Go fetch to me a pint o’ wine,
  An’ fill it in a silver tassie,
That I may drink, before I go,
  A service to my bonnie lassie.
The boat rocks at the pier o’ Leith,
  Fu’ loud the wind blaws frae the ferry,
The ship rides by the Berwick-law,
  And I maun leave my bonnie Mary.

The trumpets sound, the banners fly,
  The glittering spears are rankèd ready;
The shouts o’ war are heard afar,
  The battle closes thick and ******;
But it ’s no the roar o’ sea or shore
  *** mak me langer wish to tarry;
Nor shout o’ war that ’s heard afar—
  It ’s leaving thee, my bonnie Mary!

Young Robert clambered from his bed,
This bonny boy, the town smack head.
He drew the curtains, struggling to find his wits,
The death of his brother had made him turn to this, in bits.
Dressed in clothes not changed for a week,
He slowly wandered down the street
Looking for things to rob, dear and cheap.
As he pondered the Edinburgh crowd,
He began to think all were sheep
Stuck in societies pleasures, but little did they know
of the everlasting euphoria that comes with narcota
In the godforsaken rain, wind or snow.
And young Robert, or Bobby to his mates
Was nothing but doomed, funded by the state.

Sometimes
I imagine,
low flying gulls
pilfering dreams
then selling them
on Leith walk
for 1.50.

Into our rooms, we scurry
into the comforts of chairs we can spin on,
screens we stare at for hours;
there is so much we have condensed
into the slight rhythmic movement of the wrist.
Only twenty years old and where have I come to,
on a desk with a jar of money beside Derrida
(with a cartoon where Plato instructs Socrates)
and the tattered pages of
Foucault, madness and civilisation -
those sick lepers ride a boat, which reminds me:
the Leith overflowed today, gushing
rushing into the harbour. I
looked out the window, imagining
it was Styx
and the ferryman had come to get me.

There is so much
artistry to it all, sometimes
it overwhelms me and I stutter
and remain silent for days;
the swirling air encloses
around; leafs tear,
wind flurries, shuffling shoes
shuffle shoefully
marbles that drop down stairs
knock knock
tick tock, tick tock
old Clock tower ding ****
ding, these clocks, Burns, don’t you get sick of them?
it is now time to begin
the lecture. Open
the rows
for late students.  I am definitely
going to be late today. Look, someone has inscribed
“you are the yellow bird I have been waiting for”
I feel great
Can we write our stories with passion today?
Can we speak to each other properly today?
Can we see the sky rupture today?
It’ll be like walking the beach at night
at sunset.

Oh, god
when will
I ever




Forgive me, forgive me, I was distracted
for a second there
with Lear’s fool who implores
“Give me an egg and I’ll give thee two crowns”
and the funny looking cat that stares at me through
the bathroom window.

Were You To Be Gone

Could I carry on
Were you to be gone
I guess I can
But do understand

The skies would be blue
But have no more color
Not driving with you
Would lose all of its wonder

Songs would be noise
Losing all of its joy
Sunshine on Leith
Sounding more like a bleat

A walk through the mill
Would only be Bill
No longer as green
A whole different scene

Those rides to nowhere
Would lose all of its flare
I’d hear no more laughs
For my driving gaffs

Going out to eat
Would just be that
No longer sharing
Just me getting fat

Could I carry on
Were you to be gone
I guess I can
Be a man with no plan

A storm front moved maculately
West to east like weather
Delaying flights of fellow improvisatori
Sepia tones overlaid on eyes like heather

Dull gray weather, hardy like the heath
Ahead of horrid humidity
Far away, is there sunshine on Leith?
Only Scottish proclaimers know with certainty

Fake trees and grass
Sit before window glass
And internal highways beckon
But first I’ll wait
as this flight is late
By some 3600 seconds.

-071410-

THE GULF WAR DID NOT |
THE GULF WAR DID NOT |
THE GULF WAR DID NOT

WHY WE OPPOSE:
Staid quanta of individuality. Phenom asks if they can go. The Big Mouth replies, babble babble. In a fit of rage, Phenom shouts, I’ve had enough of this. They wrench themselves off the dissection table, fetters flying into the air, but a sudden bout of vertigo sets in. They lie back down. The Big Mouth sticks a thermometer into their mouth and begins heating a can of corn soup.

WHY WE OPPOSE:
Professor Kippotkin takes the stage. She coughs into the mic to quiet the audience, but they are caught in sordid *******. She coughs again, managing only to project a trail of spit onto the shoulder of the nearest security guard. He turns immediately, a perfect ninety-degrees spin, automatically signalling the first in command. He has been trained since seventeen for this one task of momentous disciplinary precision. The first in command bellows, Let her speak! a phrase his colleagues repeat in serial down the chain of command.

The crowd soon catches on. An isolated few nod in consternation. Let her speak! they yell from the pits of their lungs, Let her speak!

Thank you, thank you all, Professor Karlpoppins exclaims, cheeks flush with amazement. More and more of the crowd join in. It is a rousing spectacle, a poignant display of human decency. But something is awry. The professor’s gratitude is swallowed into a cacophonous whole. Let her speak! The carnal grip of the big Other’s command unleashes the crowd’s jouissance. United in the master discourse, the crowd fragments into a bewildered totality. Let her speak! they scream at one another, arms jostling, heads tilting back, necks bared to the beating pulse of the earth-sky. LET HER SPEAK! Their combined blows begin to generate an ominous om.

Pl-please, Professor Kibbiezsche sputters, please, everyone! but the crowd have already forgotten her existence. Reams of toilet paper fly through the air. A crashing plane sounds in the distance. Crops burn.

The security team are forced to intervene. They close in from the sides, wielding riot shields and tear gas. HYPOCRITES! one of the members of the crowd screams. OPPRESSORS OF THE WORD! another follows. Footage of security guards flailing on the ground circulate on social media, tagged with the phrase WHO SPEAKS MY SPEAK?

Within twenty four hours, the whole country is ablaze with media coverage. Political scientists gather with literary scholars to speak the unspeakable into commercially-viable forms. Semiotext(e) sign a deal with Hollywood to write a docudrama about Baudrillard’s turbid *** life. Professor Kubblebutts is flown to Hawaii to give a speech on combine harvesters.

WHY WE OPPOSE:
I desire, therefore I am not. Incantation of the other spills through my greasy fingers as I fumble towards the hot sauce, dollop dollop, chicken salt strewn across the nommy wedges. That’ll be $4.50. They have already handed me the note. Our fingers touched for the briefest second, an anointment of the greasy chicken, the wedge fingers, the have a good night mister gurgle bop.

The taxi man sits outside in the cold, back heated by the friction of the smoothie machine, an indefinite spin, western civilisation’s meltdown. The turgid heat breezes past my neck and I sigh, almost in delight, but mostly out of convention and solidarity with the other workers. I hear the pitter pat of my shiftpanion as she scoops hot chips into the fresh night; it is so fresh, there is still so much night, why are you giving me $5 dollars, there is a bug on your face.

I take a break. The cool taxi man glances over just as I put my hands down my pants to shift my boxers into a more comfortable why is it always like this.

Everyone blames Foucault for destroying agency, but agency only arises in the gap between discourses, which is never a gap in power, but rather, the transversal of one power relation into the discursive matrix of another; what appears original is merely the same performance in the wrong site, that’ll be $24 for your **** and condoms.

The crumbled fish is shrinking with each passing day, little gasping body beneath the heat lamp, waffle waffle, waffle waffle, I am suffocating :)

WHY WE OPPOSE:
|||||FEeling BOLD? FeEL BOldbous ;;;; new Paracetamol Jelly and the KINK-CATS tour out the last week—
Thank you for holding. Please note this conversation may be recorded.
To continue, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
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||"my voice confirms my identity"
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||"thanks"

WHY WE OPPOSE:
Slowly, slowly, Juniper sinks into the bed frame, the draughty window, the rotting sink. Hibiscus coveted for its prophetic dreams, pale steam smites nostalgia for a vision of the beyond. Streamlined entry into New World, an endless reshelving of family-value Mi Goreng, stormwater through the hollow vessels that twist beneath Juniper’s soles.

Juniper climbs the Garden steps. Pale trace of past motions set to automate at the slightest incline. The cloying rot beneath the pines pulls her closer and closer to the vital cache, the hidden excess. Another hedgehog climbs the mound; it admits its body, it expands in putrefaction.

Exiting onto the street, Juniper is greeted by a sign that reads “Caution. Night Shooting. Stay Out.”

WHY WE OPPOSE:
Steam creeps the mouth of the lid. Pallid flesh of yesterday’s body, settles the kitchen table, the hand, as motes crumple beneath gravity’s well. Mottled refuse, tied with a plastic ribbon, thrown into the street. Keys digging trenches, grandfather, the hollow behind my knee.

Last summer I waited for the rain in the dry concrete channel of the Leith. I was alone with the kayaks and the road cones and the fish, holes festering, showing their ribs in the walls of our flat, legs spread wearing high school sweaters, unable to breathe through cling wrap.

The summer before that, I watched films of myself bashing in the heads of strangers. Every night the ceiling of my mouth would transfigure into a doorway and I’d force my tongue through its serrated edges, waking with a new face. The cassettes would arrive soon after, testimonies of a brute physicality I could not remember enacting.

Earth grins, death strides. Hydraulic incisors pry the dead awake. At the smallest unit of life: phones, condoms, water bottles.

I held onto your nettle rope
that your hands fashioned
then we  descended
the watch tower in Leith Hill,
elopimg  through the
greensand way
so that we could by pass the silent pool
where no young maiden could
tbe waylaid
by errant Knights again.
By such means compassion blossomed
gallantry pertained to new days