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R emember when we were in love?
E ven just a little?
B ecause I'll never forget.
E specially the bad moments.
C ause the worst moments with you,
C hanged me for the better. So I'll
A lways thank you for that year point 5
Twenty-two inches on a tape measure
keep pulling it out to see
the average estimated expectancy
of about eighty-three.

All of that curved yellow metal
is simply symbolic between
measuring the rest of my life and
not one inch being guaranteed.
I might as well have fallen in love with the man in the moon.
He still wouldn't be as distant as you.
and He'll never show me his dark side.
Don't get me wrong, I fell in love with that part of you too.
But once you showed me your dark side the light in your eyes died.
and maybe I died a little inside too.
I'd have been better off falling in love with the man in the moon.
Like the wolf, I could cry to him all night.
Because I know he'll leave me once it's daylight.
Sound familiar?
Are you seeing things any clearer?
I'd rather have fallen in love with the man in the moon.
But I just can't, because he's not you.

© copyrighted Nicole Ann Osborn
When we were kids, I'd leave my window open,

So you could crawl into my bed.

Keep me company,

And direct the dreams in my young head.

But I had to board my window shut.

Yet, you still direct my dreams, somewhat.

So I made a dream catcher.

And trained a deadly spider to spin a web inside her,

As her Dream Catching net.

To stop the deadly dream's you inspire.

And so it went.

But now, I miss the nightmares.

For at least, in them, I could admire you for being there.

© copyrighted Nicole Ann Osborn
 Aug 2014 Vanessa Abplanalp
M
let's fall tragically in love
drink too much
and then fall tragically in lust
because I would like to stop and take a break
from destiny- I would like to pause and stop
who I must be, for just a moment,
let it go, forget it all, make this night
like it never happened, no rewinds
marked from the record,
just kiss me, for now;
I'm tired of being dependable
***** filling expectations and following the path
moral obligations and saying the right thing at the right time
I'm tired of being looked up to
'oh, maddie, with the good morals'
**** being respectable
**** being responsible
**** having a reputation
**** it all- just **** me.
Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines
You pull on my lip like an aircraft emergency oxygen system.
Our engines catch fire
as our tongues flutter like the wing's peeling metal,
and as our eyes peek at one another
between each plane crash of lips.

We've lost cabin pressure
as we can no longer control our bodies.
We gasp for each other's breath
as our shimmering structures
roll around on the sky of my bed.

We kiss like we've only got seconds left,
when in reality,
these moments will never die
even if we do.
There was an army of ants in the plastic plants
So I poured light through a magnifying glass
And I created a fire on the artificial grass

They scurried and hurried
with flames on their backs
Like soldiers on a hopeless plain,
searching for invisible barracks

And I sighed as they died,
because we are all the same:
Scurrying and hurrying from invisible pain
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