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THERE'S RUDOLPH, FROSTY, SANTA CLAUS AND GOOD OLD EBENEEZER
THERE'S CAROLS SUNG BY EVERYONE FROM KISS ON THROUGH TO WHEEZER
THERE'S CD'S OUT FROM NAT KING COLE, THE BOSTON POPS HAVE TWO
THERE'S  ONE OUT  NEIL DIAMOND WHICH IS STRANGE BECAUSE OLD NEIL'S A JEW

THE STORES HAVE TINSEL EVERYWHERE, THEIR TREES TOO,LOOKING NICE
THERE'S WRAPPING PAPER, CHRISTMAS LIGHTS AND EVEN PLASTIC ICE
THEY ATTACK YOUR SENSES CONSTANTLY, THEY MUST THINK I'M A FOOL
FOR ALL THIS STUFF IS ON DISPLAY, BEFORE THE KIDS GO BACK TO SCHOOL

THERE'S A RASTAFARIAN SANTA CLAUS WITH DREADLOCKS KNOWN AS "STONEY"
GENETICALLY ALTERED TURKEY MEAT THAT TASTES JUST LIKE BALONEY
PEOPLE DON'T BUY CHRISTMAS GIFTS THEY SEEM TO JUST GIVE MONEY
SO THEY GO SHOPPING BOXING DAY, AND THIS I FIND QUITE FUNNY

THE CHARITIES ARE ON THE PHONE AND AT YOUR DOOR EACH NIGHT
THEY WORK YOU WITH SOME CHRISTMAS GUILT, AND SAY "IT'S ONLY RIGHT"
TO DONATE TO UNFORTUNATES AND THEIR FOLKS NEED IT MOST"
AS THEY FLASH THEIR SMILES, FAKE I/D'S BEFORE THEIR PHONY BOAST

PEOPLE SHOP AND BUY AND BUY AND THEN THEY ALL RE-GIFT
MOST TIMES YOU'LL GET CHRISTMAS CAKE, THAT'S REALLY HARD TO LIFT
YOU WORK O.T. AND DO YOUR BEST, YOUR CHRISTMAS CASH TO SAVE
AND YOU SMILE WHEN YOU GET YOUR GIFT, AND IT'S THE ONE YOU GAVE

CHRISTMAS IS LESS FESTIVE AND TO ME IT'S GOTTEN RATHER CLINICAL
WITH SCHEDULES MADE AND SALES AND THINGS, IT'S MADE ME RATHER CYNICAL
TO SAY WHAT CHRISTMAS REALLY MEANS, I READ THOMAS ACQUINAS
BUT INSTEAD, I'LL USE A QUOTE FROM SHCULTZ'S PROPHET LINUS

..."AND SUDDENLY THERE WAS WITH THE ANGEL A MULTITUDE OF THE HEAVENLY HOST PRAISING GOD
AND SAYING "GLORY TO GOD IN THE HIGHEST, AND ON EARTH PEACE, GOODWILL TOWARD MEN.""

AND THAT IS WHAT CHRISTMAS IS ALL ABOUT....PLAIN AND SIMPLE.
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Alex Apples Jun 2013
"Save me, Sabrina fair.
You're the only one
who can."

Are you Linus Larabee?
Am I Sabrina Fairchild?

I fear I cannot be
the savior that you ask of me.
You see,

I cannot save you
But I can love you
And love can save you
Inspired by the 1995 film, Sabrina, with Harrison Ford
Charles Schulz brought us Charlie Brown,
Who rarely smiled, joked, or sang.
A troubled soul—always down,
He hung out with the Peanuts Gang.
Lucy, Patty, Sally, Linus,
Snoopy—the whole nerdy clan
Tried to cheer ole Charlie up;
But sadly it was all in vain.

Life has many a Charlie Brown,
We see them come as well as go.
For, as in Schulz's masterpiece,
We tend, somehow, to love them so.
Too, we try our hand at luck,
Tryin' to cheer ole Charlie up.

-Walterrean Salley
.

One of these days
she will love me--

One of these days
she'll call...

One of these days
she won't pull away.

She's gonna let me kick that darned ball.

Because I'm gonna run
out of Xanax,
and her sign
will say that she's in.

One of these days
I'm going to kick that darned ball.
One of these days--

I will win.

There's times I love that red headed girl,
and my Beagle thinks he can fly.
One of these days I'm gonna kick that darned ball--

Does she really want see to 'ol Chuck cry?

One of my friends is covered in dirt,
in town I am known as a clown.
One of these days you will know me by name--

My friend Linus, he calls me Charlie Brown.
Liz McLaughlin May 2013
I want a nobody.

A faceless commuter swearing as the machine ignores his credit card. Or the guy two tables to the left who isn’t checking his watch because he isn’t waiting on someone. Any hoodie-wearing, adidas-laced, prospective english major rambling along the sidewalk.

I want a nobody.

‘Cause there’s never a somebody that won’t say “I love you” because it’s numbed by too many mouths that don’t form their lips the right way. The somebodies slide it off their careless tongues—

because little words are pennies in tip jars.

But Nobody, he’ll say

I love the way you put on a jacket
like some kind of whip-snap in the lapels and collar
tipping your chin up and
hooking your silver-ringed thumbs in the pockets

and I love how you flip through books
eager to break the spine but not fold the pages
holding your breath to hold the focus
propping open a paperback between long tapered fingers

and how the barista at the coffeeshop knows your face!
and blush rises like foam on your cheeks

because it’s so ******* incredible how
when you drum your fingers
you don’t drum you press
into a phantom piano
the treble clef of Linus and Lucy
or The Entertainer
or, if your eyes have already gotten deeper
—in a mossy well of thought—
it’ll be Augustana’s Boston
dancing C-E-C-E-G-E-C-E
in the jumping tendons of your right hand.

                  *

oh darling, I’m in love with
your clumsy movements when you fall into bed
wrapping a thick comforter over your bare shoulders
curling your legs as you settle on your side
hair fanned out on the bedsheet because
the pillow’s too close to the wall


but lovely, I don’t love you
because I’m not real at all
this is a strange abomination between poetry and prose. Thought I'd post it here anyway.
HRTsOnFyR Sep 2015
There's nothing quite like cuddling you
Early in the morning
While the house lies still and quiet
And it feels like all the world is fast asleep
Your bristly chin rubbing across my forhead
Your eyes smiling seductively with your **** lips
Hungry, yet gentle, your fingertips move across my hips
I burrow down against your chest
There's nowhere safer than here in your arms
The scent of your skin like Linus' blanket to my soul
Dr Strange May 2015
I never meant to break your heart
I never meant to walk out that night
I never meant to make you cry
I never meant to assassinate a part of you

I never meant to die that night
I never meant to run away
I never meant to
Please believe I never meant to

You see, I was always afraid
You were touching a part of me that I never thought anyone could
It felt so strange but it felt so right
And I hope you understand that it was too much for me at time

So I simply took a break
Running as fast as I could to the other side of the world
But when I finally arrived I realized I had made a great mistake
But I convinced myself that it was already too late

I never muscled up the courage to return home to you
I thought maybe you'd be upset with me
That you would never forgive me
Just causing me to really die inside

But I started to think that maybe I deserve to
Just thinking about how I must've made you feel
I began to cry every night starring at an old picture of you
Then I made up my mind that I was coming back home to you

But when I finally arrived I realized I had made another mistake
Because all I saw was you smiling away
I don't know what I really expected
I mean you were always too beautiful to be single forever

I see you got the two kids you always wanted
A boy and a girl named them Linus and Aries
I'm so happy for you
You fulfilled your dream

Then to make it even better you forgave me
I should be so elated, jumping in so much joy
But for the life of me I can't even put on a fake smile
So I walked away again

This time I went to the lake by the old house we bought together
Then I pulled out the gun you brought me for my birthday
Finally I closed my eyes and began to pray
Next thing I know I was dead

I never meant to break your heart
I never meant to walk out that night
I never meant to make you cry
I never meant to assassinate a part of you

I never meant to die that night
I never meant to run away
I never meant to
Please believe I never meant to
Alan C. Nixon Ph.D., past president of the American Chemical Society writes, "As a chemist trained to interpret data, it is incomprehensible to me that physicians can ignore the clear evidence that chemotherapy does much, much more harm than good."

"This is the scientific reality that the seeds of all common fruits (except citrus) contain Vitamin B17, an anti cancer vitamin. If we ingest proper quantities for these vitamin either in the pure form or through ingesting the nitrilosidic foods we will be able to prevent cancer just as surely as we are able to prevent Scurvy by the use of vitamin C or Pernicious Anemia by the use of vitamin B12." — Ernest Krebs, Jr.

“No physician in his right senses would prescribe for a person he has never met, whose medical history he does not know, a substance which is intended to create ****** change, with the advice: ‘Take as much as you like, but you will take it for the rest of your life because some children suffer from tooth decay.' It is a preposterous notion.” — Dr. Peter Mansfield

“As a physician, I am ambivalent about my association with the medical fraternity. I am happy to be in a profession which has discovered so much information in the field of disease and health, but I am unhappy and distressed with such an association which almost invariably rejects at first hand the discoveries and views of scientists which it will eventually embrace with equal fervor. Is there no end to this irresponsible hostility of physicians towards scientists such as Linus Pauling? But this is the way it is.” — Dr. Abram Hoffer, May 1986.

— The End —