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Roses made of glass
We were roses made of glass.
We stood tall in the ground.
Red like autumn
And beautiful like the day.
We were roses made of glass.
The wind blowing against us
Rain and thunder
But nothing could tear us down.
We were roses made of glass.
Untouched and pure
Sweet and youthful
And Death seemed so far away.
We were rose made of glass
Plucked from the ground
And smashed into small fragments
Like the broken people we had become.
We were roses made of glass
Pleasing to eyes of others
A representation of the perfection
Really we were all just boys, given the roles of men.
We were roses made of glass.
Sometimes I wonder if there is any line between poetry and prose, or prose and story. Where is this line? What is the difference? Is it some kind of structural difference? The problem with this is it becomes difficult to define where the structural lines are drawn. Is it some difference in the use of language? Anyone who has read Burroughs knows there is very little difference between his language in poem and prose. It all comes down to that old bald thought experiment. If we were to remove hairs from a man’s head, one by one, at what point would he be bald? It must be the context. This is a poem because it is presented as such.  

The thing about it is I don’t really give a ****.

The thing about it is that I’m just looking for something that I do not know.
And I get a kick out of pretending
And sometime something something I’m a little bit high now folks
Because sometimes I need something too
/
all the time
And Some might say that you can get a lot higher without drugs than with them
But at this day and age that’s becoming less and less clear for most folks
Including myself
And that’s pure Thompson
May the great decadent castle topple down!
And I, like a noble captain,
Will sink with her
I stand with hunched broken back
On the backs of millions
Pondering lifelessly

I smell something. I can’t really know what. It’s horrible. I do not know if it is me or someone around me. A woman in front of me has a dark line around the back of her neck. As if that crease her skin collected some errant dirt and she never washed it off. I don’t know but it may be her. Or I may be a ******* because she is pretty fat. And that’s empirical. And I know it’s not her fault, but I may have some sick bias against fat women brought on by repeated social direction. I remember when I thought of myself as undesirable. I did not wash. And I didn’t shower yesterday. And really I don’t know if this line here on her neck is really dirt, but ******* that smell. It’s killing me, and even distracting me from the gripping narrative of the American sedition laws during WW1. Honestly it is probably me, but why is it so persistent? Wouldn’t I fall victim to scent saturation blindness, or whatever that affect is called. The point is you can’t normally smell your own stink, and none of us even notice our own stink. I think there is something in that somewhere. I can’t smell my own stink, and so I blame this poor girl.
David Zavala  Apr 2014
Neighbors
David Zavala Apr 2014
===============================================================

­
There is a blue, black, and white car that picked up a red backpack for your crossing the street and she did give you a key for when you get in trouble.

The cars are supposed to honk and yes bombs are dropped from airplanes like in WW1 and WW11. I am sorry, it is terribly frustrating and your mom not dad probably do not understand and you should care if you think it’s worthwhile and that voice you have in your head is a voice to remind you of yourself and that there are others and options.

   s
            o
                        a
                       ­               r      
                                                   i
           ­                                           
                     ­                                         n
                                                         ­                  g
Simultaneously water: I don’t want to go
      
And a television to another television broadcasting the scream the girl
                          the girl

You are not enough.


==============================================================­=
SE Reimer  Feb 2017
battle lines
SE Reimer Feb 2017
~

so long ago, the
battle fields he’d left;
the foxholes where
for many nights he'd
lain his weary head.
together ’til a victor
named they’d daily fought,
then parted ways as
shell-shock bonded,
comrade friends,
brothers, arms-in-armor.
few survived and
those who did,
wore battle scars
that most can’t see.
left behind
the fallen proud,
their darkened images,
etched like stone.
from sharpened knife,
runs deep regret;
this searing pain,
like smoke in eyes...
these bayonetted memories.

older now,
so much has changed,
those mem’ries live,
though rearranged.
new battle lines are drawn
in hopes of
absolution carried,
heavy, deep regret...
emerald valleys,
blood-stained volleys,
full of memory;
the un-forgiveness buried
in fallow soil ’neath,
but few inches shallow,
the forgetfulness of
daily toil in grief,
for a life lived full
while others died.
etched like stone,
from sharpened knife,
runs deep regret;
seared painfully,
like smoke in eyes...
those bayonetted memories.


now autumn falls
upon his land;
as winter’s blade
is sharpened thin,
he marks time by
raking leaves,
like fallen comrades,
he draws battle lines
on grass of green;
like photos faded
now too his memory,
takes him back,
to that smoke arising,
soldiers charging,
more wounded crying,
with each rifle’s crack,
the fear of dying,
so soon exchanged
for sting of living on.
etched like stone,
from sharpened knife,
runs deep regret;
a searing pain,
like smoke in eyes...
his bayonetted memories.

yet still he tries
to turn this scene
into a work of beauty,
even sculpted art;
he changes battle lines,
with these bleeding leaves,
in hope of different end.
as he wishes in
his beating heart,
all his foxhole
friends and brothers,
lost upon these hills of green,
had gone home with him
to fathers, mothers,
living on to tell,
a story all their own.
instead ’tis he that
holds their story in;
’til his dying breath,
this his only sin
in living on...
etched like stone,
from sharpened knife,
runs deep regret;
seared in pain,
like smoke in eyes...
fading bayonetted memories.

~

*post script.

this comes from a short i came across years ago by an older writer who tells this story of his father, a WW1 veteran, who after surviving battles on the European front, returned to raise a family, while privately dealing with wartime anguish, accompanying survivor’s guilt, long before "shell-shock" was diagnosed as PTSD.  he, the son, observed on many occasions his father raking leaves into columns and rows, then moving and rearranging them. not till years later just before his father passed, did he ask and learn the profound meaning.  

i am a fan of veterans, foremost my father ((Korea) and my son (Iraq), and also a huge proponent of CAMP HOPE, who "provides interim housing for our Wounded Warriors, veterans and their families suffering from combat related PTSD in a caring and positive environment."

(the original author of what inspired my words above i looked for
that i might provide provide proper credit here, but failed to find.
any suggestions would be most welcome.)
Suresh Gupta Feb 2020
WW1 - They were all Related
2019



And yet, there stood opposition, finely clad, gloriously
Thousands to prove their mantle, in call of duty
Misplaced loyalties, knowing to never see the dawn of day
Sacrificing, neither for personal gain nor profit, nor
for country, alas to appease the whim of squabbling siblings
Such poems a plenty, staged for kings n generals, no not for play.
tonight I can write,
of a disorder so monstrous,
I intermittently cannot tell,
if I want to laugh, cry, or die.
this wretched disorder is like,
being stabbed by your favorite person,
and laughing instead of crying.
everyday is a struggle to seem normal.
it's just so sorrowfull,
when your emotions are being juggled,
at the circus in your head.
my mind is like a battlefield in WW1.
but unlike the casualties,
the perpetually changing emotions live on.
tonight,  even as I write,
my feelings will not stop bouncing around,
like children when they,
consume too much sugar.
the way I feel towards everything,
never stops changing.
everyday, every hours every minute,
my emotions never rest.
the brain within my skull,
commands me one moment to be euphoric,
and within 30 seconds,
says to be rancorous.
but tonight while I've written this,
these forever changing emotions,
did not win.
despite the war in my head,
I have kept the same mood.
this disorder will not end me.
m.r.l.
Donall Dempsey Feb 2019
WHO MADE THE WORLD?

"It was a dark and stormy night..!"
as stories often start.

But - it wasn't.

It was no story.

And there was no such thing
as night.


And there was a complete absence
of weather.


Night( or day )hadn't yet
been invented.

Neither had the world
for that matter.

Creation was still
about two hours away.

Dear God hadn't even given it
a second thought as yet.

And yes He had thought about it
and Him thinking...usually made it so.

He had still to get His Mighty
Finger out.

He the Great
Procrastinator.

He had  become as one
with those University students

who would crawl about the earth
messing about doing nothing until

the final moment
the final dash to get

the assignment in.

Alas He had made them
in His Image.

There were things he would have
liked to fix if...

WW1 for one
oh and 11.

The atom bomb.
Climate change.

He saw all things
as time was

all the one
to Him.

And now these unknowns
how could He

have even
thought of them.

How to fix that ****
bungling bothersome Brexit.

And what was it
exactly?

Or that annoying orange blip
that ******* liar Trump?

And Gove(ugggh!)
and Boris( aggghh)
come what May they

would all
have their say.

What had He
been thinking.

Maybe it will
untangle itself or

He would have to cut
through the Gordian lot

with His
mighty sword.

Bit Biblical that.
Or a flood perhaps?

He could blame it
on that climate change.

He knew that Brexit bit
wouldn't do but

it would have to
do.

Worlds will be worlds.
Then He yawned.

"Whatever...whatever!"
Donall Dempsey Jun 2019
OFF THE COAST OF WRANGEL ISLAND

The room was a frozen
block of silence

the out-of-love lovers
like two hairy mammoths

trapped in the ice
of their shared hatred.

Thousand of years had passed
since they had last talked.

Preserved like two rare
artifacts in a museum.

This the "invisible land"
an island of mists and fogs.

They looked like bad
caricatures of who

they used to be
and who

they could never ever
be again.

*

Wrangel Island is an island in the Arctic Ocean, between the Chukchi Sea and East Siberian Sea.It lies astride the 180° meridian. The International Date Line is displaced eastwards at this latitude to avoid the island. Wrangel Island may have been the last place on earth where mammoths survived.

The island is subjected to "cyclonic" episodes characterised by rapid circular winds. It is also an island of mists and fogs and is known as the "invisible land."  In literature Jules Verne has his characters trapped on a floating iceberg near here and Cassandra Clare makes it  the seat of all the world's wards, the spells that protected the globe from demons and demon invasion.

She was as it happened was reading Jules Verne's novel 'César Cascabel" whilst he as it happened was reading Cassandra Clare's "Mortal Instruments: City of Heavenly Fir", both entirely different books but both featuring Wrangel Island. I delight in such happenstance and synchronicity. I only knew of it because of the mammoth found there with hair and muscle tissue and blood intact. I was fascinated with photos of it and there was one where a scientist was bending down looking at it on a bench and they were nose to trunk as if having a chat about the years in between that separated them. When I originally wrote the poem I was looking at them in the mirror of their big fat room with the thinest of windows when they thought they weren't being observed and it looked as if the mirror had painted their emotional state and that time hung suspended forever in that one moment. They both could dispute angrily or peevishly about their state whether it be in the voice or even in silent thought. I called them THE WRANGLERS after the mirror's painting of them. Or indeed THE WANGLERS because of their persistent arguing or manoeuvering the other into the worse position so that the other could take the lowish of moral high ground. It was a bit like observing trench warfare back in WW1.

And so it was through all this happenstance that I placed them off the emotional coast of a stormy isolated island...in some limbo "invisible land."

And as to the right or wrong of my two too human artifacts where right or wrong are not all that easy to place? As Michael Pollan puts it "… morality is an artifact of human culture, devised to help us negotiate social relations."

All I knew is that I sure as hell wouldn't want to be in their peculiar shoes or that particular hell.

The room was a frozen
block of silence

the out-of-love lovers
like two hairy mammoths

trapped in the ice
of their shared hatred.

Thousand of years had passed
since they had last talked.

Preserved like two rare
artifacts in a museum.

This the "invisible land"
an island of mists and fogs.

They looked like bad
caricatures of who

they used to be
and who

they could never ever
be again.
Wrangel Island is an island in the Arctic Ocean, between the Chukchi Sea and East Siberian Sea.It lies astride the 180° meridian. The International Date Line is displaced eastwards at this latitude to avoid the island. Wrangel Island may have been the last place on earth where mammoths survived.

The island is subjected to "cyclonic" episodes characterised by rapid circular winds. It is also an island of mists and fogs and is known as the "invisible land."  In literature Jules Verne has his characters trapped on a floating iceberg near here and Cassandra Clare makes it  the seat of all the world's wards, the spells that protected the globe from demons and demon invasion.

She was as it happened was reading Jules Verne's novel 'César Cascabel" whilst he as it happened was reading Cassandra Clare's "Mortal Instruments: City of Heavenly Fir", both entirely different books but both featuring Wrangel Island. I delight in such happenstance and synchronicity. I only knew of it because of the mammoth found there with hair and muscle tissue and blood intact. I was fascinated with photos of it and there was one where a scientist was bending down looking at it on a bench and they were nose to trunk as if having a chat about the years in between that separated them. When I originally wrote the poem I was looking at them in the mirror of their big fat room with the thinest of windows when they thought they weren't being observed and it looked as if the mirror had painted their emotional state and that time hung suspended forever in that one moment. They both could dispute angrily or peevishly about their state whether it be in the voice or even in silent thought. I called them THE WRANGLERS after the mirror's painting of them. Or indeed THE WANGLERS because of their persistent arguing or manoeuvering the other into the worse position so that the other could take the lowish of moral high ground. It was a bit like observing trench warfare back in WW1.

And so it was through all this happenstance that I placed them off the emotional coast of a stormy isolated island...in some limbo "invisible land."

And as to the right or wrong of my two too human artifacts where right or wrong are not all that easy to place? As Michael Pollan puts it "… morality is an artifact of human culture, devised to help us negotiate social relations."

All I knew is that I sure as hell wouldn't want to be in their peculiar shoes or that particular hell.
Donall Dempsey Mar 2018
THE YEAR OF THE FIRE
MONKEY

He crossed the border
of who he was.

Smuggling himself
out  into the world.

An illegal self.

So, here he was
at 35,000 feet.

A man with no past.
A man with no shadow.

Inventing who he
could be.

A kind of reincarnation
of personality.

A moment by moment
existence.

Never too sure
who he really was.

Time to be
someone else.

Hiding behind hs
Village People moustache.

He had to laugh.
"Young man...!" he sang.

The inflight movie was
Running with Scissors.

But he wasn't
interested.

"Mmmmmm...little wing
fin...banking?"

7 Down - seven letters.
Beginning with an A....ending in an N.

"Mmmmm!" Again.
And again: "Mmmmmm!"

He glanced out the window
as if the clouds could tell him.

"Aileron!"
he blurted out loudly

startling the portly lady
in the aisle seat

spilling her
black coffee.

A sugar lump
dissolving in her lap.

Staining her pleats.

"Pardon...Madam...Pardon!"
he dabbing at her with a napkin.

She slapping his hand
away.

She reminded him of...who?
Yes...yes...Sidney Greenstreet!

In The Mask of Denitros
from '44 was it?

Her husband( ha ha )a dead
ringer for Peter Lorre.

He a cryptic
crossword of self.

Never too sure
even what the clues meant.

"Dog fight...taking a turn
WW1...to the Max!"

2 across...13 letters.
Beginning with an I....ending in an N!"

Ha...know this one!
WW1 a dead giveaway.

An Immelman turn.

His mind flying now
above the moment.

Coming into land.
"Con mèo....con mèo!"

He repeated and repeated
trying to catch up with his Vietnamese.

Time now

to turn back

Time.
Vitorio gash  May 2016
Freedom
Vitorio gash May 2016
Freedom,
It's a big word,
Not everyone has it,
But everyone should,
This day we stand still in holland,
For all the people who've died in ww1 and ww2 and to all the people after that,
I stand still,
Not only for the dutch people who've died,
But for everyone who died in the conditions of war,

R.I.P. Everyone who've fought for our freedom

— The End —