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#1950s
3-D popcorn and kisses in the balcony little soldiers showing dogtags to get a free refill before duck and cover drills at intermission it's all one big movie whether the summer rockets arrive with Flash Gordon or by way of Cuba
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Sep 14, 2021
Sep 14, 2021 at 8:51 AM UTC
Matinee
1950s kindergarten cute, dark-haired girl in jumper dress, bright-red tights, walking towards me smiling... I run away with sweaty hands...
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Nov 6, 2019
Nov 6, 2019 at 8:55 AM UTC
Sweaty Hands
beware atomic attack! 1950s civil defense duck and cover drills Bert the turtle showed us the way flash of light - duck and cover!
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Nov 3, 2019
Nov 3, 2019 at 8:40 PM UTC
Duck & Cover
Why I am so Beat Something about...the road, old shoes and sore feet, motorcycles and wine, greasy diners and last dimes, half a stale Hoagie left to eat. Man, that's why I am so Beat. Headed out west from town to town. Dry-rot houses, faded signs, Pioneers in rags, so behind the times. This dead world keeps puttin’ me in a funk, Pal, that’s why I’d rather just stay drunk. Girls and boys in every bar, From Kansas to Colorado, Hit me up for drinks and manila tar, Trying sadly to feel what I do, Man it’s hard; That’s why I feel so scarred. I came out west to find my soul And saw emptiness instead. Don’t ask me where I’m heading next, Cause I don’t know. I’m friggin hexed. All I know is drive & drink & sleep; Man, you know That’s why I am so beat. August 3, 2018
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Aug 3, 2018
Aug 3, 2018 at 10:52 AM UTC
Why I am so beat
Let's talk poppies and candies, Let's talk summer frocks and bees, Let's talk blue skies ending In crystal blue seas. Sure let's talk the neighbors, Sure let's talk cooking books, Sure let's talk red lipstick And guys' good looks! We're gonna talk Elvis and Marilyn And Trotsky and Tolstoy, We're gonna talk Eastern countries We're about to destroy. And Italian movies and French perfumes, Marijuana and milkshake, Bobby socks and jukebox, And vacations by the lake. Let's talk, my dearest pal All of the above, But I'd say, first of all, Let's not talk love.
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Jun 12, 2018
Jun 12, 2018 at 6:05 PM UTC
Unpoem
I often wonder what happened to that blazer my old man bought for me. For Sunday best, he said. It was black with silver looking cold buttons down the boys' side as fashion dictated. My old man would fold up an ironed cotton white handkerchief for the top small outside pocket space. I once had a coloured photograph of me and the blazer one Sunday out some place with me there with a smile on my face. My old man is dead now but where that black blazer is now I've no idea. Maybe out there somewhere in a lost different sphere.
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Mar 11, 2017
Mar 11, 2017 at 4:41 AM UTC
BLAZER.
You stand against your white metal bedstead bundled up in a strait jacket like a neat parcel awaiting delivery. Your hands around your back, out of the way like exiled rebels. From the barred window light comes in, light from a world out there, out there where you were once, once upon a time, time past and time... bird sings, can't see it, but it's there, singing, bringing sound, nature sounds, unlike the bedlam noise that screams outside, screams, shouts, cries and moans. Nurses bellowing names, as if names meant anything anymore. Any more? yes please if you have any spare: a voice calls out from some place in the ward. You want out out of this hell hole, this asylum, this hospital for the mentally INSANE. You remember that written on the gates the day they brought you. You, your mind in a mess, mess of memories, memories of hits, slaps, ***** head slams and finger feels. Nurse enters and gazes at you: cooled down now? Ain't going to flip out again? You stare at her, the fat ***** the uniformed cow. Well? Have you? You could have her, could take her out if you weren't bundled up, quite harmless and sick silent. The nurse has a wart on her chin, her eyes piggy eyes. Ain’t you going to answer? You smile and nod your head. That sweet smile of yours could get men to do things, if you wanted to, but you didn't want to do what the sick ***** wanted you to do. Piggy nurse unstraps you slowly, you sense that freedom, pins and needles, and able to breathe free. Be on your best behaviour, nurse says, and walks off, the lard **** swaying goes. You will have her one day, stuff her like a screaming fat pig being slowly stuffed. You smile your smile. There, there, be better, be better, in a while.
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Nov 28, 2016
Nov 28, 2016 at 4:26 PM UTC
BETTER IN A WHILE.
You stand against your white metal bedstead bundled up in a strait jacket like a neat parcel awaiting delivery. Your hands around your back, out of the way like exiled rebels. From the barred window light comes in, light from a world out there, out there where you were once, once upon a time, time past and time... bird sings, can't see it, but it's there, singing, bringing sound, nature sounds, unlike the bedlam noise that screams outside, screams, shouts, cries and moans. Nurses bellowing names, as if names meant anything anymore. Any more? yes please if you have any spare: a voice calls out from some place in the ward. You want out out of this hell hole, this asylum, this hospital for the mentally INSANE. You remember that written on the gates the day they brought you. You, your mind in a mess, mess of memories, memories of hits, slaps, ***** head slams and finger feels. Nurse enters and gazes at you: cooled down now? Ain't going to flip out again? You stare at her, the fat ***** the uniformed cow. Well? Have you? You could have her, could take her out if you weren't bundled up, quite harmless and sick silent. The nurse has a wart on her chin, her eyes piggy eyes. Ain’t you going to answer? You smile and nod your head. That sweet smile of yours could get men to do things, if you wanted to, but you didn't want to do what the sick ***** wanted you to do. Piggy nurse unstraps you slowly, you sense that freedom, pins and needles, and able to breathe free. Be on your best behaviour, nurse says, and walks off, the lard **** swaying goes. You will have her one day, stuff her like a screaming fat pig being slowly stuffed. You smile your smile. There, there, be better, be better, in a while.
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64
The stars might look like milky bones from afar. Or glowing tennis ***** still clutched in owner's hands while the dumb dog chases something hidden. Did he stick his head out the window of the spaceship? Tongue out, howling. Did he know the hole he had dug was his own grave? I hate when owners pretend to throw a ball, only to hide it behind their backs. The dog trusts you. The dog loves you. The dog loves life. The dog doesn't want to die. The dog doesn't deserve to die. The dog doesn't care about exploring space, it just wants to find that ******* ball.
0
Aug 13, 2016
Aug 13, 2016 at 11:22 PM UTC
Laika
One Sunday evening after tea, Benny's old man said: do you want to go see a horror film? Yes, he said, that'd be good, but it's an X film and I won't get in (He was about 12 then). Put your long trousered suit on white shirt and tie, and we'll see what they say. He Brycreemed Benny's hair, polished his black shoes. He said: if anyone asks how old you are say nothing, I’ll tell them. So off they went and stood in the queue at the cinema. Benny felt a bit conspicuous standing there, but he put on his unsmiling face, stared at no one, and squared his shoulders. When they got to the ticket office his old man said: two adults please, and gave her the money; she gave him the tickets. They went past the usherette who just looked at Benny, but nothing. They found two seat and sat down. Soon after the lights were lowered and the Pearl & Dean adverts began. Benny was then inconspicuous one of the crowd. He had been taken as an adult, and got into see an X film: Doctor Jekyll and Mr Hyde. He sat there with a smile, and with a bit of schoolboy pride.
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Aug 12, 2016
Aug 12, 2016 at 1:42 AM UTC
SCHOOLBOY PRIDE.
Put the coin in the box, Colin, Uncle Donal said, Hear it shake, and he’d Take up the box and shake It hard so that the coins Would rattle loudly. Do you Hear that, Colin, that’s the Change from my purse and Pocket, the missionaries can Have that for their work abroad, To feed and spread the Word. Will you hush the noise there, Granddaddy called; I can’t hear Myself think for the racket of it. The horses are on the run and I Can’t hear who is where and who’s Behind. Uncle Donal put the Charity box down on the mantel Shelf with the gentleness of Cousin Chloe removing her underwear Before her bath. Ah, **** the horse, Granddaddy bellowed, I could run Faster myself so I could. Never bet On the horses, Colin, he said, they’ll Let you down and take your money Just like a woman. Uncle Donal pulled A face and grinned from ear to ear, as Grandmother entered the room with A face of thunder and Granddaddy said, Oh, hello, wife, how are you my dear?
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Jul 29, 2016
Jul 29, 2016 at 2:51 PM UTC
COIN BOX. (OLD POEM)
Sutcliffe, O’Brien and you Used to wander about the Bombsites after school, the Keep Out signs ignored, The catapults in the back Pockets to hit at cans or Bottles or windows if there Were any left in the empty Shell houses of the bombed Out homes. Dad said there Could be unexploded bombs Here, Sutcliffe said, his blue Eyes and blonde hair catching The day’s afternoon light, his Grey flannel trousers and blue Blazer stained with food and Dust. O’Brien lit a crafty *** And passed to you to take a drag. You coughed and passed it back, Clambering the bricks to broken Stairs to a higher landing where You thought ghosts might hang In danky rooms or smelly attics Where light shone through the Broken tiles. O’Brien ****** Against a wall, the cigarette Hanging from his lower lip. Sutcliffe sniffed the air and Scratched his **** and you Standing on the creaky stair Pondered who stood or lived Here before the bomb dropped From the threatening sky and They wondering if they’d live Or die. Bet this was the bedroom, O’Brien said, and he and she Laid out here having ****** When the bomb went off. Sutcliffe sniggered, taking O’Brien’s cigarette for a quick Puff and handing to you with Dampened end. What a way To die though, Sutcliffe said, Him not knowing the ins and Outs of *** or death by bombs Or what’d be left after bombs Dropped. Probably some old **** who lived alone, O’Brien Conceded, staring at the sky Through the hole in ceiling, Without much concern and Little feeling. You reflected On his words and the stink Of **** and damp and empty Shell, the echo of yesteryears, The ghosting wanderings at Night and cold captured fears.
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Apr 30, 2016
Apr 30, 2016 at 4:44 AM UTC
BOMBSITE BOYS. (OLD POEM)
Sutcliffe, O’Brien and you Used to wander about the Bombsites after school, the Keep Out signs ignored, The catapults in the back Pockets to hit at cans or Bottles or windows if there Were any left in the empty Shell houses of the bombed Out homes. Dad said there Could be unexploded bombs Here, Sutcliffe said, his blue Eyes and blonde hair catching The day’s afternoon light, his Grey flannel trousers and blue Blazer stained with food and Dust. O’Brien lit a crafty *** And passed to you to take a drag. You coughed and passed it back, Clambering the bricks to broken Stairs to a higher landing where You thought ghosts might hang In danky rooms or smelly attics Where light shone through the Broken tiles. O’Brien ****** Against a wall, the cigarette Hanging from his lower lip. Sutcliffe sniffed the air and Scratched his **** and you Standing on the creaky stair Pondered who stood or lived Here before the bomb dropped From the threatening sky and They wondering if they’d live Or die. Bet this was the bedroom, O’Brien said, and he and she Laid out here having ****** When the bomb went off. Sutcliffe sniggered, taking O’Brien’s cigarette for a quick Puff and handing to you with Dampened end. What a way To die though, Sutcliffe said, Him not knowing the ins and Outs of *** or death by bombs Or what’d be left after bombs Dropped. Probably some old **** who lived alone, O’Brien Conceded, staring at the sky Through the hole in ceiling, Without much concern and Little feeling. You reflected On his words and the stink Of **** and damp and empty Shell, the echo of yesteryears, The ghosting wanderings at Night and cold captured fears.
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57
Children, gather round Your second parent calls A simple box Wooden and metal A face of glass Adorned with two knobs Take your seats And take off your shoes--naughty! Elbows off the table Legs crossed, hands clasped Black and white Levittown Like your mary janes and stockings Your president birthed And mourned Mother’s in the kitchen The window outside your little world Is black and red but not white Malcolm X, and all the rest Standing up for their territory Little girl, the country’s changing Pick your daisy We’re not crazy The bombs come closer every day Haven’t you seen Castro And our fiascos by the bay? Great Society Social Security Aid for the old and poor Dinner’s ready Mother’s specialty Credibility on a plate Crudely disguised Plastic, fantastic, and uniform Yet your mind is so hungry That you eat it all the same And give it no thought The window’s widening Its light reflected On that glowing omniscient face Color! Color! Bright and vivid Dancing at your fingertips Brother’s gone off to Nam Off with your skirts, your stockings, Your mary janes, And that awful ribbon in your hair Burning dope The rainbow bathes you In its splendid glory The birds in the sky Like rolling thunder Hawks tearing at the doves ****** falling to the trees Agent Orange Fire, death, destruction Where’s your meal now? Johnson stumbled, Faith has crumbled And so have the foundations Of your enclosed walls Bobby’s groovy-- No--he’s gone And King’s dream Escaped with his last breath White rabbit, Gentle rabbit Sing your peace The country’s ablaze At home and away Stand your ground Chicago, Ohio Each one’s a battlefield Time for dessert-- Licking lollipops LSD Clear your plates For a second course
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Feb 22, 2016
Feb 22, 2016 at 10:04 PM UTC
TV Dinner
Children, gather round Your second parent calls A simple box Wooden and metal A face of glass Adorned with two knobs Take your seats And take off your shoes--naughty! Elbows off the table Legs crossed, hands clasped Black and white Levittown Like your mary janes and stockings Your president birthed And mourned Mother’s in the kitchen The window outside your little world Is black and red but not white Malcolm X, and all the rest Standing up for their territory Little girl, the country’s changing Pick your daisy We’re not crazy The bombs come closer every day Haven’t you seen Castro And our fiascos by the bay? Great Society Social Security Aid for the old and poor Dinner’s ready Mother’s specialty Credibility on a plate Crudely disguised Plastic, fantastic, and uniform Yet your mind is so hungry That you eat it all the same And give it no thought The window’s widening Its light reflected On that glowing omniscient face Color! Color! Bright and vivid Dancing at your fingertips Brother’s gone off to Nam Off with your skirts, your stockings, Your mary janes, And that awful ribbon in your hair Burning dope The rainbow bathes you In its splendid glory The birds in the sky Like rolling thunder Hawks tearing at the doves ****** falling to the trees Agent Orange Fire, death, destruction Where’s your meal now? Johnson stumbled, Faith has crumbled And so have the foundations Of your enclosed walls Bobby’s groovy-- No--he’s gone And King’s dream Escaped with his last breath White rabbit, Gentle rabbit Sing your peace The country’s ablaze At home and away Stand your ground Chicago, Ohio Each one’s a battlefield Time for dessert-- Licking lollipops LSD Clear your plates For a second course
Continue reading...
78
WHEN Finding an old friend from years ago when we were young and not so slow... WHEN ~ THEN We would pass in the hallway on our way to class saying "hi" with a smile as we walked past.. WHEN ~ THEN It's Friday night are you going to the game? Of course lets meet on the corner of Starr and Main WHEN ~ THEN We would meet our classmates in the stadium to cheer Warm in our mouton coats The 50's were good years... WHEN ~ THEN The game would be over we'd walk home in the dark back to the corner where we would then part... WHEN Now to the stadium we still go but now our grandkids are putting on the show... by judy
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Aug 22, 2015
Aug 22, 2015 at 6:25 AM UTC
WHEN ~ THEN
Morning comes the night's gone Ingrid waits and listens there's music her mother is cooking the breakfast her father is silent or he's out Ingrid heard her mother's moans last night flesh on flesh Ingrid gets out of bed and dresses she hopes her father's out not sitting in the lounge in a mood watching her eating what he tells her is his food or maybe he'll bruise her or hit her as he does her mother as he did in the night she goes out of her room to the lounge hoping she'll be all right.
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Jul 14, 2015
Jul 14, 2015 at 4:03 PM UTC
MORNING COMES.
I won't be there to catch you if you fall             If you don't tell me where you are 10:04 am,  Saturday, June 27th, 2015
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Jun 27, 2015
Jun 27, 2015 at 10:05 AM UTC
So tell me
I'll tell you where I am                When I stop moving For now,  I  don't know where I'm heading. 10:07 am,  Saturday, June 27th, 2015
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Jun 27, 2015
Jun 27, 2015 at 10:08 AM UTC
I Promise
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Oct 23, 2014
Oct 23, 2014 at 4:34 PM UTC
PSYCHO-PHARMA-LOGIC
She serves, serves as. Her body-is-home-is-nation. She does not dwell, she is dwelling. She keeps the lights on. She fluffs the pillows. With child, eternal. She is so very...blessed. She is the pilot light and the pile of ash. Savior, safegaurd, scapegoat. She is flambéed, micro-waved, she is pressure cooked in social sweat, and then told that she looks “radiant.” Idolized, pasteurized, tranquilized, she is bottled, sealed and brought beaming to your doorstep each morning for a reasonable monthly fee. Her hearth fuels all creation, destruction, and consumption followed by decaf coffee and polite chatter in the living room. She is so excited to welcome you into her...home. She is incontinent. Incontinuous. A swollen, slacken gesture towards a self. She is wet clay laid again on wheel, awaiting to welcome the coming divine, un-declinable gift from god. A fist to the gut, from beneath.
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Oct 23, 2014
Oct 23, 2014 at 4:33 PM UTC
HOSTESS
Bottled, bound in a brume blue-green, a mist of Listerine again descends. And slick, with what’s like shower’s sweat, there's wipes of writing on the wall. One thought, on an endless loop of overcast, warm marks on rippled sobbing glass: o             u             t. Seated, seeping. The mute little girl fallen down the town well.   We are half-aware of  the consequence of these dreams of outside air. Clarity. It kills me, but I suspect that now a good deal of this vial’s moisture is mine.   Chewing cautionary label gum, (Do Not Swallow!) We churn the potential over and over in our mouth-- it taunts a minty tingle. A curved black mark. A chasm shadowed. A welling up of a desire to gulp. Desire for just one breath, one vision past this germicidal upturned glass. To live unlost, unwet, unmasked a lifetime halled with gorgeous mirrors, mirrors free from fog.
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Oct 23, 2014
Oct 23, 2014 at 4:01 PM UTC
RINSE, DO NOT SWALLOW
"Cap-ti-va-ting, sim-ply cap-ti-va-ting” in Mommy’s mirror, he tries to be delicate with his mimesis. Young fingers fumble the rouge tube. He’s teetering on heels, on toes not enough grown, not enough. A falling of chiffon too long, and shaking grass-stained knees beneath, On pink-inked cheek and lip, he’s hit. Retching, and sobs over mother vanity, the perfume struck the awful dusk, giving him a first taste of an alcohol-laced lust for a beauty unobtainable; a beauty that can ruin. DANIEL!! WHAT ARE YOU DOING?! DO YOU HAVE ANY IDEA HOW HARD IT IS TO GET LIPSTICK OUT OF WHITE LACE?!! JUST YOU WAIT UNTIL DADDY COMES HOME. JUST YOU WAIT.
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Oct 23, 2014
Oct 23, 2014 at 4:31 PM UTC
JUST YOU WAIT