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Overhead the tree-tops meet,
Flowers and grass spring ’neath one’s feet;
There was nought above me, and nought below,
My childhood had not learned to know:
For what are the voices of birds
—Ay, and of beasts,—but words—our words,
Only so much more sweet?
The knowledge of that with my life begun!
But I had so near made out the sun,
And counted your stars, the Seven and One,
Like the fingers of my hand:
Nay, I could all but understand
Wherefore through heaven the white moon ranges,
And just when out of her soft fifty changes
No unfamiliar face might overlook me—
Suddenly God took me!
The sea slides indifferently.
Waves crash, roll and skiff on,
My heart between the blue crests
That break down in the watered wind.

Lonely is my shy overlook,
The whole sky falls in tailspin,
My love was such a simple thing,
Precious as golden water on the moon.

On the banks I leave my soul
And drift away into balmy voids,
Seagulls circle and the tides return,
My mind is lost atop the sandy shores.
Flavia Nov 2012
Why do you do this?
Your Army of Nothings
Who lay in the sun
and are all but sweet
who swelter and sweat
in that fresh cut grass
mowed by a man
you can't hope to know.
And you,
you there, with the grin
Who's side are you on anyway?
What made you the prince
of the Army of Nothings;
The leader, the first in command.
You spout and you spit
that ******* and bare
your teeth at me like you're the bomb
dot com
You're such a disgrace.
parading around
with your head up your ***
"So what's new?"
Oh, shut up,
You can't even fill out your pants.
Why should I care for you,
why should I feel?
How will I ever come home?
Where welcoming words
and magical treasure,
and stories that never come true
but are good.
Where futures of light once reigned so supreme
I swore they would never run dry.
I thought you'd missed out,
you know, then and there,
of the life that we talked of in dreams.
No flowers and chocolates,
no diamond rings,
just love.
Made of stuff so much deeper
and denser
and finer
and lovely, and warm, and alive...
But it's over, and done.
and I can't have it back.
So I go on avoiding
the Army of Nothings
as they come marching in
marching in
one two, at the ready
I feel deep in my bones
that breaking and tearing
Help me, archangel!
Save me! You promised!
You said you would always be there
in that carved-out big apple
our home, once upon
when we laughed and were happy and good.
But goodness runs out.
You made that as clear
as a crystal that needs to be smashed.
And I did that, remember?
I left it all broken and you were so proud
So proud I had chosen
the right over wrong.
yet you overlook
all the splinters of glass
all there
all here
all lurking in me.
I don't want to cry
or beg or to fight
But I loved you in ways
that she found unacceptable?

So silly, so stupid,
so big that it keeps you away

Not that I care very much
For your army of nothings
or things that remind me
of memories gone with the wind


**But I do.
Keith Lumapas Jul 2016
I laid there, battered and bruise atop of that cold white blanket, my eyes looking up and the Back of my head pressed firmly down the snow. I took a moment and just paused, mesmerised by the beautiful dark and velvety sky, pelted with starlight. I still remember how “Zen” like that moment felt. It was a time in my life, that I just let go of everything. I felt no care, no anguish or no concern. Moments like those makes one appreciate the little things in life that we all tend to overlook.
Mohammad Skati Mar 2015
There is that pretty Rock Of Suicide                                                                          That is located behind our eyes and                                                                            Behind our ears in this world ...                                                                                    Behind mountains and those plains ,                                                                           There are unseen and invisible worlds                                                                             We always keep them in our minds ...                                                                        From that side , where that Rock Of                                                                                 Suicide is located , we can see only                                                                                  A few chains of mountains that overlook                                                                        On many directions here and there ....                                                                        We only guess that there are things                                                                              Bewilder us with their invisible sights ...                                                                       We love to see all kinds of hard rocks                                                                           In all directions and in the opposite                                                                              Directions anytime,anywhere,and                                                                                Everywhere on the surface of our planet ...
Mary McCray Apr 2019
(NaPoWriMo Challenge: April 14, 2019)

To lead is to be light and fluid
like a pied piper.

But often they are like lead,
silver and immovable.

They sanction in times of mercy
like when your parakeet died
and you’re late to work.

They don’t remediate with punishments
of docked pay for your inability
to get over it.

They buckle it together:
strategic plan and daily ops,
team to team to team.

They never buckle under
like King Lear
or a bad knee.

The overlook the floor.
They know everyone by name.

They never overlook a widget,
flaw or warning signal.

They are stakeholders.
They hold a stake.

They are never proxies,
holding stakes for other leaders.

The are transparent, obvious.
Never out of sight.

They weather the downturn, withstand the force.
They do not corrode.

The seed. They put down seeds.
They do not rob the fruit.
Prompt: “incorporates homophones, homographs, or homonyms.”
Ritika Dutta Apr 2020
Overlook the fragile hourglass figure

Beyond corsets and pseudo-beauty rules,

Endorse thy curves and stretch marks strewn,

The dusky skin and frizzy curls,

Braille like pimples on the face

Discoloration, bumps and pores;

This Body shaming, I shall pass.



Writhing in pain and humiliation,

Drenching in rage and insecurity

While I lie,

Society curses me

Defining and redefining my chastity;

'T was the crop top, the alcohol and the sly behavior.

You set the monster free and blame the ****

This Victim shaming, I shall pass.



Beige and ebony;

They call me names blatantly

Betwixt skin color and bleached smiles.

Laugh and scoff all you want.

Harass the Black, detain them,

Prejudiced minds rule your dystopian world.

This Black shaming, I shall pass.



Without creating a labyrinth of stigma,

And seeking refugee in collective blame,

Let's construct our utopian world

Acknowledging all freaks and flaws

This Shaming, we shall pass.
ConnectHook Sep 2015
Dear diabolic debutante / Spawn of the unfathomable abyss of blackness / Daughter of dreadful dead desire / Black-shrouded sinister sister of celestial gloom before whose imperious gaze the heavens fall silent / Whip-lash girl-child of the graves whose pallid visage kindles the myriad infernal fires / Autocratic vampiress of lunar doom whose winding-cloth enfolds the thousand horrors of blood-drenched nightmare / Thou that wanderest the cypress-crested hills of funereal necropolises / Whose icy glance cracks the ungraven tombstones of utter desolation / Empress of night and madness / Who stalks the locked and shadowed hallways of unhallowed thought / Whose burial-boat glides the still waters over Lethe’s silent depths to the unglimpsed isle of eternal mourning / Whose parapets tower above the fiefdoms of quotidian banality / Whose flying buttresses overlook the Stygian waters of the forgotten drowned denizens of damnation / Whose unshackled dungeons open to worlds of regal splendor / Whose spires pierce dark skies where oblivion buries the ruined cities of revelry under the drifting clouds of leaden time / Oh maiden of melancholic alchemy whose petrified passions transmute base metal into pure gold…

May the gibbous moon of equinox shine its baleful eye upon you; may you tread in sacramental calm the winding starlit paths of somnolent cemeteries; may my unmixed metaphors unveil in delirium their parabolic mysteries before the smoldering altar of your uninterpretable allegory; may the favor of your scorn forever lay me out, embalmed, undead, on the cold stone of merciless reality. Behold: in cryptic script of spectral apparition, in tracery of coded illumination, amidst the dawning rays of torment I write thine unknown name on the threshold of daylight. And from within the mortared wall of self I speak forth from my sepulcher the Sibylline utterance,
unsought, unheard, undreamt:

JUST WANTED TO SAY ‘HI’ !

http://tinyurl.com/og3so8a
♥♥♥
Silence is a hard thing to understand. It has a wide vocabulary, and sometimes rings out so loudly, as if a choir of confusion, that it is nearly impossible to translate. Sometimes it is so void of life that one cannot even hear one’s own heart beating. Silence is never the same twice, for it comes with different emotions and circumstances each time, even if seemingly the same, and it always has something new to unravel, whether it is what we need to hear, what we refuse to hear, or what we’ve been waiting to show, or trying not to show, ourselves or another, all along. Silence can be an ever changing friend, or an unrelenting enemy. No matter the form or fashion, silence is, and will forever remain, the most welcome and unwanted part of our lives.

It is an often overlooked truth that silence can be anything but. The voices echoing within the vastness between one ear and the next are still far more audible than anything exhaled amidst a mixture of lips, teeth, and tongue, so that even when we are not speaking our mind, the mind is speaking, even if only to the soul attached to it, speaking volumes silently as they translate into emotion and action, or the lack thereof, creating a vocabulary of gesture and expression, but also of stillness and blankness, woven together in both intricacy and complication, losing nothing in translation of language, but sometimes losing much in the heart’s translation of emotion to and from a soul other than its own.

Emotions are each a different language in themselves, for each has their own gestures, expressions, and blank stillness. The mind learns new languages by hearing and reading and teaches the mouth and fingers to translate from thought to spoken or written word, and it depends upon the exposure and the depth of study and experience in any given language as to which we become more or less fluent in, both in speaking and in understanding. It is much the same with the heart. It learns each new language of emotion by the experience of feeling, and depending on the depth and experience with each, the heart becomes more fluent in some over others, and sometimes one over any other. But, it is the relationship between the mind and the heart that truly allows us to understand these feelings, in others as well as in ourselves.

We say that it is the heart that guides us. We say to follow our heart. We say that our heart has been broken, or that it has been made whole. We say that our heart hurts, our heart leaps, skips a beat, races, that is swells and that it grows cold, or one of any other descriptive analogies. It is often what we feel inside our chest that dictates what we decide upon in our minds in any given thing of emotional importance. Poetry, literature, art, everyday speak, and even actions and expressions project and profess what it is that we feel in our hearts at any given instance or in any given circumstance. But, this is merely the hearts reaction to what our minds perceive in any given emotion of circumstance.

It is the depth of the understanding of any given thought or idea, fact or fiction, that ties into the emotional in any way or on any level for each of us individually. Depending upon what we think and believe about any given thing, it will have a different reaction in each of us depending on how important or unimportant it may be to each of us based on our individual way of thinking. The differences between what each of us considers important or unimportant has an influence on how each of us feels about any given thing or circumstance. It is our feelings about what and how we think and what we understand (or sometimes believe we understand) that are the basis, the origins, and the essence of our emotions.

The mind could not function if not for the heart performing its own function. In turn, the heart could not function if not for the mind. They are dependent upon one another. They are slave to one another. As long as the two continue to function together in any conscious state of awareness (or in some unconscious states), the mind literally controls the heart and the heart literally sustains and obeys the mind. The mind may decipher and understand what the heart feels in reaction to its thoughts, but it is the heart that feels it. This is why we speak of the heart and not the mind in almost every instance of emotion. This, however, does not mean that everyone’s mind understands the heart's obedience to the emotions created by the thoughts it produces, just as most do not realize it is the heart’s physical reaction in emotion that the mind relates its thoughts and feelings to unknowingly and descriptively. This lack of understanding applies more to the emotions emanating from others, be they audible or silent, than they do to the emotions we feel ourselves the greater percentage of the time.

How can this be so? How is it that the majority of the time, we misread, ignore, or completely overlook the emotions emanating from others when we feel those same emotions ourselves, and often express them in the same ways, whether more or less often, and whether we show our emotions deliberately, or they show despite our failed attempts at masking or hiding them? How is it that we fail to understand, or understand more fully, the torment or elation anyone other than ourselves can be going through at any given moment when we, ourselves, have been through the same or similar circumstances? Even when we have not been through the same circumstances bringing about such emotions in others, how is it that we have such a hard time understanding that the same emotions we experience can be brought about in others by completely different circumstances?

Maybe it is the amount of people who fake emotions to gain for themselves something from another in ill begotten ways so often that it becomes hard to believe what so many try to show or hide from us emotionally. Maybe it is that we are so often trying to understand those things in and for ourselves that we fail to see how those emotions affect others in their interactions with us and in their own lives. Maybe it is where some of the circumstances that bring about the same emotions for others are not quite the same circumstances that bring them about for us at times. Maybe it is where we are in a different state of emotion at times than the person or people we are interacting with, and our absorption in our own emotions takes our sight and understanding away from theirs at any given moment. It could be any one or more of these reasons, or even that we have had our own emotions misread and disregarded so many times that our own emotions have become so deep and ominous at times that we cannot see through the shadows that surround us or the elation we feel for ourselves in those moments. There are so many reasons that could be factors.

Even if we don’t feel the same emotions at the same exact time as someone else, or for the same exact reasons, we still feel the same emotions as everyone else, for despite each emotion being a different language, what we feel is universal. Despite the false witnesses of emotion who seek to deceive for whatever gain or manipulation they so choose, there are still so many good people trying to understand themselves, as well as others. In emotion, regardless of race or nationality or origin, we all speak the same emotional languages, even if some of us are more fluent in some emotions over others due to our personal experiences. If more of us would try, and some of us would try harder, to understand the emotions of others, not only from the circumstances bringing them to life, but in the effect each emotion has on each person in their moments of emotion, just as we so try to understand our own, then maybe, just maybe, there would not be so much confusion, misunderstanding, and in some cases, judgment, at the differences in what others feel and experience in any moment, whether similar or the same to our own, and hearts would heal more so than being broken, and we would see similarities over differences.

Despite how we live, where we come from, and who each of us are personally, we are all the same in what we feel in our hearts and through our minds, and even in our differences, we are still one in the same. Our minds control our hearts, and our hearts control our minds. We all feel, and we all feel the same, even if at different times than one another. Even when there are no words to say, and even when our words won’t bleed upon page or screen, or our emotions will not translate to whatever medium of expression we choose, our silence still speaks just as loudly as our words, for our every thought and action is based upon the language of emotion, and in that, we all speak the same language, even in silence.

Where it is so often that silence from another, or reflected upon another, determines our own understanding and emotion in interaction with the emotions of others, we should listen and try to understand more than just cursory what those silences reflect emotionally.  Sometimes, our silences speak just as much, if not more, than words or other mediums can allow, if we would but listen as closely in others as we do in ourselves in the languages of emotion, with our hearts and minds in equal measure, instead of letting our own emotions in our own circumstances at any given time impede or disrupt how we see or hear these emotions effecting others in their own circumstances, similar or differing, for they are something we should try to relate to, not self-sidedly compare to our own in trying to self-deceptively prove that no one understands how we feel.
It is one thing to write about such things in poetry or other forms, for we are describing our own personal experiences. It is quite another thing to allow ourselves to misunderstand, misinterpret, or ignore the emotions of others for any reason, especially because we have convinced ourselves that no one can hurt like we do or suffer as we have or are suffering, and it is often the silences that have the most impact on how we understand or misunderstand others. This is a thought that rambled on in the best of my understanding.
Anwer Ghani Jul 2020
Eid in Babylon sits on his high chair, on knees of snow. Grandparents smile for the beloved alleys of Babylon and overlook the mighty Euphrates. Eid in Babylon is a bright face of dawn.  Magic smiled on his hands like the hearts of the Babylonians.  These civilizations have occurred here, do you not see all these lighthouses and the sounds of eternity? Don't you see dew hearts where lovers' poems here mired in their dreams? At sunset, we will bid farewell to the spirit of rebellion. At sunset, a new Eid will be rise in Babylon.
A real man is not a person who can
impregnate a woman; any guy can also
impregnate a woman. Even a 17 year old boy
can impregnate a woman but that does not
make him a man.
A real man is not a person who is good in
bed. Any idiot can be good in bed.
A real man is not a person who beats his
wife/girlfriend. Infact it is only idiots that
beat their women.
A real man is a person who tolerates his
woman
A real man is a person who controls his
anger
A real man is the person who shows real
care and love to his woman
A real man is the person who knows how
to solve the crises and problems in his
relationship
A real man does not beat his woman
A real man is hardworking. He is not lazy
A real man can endure, persevere and be
patient
A real man can overlook the bad
behaviors of his woman
A real man corrects his woman with love.
Real men make their women happy.
Therefore, ladies, when choosing a man, date
real men only.
Marry real men only. If you are not happy in
your relationship now, that means your guy
is not a real man.!
Look beyond *** and money and go for
happiness and peace of mind.
—Do You Agree???
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo

— The End —