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The darkness of oxblood naugahyde booths barely steeped
in feeble candle light
Cocktails upon cocktails and cigarettes until we realize,
my companion and I,
That we have been completely blocked in
No chance of escape
Not even to ***
So we’re basically sliding out to nowhere.

In time the tabletop becomes covered
with the rings of dripping condensation
from Guinness cans.
Wet ring upon ring sparkle and
At times aluminum is slammed down upon the table,
And not at all casually.
You see, we were being marked
as theirs
A mighty squadron of faux suede heads
blocking access so
that no **** Yank may approach

(and this is Hollywood)
They might as well have hung a Union Jack)

These two birds
We were territories to be given
To Her Majesty.
I’m Hope and She’s Glory.
Or is it.....

They keep announcing to us that
“Diana is dead.”
And we keeping replying “yes, we know,
the tv is on,” pointing behind us.

Earlier that night
we sat on the floor
At the coffee table
Snorting narrow lines of *******
with CNN on in the background
They announce twice as we lean back and wipe our nostrils that
Diana, Princess of Wales
has been in a motor crash
and has broken her wrist.

Well that *****.
A broken wrist in Paris.
We returned our focus back
to the coffee table
and the announcer comes back
this time with a completely different tone
Sombre
Really sombre
He states
Diana, Princess of Wales
Is Dead.

Dead?
We announced to each other
with jinx simultaneity and incredulity.
It was just her wrist?

Once at the bar we made cracks
About off-shore bank accounts
receiving wire transfers from the Queen.

That previous summer in the first food aisle of
Rock and Roll Ralph’s
I turned towards the sunlight and
saw her image on an American tabloid
Displayed in the point of sale racks
At checkout
There were two rather fuzzy photos
Shining golden hair on a turned feminine head
A blue maillot
A diving board off a yacht
Arms wrapped in the Sea
And I thought softly to myself
“Oh no.”
But I can’t even tell you why.
Out of the edge
The very corner of my eye
In the free-standing vitrine
Assembled under plexi
with various small pieces
all 1800s
In what at that time was
a richly coral walled gallery
Deliberately
A small marble bust
Yes I’m calling you out
Although I don’t know your accession number
and you’re no longer on view
Nor will be
any time soon
for that matter
You took advantage
You waited until my very last
moment’s attention
and as I turned my head away
a quick trick
the head turns
A flash of movement
Or movement is how I understood it
Because that’s what my brain
told me it was
You know that I saw this
of course
since you did it on purpose

At the time I told you to cut that **** out
NOT FUNNY
Or words to that effect

I thought that that’s
how you must handle such things
And I still do
It’s childish

Yet it only comes to mind now
That you must have done this countless times
To so many
The contexts endless
Though it must get old
But you
are old

It would be nice to know when it started
And why
this parlor trick
For I’d never felt watched or scrutinized
or judged

by objects on display
which is what you are
Particularly in this gallery

you went straight to
“provocation”

Perhaps you meant
“help me”
but I doubt it

One imagines that anything would eventually get sick
Of being looked at
Heads leaning in for a closer
examination
You’re such a
little thing
which may be part of the problem
It could feel like a curse
to forever be a
lapis lazuli ormolu encrusted vessel
for the rest of eternity
It never occurred to me.
I never thought what must it be like?

Trivialized to surfaces.
Put on the shelf.
To fall out of history.
I should have understood more quickly
of course

I remember hearing
that an old drawing done of myself
had been on view in a gallery
without my knowing
without anyone bothering to mention it besides a vague
throwaway
aside
made well after the fact
like a tossed cigarette ground into the sidewalk
outside a dull party

I don’t remember the image
but some part of me was hanging on some wall nonetheless.
Had it done anything untoward
to some poor **** walking past?
An alchemical interruption?
I certainly hope so.
Confound dominion.
Assail the event horizon of metaphysical politesse and proprieties.
Defy a petty corporeal quarantine of sorts.

To throw off this mantle
if for just one split second.
Two and a half weeks into this quarantine
Rainy days and
no poems
No words forthcoming
All quiet
I decide that perhaps
if I just put one
Word
In front of another
And keep on for a time
Words upon words
something will come?

At 8:30 every morning
A man passes
walking a Pomeranian mix
A joyful little dog
(I’d steal him in a heartbeat)
They walk
He twirling the leash round and round
The dog leaping higher and higher still.
They dance together eyes meeting
and smile as I know a dog can
and I remember
how I would dance with my last greyhound.
We would tango and box-step.
I always led.

These days the little
Pomeranian can’t get his attention
anymore
The leash doesn’t twirl above its head
He’s pulled along impatiently
There are no more smiles
Their eyes won’t meet
He’s slow to realize that he’s become a drudgery
I want to yell out the window
I see you
EVERY MORNING AROUND 8:30!
Where’s your joy gone buddy?
Don’t you know that’s all you’ve got?
You’re bumming me out for real
and your dog loves you!
Wake up! You fool wake up!

I think that now I’ll walk to Ralph’s
I have various thoughts while doing so
Children race their bikes passed me
as if they’re in an entirely other reality
altogether
and
maybe they are.
The wind blows through their hair
effortlessly
As if it couldn’t mine.

Front lawns offer up fields of dandelions
as if their orbs the most prized bounty
Freshly mown grass smells new and clean instead of putrid, rotting in the sunshine
The fulsome wafts of springtime’s
jasmine and osmanthus heaving with citrus and pepper evade me as I pass their blossoms
Yet on the rare occasion a fragrant rose pierces through the weft and hits a nostril
but I can’t tell which bloom.

The smooth talking
homeless girl
has finally covered up that
diabetic open sore on her left ankle
the size of a flattened crimson football
which is something,
although I can see that
she’s being told to move along as
she just can’t sit anywhere she pleases.

I’m counting every time I see the word “dead” along my way.

In the store the ladies that buy
their bottles of white wine in the afternoon
are starting earlier now
with supplies and deliveries
unsure
It’s one thirty and I see
Two bottles of Clos du Bois
And four Domaine St. Michelles
in the cart to my right
and nothing else
as they do.
I’m not going to ask her
about her dinner party.

While I stare at packages of coffee
A man pulls off his mask to sneeze into the air before him
And I say to the older man approaching
I don’t think that you’ll be going any farther
in that direction.
It was under my breath.
He didn’t hear me.
I have a mask on.
He turned his cart around and walked back
the way he came.

I have this urge to talk to everyone.
I have this relentless desire for ice cream.
I miss everything.
Nothing here
will satisfy anything
to do with me.
Can one survive a global catastrophe
with candy and magical thinking?

Older people
And by that
I mean really old people
Eye me suspiciously
Almost fearful
As if I myself alone
embody
the menacing contagion
and I guess I could.
Perhaps I do.
It’s hard to read emotions with these masks
But their eyes seem terribly unkind and
brows, furrowed
One stares at me hard
with beady anger and a ready insult
another will jump me in the checkout line
and with great solicitude
unwrap her money from
the white notebook paper
pulled from the manila envelope
Now re-folded with
rubber bands and string
And placed back
into her chest
She is so sweet to the cashier
with her black acrylic wig askew
that he seems quite shocked to hear
she cut in front of
fifteen people
without so much as a word.
Who cares really?

My first mask made me sneeze for four hours straight and made my nose burn like a hit of **** *******.
I’ve been handed a free mask by
a representative
from my local assemblyman
made of a softer material
I find that
it won’t stay up and fogs the base of my glasses.
I don’t think it’s working.
It reads
We’re All In This Together.

I still can’t breathe.

The doomed asthmatic
selling his single ciggies on the sidewalk
dies on Staten Island
from a policeman’s chokehold.
Eric Garner
In those desperate last moments
of
his
2014
despite his pleas and confusion
surely there before him appeared
although not quite the end that he’d envisioned or feared
what with steroid inhalers from the pharmacy
a crystalline moment
when he knew without a doubt that
he’d never take another gasp of air
like a bloated goldfish on its side
expressionless and saucer eyed
outside its bowl
What happened to his mind then?
What will happen to mine?

It has been said that
certain tribal kings
have brought before them
after battle
their most worthy enemy
in the process of imminent death
while they sit in numinous splendor
and wait for that perfect moment
to lean in close to the mouth
and inspire greedily
the purest
most sublime
expiration of their life force,
now a pristine delicacy of the infinite,
for themselves alone.
Schoolhouse Rap: Boyfriend Killaz Edition

Jody Arias!
Jody Arias!

Let’s not forget
what you’ve done to us
When you find the ****
That is the most to ya
Don’t try to play
It’s just today for ya
Cuz she may have
Another way
in store for ya
whether she comes through
the front door
Or that doggie’s little door for ya
You’re gonna have to make some
extra room for Ma

Said she’s not your shorty no more
T.
No more P.
said our Miss Jody

You ****** the wrong chick.

Jody!
I said
Jody Arias!
Her love life was so precarious
Her lover so nefarious
Treating her like a *****
little piece of ***
The result of which was not so hilarious
Salacious? She?
Predacious? He?
Predacious? She?
Salacious? He?
Who’s to say?
Really.

Said she’s not your shorty no more
T.
No more, T.
said our Miss Jody

You ****** the wrong chick.

He thought he’d get his perfect first wife
And start that brand new life.
Jody?
Can you hear me?

O Travis
my dear dear Travis
They did try to ******’ warn your ***
Her hands more nimble than Thelonious
Your end more wretched than felonious
This hookup
for you
rather deleterious
Looks like she took your picture laying near the glass

Said she’s not your shorty no more
T.
No more P.
said our Miss Jody

YOU ****** THE WRONG CHICK
One day I saw Liza Minnelli
on the television
And she said, pointing down at a
Young women's feet
"I know precisely the day when you will no
longer be able to wear those heels!"
I thought
**** you Liza Minnelli!
Shut your mouth!
That is truly unspeakable
Cruel
And it does not concern me.

Sadly,
In less time than I would have liked
My beautiful
Coal black brushed sued
Miu Miu Booties
with a golden zip up the back
And the most fantastic heel
(That line!)
Hurt me beyond
anything I knew
a shoe could do to a person
I started taking ibuprofen
before I slid them on
But I knew
Liza is right.
It's over.

It came for me young like menopause.

Women a decade older
are running all over the place
in their stilettos.
Their four inches.
It's more than I can bear
to look at the images anymore.
Because shoe envy is real.
And so is the grief.

Shoes I have known....

I still think with a heavy heart about those
gorgeous Cesare Paciotti t-straps
Some of my last
although
I didn't know that at the time
It's better not to think
But the memories return
These had an amazing heel as well.
Chunky Italian rather than a delicious subtle
swag.

I seek solace in wedges and kitten heels.

O Liza Minnelli!
That evil forewarning.
Does Disney
have a witch that does this sort of thing
because they should.

The craggy finger extends from the cloak
and points down at
the innocent girl's
barking dogs
encased in an excruciating
yet stunning pair.
No apple.

"When the Sun has returned 57? No.
39 times around the Earth, no beautiful shoe
with a perfect heel and toe-box
will you ever wear again.
The pain will be so great that you will beg to take
them off if you are fool enough to put them on."

That's a strange curse my friend.
What kind of unfulfilled bargain prompted that?
Liza Minnelli!

I'm sure that they've seen this
a million times.
At Saks, Neiman's or Bergdorf's
It's probably boring.
"Oh that again."
The shoe goes back into its box.
No point in bringing out the other.
I'm so very sorry madame
There isn't another size
Have you considered a slipper?

I, myself have considered a fete
where all my old broads
get those heels on
regardless of the ability to walk
Bring the crutches
Or the wheelchair
And pose to the gods
There would be serious pain,
even tears.
But I'm fine with ******.
Seriously.

Instagram parties documenting the old hens
under sedation
or knocked out for the photo session
with those insane heels on.
It could happen.
May have already.

Liza?
Did those red sequins
on your mother's feet
bring into being something not human?
All I know is that it's over for me
and I'm largely innocent.
I will admit to
Jealousy and Envy
but I am not at all bitter
and this does possess cinematic potential
Grimm theatricality
(Grand Guignol used to be
so popular so throw that in)
A Perverse Maytagged Cinderella minus a Prince
It's everything showbiz.
It's entirely fitting.
I wonder if there is any consolation
in having an afterlife of any sort.

Will I wind up waiting for my enter lifetime
to end
Just to get there
Looking for a spray or a flash
A carbonic tip of your hat
That Redsox baseball cap
or the newsboy
Will I sense a vibrational intonation
that could pass for a wry yet incomprehensible
Hey Half-Pint!
or
See Ya Li'l Bit!
Just to watch you fly away from me
with all the words still in my mouth?

Will I stand there or vibrate in wave patterns
as I don't know what one does,
having waited so long
having been so patient
that that distinctively
Hello/Goodbye
You're On Your Own moment
Although shocking
would feel sadly familiar
You a Depression era baby
and I am not
Will I watch you explode into nothingness and
know that mother isn't even with you?

I don't think that I understand the ways
of
Loss.
I revisit that night and
I don't know why
I don't know why it took so long for you
to get there for one thing
I parked
Which took some time
But I found a spot
I won't be towed
And I walked to the hotel entrance
and waited
far too long
I took out a cigarette
And I bet I smoked the whole thing.

You never showed up which was strange.
Did I start to smoke another?
I thought that I was being polite
waiting on the curbside
Eventually R. and his girlfriend showed up
Super late
But polite which was no longer something to
expect from anyone anymore I found

They collected me and we went up to the
Penthouse
And there you were
Did you race like a daemon
breaking those presumptuous,
Certainly useless
Laws pertaining to Physics
just to get up Fairfax Avenue?
You ran to get to a party
that you were only invited to
because of me?
Without me.
This is not normal is it?

Your excuse upon my arrival was ******.
Idiotic.
I walked away.

On the balcony
I stood with you and R. again
We had avoided one another
throughout the night
yet always collided back
like opposing atoms.
Was that my doing?
I really think that that one was
your trick.

One of you had a joint
And I thought to myself
O *******
Thank God
It went around once
maybe twice
And then became a two-step
Without me
(Again!)
Back and forth between you two.

I was
standing there quietly waiting
like it was a game of jump rope
Watching for the moment
when the rope would let me in
My turn would come up eventually cuz
I'm standing right here.

I think one of you
R. probably
Handed me the joint
now dead
A stiff speck of rolling paper stuck between
*******
And the two of you
turned and walked away from me
Without a care
Brothers-in-arms

Well this isn't that sort of party.
Boots on the ground.
Blood in the sand.
Pack on your back.
Gun raised.
The stench of iron and salty offal.
Heroes in The Battle of Normandy.
I am not an Axis soldier and i know that you are not Allies

This Chateau is modeled after one
in the Loire
so the legend has it.
And this is a totally different thing altogether.

Wasn't your father, a fireman and you, his firestarter?
Didn't you watch him
put out your flames on the local tv news
while you lay on the carpet chin in hands, full color?

Did I follow you both back inside?
I think that I didn't
I hope that I didn't
How do you follow that?
I know that I walked to the balcony's edge
And settled into watching the rings to my right
The smoke rings from the cigarette
of the Marlboro Man
perching above Sunset Blvd.
what have I done?
how has it come to this so fast?

I may have joined in
Blowing rings from up above
I made O's very well in those days
One after another
One inside another
The billboard too
We're strange amigos we
Our rings float away unfurling
into thinner mists
While the white and red lights of cars
down below us
Rush into the sparkling night air
East
West
Somewhere other than here
My circles disappear above my head
His circles too.

Did he seem to you like a happy cowboy?
Rugged and determined
Those unsentimental eyes
Narrowing fearlessly at a blank manifest destiny
O
O
O
O
It's endless but I can keep up.

Looking at him from were I stand
I know that I will need
some of what he's got
to get through this
situation.
I thought that I had it on me.
I thought that I had packed it.
But somehow it's taken its leave or
Gone Missing.

He's not even real
This eminence to my right
Just wood and paper and
a mechanism making steam look like a plume of carcinogens
O
O
O
O
Yet I look at him a bit jealously regardless
Funny to feel that way about a billboard
Maybe cuz he's kind of a man
Maybe it's his hat
But it's true nevertheless
His rough hew cardboard evokes

the self determination at all costs
here above Sunset.

I will leave this penthouse
with its sick yellowy light
Dash into the elevator again
Make my escape
Light another and
Blow those rings.
Messaging
Mayday
Signaling my location
Above ground Terra Firma
Not underwater in depths that
cannot support life
R.'s been dead now almost twenty years
By his own hand.

Tomorrow I will try again
I hinted to myself
barely believing
I still have my lighter and what cigarettes are left in the pack.
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