. No blood will ever pump through you. Trust me, I get it. When the heart dies, it is buried where it belongs. Being hugged by its fellow vital organs. it’s just like taking a nap they say. But when I die, I am surrounded by other dispensable body parts. We are the forgotten few. People do not have funerals for finger tips. It feels like I am being eaten alive. You can’t tell me I should feel bad for you. Or that I should feel sorry for you. Because I was alive, I was moving and you are plastic. Just, tell him goodbye for me.
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Jul 14, 2015
Jul 14, 2015 at 9:03 PM UTC
An Open Letter to a Prosthetic Leg From an Amputated Limb
You don’t know how it feels. When you are cut from your lifeline like an apple being picked when it isn’t fully grown. When you are replaced with hard plastic and metal where bone should be. You probably want to know why he hates you. It is because he has to learn how to walk again. Because you can’t run like I could. Because you can’t kick a soccer ball like I could. Because you can’t make him itch like I could. Because you are a reminder of the infection. The infection... that took me away from him. I was made with him. You were made for him. You took six weeks to be created I took nine months. I was his first step, You were a puzzle piece that didn’t quite fit You had to be forced by people in white masks and blue gloves They couldn’t touch you and neither can he. So instead you lay on his bedroom floor. And I will not feel bad for you because I am lying in a medical waste bin. Waiting for my turn to enter the fire. This is my hell. I miss him, will you tell him that I miss him? Let him know the feeling is mutual. I understand if you tear this up there is no warmth in you. No blood will ever pump through you. Trust me, I get it. When the heart dies, it is buried where it belongs. Being hugged by its fellow vital organs. it’s just like taking a nap they say. But when I die, I am surrounded by other dispensable body parts. We are the forgotten few. People do not have funerals for finger tips. It feels like I am being eaten alive. You can’t tell me I should feel bad for you. Or that I should feel sorry for you. Because I was alive, I was moving and you are plastic. Just, tell him goodbye for me.
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60
Is it odd that I hate tree stumps? I mean, really, is it just me? Is there something wrong with me? I walk past them on the roadside And something seems to break free. I feel tense and taut; A green branch pulled tight On the saw edge of a gardener’s knife, Peeling back one fibre at a time. I can’t stop it to save my life. It makes my skin crawl To see the corpse left jutting up Like the last tooth of a diseased crone, Like a tag on the skin of the earth, A drying scab to make the mother moan. Couldn’t they just dig it up, Or is that too much to ask? Not enough to slay the ancient tree, But to leave it lying on the ground; Like leaving the foot of an amputee. It makes me so mad That I wonder I don’t complain, But then I know a letter will be ignored, As the death of such a mighty sentinel Is a thing our conscience can afford. It’s not like it was alive… But the sarcasm doesn’t matter, And the funny looks I get while I weep Sink like the teeth of a saw, Cutting through the body at my feet. Am I the only one who hates tree stumps?
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May 25, 2015
May 25, 2015 at 5:03 AM UTC
On The Wooden Limbs Of Deceased Amputees
They say that when you lose an arm Or a leg Or a hand Or a foot You can still feel it there That your brain is so used to having it there That it can't conceive the fact that it's gone So you still try to grasp for things Before you you realize that you don't have a hand to grasp with I'd always wondered how soul-crushing it must feel To just forget it's not there anymore, because it still feels so real, so there And then have to be forced to realize all over again that it's gone But you aren't there anymore Half of my soul, of my body, of my heart, of me is with you My heart is so used to having you there That it can't conceive the fact that you're gone I reach and you're not there You're My Phantom Limb
0
Jan 15, 2015
Jan 15, 2015 at 5:36 PM UTC
Amputee