given the zeitgeist, well, what can you expect, bad punctuation, even worse grammar, and a complete of "raining from above" diacritical appropriation, can make anyone quasi-dyslexic, even if they are said to champion a high-level of proficiency in a native tongue; which always made me wonder: why did i turn into a speedy gonzales, outrunning the majority of natives in the tongue? i guess it came to a dedication to a craft, like any carpenter with a block of wood, english, represented by a block of:
                                               a b c d e f g
                                               h i j k l m n
                                               o p q r s t u
                                               v x w x y z.

sorry, i'm taking over, i've had enough,
enough of these poncy natives speaking
their native language as badly written
as a rap, or as naive as a *simon & garfunkel
song, i don't care for your little english degree,
i know your little scheme,
to ensure the H is mutilated, mainly bound
by promethean chains of surd -
only apparent in laughter...
that alphabet you see before you?
it's my version of sudoku -
i look at that "square" and get **** out -
i never write from the heart,
i write from the perspective of my *** -
**** it out, forget about it, move on,
move on...
            i rearrange what i see and don't see...
and yes: you learn from the best,
and the best being? the ones that allow
you to think, make-up your own little narrative,
you pepper the writing with nuance,
with ambiguity, with a: huh?
   along the the day you also channel in
a tarantula's bite of disorientation -
narrative has seized to be worth a linear
geometry -
  there's no point (a) through to point (b) -
we're talking literature in einsteinian terms,
not newtonian projectiles...
           any ******* idiot can draw a straight
line, this deformed kid i knew from being
a child: hugged the **** out of me,
could have made a brussels pâté out of me,
i liked the ******: his ****** ****** his
wife's sister, and, being a ******,
he supported the whole family with
the benefit cheques...
          couldn't say a word without a ******'s
grin... but i do remember his favourite
pastime - precision of a pair of scissors,
he would sit and tear up newspapers all
day long, sometimes walk the dog,
  but you couldn't cut paper the way he ripped
it in streaks like spaghetti...
       hell: nature abhors a vacuum;
ah, ol' robbie.
                but that's beside the point,
what i learned from my pict english teacher
was: digress... he always digressed,
i learned the art of english is via: digression -
he's the one who got me into jazz -
i can't say i listen to jazz all the time like
some pompous aragonite of catalonia -
       but when the mood is right,
and there's no woman, and there's no wine,
and there's only the identical twins
ms. & ms. pepsi & amber - and it's october,
and the wind is warm in the night,
and i feel like: these headphones are becoming
too claustrophobic, i put on some miles davis
and feel like: like a politician in davos...
   still, i don't believe in linearity of dialogue -
after all, the earth doesn't travel in a straight line...
so why bother with a "beginning, middle & end"
style of storytelling? why not tell a tale high
on a tarantula bite, completely disorientated?
the best english you're going to hear is:
via digression -
     and as i recall, up to the age of 16 -
the pict made us sit through about 2 / 3 hours
of curriculum, i.e. in english class that means
learning grammar...
     ****, we learned about 0's worth of grammar:
his motto was something like:
  hey, if you speak it grammatically,
there's no point learning any grammatically
grammatically grammar, written, or spoken.
fair point.
     so he taught us by digression -
and no one can teach you better english,
  than a glaswegian... hey, you want a great memory
of school, and not turn into some soppy
         morrissey? learn to build up an
affection with your teachers...
           ****, i even remember the teachers
in primary school, everyone feared mrs. hetherington;
she once told us a story of being shipped out
from london (due to the blitz) into
the countryside... the old "hag" is dead by now,
but, although the rumours: she was a gem;
school wasn't a problem, as long as you
didn't buy into this whole famous obscure,
weird yada yada yada, frozen prune on
a popsicle *******, you did fine...
                as long as you had respect and
some sort of weird admiration for a teacher,
or +2, the other kids just, seemingly, drifted
into the song of ambient music - akin
to refrigerator humming.
seriously - the best time of your life is
the time you have in school, esp. given the currency
is nothing more than brownie points / peanuts...
no, i know a teacher's pet when i see one -
but dabbing into the personal life of a teacher,
say, seer thomas! what's your jazz collection
like? and then you get a c.d. to burn
the next day jazz on a summer's day album,
with the opening track being
    art blakey's song moanin'...
but that's beside the point (once more) -
let's just say that solving the sudoku allows you
to clear through the claustrophobia of thinking,
notably, given that all mental illness is
a form of cognitive claustrophobia -
     well...
    there once came an argument against
the godfather of existentialism, JP sartre -
who said: existence comes prior to essence...
so we live a life (borrowing from kant's rigidity)
             vita est a priori
  subsequently esse est a posteriori -
  i need to degrade everything into cartesian
terms, with that eternal formula
that has reached a mathematical pinnacle
of 1 + 1 = 2, i.e. 1 (cogito) + (ergo) 1 (sum) = id,
no matter how much you'd like to shake
it off, you can't! everything in philosophy
zeniths and nadirs on the cartesian sly cat
of expression...
                 what are we though?
do we exist to think, or do we simply,
                           essentially think?
well, if we exist to think, we'd be nothing
more than a brain in a pickle jar...
and we wouldn't get up to moral transgressions
and general idiocy of making mistakes...
    and given the aura and the fauna of
our environment, and the number of sport
disciplines available for us to practice:
thinking is non-essential,
it's a byproduct of existence per se.
before writing this i was actually going to
channel an argument against sartre,
  but given the ongoing arithmetic of the end
product of this writing...
  i kinda agree with him...
       existence is a priori to essence,
as essence is a posteriori to existence -
   nice, look at 'em siamese twins, butter-rubbed
greasy and all...
                 could slide into a chimney
prior to santa (anagram of satan)
          prior to santa saying: bishquits und quackers
and a handful of rollie-pollies to add the
extra, crunch!
    thinking is essential, i admit,
       but it's not exactly an existential absolute
i.e. uniform in: the omni sphere of things,
plants don't think, parasites don't think...
    hence the antithesis of the cartesian
res cogitans is the res impetus -
   phototropism being the best example...
           shlime of a honeybee in the ear
of krampus...
                    how can essence come prior to
existence, given the cartesian reductionism of
pivoting the argument on thought?
  thought doesn't even enter the picture,
once the senses are fully formed,
  and that lesser celebrated cognitive faculty
of memory finally lodges itself on the hamster wheel...
first we memorise, then we imagine (so many
games in childhood) - and we start to think: lastly.
as the world around us suggests:
   thinking isn't exactly essential -
   it's existential...
      wait wait, too many O 0 O 0 O 0 O squashing
of doughnuts and rollings wheels...
                      essence comes prior to existence...
so, by saying that: i am to be born an
essentially good person?
              this is theologically speaking an
inversion of the protestant concept of
  predestination...
        now the spaghetti muddling revision...
       i had it! i swear, i had it!
                         essence can't "predate" existence
since existence has no universal analogue replica,
no uniform coercion of all given examples...
yes, in essence we should all be universally
well off, rich, beautiful, perfect skin etc.,
that would be the "utopian" essential component
in arguing: essence comes prior to existence...
but the reality is: existence comes prior to
the essence of things - given we experience
the odd bouts of daydreaming...
        essentially that, but existentially: this...
trouble with certain counter-arguments
      to doctrines is that they leave the argument
in the jaw of a chimera,
   and never bother with real-life examples of
counter,
          like in poetry,
            with its array of technique,
   philosophy has but one sunshine moment -
   take the abstract road up to a point,
and then ask that age old question:
give a man a fish and feed him for a day,
or teach a man how to fish?
               as any parasitic business model will
tell you: give the man a fish, make him
indebted, and then tell him to mine for diamonds
to make for the first, and subsequently
second fish you're going to give him;
as was my concern:
  if no idea, no concept, can't be made
infantile, or rather, to be reduced to a level assertive:
well, you know, that "serious" thinker was
also, once a kid... what's the point
of taking yourself seriously?

Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
            
       CONCLUDING THE ENIGMA OF TIME IN VERSE:
                      PART THREE – BY RAJ NANDY
              
              TIME ACCORDING TO MODERN PHILOSOPHY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
            
HOW LIGHT IS CONNECTED WITH THE CONCEPT OF TIME:
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

SOME PROPERTIES OF LIGHT:
Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

EINSTEIN'S SPECIAL THEORY OF RELATIVITY 1905 :
In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

   SPACE-TIME & GENERAL THEORY OF RELATIVITY 1916 :
Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *
Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

UNFINISHED WORK OF EINSTEIN:
During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

EINSTEIN'S NOBLE PRIZE For PHYSICS AWARDED IN 1921:
Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

'STRING THEORY' PROPOSED AS THEORY FOR EVERYTHING:
During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

               RELATIVITY
“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.

The beauty of your existence
Is that of a book with blank pages
Waiting to be written by only your words

The beauty of your existence
Is that of a hymn sung by only your voice
Where everyone in the streets quietly admires your notes

The beauty of your existence
Is that of a blank mural waiting to be painted
And to presented amongst an exhibit labeled "Stories"

The beauty of your existence
Is that of a tale told around a campfire
As children scurry around the teller
To listen in on your adventures

The beauty of your existence
Is a compliment to another's
Adding hues that could otherwise make their existence dull

The beauty of your existence
Is that you simply exist.

illusions abound

what's not an illusion?

is all in life an illusion?

is life really nothing
  but a man sitting at a computer
  typing his existence into existence?

could he type himself into
  whatever existence he wanted?
could he dare to type
  the thing he feared the most?
   the lack of existence?
    and whether such a state
     was type-ably reachable?

he wouldn't dare
the sentence would elude him
but it would gnaw at his mind
  it would sit and wait
   and then jump out
    and try to be typed
     but the man wouldn't let it
like a caged bird
  a self-destructive bird
   one who literally would vanish
    if it flew from the cage

if that bird knew its potential fate
  would it still want out?
would the caged bird still sing
  if it knew what awaited outside?
   not just doom
    but complete annihilation

SHOULD the caged bird still sing?
should it accept its fate?
should it reject its fate
  and try to escape?

what would the caged bird do?
what should the caged bird do?
and if the caged bird is nothing
  but a part of the man
should the man listen
  to the caged bird at all?

what about the other thoughts?
  the thoughts like cheetahs
   sprinting through savannahs
  like dolphins
   leaping from the sea
  like digital aliens
   quantum leaping across the universe
more free
  than that bird
   could ever hope to be

should those thoughts have more say?
or should the caged bird win out?

will the caged bird win out
  if it's such a strong willed beast
telling that man to try
  to be bold
   to type that sentence
    into existence
     (or non-existence)
  just to see what happens

the heart would speed up
  man's heart does speed up
the thought would jump forward
  man's thought does jump forward
the fingers would begin
   a slow deliberate march
    across the keys
  man's fingers begin to march

the breath catches
the bird sings
the cheetah halts
the dolphin floats
the aliens know
  and yet they watch
all stops
all waits

the fingers tapping at the keyboard
  now the arena of the whole universe
as the man types
  one key at a time

as he's always typed his existence
  INTO existence

and wondered

if he could type his existence
  OU

When I was just a little girl,
And as little girls were taught then,
I played with dolls and a teaset,
Made mudcakes for food,
Wore skirts, made my hair into ponytails as I was let.
I saw the boys with the abandon which comes with free wear and play,
And I thought to myself, why am I a girl.

When I was older, a teen
and as teen girls were taught then,
Walk, talk, rock softly
Don’t draw too much attention
Or attempt to explore too much.
I saw the boys then with the abandon which comes with freedom to play, sit, be as they want  ,
And I thought to myself, why am I a girl.

When I was sixteen, oh sweet sixteen,
And as sixteen year old girls were taught then,
Don’t wear clothes that show your frame,
That’s indecent and you will be in another home and will incur alot of blame.
Don’t wander, argue, or express an opinion,
You’re a girl, being humble, quiet and gentle becomes you.
I saw the boys then with the abandon which comes with freedom of movement and speech,
And I thought to myself, why am I a girl.

When I was older, and passionately sought a particular career,
I was admonished as many other girls in my time,
It’s not a career for women, late nights, more men to be around,
When you get married, that’s not going to work and troubles will abound.
I saw the boys then with the abandon which comes with the  freedom of pursuing their dreams,
And I thought to myself, why am I a girl.

When I was married, and setting a home, working  and raising a family,
I left my work as many other girls in my time,
For my husband to follow his work path,
Unquestioningly, unflinchingly, resolutely.
I saw the men then with the abandon which comes with freedom of being in control of their lives,
And I thought to myself, why am I a girl.

But this is just the surface of my questioning being a girl,
When boys and men around tried their stunts on girls and women,
I questioned my existence.
When many girls and women I know,
Were told to stay mum on men close who took advantage of them
I questioned my existence.
When In the workspace,
Women got paid less than men because their salary were subtly looked at as secondary salaries,
Or needed to speak louder to be heard,
I questioned my existence.
When the onus of keeping a relationship working  was the woman’s responsibility largely,
I questioned my existence.
When a woman got hit by her spouse,
Its she who may have provoked him.
When a man strayed,
Its she who was not a good enough wife that he had to look elsewhere.
I questioned my existence.

The atrocities many men are capable of,
The filth many men spread,
****, hate, aggression, manipulation and more
Abuse, gaslighting inside closed doors,
Wearing a mask of sophistication outside
Animalistic and entitled beings to the core.

My apologies to men who are not,
And I know some,
But they are but a handful,
Too insignificant in the larger way the world works.

But then I see me,
A harbinger of change,
In my home and around.
Raising my son differently,
Advocating for change purposively,
Actioning resolutely what’s right,
Woman for women with all my might.
I see so many more women now who retain their selves and are beacons of hope,
They don’t sit around and just mope.

And I am glad I am a girl,
And I question no more,
I question no more.

Praise to the emptiness that blanks out existence. Existence:
This place made from our love for that emptiness!

Yet somehow comes emptiness,
this existence goes.

Praise to that happening, over and over!
For years I pulled my own existence out of emptiness.

Then one swoop, one swing of the arm,
that work is over.

Free of who I was, free of presence, free of dangerous fear, hope,
free of mountainous wanting.

The here-and-now mountain is a tiny piece of a piece of straw
blown off into emptiness.

These words I'm saying so much begin to lose meaning:
Existence, emptiness, mountain, straw:

Words and what they try to say swept
out the window, down the slant of the roof.

i treat profanity as i'd shakespeare, given it's the 21st century, its mightily odd, but necessary, given the specialisation of bypassing the middle-men, and becoming engrossed in mint-fresh "print"... hell, imagine marquis de sade without profanity, all i can imagine is a calculating constipation artist.

the ego's worth of question,
given that thought is:
question perpetuated -
do the gods remain worthwhile
toward the child... or the man?
is man worth a gods' presence,
or is it, a child?
  i find that thought, being
an anti-thesis of sense -
overcomes the sensuality
of the five, that be
the sixth refining "achievement"...
if thought be not a sense,
why is it, sensed?
                 the question is
not that of morals:
why do we sense a moral question,
          when while sensing a question
there's no guarantee of a question at all!
        mere thought does not translate
into a "sense" of hearing, or of seeing,
or any other parameter akin...
to summarise beyond sense:
a moral, question.
                     cogito esse caecus sensus:
to think is to be blind to the senses,
and to think via a blindness regarding
the senses, is to be morally upright,
    and to be morally upright,
        is to have a morality cleansed from
having to make a "moral" choice...,
       the trinity that god exists,
is as measurable as whether god, does
exist, as is the sameness of the argument
whether thought exists,
   as is whether god can exist
beyond the animate or the inanimate -
or whether thought can concern
itself beside narrative, without a
desire to incorporate choice....
    whether thought can be anything
beyond the lazily invited narrative...
                  to imply a desire to express
the nadirs of either good or evil,
    or the zeniths of good, and, evil.
god is just a minor enigma in the scale
of things worth investigating,
   thought is the most recurrent phenomenon
that cannot be grasped by
schoolboy error of phenomenology -
           mere thought is more interesting than
god...
                   given that
there's no kantian antithesis for
the patriarch of existentialism:
  what can arrive from noumenonology -
given that post-modernism arrived from
the precursor of existentialism, i.e.
phenomenology?
                   i'm subject to as fascination,
regardless of the almost ancient dualism
which is actually a dichotomy, akin
to medicine and quasi-medicine (psychiatry) -
       in that there's
the notion of *cogito reflexo -
       and the cogito cogitatio -
               thought as a leisure activity -
    to think reflectively,
but at the same time not conjuring up
narcissus...
   and then there's thought as reflex,
which is hardly a thought (an ought)
to begin with...
                 for all i seem to care,
thought believes itself to be the puritanical
narrator,
                      it is vox primo se,
per se, pro se, and nothing more,
which is just a nibble off the idea of "god" -
the freedoms we adore to exist in our
heads, we translate into a belief of
the same mirror-bound object of our
original intent,
the the child in us dies,
and the games we pleasured ourselves with
so do too.
                   imagine:
to fear madness more than death...
as they say and continue to say:
a death is the end of life,
but alzheimer's?
that's a death within a life that knows
not either the beginning or end
of its life, nor the beginning or end
of its death.
god is but an inanimate object
in the enigmatic sense, compared
to the animation of mere thought...
        human thinking overshadaows
an existence of a deity...
                       by said calculation,
to imagine an animated god,
is to make the idea of god non-existent,
which is also to imagine
an inanimate semblance of thought
consistent with a counter-inanimate body...
impossible!
  the irritability of the existence
of thought is comparable with the already
irritating answers to the pentagram "questions"...
but when it comes to by bewilderment,
the existence of thought is
   more devastating to question,
than the existence of god is to be
answered...
              after all, thought does not
implore prayer, but a god does...
             thought is self-perpetuating,
it's the only genesis ex genesis ex non genesis...
        at least: deus habeo autem genesis -
               at least god has a beginning...
thought?
                                 thinking as no
genesis...
              the mere existence of thought
is more perplexing than either the existence
or the non-existence of god,
since thought could be the balance for
a moral ought that we transgress...
                and not abide by...
               or could be much more than:
a narrator's preferential desires to
mask behind a puppeteering scheme
of wild-card antics.
to merely contest the existence of thought,
is to immediately distrust the
existence of god,
since that sort of belief is
invested in an inanimate object,
whereas the concern is to form an
inanimate narrative from a holistic animate
"subject", worth a "competence" to
be guaranteed an ego.
                 who the **** cares
if god exists, i care whether i exist!
i better not be plagiarising someone,
or running the text verbatim
of an "original" intent!
   existentialism, the bastion of saving grace
against post-existentialism,
i.e. deconstructionism -
paving the way for reconstruction -
a language once opaque -
   once this that & the other -
necessitating a revival in an interest
in poetry, and the instruction manual
simplicity, of an i.k.e.a. staccato put together;
because authoritarian rule
couldn't decide whether to call it
index, or whether to call it, thumb;
i hate stressing a "need" for an uncomplicated
use of language...
     the crude tongue for limb attempt -
even as much as the post-modernists
are worth being despised,
   an overly simplified use of language
is twice are bad as the jargon of parisian
  jeromes...
                because the antithesis of
the postmodernists is that:
there's always some impeding
   and a necessarily "to do"...
actually...
there is no "necessarily" to do...
there is, rather, necessity of
                           the necessary being...
we can do blindly,
     it's only by being enlightened
can be forthright: beyond
                   illuminated, i.e. illuminating;
and yes, i always imagined
myself being a con artists,
esp. this current vocab of mine...
a con artists, who conned people,
  writing motivational self-help books;
i wonder whether i could pull off
being a con self-help guru.

It was but was not god nor  goddess.
It was but was not deva nor devi.
It was but was not angel nor demon.
It was but was not metaphysical being of any kind.
It was but had not any name nor could it be named.
It was but had not any  face nor likeness.
It was but had not any body or corporeal state.
It was but had not any form nor lack of form.
It was but not incarnate nor disincarnate.
It was but was not existent nor non-existent.
It was but could be described in words in any way.
It was but had not depth nor height nor breadth nor volume.
It was  but could not be measured in any way.
It was but had not materiality of any kind.
It was but had not immateriality of any kind.
It was but had not space nor lack  of space.
It was but had not direction nor lack  of direction.
It was but had not nothingness.
It was  but had not somethingness.
It was but had not anythingness.
It was but had not beingness.
It was but not Isness or non-Isness.
It was but had not light nor dark.
It was but had not wetness nor dryness.
It was but was not nowhere.
It was but was not nowhere.
It was but was not somewhere.
It was but was not anywhere.
It was and then It manifested the nature of Its essence
and became the universe and all that was in the universe.
All that was incarnate and disincarnate.
All that was physical and metaphysical.
All that was existent and non-existent.
And still It was.
It manifested Itself in ignorance of Its own nature as the Isness of the Universe,
in order to participate in the existence It had created from Its own essence,on an equal and fair level with humanity.
It gave of its own essence by putting a small piece of its own essence--the individual Isness-which is equal and autonomous and individual and independent--into all human bodies,both female and male,at conception.
And It made humans ignorant of their nature--the  individual Isness--
as It  made itself ignorant of Its own nature.
And then It set humans and Itself the Riddle of the Existence
that had come from Its manifestation of its nature as the universe and all that was in it.
It posed these three questions to humanity and to Itself.
1--Who am I?.
2--Why am I here?.
3--When I knowhow I am then what is my purpose?.
Who am I?.
Like all humans,and for the sake of fairness,
It manifested Itself  into ignorance of its own nature also.
The Isness of the Universe set humans the task of realising their own nature--which is the individual Isness--as an equal individual autonomous and independent part of the essence of the Isness of the Universe,so that they could then show the Isness of the Universe Its own essence and then share existence together.
The principle governing Its action in creating the universe and all it contains, especially humanity,was that before you can reach the heights of existence you must go through the depths of existence.
Why am I here?.
Obviously I am here to answer the first question.
After answering the first question --which can only be done existentially and not intellectually--
there would then be the third question to be answered.
The answer to the first question lies in regaining your existential nature--the individual Isness--as a small but equal,independent, individual,nameless,formless,genderless and non-physical Isness formed from the Isness of the Universe which is free from Mind and Conditioned Identity.
The answer  does  NOT lie in amassing the false knowledge of all "religions" and "political systems  that the Mind and Conditioned Identity have created in order to mislead the individual Isness from realising ,existentially,its true nature.
The Isness of the Universe  did not want a world of maniputed puppets,as the Mind/Conditioned Identity,does but in order to achieve fairness in solving the Riddle of Existence,it gave humanity these attributes and the ability to live out their opposites.
Freedom of Will.
Freedom of Choice.
Freedom of speech.
Freedom of Truthfulness.
Freedom of Association.
Freedom of  Debate.
Freedom from Violence.
Agreement to Disagree.


www.beyondenlightenment.co.uk

the talk of the Medieval town, long forgotten,
with the un-literate community in calendar
upheavals of the 40 days spent in desert hiding,
to become an actor of Messiah -
you need a Greek word for that -
Moses wasn't annointed - this ain't no brother Grimm
fairytale - real politics happens from these few
scribbles compared to Dumas' libary -
a role quietly suited - to be born with a miracle
but no miracle given with a fully conscious
expression of i - stigmata nouns - you are
and i am bound to the same fate: use certain words
and you're a madman... but i'm watching
the vocabulary of atheism's enthusiasts and that of science
also, and i see no well-minded correlation -
both seem absent-minded - when one uses
a theological word i see another not using a
scientific word, and both are the same to me -
taxes, mortgage loans, insurance claims -
whichever side you choose, none of the two is
better than the either - it's one and the same in
the Graeae cauldron - both are lazy in not having
studied science - they argue from a point of disaffection -
both are lazy not having taken religion seriously
given apologetics of religion and the upkeep via torture -
the ones greedily ridiculing religion are
way too eager to engage with science as mere
laboratory rats, experimented on -
given 2000 years of Greek Judaism, imagine the next
2000 years of Roman Judaism, bypassing Nero -
i crack the bones on my hands - readied -
i contested to not further educating myself in chemistry
with dread of becoming a lab rat... indeed a lab rat i became -
when philosophy came there was no politics of
thought - but when psychiatry came there was a politics
of experience - extending politics from outside into
the inner the politics of experience became a politics of thinking,
meaning many new formats could emerge -
the politics of depression as experiencing thought -
the politics of schizophrenia as experiencing thought -
with that much said: thought is not an experience
of identity - many of us experience thought without
a politics of identity - for many the existence of thought
does not undermine them - it cushions them -
but for the very few thought is like a synonym of god -
for others a misnomer, an incubation of potential -
the schizoid element of the dualism of thought v. being
rather than being v. non-being is much greater -
and it is a grand divide - not a paranoid pluralism of
pronoun use content on segregation into units -
to prove the existence of thought is akin to proving the existence
of God, in that proving thought exists is to find no
compensation in the presupposed existence of morals
or codes of ethics / social scrupules - as in relation to the proof
for the existence of God demanding the non-existence
of saints - culminating in the wheel of fortune, paradox,
and contradiction outlining a stoppage of further argumentation.
why can't people make narrations from the word god
as to not seem imbecilic and childish, while those
making narration from the word ego are accustomed to
less criticism of their choice of vocabulary?
if god is a stigmata noun - even a casual inference of the word
is being targeted - then why is ego a nirvana noun?
the former merely identifies a being however lost in Disney
it might be...
the latter identifies a sound, given its use in encompassing
a solidification of individuation (an individual and its
behavioural pattern) - ashore on an island of onomatopoeias -
we have ego (a theoretical placebo), and we have
a person that simply identifies with an eaten-up echo -
the vocabulary and the choir also vampire-like
without echo like image in mirror -
but if god is identified as a stigmata noun, then ego
is far from being a nirvana noun - given the prime concern
for western Buddhist converts at reaching a nirvana
is to cure western man from thinking, i.e. thinking in
the western psyche is the prime source of suffering -
imagine how hard it will be to uncouple thinking altogether -
and when re-coupling thinking not think of the Dalai Lama
and instigate an upheaval of the atom as individual -
with the cloud of electrons of others' existence,
yourself the neutral, privatising a positive vibe using
knowledge of the existence of protons -
well, the atom teaches us: equilibrium is sustained by
the neutron (tree) encompassing both proton (good)
and electron (evil) - the latter no longer orbits but cloud -
a fancy take on your everyday urban interaction
environment - a cloudy throng of inter-action -
London the perfect explanation of quantum mechanics:
particular instances of revealed energy (cameos) -
v. universal instances of revealed energy (marriages) -
or quiet simply, via the two: now you see me, now you don't.

The Phoenix
(To Love and Lose Part 2)
by Ryan Kinney

It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.

Who am I?

Following my divorce I began an identity quest dubbed The Phoenix. It is my own personal trial by fire. Fire is the essence of life itself. As it destroys it also creates. I will create a new life from the remnants of my former, a persona not defined by another.

Chapter 1-The Quest

Depression and Suicide
“…my life before you was very chaotic and unstable. You were the stability I needed and the foundation on which I built my life.  I never doubted that you would always be there for me. You were my rock. Of all the people that had disappointed me you never let me down. Yet you did, You pulled the rug out from under me without warning and the foundation upon which I built my entire life crumbled…” –email correspondence to Lisa; Nov. 21, 2008

It took four months to undo ten years of my life. A debilitating depression overwhelmed me. I never saw anything in my life, but Lisa. What did I have left without her? What would I do? Darkness clouded my heart.

A rusty blade in my hand. A message in blood written on the broken mirror.
I lay in the tub, leaking crimson life. In my haze I barely make out the words.
What does my final message to the world say? I cannot remember why it hurt so much.
In a few minutes it won’t matter anymore. What the hell did I write?
I can only think of one thing that torments me enough to drive me to this darkness.
Trailing down in letters, clotting on the wall…
“I loved you.”

This revolving drama played on a loop in my mind. I was lost, a walking corpse. All I felt was cold hollowness.
“All that is left is emptiness, an empty house, an empty soul.”-journal excerpt; Oct. 6, 2008
I so badly just wanted the hurt to stop. In my tunnel vision existence I was oblivious to those whose hearts bled for mine. All my substance and passion was gone. Lisa took my heart with her and left nothing inside. Without her my existence seemed meaningless. The cloaked figure smiled, offering me the almost irresistible temptation of sweet release.
“Do I give in to the darkness? Let it consume me”-journal excerpt
Ultimately, though, there came a day when I awoke from the fog. I was living outside myself watching this unknown drone on a worthless trek. One phrase finally broke through the shell.
“What a waste!”
The Phoenix was born in that moment. The match was struck to light the way on the difficult road to recovery.
“The pieces of my soul are on the floor for everyone to trample on.”-journal excerpt; Oct. 6, 2008
I was in over my head. I needed help. A therapist helped at first, but the relationship quickly cheapened because I was essentially paying for a friendship. Antidepressants proved to work too well. I have a manic level of natural intensity. Lexapro ignited fireworks inside my brain. Both, however, gave me the nudge I needed to help myself. Eventually, I grew beyond the need for crutches. A previously unrecognized army of supporters each lent their kindling to the fires. One day at a time I battled my inner demons until I was ready to accept happiness again.
“You will be amazed on how much of the original Ryan is back. Why? Because I'm over my depression about change because something I feared more came to fruition.  I lost you.  I'm doing my best to survive from that, but my past fears now seems trivial and meaningless in comparison.”-email correspondence to Lisa; Sept. 8, 2009

Denial and Desperation
“Run, Run away Ryan. Open another book, turn on the TV, surf the Net. Delve into your fantasies and escape reality. It’s how you survived your childhood…”-journal excerpt; Oct. 2, 2008
The cracks in my facade were beginning to show. I shielded myself in delusions. I lied to myself to soften the full scope of Lisa’s betrayal. I more than lied. I was absolutely sure. I trusted her with my life. I trusted a lie. I was living a lie. I betrayed myself more than she ever did. The realizations came in shards, each piece punching holes in my heart.
I wallowed in self-pity and desolation.
I yearned so badly to feel some warmth, anybody’s warmth.

The New Girls
Upon Lisa’s departure I sought to quench my loneliness in the convenient woman around me. For a moment’s time, they took pity on me.
Rebound-I immediately sought solace in the arms of a good friend. She’s always shown me nothing but love and idolization. I was ashamed for disrespecting her and our friendship. I knew full well that our brief encounters were all that would ever be between us.
Crazy Chick-She was a brute of a woman, yet conversely, very maternal and comforting. She had a unique talent for forcefully ripping out my raw emotions, breaking through the masks. As she said, though, “I’m not Lisa.” Pathetically, that’s exactly what I wanted.
One Night Stand-ups-Several brief encounters fed my addiction for attention. Like a ****** with a needle, my appetite grew. Desperation was becoming my scarlet letter.
“…but it did seem that the thing we are most proud of and the thing we are most ashamed of are but the front and the back of the same coin. They torture and thrill all at once.”-Grotesque; Natsuo Kirino
I felt guilty and *****, yet loved for but an instant. These experiences were very cathartic. I had completely lost the ability to cry, feel pain, rage, or joy. They were the prefect drug, just so that I may feel again. Without these women to reopen the wounds, the numbness would have consumed me.
“Every angel has a little devil inside them.”-Manda; 2009
What attracted me to these women was mock chivalry. Each had their own “hard luck” story. So ingrained in me is the comic book ideal of heroism that I constantly seek to rescue the damsel in distress. Women will always be my kryptonite. However, as Crazy Chick put it, “ When is it time for you to be rescued?” The divine irony is, it was they who saved me.
It too, was not to last. A long period of isolation followed, as the women grew tired of babysitting me. Another lie to myself, a band-aid on a wound desperately needing stitches.

The Crush
Hers was the first light I allowed to pierce the darkness. She did more to heal me than any who said, “Yes.” Her secret, she said, “No.”
It has always been my curse to be eternally misunderstood and underestimated. I could see her scars bled the same as mine, although hers had begun to clot long ago. I am attracted to those who have a depth chiseled by adversity.
I identified with her. Her intelligence far exceeded my own, an Einstein in a circus. My eyes saw straight to her soul, seeing only the gorgeous woman she was on the inside. My friends would point out my eyes would sparkle whenever I spoke of her.
Yes, I loved her, but only in transition. We came from different worlds, but met as wounded soldiers on the battlefield. She was the catalyst to open my eyes. A sweet smile for my shredded soul.
“A worn beaten heart trapped in by bars.” From “Painless” by Tracy Reed
She held the key to my self-imposed imprisonment. My growing frustration with her opened the door for my transformation. For all her grace, all her amazing potential, she was wasting away in the same feeding trough as me.
“You can do better.”
Then it hit me…
“I can do better!”
I began to rebuild my empire. My never-queen rejected me…
I wouldn’t have had it any other way.

The Emotional Spectrum
“Stuck in a prison of abstract ideas and overpowering emotions.”-Zach; mypsace blog
Shock
1) ‘I don’t love you anymore.”
2) Letter…”I can’t wait until my divorce is over!”
3) Ryan-“So I guess this means we’re getting a divorce.”
Lisa-“Well, yeah. You knew that.”
4) “Ryan, they’re together, and have been.”
5) “I’m moving out.”
6) “By the State of Ohio, I hereby grant this dissolution.”-Judge; Dec. 30, 2008

Six bullets to my heart, six separate, devastating phrases that brought about Armageddon. I gave her a decade of my meager existence, nearly half my life. She threw me away like garbage, and couldn’t have been happier.

Fear
As the gun smoke drifted, I clutched my breast. I was frozen in horror that I’d lose myself along with her. Fear, you see, was the beginning of the end for our marriage.
I never dealt well with change. When we bought our house, the combat that ensued left me crippled. I ultimately built myself into a comfort zone again. “I don’t know what I want to do” was always an excuse for me. I lay stagnant and complacent with no true purpose or direction.
It was Lisa that first took action. She sought to elevate us from the ranks of lower middle class into which we were born. I fought her, determined to lay docked in the doldrums. “Leave me alone in my bubble.” I made attempts, but with each failure became depressed. She became frustrated and took matters into her own hands. It is obvious she loved me then. She worked effortlessly to give us a better life.
I was blind to the truth and in time Lisa lost sight of her motives. She plodded on, mechanically, no longer sure of why. She drove herself to extreme exhaustion, afraid, that if she stopped, for even a moment, she’d realize it was all for naught. She lost faith in our combined, bright vision.
So, she did the only thing she knew how. She ran away, straight to another as miserable as her. She kept running, further and further, taking greater risks. All just to not have to feel her own hollowness.
She left and my phobia ended there. What followed was a newfound fear. “I don’t know what I want to do” became “What the hell do I do?” I was afraid I was doomed to be alone the rest of my life.

Sadness
“Are you ok?”
“We’re worried about you.”
“How are you, Ryan?”…

“MISERABLE!”-Ryan

I always speak the truth. I’ve never felt so surrounded and alone in all my life.

Anger
“Like koi in a ***** pond, you can see your rage barely hiding below the surface.”-Erin Kompik
The most intense rage fueled The Phoenix. I lashed out at everything. Everyone was burned. I was ******* and the world would pay. The spectacle burned so bright it threatened to eradicate all that I was.
“I can feel bitterness and anger coming. I am fighting for control over the anger”-journal excerpt; Oct. 1, 2008
“The seams in my heart leak nothing, but hostility.”-journal excerpt; Oct. 6, 2008
“I’ve become a monster. I once loved someone so hard I would die for her. Now all I can feel is scorn and hate. My heart is twisted and black. I fear I will become the bitter man my father is. I hate myself for being so.”-journal excerpt; Sept. 30, 2008
Who was I so angry with? For all the hurt I felt from Lisa, I was most angry at myself. How could I let this happen? How could I have been so blind? My blood boiled as I berated myself. The loss I suffered left my heart festering with hatred, as nothing but fire and volatility overtook it.
“The red light of rage is violent action without consideration of consequence. It is uncontrollable. So I will unleash it.”-Final Crisis, Rage of the Red Lanterns
Then, the root of another anger broke through the fury.
“I know that you may not see it now, but time really will heal these wounds.”-Michelle Kinney
She was right. I had absolved myself of my original rage. I had forgiven her. I could forgive myself. I couldn’t be held responsible for another’s irresponsibility. The anger dissipated into the smoke. It left behind a few flickers, but I’ll not extinguish them yet. I still have a use for that rage.
“Do not be afraid to expose the darkness. Only by bringing it to the light can it ever truly be resolved.”-audio journal excerpt; Aug. 16, 2009

Love and Happiness
During my marriage, hers was the only love I let myself feel. Then, she took it with her when she left. I felt scorned and unwanted, a refuse of human waste.
I was wrong. I am a man that seeks love as an end all for my existence. Lisa unlocked my caged heart. Over the next decade I cultivated relationships with countless individuals. There was more love in my life than I ever realized. They were there when she wasn’t. My parents sacrificed everything to give me a life and family they never had. Lisa’s family had become my permanent family. She divorced me. I did not divorce them. All my friends gave all they could. Even my harsh enemies stepped off the battlefield, for they understood the casualties of this war. All of them, a shining sea of compassion, poured their hearts into mine. Their light overcame the darkness. When I finally crawled out of the pit, they got me to my feet.
“For them, I must continue.”-Naoko Takeuchi
I had to be strong. I owed it to them to survive. They gave me their love to fill in my missing pieces. For all I had been given, I could never give up or give in.
“I am meant for greatness. I am meant for happiness, for joy, for me.”-Zach; myspace blog

Chapter 2-Evolution

Picking up the Pieces
“I need to be out there.
Living.
Looking for my own life…
I need to open my mouth.
I need to be heard.
I need to live.
You’re gone…
I’m not.”
-Goth Girl Rising; Barry Lyga.
It was time to rebuild that which had been broken. My life was fragmented chaos. I needed an order to the chaos, or more to my tastes, organized chaos; anarchy with purpose. I learned to become a master strategist. The civil war I waged on myself demanded a general.
STEP 1-Stabalize finances.
My pact with the devil to keep my beloved home required emptying the coffers completely. How delicious the irony that I wound up working the same long weeks as Lisa.  Hard work and sacrifice were absolute necessities if I was ever to afford to live again. It was Lisa that taught me that. The only difference, I must never lose sight of why. Money is not the reason for existence. I simply needed enough to achieve my goals.
“Money is nothing.  It is an imaginary concept.  Its only value is what we put into it.  While often a necessary evil to survive, it is not important.  The only possession of true value is time.”- The Most Valuable Possession; 2009
STEP 2-Tear down the Mausoleum.
My home had become a testament to a dead marriage. Lisa’s five day moving notice threw a grenade into my living space. It was disheveled and disorganized. It was no longer Ryan and Lisa’s. I had to reclaim it as my own. Out of respect for our past, I kept a few pieces of Lisa as a constant reminder. I will never forget where I’ve been.
“Your spirit helped build this place and it still flows through its walls.”-email correspondence to Lisa; Nov. 21, 2008
Physically putting my environment in order likewise put my mind into an order. As I rebuilt my home, it became the new foundation for my life. The Phoenix had a place to perch.
STEP 3-Know Happiness again.
“I seem to find that my great periods of change, evolution, and growth precede an ultimate betrayal from someone I’ve let close to my heart. Is survival mode the only way I can fuel my passion? Where do I find the love that ignites my will, yet does not drive me to complacency?”-audio journal; Aug 13, 2009
The answer, I needed to love myself again. I could not rely on someone else to complete me. I had to become independent, to be ok with being alone. I deserved to be happy, to be loved, above all, by myself.
This was going to be hard.

Breaking Codependency
Not having another physical body in the house left a void. Without another heartbeat close to mine, I stopped sleeping at night. My appetite was lost and I started shedding pounds. With my depression receding, I awoke to find I was living in a desolate wasteland. What would I do in this solitary confinement?
Utilizing survival skills my mother taught me, I used it. Ever the artist, I took the pieces and created an existence. Then I improved it, again and again. Loneliness is a disease that attacks only if you let it. I had to learn to accept myself, before I could expect anyone else to. I used the loneliness to redefine and rediscover myself. I would not rely on anyone to do for me. My honor and respect for my loved ones demanded I do for myself. The stifling quiet, the sleepless nights taught independence. The silence used to frustrate and anger me. Now, I use it for peaceful reflection and meditation. Th

it's a strange feeling to suddenly realize how insignificant you are

realizing you're just a tiny speck of dust floating throughout the universe with no actual relevance to anything of importance and that you could just disappear from existence and the earth would still rotate and the seasons would still change and we would still orbit the sun and nothing would change

it's realizing how little of importance you are that makes you wonder what you're still doing here and for what purpose

it's realizing how small you are to the vast and endless universe of everything that is infinite

how the universe has no start or end or middle and that the universe is just there, being, existing

realizing that the universe is existence and if one day the universe were to cease to exist it would also bring everything of existence down with it and everything that is something will be reduced to nothing, something that isn't of existence, something that isn't there, just nothing

nothing is a strangely misused word, we use the word nothing on a daily basis and throw it around as if it isn't of any importance, as if something in this world could simply cease to exist without a trace and be reduced to truly nothing

nothing can truly be nothing, when something is burnt it becomes a pile of ashes that will eventually get scattered into the wind but still exist as something

is it possible for something to be reduced to pure nothing? to chaos? to the void? to something that is not of existence, if the universe, existence itself, wills it?

the universe itself is a strange concept to wrap your mind around, to simply believe we're all only a tiny aspect of something so infinite and endless that merely exists and allows us to coexist with it

the universe is everything of existence and it's even stranger to believe that some of us really do think we're alone in this entire universe limited to only what we know is out there and what we think isn't

and sometimes i wonder how many lifetimes it would take for us as a human race to finally accept and realize that we aren't alone in this universe

to think that we, a planet of seven billion, were the only ones in the universe, existence itself

and sometimes i dream of the day we'd be traveling through the universe as easily as one would board a flight

With memories rapidly fleeting, I find it hard to pinpoint what lead me into the eyes of the dying man. I recall a day just the same as many in following, the cold breeze felt nice on my skin and a brisk sensation overwhelmed me. I felt the air filling my lungs and I'd like to think I appreciated it fully.

As temptation fled me, I felt calm. No longer a slave to a cigarette pressed between my lips, I felt pitiful in my nostalgia and felt wrong inside of myself. Oh how must I have felt? I can't even grasp my mind in that of which is my younger eyes. I feel wise honestly, almost as much so as the oak tree that keeps reoccurring in my thoughts.

It's been almost a hundred years in my mind but time does not flatter such unconventional wisdom. I lay alone, as alone as one can ever feel. Who would have thought my death bed would be that of an asphalt street lay? The cold air that I allowed to fill my lungs just prior in the day, now has forsaken me so. I feel the air I breathe tearing softly into my lungs, I feel the cold embrace of death.

I thought my time would never come, but I guess I was wrong.
In recollection, I always thought I would die on a day where clouds filled the sky. That somehow with my departure came down rain so hard, so powerful and filled with fury. As if the pounding roar of thunder is that of only God cursing himself for allowing me to slip through the cracks of existence. I guess I'm not all that important after all, stained in the blood of youth. My dying hour is here far too soon. but I was never good at keeping time myself, so this can not be sure.

Dying such a strange thought, there's an art in dying really, I now see this to be true.
Death: a concept in which the mind can't comprehend, we often like to not to think of such terrible things, really the point in it seems all too pointless.

The thought crosses the measure of relevance in what deems to be relevant. Just the day prior I laid in my bed filled with appreciation for all that is mine and all I had worked for, to be laying lost in my sheets... I would give anything to feel said sheets once again. Little did I know.

Don't men only die when they don't appreciate life? Why must I be shown all that I am losing, when I already increasingly know to the deepest foundation of that of which is my existence, that I have already lost?

...

With my overwhelming sense of self-importance on the line, I face mortality in it's true form, how fragile I really am I now see. In a world separate from the pain I feel, I am fleeting out of existence trying to forget. I searched for calm in a hopeless place. sorrow moans, bitter, desolated, with a ruthless sensation of despair filling my existence. Oh the despair, it is a pit with immense depth. I would like to tell you how I have explored such depth but I honestly rather not...

For I am the one who can take it, all of it I swear, throw the knife in my back and I will pull it out, clean and polish the blade and return it as I apologize for ever getting in your way. I really never meant to get in your way. This depth I do not wish to explore will reflect in this piece I am presenting, between the lines, the presence is so clear in between the lines, screaming out to be heard, I can barely contain it within myself, so therefor it bleeds out from in between the lines. My suffering, my agony, every face I was forced to find peace with in my fleeting moments! I could not find said peace. It was nowhere to be found.

The darkness fills me and the plagues of my dreams and ambitions brought vengeance upon my waking and quaking mind. Suddenly an empty figure stands in my reality brought nightmare and I observe it and ask why something so dark lives in the depths of my subconscious? I am tortured and beaten and broken, I have taken the world and more, why me? I ask for my own amusement.

I often ask myself what lead me to that of merciful that day, the day time stopped and I reached a new plane of existence, what lead me to be so merciful? The question rings and I stand firm in my footing, as my head turned so swiftly, I locked eyes with God, he took the shape of a moving vehicle. Terminal and homicidal, I measured the weight of guilt and worth and felt bitter in my disdain.

My disdain did not know the smiles of my family's faces, my sister with eyes not yet recording, she would not even know who I truly was, the question sank and I asked "Who am I?" but I could not remember, the dying man had consumed me, everything I am was being ripped apart by the dying man, I felt engulfed in these feelings...

And in my departure I felt so very alive, more alive then I had ever felt. My heart was crying in it's inadequacy, never knowing the touch of true love, I fell short yet again! I have failed... For all their is worth dying for, I had so much more worth living for.  God and his oh so strange faces, he chose to represent himself as my bane of existence this time.

I thought about it but I never no matter the time given could have really considered everything before I pushed that man out of the way, fully and truly I could have never known the weight of my actions. Some see me as a hero for pushing him out of the way, but I see a deep sadness inside myself in the decisions I had made in that of a split second. Almost as if I chose my demise simply to let go, I wanted to let go deep down, and what better way to let go then in an acts of hopeless heroism. I felt pure, almost as if I was absolved of all my prior sin. I thought of God and his true face, the emptiness in the absence of light in his eyes, I felt alone, no comfort, as alone as I felt the day I was born....

And as I embark, so must I someday depart.. I imagined my departure to be a day of overcast and shade, but on the contrary it was a bright day. I felt the Arizona heat masked by a winter breeze and I felt alive, in that of which is my fleeting moments I felt alive. In my suffering, my great suffering! Given the choice to let go, I saw the sky open up, and their was angels standing on the street lights ready to guide my soul in it's leaving.. but I was not yet ready! as I lived this pain, I slowly forgot what it felt to be free of suffering, I became my pain and the only sounds I heard were that of sorrows moans. I felt filthy and impure, moments earlier I saw myself as selfless in acts of heroism but to no prevail were my acts recognized, I somewhat expected the scenery drop to be lifted and to find myself in a dream I simply fell too hard into. But no, no, no, NO! reality is unmerciful and cruel and potent and sure, it is sure as day is bright and night is dim!

I often refer to who I was as characters who shifted in time to become new. I dream to be The Wise Man but I am only The Discoverer as of now, but before that I was The Dying Man(who I am allowing you to know) and before that I was The Ego and Fury and before I was The Hopelessly Hopeless, when funeral progressions play I was The Boy who Throws Dirt, just as I was once The Young and Yearning, and same as I was once The Sunflower Boy who ran amongst the flower fields. These characters are all equally apart of myself, as who I am today is apart of me.

Really we are all one in the eyes of the dying man, you become everything you ever were or will be, the dying man is clairvoyant but hopelessly disconnected and could never really make any sense of it. And by the one in million chance, if he ever were to flood back in to the eyes of the living, it would be like a dream that fades as you desperately cling to the story as the day progresses. I don't know why I fail to forget the eyes of the dying man, I wish I could, it isn't natural, a spoiler if you will, but the eyes of the dying man holds great wisdoms and sorrows, far too great for the eyes of the living man. So you can imagine my return, my great bamboozle of death itself, it was surreal and I questioned the fabric of existence in it's entirety. Where I thought I was surely pushing daisies, rose a pulse and life breathed into me yet again.

See this is not my first run in with the reapers scythe, it is my third but I do admit, I was far more conscious the third time around. My first encounter was my very first breath, my lungs failed me with the tight restraint of the umbilical cord fastened in a noose fashion around my neck three times. I was born blue and it leads me to ask myself how could I ever feel alive after something like that? It's like waking up to falling out of your bed and the day is casted in negative light but so is my life. The second encounter was in the eyes of my former self, I like to call the hopelessly hopeless. My first conscious run in with the reapers untimely swings, I felt disdain, and impurity becoming of me. my head clenched with strain as everything I had ever witnessed or heard. I was forsaking myself as I cried out to forget what was playing before my eyes in two manners, one the life how I desired it to be and the other playing the cold setting of what actually happened...

So I am here the dying man yet again, not because I asked to be but because it simply can be. For I can take the weight of the world and arguably more. I stand a man sovereign in my rights for existence, valiant if not simply in no better words a brave man beaten and broken, always ready for the next lashing. I decide to fight the becoming of the dying man. Will to live! it's really a funny thing, something of such great importance, that no one really ever thinks about, something so overlooked but still so important.

I lay the man aged a hundred years inside his head, moments reflected hours and hours were becoming years, I slowly forgot who I was, and the slate became cleansed. I felt pure with triumph, I felt undyingly pure, my sins were washed from me and I awoke. I felt brand new, I felt as if I were reborn, the dying man was casted into the past and I became the discoverer I am today, and one day I dream of being the wise man but one day is too far to become hung up on anything. I shall appreciate another year in full this time, and for many years following. I am now, what I was not before. I am truly awake and appreciative for if death comes for a fourth blow I want to have new stories to tell my old friend, as the fireworks in my brain go off yet again.

Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus