if ever

you don’t

feel

like you have a home,

pull me close,

wrap your arms around me,

rest your head on my chest,

close your eyes,

and feel the warmth of the fireplace

resonating from within my heart.

I used to read your poems
but lately you don't write
you're silent and aloof
you know that isn't right.
You can't close a door once opened
you can't abolish all your dreams
you're a poet of the heart
mustn't fall apart at the seams.
Say what you can in words
they speak the message true
spoken from the heart
the poems will see you through.
A hermit's not your style
a recluse, you are not
never give up writing
of things that you've been taught.
I used to read your poems
I'd read them once again
if you would send them out
(this one's from a poet friend)

These words are for me,
For I'm the one who's hurting,
I'm just healing myself.

I'm trying this new thing
wherein I take something ugly,
and turn it into something
I find beautiful.

Like the concept of myself
being replaceable and dispensable
in someone else's life,
in this very moment in time.

I choose to interpet it
as me being a signpost, a direction
to the one true place that someone else
is destined to be.

Like tangent lines,
meeting once,
in a certain finite point
in the infinite board,
and to never meet again.

What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?