when you're young you
hear all the stories about
the monsters under your
bed or in your closet or
hiding in the shadows
but no one ever bothers
to tell you about the ones
hiding in beautiful eyes
and unforgettable smiles

The steeples are white in the wild moonlight,
  And the trees have a silver glare;
Past the chimneys high see the vampires fly,
  And the harpies of upper air,
  That flutter and laugh and stare.

For the village dead to the moon outspread
  Never shone in the sunset's gleam,
But grew out of the deep that the dead years keep
  Where the rivers of madness stream
  Down the gulfs to a pit of dream.

A chill wind blows through the rows of sheaves
  In the meadows that shimmer pale,
And comes to twine where the headstones shine
  And the ghouls of the churchyard wail
  For harvests that fly and fail.

Not a breath of the strange grey gods of change
  That tore from the past its own
Can quicken this hour, when a spectral power
  Spreads sleep o'er the cosmic throne,
  And looses the vast unknown.

So here again stretch the vale and plain
  That moons long-forgotten saw,
And the dead leap gay in the pallid ray,
  Sprung out of the tomb's black maw
  To shake all the world with awe.

And all that the morn shall greet forlorn,
  The ugliness and the pest
Of rows where thick rise the stones and brick,
  Shall some day be with the rest,
  And brood with the shades unblest.

Then wild in the dark let the lemurs bark,
  And the leprous spires ascend;
For new and old alike in the fold
  Of horror and death are penned,
  For the hounds of Time to rend.

Wraithlike shadows swiftly crawled toward a miami public chess table, dark green ivy growing along the fading checkered table top. the shadows slithered onto one of the benches, swirling upwards until they formed the shape of a dark toned young man, dressed in a long black punk-style trench coat. he wore leather gloves adorned with old runes, as was his black shirt and bandana he wore to keep his white hair back. there were a few chrome necklaces around his neck, the largest being a pentagram on a heavy chain. he sighed and waved his right hand over the table, demonic chess peices appearing beneath his touch, each one crawling with miniature demons on a blackened spire. he closed his eyes impatiently and let his dark aura spread over the surrounding area. the ivy on the table withered and died instantly along with the flora and fauna within a half mile of him. his eyes glowed a deep red
and his teeth, all of them incisors, extended into fangs. he was startled by a light voice behind
Him, "Leon. this is not the time." leon turned his head swiftly and growled, his features softening as he saw that it was the man he wanted to see. "Luminae... on time as usual. hows life in the Upper?" luminae wore a bright white suit, resembling human armani. he sat down adjacent to leon and waved his own chess peices into existence, each an angelic being weilding swords. they turned to be too bright for leon's eyes and he donned his red-tinted, coffin shaped shades. as the plant life began to regrow, luminae replied, "same as usual... holy war everywhere. i'm only allowed to see you now under supervision of three others." as he said that, three more men stepped out along the paths, clothed much like Luminae. leon half grinned, half scowled at luminae. "the boss had similar orders." leon snnapped his fingers and a trio of demons appeared next to the white clad angels. swords appeared
in the angels hands, ready to potentially cut down their enemies, but luminae waved away their
Suspicions. leon also commanded his overseers to remain shadowed. "you start, luminae."
luminae waved a simple angelic pawn forward, saying, "shame you can't join me in the upper, brother. how's the Foothills?"
leon countered by moving his knight, a grim reaper on horseback, dripping blood on the board, "dark... fiery... what else do you expect from hell?" he wore a deep scowl on his face as he said It, emphasizing the last word. "not a bit of sustenance as far as the eye can see.." luminae had seen through the disguise already, seeing that leon was little more than a charred, demonic skeleton, the fake-flesh creating what used to be the leon that they had known in their earlier lives.
as the chess pieces fell, they either burned or were saved by the opposing side. it came down to their final peices being kings and a single bishop on each side. luminae paused a moment, "you've gotten better at chess."
leon looked away, "its not chess... its a warning.. we are the bishops, luminae."
Luminae looked at leon, eyes narrowed to slits. "what do you mean, leon?"
leon sighed and waved a hand over the board, the peices disintigrating and forming a black scroll with bright red lettering. luminae dared not touch it, but read it, a look of shocked horror creeping across his face.
leon continued, "brother, boss wants me to **** you. you know what happens if we die again.." luminae nodded and waved the peices back into existance, seeing the Holy one as his king, and the ****** one as leon's. he looked at the bishops and saw in detail both of them, superimposed onto the peices.
"how long do i have to prepare, brother?" luminae gripped the hilt of his sword.
leon stood, "its already begun..." out of nowhere, tendrils of darkness wrapped around leon's arm and formed a jagged sword. the fake-flesh had begun burning away, leaving leon's true form, sinister and horrifying, shining black before luminae. empty eye sockets gazed at luminae and a hollow moaning shook the new-grown trees.
"goodbye, luminae." leon began to sink into the ground, falling into the Foothills. luminae watched as leon's guardians transformed into cackling ghouls and were released to wreak havoc on the world. luminae snapped his fingers at his own guardians, who followed the ghouls and destroyed them. "goodbye, brother..." luminae looked back at the four chess peices remaining on the board. he walked over and picked up the demon bishop, now safe to touch, depositing it in his pocket after clutching it tightly against his chest. as he touched it, he felt leon's sorrow, regret and anger. he felt little pity on him, though they had been like brothers in their pre-life, they were sworn enemies in the After. these chess games had been their only way to meet and relive a moment of their old life, granted by the High one and The ****** once every ten years under a neutral pact.
luminae also picked up his bishop and gave it a blessing, replacing it on the table for leon to retreive.
luminae sighed and
walked to the guardians. they all took a prayong stance and uttered a line of scripture, and then they were gone, leaving the park as it had been.
* *
Nero felt the intense flames licking at him from below as he descended. as he plunged deeper, the flames receded but the heat remained. when he finally touched the ground, he walked a winding path, past the ****** souls, each in their own private hell. nero scowled at them as he passed and stepped to a long sloping wall. he shook the gloves off his claws and drew a perfect pentagram into the side, opening a hidden tunnel system. he stepped forward and waved the door closed, then continued walking down the passage, the walls depicting numerous sins, ****, ******, deception, lust, and other such evils, all of which Nero had committed. he walked faster, to satan's chambers. the devil sat boredly on his seat, watching the same smokey images of his minions at work. "nero. welcome back to the foothills." the devils guardians set about beating nero until he could barely move. "you didnt ****
the angel, scaly *******. why?"
nero grunted and attempted to stand, "i wanted more of a challenge,
Thus i let him prepare."
the guardians let him stand. "interesting. but when you face him, you better have enough power to defeat him. i shall bestow upon you the power of ten thousand of my highest demons, do not come back empty handed, or each of their ****** souls will burn in your cursed chest."
the guardian closest to him and punched him in the spine, sending him to the floor. "un-understood... sir..."
a pentagram glowed on the floor around him, and he was bound to the spot. he felt a deep cold in him and then an intense burning as he was given the powers.
all according to plan...
*
luminae turned a corner on the golden street, the massive mansions towering over him. there was only one that he sought though, The Holy Ones' mansion, and his throne. he walked tentatively up the steps to the open gates, and stopped when he heard a commotion. he stopped and turned his head, seeing an angel, covered in runes, obviously a warrior as he had a fighter's vest and a sword in a
Scabbard. the angel had just jumped through a window and into a crowd of people, chased by a few Enforcer class angels. they locked eyes for a moment and luminae raised his hand, flashing first one finger then four. the one winged angel looked confused for a second and stood there in thought. luminae gestured towards the main gates, seeing the enforcers locate the one winged angel. the angel fled and luminae continued up the steps, hands in his pockets. *recruit number one...
* *

Sand on the seashore,
Wand and a bezoar,
Rustle of lace,
Legolas’ face,
Dragon’s and ghouls,
Monkeys and fools,
Knights, and Queens and fights

The typewriters tap,
with a rat-a-tat-tat,
like a fourth estate rap
to provide us the pap
(that serves as a snack with a rat-a-tat-tat)
in a newspaper scrap
crammed with meaningless crap
from the editor's yap
(spewing flimflamy flak, booming rat-a-tat-tat)
after gashing a gap
in the daily recap
with a snip in a snap-
sounding thundery clap
crackng rat-a-tat-tat and a rat-a-tat-tat.

And the talking heads speak
with a rat-a-tat-tat,
of the news of the week,
tweaking tongue in the cheek
(with a click and a clack like a rat-a-tat-tat),
thus ignoring critique
'cause they're mild and too meek
in the midst of the reek
to report of the wrack (except rat-a-tat-tat)
whilst the pundits (oblique
when protecting the chic
of the upper class clique
at the top of the peak)
chatter rat-a-tat-tat and a rat-a-tat-tat.

The NRA ghouls
plug a rat-a-tat-tat
while their blood money tools
fill the Hill’s vestibules
(where deceit behind drapes drips a rat-a-tat-tat),
spreading folly that fuels
frenzied hands of young fools
bringing guns into schools
(at the drop of a hat there's a rat-a-tat-tat
splashing blood in warm pools)
for now anarchy rules
(which the hype ridicules
'til the temperature cools)
hailing rat-a-tat-tat and a rat-a-tat-tat.

Lawless cops, cutting loose
with a rat-a-tat-tat
spraying bullets profuse
without any excuse
(just a split second splat with a rat-a-tat-tat),
splay a rattled recluse
like a Thanksgiving goose
gushing cranberry juice
from six slugs in the back (with a rat-a-tat-tat).
To redress such abuse,
bend the branch of a spruce
with a neck in a noose
while Death's drums beat diffuse’
rolling rat-a-tat-tat and a rat-a-tat-tat.

War brings freedom to all
with a rat-a-tat-tat
(well, excluding the thrall
with fear, facing the wall
[ often smacked with a bat, throbbing rat-a-tat-tat ],
until feeling the call
to creep out of the kraal
biting back with a gall
[ with a *** for a tat and a rat-a-tat-tat ],
or to mangle and maul
if still able to crawl
and be part of the brawl
in a freak free-for-all,
midst a rat-a-tat-tat and a rat-a-tat-tat).

Holy warmongers praise,
with a rat-a-tat-tat,
any soldier that slays
and all rockets that raze
(the drones zoom with a vroom and a rat-a-tat-tat)
leaving smoky arrays
of gray ghosts in the haze
cloaking mute cabarets
(hushed, the hip and the hop, by the rat-a-tat-tat)
while ol’ Cerberus bays
with mankind in his gaze,
so society prays  
as it rots and decays
(Satan's trumpets of doom blare a rat-a-tat-tat)
until one of these days
in a flash through the maze
mighty mushrooms will blaze
with invisible  rays,
fin’lly braising the craze
of the rat-a-tat-tat,
   and the
            rat-
                 a-
                    tat-
                          tat.

i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.

A boy born into royalty
Destined to rule over a great kingdom
But sent away by one with ill will for the kingdom
To be killed in a shipwreck
And leave a kingdom without their prince

But a lion pushed the boy in the wreckage to shore
Where a man stood wakeful at night
And took the boy in, giving him life
The man abused the boy in many ways
And the future ruler would leave to rule his kingdom

The boy had always wanted to go North
As if there were something good to the North
Something drawing him to the mountains and rivers
As he had northern blood flowing through his veins
So 'Onward and upward, to Narnia and the North!'

The boy fled his home on the back of a talking horse
Escaping the abusive nature of his supposed-father
To the north where he was meant to be, they fled
From the south the life he was fleeing from
His destined kingdom lying in this northern land to which he travelled

On horseback he rides in a forest
Before hearing the sounds of another horse
And then seeing the sights of another rider
Terrified the horse pulls forward
Then a wild animal gives its mighty roar

Hearing the roar of a mighty lion
The riders and horses go on running from this terror
Until they are united, together in their travels
Then the lion disappears into the mist of the forest
And the travelers, a boy and a girl, and two horses now travel to the north together

The boy stranded in the desert
Away from all things he had known
Without his horse or traveling companions
Without any water to quench his thirst
And he spends the night alone in the dark desert

There on the desert ground, terrified he laid
For behind him stood tombs of the kings of old
And to his forefront laid the desert
He imagined ghosts and ghouls that might come from the tombs
And terrified he laid, there on the desert ground

Then a kitten came to his side
The cat came und nuzzled behind the sleeping boy
It kept him warm through the cold desert night
The boy felt safe with the kitten by his side
As if no one or no thing could possibly harm him

As he slept, he heard the sound of jackals howling in the desert
The boy became fearful once he noticed the absence of the cat
Yet it was at this time that he heard the mighty roar of a lion
And the lions roar made him even more fearful than he was before
But then the howling of the jackals ceased and he was safe

He awoke again later in the night to the cat by his side
The cat comforted him in his loneliness
And kept him warm in the desert night
When it needed to, the cat became a lion and defended the boy
For the lion always wanted what was best for that boy

Then the four travelers ventured north across the desert
Racing against time, and against enemy armies
To get to the kingdom in the north on time to warn the king
But like any desert travelers, they quickly tired
And they required one final push

A lion's roar cams out of the silence of nature
And very quickly the horses sped up to leave the lion's reach
But to no avail as the lion gashed at one of the riders
The terror of the horses propelled them forward
And they made it in time to save the kingdom

The boy was reunited with his father, the king
And he himself became a king when it came high time
The boy married the girl, and became king and queen of the country in the north
For the Lion and the Kitten led them to the north, and to their salvation
Even when they did not know the Lion at all

The Lion is Jesus Christ, God Himself in the flesh
He came to save the boy, and his horse
And his wife and her horse
He came as a fierce lion to redirect
And as a kitten to comfort
He came as a lion to defend
And as a kitten to protect
Jesus Christ came to men
He came as a helpless fetus and infant
And as a small child
He came as a man to teach
And as a man to die
Jesus is fierce when needed
And gracious when needed
For He loves His children
And will not let His children stray far from Him
For much good is to come for the Children of God

We welcome the girl,
alone it would seem,
like a seed in the updraught,
whole worlds lie beneath.

Here is the girl,
A mind pregnant with dreams,
as she crosses the bridges,
connecting the streams.

There lands a girl,
ghouls taunt, ghouls tease,
"let go of this love, girl,
be rid of these dreams."

Come see the girl,
speaking tounges through machines,
white draped over candy,
embracing the terminal dream.

Heres lies the girl,
most wouldn't believe,
the ghouls taunts a mere whisper now,
dream easy, love freely... my sweet.

I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.