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RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
Ysabel Jan 2016
I was a hopeless wanderer when we met,
My eyes were swollen from last night's tears, while Yours smiles from ear to ear,
I dont even remember if I knew you personally back then but you knew that I'm one of your lost daughters.

You crossed the space between us and offered Your hand,
You wipe my tears away and made me smile,
You said I should not fear because I have you now,
And you were right, things are better when You're in my side.

For years I tried to ask the what ifs,
But the truth is I should have started asking what is,
What is life without Your love and grace?
What is world without Your presence in any place?

It may take time before we truly meet,
But I thank you for everything.
You've been kind through out my life,
You've been loving that I cant even thank you enough.

Let me then praise You and worship You,
For when my heart was on pieces, you picked them and glued them together,
Not for me to love somebody again but for me to Love You more each day My Victorious King.
God is my King.
Nothing  Nov 2013
Victorious
Nothing Nov 2013
You really want it
And you're so close
you can feel it.

You're breaking through,
Breaking free of the chains
Binding you.

Its a game you're about to win,
I'll be the proud audience
Ever cheering,
rooting for you.

You're almost
Victorious
I feel victorious!
I am free!
My God is glorious!
I'll shout His name!
Singing songs of praise,
All because of His glorious name!

Thank you Jesus for everything,
I'll keep on singing.
(c) Caryl Vim Cerna // Daily Entry // 92715 // Shabach
An edited version of one of the first poems I posted


Suffering
from the
selfish force
stealing
her sanctuary

Suffocated
by the
endless weight
crushing
her broken spirit

Repelled
by the
wretched stench
flowing
in the air

Plagued
by the
breathing echo
whispered
in her ear

Harassed
by the
vile memory
fixed
in her mind

Haunted
by the
nightly shadow
looming
over her

Suspicious
of the
camouflaged intentions
hidden
in plain sight

Guilted
by an
insidious disease
mocking
her sanity

Accepting
of the
contemptable deed
detroying
visceral serenity

Healed
by the
spirited strength
thriving
within her

VICTORIOUS
for reclaiming
the
life that
had
been stolen
Did you know approximately 2/3 of rapes were committed by someone known to the victim, 54% of rapes go unreported, and that 1 in 5 women in the U.S will be sexually assaulted? Crazy.

                                                    *RAINN*
1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.

2

Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
Pierre Ray Mar 2012
Capricorns, Capricorns are ruled and schooled by the planet Saturn, Saturn, Saturn. A bandit with a similar pattern, pattern, pattern. Capricorns, Capricorns are brethren from a legion; a legion of an atmosphere of the southern-hemisphere; in the equatorial region. At an
angle, angle, angle; Capricorns, Capricorns are angels of Aquarius and

Sagittarius. They’re boisterous, courageous, contagious, glamorous,
prestigious, rebellious, various and victorious-goats, goats, goats!
Capricorns, Capricorns cope, devote, note and quote, quote, quote.
They’re ambitions with superstitions and various missions, missions, missions! They’re novelties and poverties, revelations and

revolutionaries, revolutionaries, revolutionaries. Capricorns, Capricorns are theories and visionaries, visionaries, visionaries.
They’re objects, projects and rejects. They’re leaders and readers that are poetically, negatively or positively dictatorial and doctorial!  Some are historical, optical, political and radical; authentic, eccentric,

neurotic, poetic, theoretic, theoretic, theoretic. Unicorns, Unicorns are biblical and mythical, mythical, mythical; they’re ******, exotic, iconic, ironic, magic, nostalgic creatures, creatures, creatures. Their features
resembling a horse of course, of course. Furthermore, they’re fierce and a force. They’re a breed and creed of desire, fire and perspire, perspire,

perspire, perspire! They’re viral, viral, viral! This partial, sworn steed;
born awesome, awesome, awesome and too blossom, blossom, blossom. Unicorn’s spiral, crescent horn usually projecting and protruding from their foreheads. Rough and tough enough too pierce,
pierce, pierce! Unicorns, Unicorns are defendants, independents and

pendants. Hark! Hark! Hark! They’re brilliant and resilient sparks, sparks, sparks! They’re told as bold, old art, from the heart, from the start. Unicorns, Unicorns are fillers and pillars of guide, pride and
stride, stride, stride. They’re along for the long, long, long ride...
Unicorns, Unicorns are strong, strong, strong! Some as a song, song,

song, some throng, throng, throng, some wrong, wrong, wrong. As a
child, child, child; wild, wild, wild! Unicorns, Unicorns overwhelm, overwhelm, overwhelm. Their domicile realm, apparently, inherently and originally belonging from India; alleluia, alleluia for India, India,

India! Capricorns and Unicorns; two different creations. Capricorns
and Unicorns; two different relations. Capricorns and Unicorns; two
different situations and superstitions. They’re rainbows that glow, know and show. They’re of borrow, of sorrow and of our tomorrow.
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
ryn  Sep 2014
Irony
ryn Sep 2014
Life throws at us the worst practical pranks
Some call them challenges... I call them sick ironies
With challenges you might emerge victorious, and slide up the ranks
Ironies are just mean, bad jokes; locks with no keys

Call me godless, sad and trodden, bitter man
Call me a cynic, call me all including jaded
I've arranged it all in various permutations, much as I can
But my view at this point cannot be compensated

Allow me to illustrate...

•It's funny how you feel very certain or strongly
About the bog of sadness and depression you wade in deepest
You know it's real, you fan it with strength your mind could carry
When it could be better used to rise from when you're weakest

•What's this about having to crash to your fiery death
Into the realm of darkness; into the belly of hell
You'd have to almost die and lose your last breath
Before granted an epiphany, a slim chance that you could turn out well

•When life throws you in the deepest end
Fills your lungs with copius amounts of bad water
Tries to **** you before allowing time to mend
When if we were first taught to swim, it would've been much easier

•Sure... A treasure trove of splendours, life does offer
But like a spin of the lottery, you mightn't get even if you deserve
No matter how far you reach into it's elusive coffers
No matter how hard you worked to get ahead of the curve

•Life is like Christmas at times when it feels like giving
Like the gift of love much coveted by most individuals
Gives us all these fanciful things that need extensive assembling
But mischievously hoarding all the instruction manuals

•Fraught with grey areas and blind spots to fight
Presents ample opportunities to find the place that you'd belong
You go through shitloads of wrongs to get a right
And finally you think you're right, in actuality, you're dead wrong!

"More", you say?

•Friends during good times but not the bad
•The perfect red apple hosting a worm inside
•Faking a happy smile when you're deep down sad
•Putting our blind faiths in politicians we know who've lied

•Achieving superstardom only after death had ensnared
•Using heavy machinery to rid the Earth of impurity
•Shooting your mean motor mouth and wonder why no one cared
•Starlets dying for attention but crumble under scrutiny

•Health warnings on cigarettes but still sold for revenue
•Acquiring your sought after sports car but drive within the limit
•Promotions to idiots in suits who haven't got a clue
•Stretching up for the stars even when you know you'll never reach it

Well...

I could give more examples but I've typed enough
Life is but a game we're all playing; a circus we're all living
We can't help being helpless when unable to read and call its bluff
All we can afford is to keep siphoning water out of our boat that's sinking
I know I have been whiny in my recent writes. I also know that living a hard life makes you stronger... When life gives you lemons, make lemonade... Blah blah, yada yada... YAWN... SNORE... Zzzzzz. I know these already and I'm sure they're true to a certain degree. Just want to rant and complain. Please forgive my whining.
Kati B  Apr 2010
victorious
Kati B Apr 2010
Short are your cries

quiet are your whispers

don't want to let them hear you

they will never belive you

or understand your pain

so just keep it hidden

only cry when it rains

you can't blame them forever

they've already forgotten you

why hold on, and satisfy their needs

while neglecting your very own

you may have missed out

on swing sets and merry-go-rounds

but what's lost is lost

and it's not yours to find

I know they hurt you

stabbed  your heart and left you for dead

but those monsters are gone now

no one's hiding under your bed

now the sword is in your hands

and you've grown strong and tall

heroes aren't only in the movies

your braver and more beautiful

than any movie star

Raise your head dear one

lift your hands to the heavens

the villians are trampled underfoot

you are a bright shining star

with your sword and your sheild and your soul overflowing

you will inspire the masses

you can help change the world

what's done is done

what's lost is lost

what's here is now

and you are victorious
We're fighting a war, you and I
Some battles were different and others the same
It's not like those movies we've seen
There were many casualties
We've each suffered
From our own battles
But in you I see an ally
And in me you see a friend
So we will fight this war together
And someday soon we'll emerge
******, scarred, but victorious
And our enemies will see our tattered banner for miles around
Knowing we've won the war
howard brace Sep 2012
He'd been hanging around for some time now, indeed... he'd become rather proficient in that direction of late and although it would probably be rude to point, you could hardly accuse him of loitering... and certainly not with intent, which would have been of some considerable comfort to Norman's Mother, given his current situation, particularly since the latest complication in his otherwise dull and uneventful life, had left him predisposed towards looking a little more drawn in the face than was usual for the time of year and a decidedly deeper shade of green.

     Barely discernible, only the deeper scars now remained to  mar the roadside foliage, bearing scant witness to the motorcycle's recent and untimely misadventure... regrettably with Norman still mounted astride.  Having lost all adhesion with the freshly resurfaced country lane the motorcycle had promptly slewed sideways and across the wet grassy verge before plunging down the wooded embankment, there to encounter its own humbling demise and land in the shallow watercourse below, but it was still early Summer and already the verdant undergrowth had begun to recover.

     At the point where his motorcycle, having determined without deviation or interruption to take the most direct route to its final resting place below and follow the downwardly allure of gravity... Norman being somewhat lighter and more aerodynamic than the former had been propelled, amid a flurry of leaves and twigs headlong through the outermost branches of the nearest tree... and promptly snapped his neck... Far below a dog-eared circular proclaimed 'kidz do it better on wheelz'!!!

       In many ways it was the most handsome beech tree you could ever wish to lay eyes upon, majestic in stature and albeit stationary in nature, was full of life, contrary to its uninvited guest who decidedly was not... but who definitely was just as static as the beech tree... and which by any stretch of the imagination had far more right to be there than Norman did.
  
     The sudden and unforeseen turn of events of the previous forty eight hours had cast grievous, Holiday nullifying inevitability directly into the path of any plans Norman may have prematurely made in that direction... and for the moment at least to be left hanging high and dry in the lush, verdant canopy far above his motorcycle, currently languishing in the sparkling clear waters below... and it has to be said, without so much as a pair of galoshes between them, and having little else to do other than hang around nodding his head in the warm Summer breeze he swayed gently up and down in the light country air.

     Pausing mid-twitch on three legs between Norman's deceased neck and his equally demised shoulders, an inquisitive squirrel was now the prime mover in our eponymous hero's sudden and discontinued modus-operandi as it provoked involuntary nods from Normans head, gestures of consent as the prying rodent set itself to investigate in great detail the darkest, innermost depths of Norman's inside breast pocket.

     Norman's unintentional leave of absence had finally extinguished once and for all any further thought of future remittance towards the outstanding balance due on the motorcycle hire purchase agreement, which as luck would have it was just as well, because his equally unintended leave of absence, so it transpired, had also extinguished Norman... and thereby deprived him once and for all of any further thought of his outstanding ability to pay them or indeed, any further thought at all.

     The squirrel meanwhile, having brushed aside the meagre contents of Normans pocket finally emerged victorious into the subdued light of the dappled canopy, brandishing a hard won paper-tissue proudly clenched between its teeth... before moving on to other, far more pressing matters on the branch opposite... then paused to scratch its ear...  Now it may be of some interest to the reader at this point... or not, as the case may be, but the squirrel allegedly knew a friend of a friend, who incidentally runs the little B&B; further down the road and who would be prepared to swear on Norman's other-worldly life that she'd seen far worse looking faces peering back from the bathroom cabinet mirror of a Sunday morning after a ***** night out with the lads... than anything she could ever possibly imagine exercising squatters rights way above in the majestic beech tree.

     Flies seemed to be one of the few living creatures that morning who hadn't raised any objection to Norman's ill-mannered intrusion... indeed, were currently hatching plans of their own in that particular direction and take intimacy to the next level with regard to lunchtime seating arrangements... and who had assured him from day one, that while their long term prognosis for Norman attaining ***** and independent posture was by no means cut-and-dried, he should nevertheless be moving about, not necessarily under his own steam in no time at all... and by the look of his complexion, it would seem that in the interim period he should be thankful for the company.

     As the balmy Summer afternoon steadily drew to its own happy conclusion Norman, without a care in the world and now in the early larval stage of being in the family way, so to speak and shortly to shed a little life of his own... stared vacantly out at what had recently become his own neck of the woods, rapidly becoming a permanent fixture in the pastoral landscape... and while his sudden relocation may have been a real eye opener for some, for Norman he'd discovered the true meaning of be at one with nature, about the birds and the bees and especially the flies in the trees...  

     So there we must leave poor Norman with his recent and enduring affliction, nodding in the dappled shade of the majestic beech tree, playing host to the countryside and the following seasons crop rotation, leaving his Mum to worry as to whether her Son had fresh underwear that morning... or not as the case may be... the County Constabulary making their door to door enquiries as to Norman's current whereabouts... his former employer re-adjusting next months pay cheque... accordingly and the hire purchase company about to dispatch final demands indiscriminately left, right and centre for financial delinquency.  The only other claim you could probably make with any degree of certainty was that Norman's full-face motorcycle helmet had by no means achieved that which was expected of it for his ultimate well-being that day... and was doing little more than keep his hair dry and his spectacles from slipping further than his chin.
                                                           ­  ­                                                                ­ ­                                                                ­ ­             ...   ...   ...**

A work in progress.                                                        ­                                                     1122

— The End —