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children should be seen and not heard Odysseus is not a complainer he keeps quiet he is taught to choke his voice swallow his hurt Mom and Dad are always arguing at one another raising their voices fighting he endures his parent’s criticism follows their orders he is trained to be obedient no negotiating his parents inhabit a surface world of strict protocol everyone laughs but it is a pretend way to dismiss what is actually occurring as long as they say i love you to each other then everything is accorded technically all right no matter how dysfunctional or painful the truth existence is a difficult challenge often overwhelming Mom and Dad push Odysseus in directions he does not want to go instead of surrendering to their wills he acts in response in fact a whole personality is being formed based on his reactions and having nothing to do with who he truly is how he actually feels he feels frightened by the world stressed by all the expectations put upon him in many ways he is way too sensitive crippled by his own sensitivity self-betrayed by his thin-skinned hypersensitivity he stays in his bedroom with the door closed he paints or plays with toy soldiers and watches TV he does not know where Penelope is maybe she is in her bedroom Penelope means everything they share secrets and conspiracies and a common enemy in Mom and Dad Penelope is the only one who recognizes his predicament sense of helplessness anxiety pain she is more nurturing than Mom Penelope and Odysseus have a special connection share a common or similar reference of perception Odysseus desperately needs to believe in his parents maybe Mom and Dad do not understand and assign unfitting advice maybe Mom and Dad do not support him in ways he needs but they are still his parents he values believes looks up to them they rooted that in him even if it is out of fear rather than respect he will always venerate Mom and Dad no matter what Odysseus wants to make his parents proud he loves and needs them Mom is an important person always on the go planning dinners dashing out the door gossiping on the phone buying and returning clothes getting them altered going to the hair salon meeting with the girls for lunch she is a busy lady and has a lot of friends Mom is more concerned about how things look than what is actually going on with her children parenting is a secondary concern to Mom’s hectic agenda of social popularity deep inside Odysseus believes Mom loves him he needs to believe that he paints a red heart on white sheet of paper and writes inside the heart in brown colored pencil MOM when he turns it upside down he reads WOW he reasons whether it is out of obligation or guilt or a mother’s tendency Mom loves him he does not understand but he is grateful secretly Odysseus is hurting bad his feelings are easily upset more and more he experiences a disturbed point of view he tries to ignore it  sometimes his thoughts run to morbid extremes he wonders why he cannot just accept and get along often he wants to be good and get better other times he wants to destroy himself things are chaotic and troubling at home he wishes he or his family would die his teachers complain he is a dreamer with behavioral problems he does not excel academically after eighth grade Mom and Dad are notified their son is not to return to Harper Mom cries to the school Principal in his office begging him to let her son stay the Principal refuses Dad lights a cigarette and exclaims to hell with Harper we’ll find Odys a better school Odysseus tells Mom he is going to be known someday not like celebrities on TV rather recognized for some great achievement Mom believes him and never stops believing in Odysseus
When I look into the mirror
I think I am handsome
My wife  says that
I am handsome but
others do not saythat
I am handsome
I like  onlyMirror and
my wife and
hate everbody
because I hate
the truth
I am a middle aged
Boy
 Dec 2010 JR Weiss
Jim Morrison
-Moment of inner freedom
when the mind is opened & the
infinite universe revealed
& the soul is left to wander
dazed & confus’d searching
here & there for teachers & friends.
~~~

Moment of Freedom
as the prisoner
blinks in the sun
like a mole
from his hole

a child’s 1st trip
away from home

That moment of Freedom
~~~

LAmerica
Cold treatment of our empress
LAmerica
The Transient Universe
LAmerica
Instant communion and
communication

lamerica
emeralds in glass
lamerica
searchlights at twi-light
lamerica
****** streets in the pale dawn
lamerica
robed in exile
lamerica
swift beat of a proud heart
lamerica
eyes like twenty
lamerica
swift dream
lamerica
frozen heart
lamerica
soldiers doom
lamerica
clouds & struggles
lamerica
Nighthawk

doomed from the start
lamerica
“That’s how I met her,
lamerica
lonely & frozen
lamerica
& sullen, yes
lamerica
right from the start”

Then stop.
Go. The wilderness between.
Go round the march.
~~~

he enters stage:

Blood boots. Killer storm.
Fool’s gold. God in a heaven.
Where is she?
Have you seen her?
Has anyone seen this girl?
snap shot (projected)
She’s my sister.
Ladies & gentlemen:
please attend carefully to these words & events
It’s your last chance, our last hope.
In this womb or tomb, we’re free of the
swarming streets.
The black fever which rages is safely
out those doors
My friends & I come from
Far Arden w/ dances, &
new music
Everywhere followers accrue
to our procession.
Tales of Kings, gods, warriors
and lovers dangled like
jewels for your careless pleasure

I’m Me!
~~~

Can you dig it.
My meat is real.
My hands- how they move
balanced like lithe demons
My hair- so twined & writhing
The skin of my face- pinch the cheeks
My flaming sword tongue
spraying verbal fire-flys
I’m real.
I’m human
But I’m not an ordinary man
No No No
~~~

What are you doing here?
What do you want?
Is it music?
We can play music.
But you want more.
You want something & someone new.
Am I right?
Of course I am.
I know what you want.
You want ecstasy
Desire & dreams.
Things not exactly what they seem.
I lead you this way, he pulls that way.
I’m not singing to an imaginary girl.
I’m talking to you, my self.
Let’s recreate the world.
The palace of conception is burning.

Look. See it burn.
Bask in the warm hot coals.

You’re too young to be old.
You don’t need to be told
You want to see things as they are.
You know exactly what I do
Everything
~~~

I am a guide to the Labyrinth

Monarch of the protean towers
on this cool stone patio
above the iron mist
sunk in its own waste
breathing its own breath
 Nov 2010 JR Weiss
Anna Swir
Look in the mirror. Let us both look.
Here is my naked body.
Apparently you like it,
I have no reason to.
Who bound us, me and my body?
Why must I die
together with it?
I have the right to know where the borderline  
between us is drawn.
Where am I, I, I myself.

Belly, am I in the belly? In the intestines?  
In the hollow of the ***? In a toe?
Apparently in the brain. I do not see it.
Take my brain out of my skull. I have the right  
to see myself. Don’t laugh.
That’s macabre, you say.

It’s not me who made
my body.
I wear the used rags of my family,  
an alien brain, fruit of chance, hair  
after my grandmother, the nose
glued together from a few dead noses.  
What do I have in common with all that?  
What do I have in common with you, who like  
my knee, what is my knee to me?

Surely
I would have chosen a different model.

I will leave both of you here,
my knee and you.
Don’t make a wry face, I will leave you all my body  
to play with.
And I will go.
There is no place for me here,
in this blind darkness waiting for
corruption.
I will run out, I will race
away from myself.
I will look for myself  
running
like crazy
till my last breath.

One must hurry
before death comes. For by then  
like a dog ****** by its chain
I will have to return
into this stridently suffering body.  
To go through the last
most strident ceremony of the body.

Defeated by the body,
slowly annihilated because of the body

I will become kidney failure
or the gangrene of the large intestine.  
And I will expire in shame.

And the universe will expire with me,  
reduced as it is
to a kidney failure
and the gangrene of the large intestine.
Fond memories caught within a sound swirl like smoke rings
in my mind.
Dancing in the shadows of a empty floor.

Closed we are in thoughts times of past need to return.
She questions my words but I answer so very true.
Were actors in the play so overdue to end.

Bottles reflect a glimmer of a feeling I can no longer pretend.
the record skips only to repeat again.
The windows show another broken try,
Forclose the madness happiness for sale if you understand the lie.

I found it a chore not a plessure to speak.
Were togather in misery told to create yet persecuted
in the whim of another.

Broken are the  bounds I found nothing to hold true.
The butcher  takes the pen the writer has only to breath
to create.
Fight but what of the battle and its failure to end?

The storm has started
But ive gone inside a viewer to the insanity I refuse to play.
Sometimes you have to wipe the slate clean to start new.

The sound tells of a place I no longer wish to recall.
 Sep 2010 JR Weiss
Anne Sexton
You said the anger would come back
just as the love did.

I have a black look I do not
like. It is a mask I try on.
I migrate toward it and its frog
sits on my lips and defecates.
It is old. It is also a pauper.
I have tried to keep it on a diet.
I give it no unction.

There is a good look that I wear
like a blood clot. I have
sewn it over my left breast.
I have made a vocation of it.
Lust has taken plant in it
and I have placed you and your
child at its milk tip.

Oh the blackness is murderous
and the milk tip is brimming
and each machine is working
and I will kiss you when
I cut up one dozen new men
and you will die somewhat,
again and again.
Either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted, jailed, in and
out of fights, in and out
of my mind.
women were something
to ***** and rail
at, I had no male
friends,

I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
and
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't different

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
grievances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
i could never gobble
down all its
poisons
but there were parts,
tenuous magic parts
open for the
asking.

I re formulated
I don't know when,
date, time, all
that
but the change
occurred.
something in me
relaxed, smoothed
out.
i no longer had to
prove that I was a
man,

I didn't have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, 'I am going
to have to let you go'

'it's all right' I tell
him.

He must do what he
must do, he has a
wife, a house, children,
expenses, most probably
a girlfriend.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporarily,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels, *******,
singing,the
works.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I made them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scares, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
****.

and finally I discovered
real feelings of
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
i saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the tote board waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
I saw the mailman,
honked,
he waved
back
at me.
 May 2010 JR Weiss
Ezra Pound
Beautiful, tragical faces—
Ye that were whole, and are so sunken;
And, O ye vile, ye that might have been loved,
That are so sodden and drunken,
        Who hath forgotten you?

O wistful, fragile faces, few out of many!

The crass, the coarse, the brazen,
God knows I cannot pity them, perhaps, as I should do;
But oh, ye delicate, wistful faces,
        Who hath forgotten you?
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