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Working parts and mechanisms,
charts and graphs and mannerisms,
a table, pencil, square and mitre...
eraser marks, sweat drops, -go lighter!

A thought or two and ponderance...

Decimal here and decimal there,
-micron adjustment now we're square...
Up all night until daylight dawn
and finally I've fixed the Krong!

A thought or two and ponderance...

To the factory arrive before eight
and finished, furnished, a model late...
A handheld one and something larger,
humanity saved by my charger!

A thought or two and ponderance...

10 years long after planet saved,
They'll be parades and accolades...
Statues, tributes, my name in text-books,
but no one, never, a second look!
Never to worry on life again...

..I did it,
I reset the world; begin.

And did it all with Earth's mighty spin.
Kinetic resonance oscillating natural power (GE) (GAIA)
Shofi Ahmed Jul 2018
On the very edge the living earth
dared to replicate Queen Fathima
The Queen of Heaven’s footstep.
That way is bedewed the destination de jour
graced by thousands of prophets of God!

In the name of Allah she descended
on the Night of Ascension.
From the Night of Measures unlike the rest
none can enumerate it yet an unnumbered zone
in the perfect geometrised transcended location.  

The earth steps in the gap making way for her:
The only asymmetric golden ratio
Slips out to the symmetric prophet flock!
Sequenced in symmetric phi she moves on
in the veil, reveals her unique divine relation,
the front burner for sure is ever closer to God!

So pretty classy she is the paragon work of art
the sunrise amidst the eternal night.
Her beauty in her shadow is burning fire.
She is 'Zahra' pure light the luminary dynamo
the only one woman had no shadow!

The great women flocked and mirrored the earth.
Treading across every atom on that angle
perfectly aligned down the Moon.
Until those beneath the skin atoms
bang, explode, on approaching the behemoth,
the vibration beneath Fathima’s foot!

The ocean billows up
feels life on the high
floating on the clouds.
Choreographed like a little dew
hanging low on the rose.
Just to drop down on that hot spot
like a cool honey drop.

Even the Moon on the horizon
fancies to sip from this drop.
Ah, the lunar punter is rowing down.
The sleeping beauty wakes up
eyes are on the silver dance.
Eying on every star in the night
the Moon is floating down.
The seven seas sing out in the dark
bubbling with exuberant fireflies
that would gleefully rock the moonlight boat
over to the cup of this pretty little drop.  

Poetry in motion is a sea on the ground
the same is known as the Moon in the sky!
The storylines jump ever more
on that way over the shady grove.
Painting the colour of the winds
the sky rains down on that spot
singing the sweetest title song.  

Never was a woman prophet of God
to the one primitive woman, the leading lady
'Sayeedatun Nessa' Queen Fathima
heaven is no secret, it is an open mirror!
For her heaven is made an open book
the first batch of houris came to be
tuning into mellifluous sounds of her toes.
The earth in its primitive water first moved on
bang, Big Bang, soon she drops in it her hair lock.
She's the hidden gem in the secret end of God!

For the planetary ebb and flow on the way heaven
the planet earth is the only stepping stone.
No matter how many times it tries on
there will still be an unturned stone.
Until the very one woman, the original
the Queen Fathima steps on.

Her presence connects the dots
the nadir and zenith perfectly line up
intersect into one grand perfect circle.
She will close it with the pi once for all
without a gap spilling new decimal.
Putting it all on the map ‘as above, so below’,
all in all, like it's in pure scientia scenario.

Heaven will open its grand door
where the queen will stand on.
No more reverse engineering physically
the original, Fathima will step on,
on the last turned stone.
From the one great woman
paradise starts from here on
from beneath the mother’s foot!
DIPTI DHAKUL Oct 18
Connecting the Unconnected

((Material, Bonds, Time...))
Bonds, Time, Material
Empire  Jun 11
Study Time
Empire Jun 11
Procrastinated all day
So here we go...
Caffeine high
Music so loud
Laptop out
Calculator ready
Let do this.
zebra Mar 2017
split the atom an we get fission
mass becomes energy
but can we split a second
enter the essence of the present
what would it mean to us
to be that mindful

ask your self doesn't your mind
only occupy past future
abjectly incapable of living in the present
in the true present there could not be even a ghost of a thought
theres no time to think

can we enter
an incalculable split second
and totally take in that instant
with a forgotten organic technology

is it the big bang in perpetuity
yet quiet as a mute
a raging ever expanding sea in a connected
but distinct dimension

if you entered it
would it not utterly erases all of history
the thinkers and doers along with it
the step beyond the alpha and omega
the great underlining reality

imagine the penetrated moment
an all consuming unimaginable
trans-mutational merge
omnipotent
yet forever imperceptible
to those among us
time locked
an irreducible limitation
like an ant in a closed paper bag
a fixated reflexive machine
wandering aimlessly
with an unknowable mission
and a relentless survival mechanism
with no chance of survival

time as a cosmic metabolism
its medium space
a vast cauldron
an infinite vessel containing endless points of light

everywhere
myriad phenomena
its terrain and the temporal creatures that inhabit it
both exquisite and hideous
an incalculable zoo
histories victors and victims
one and all vanquished
by the curse
consciousness of dis-juncture
a merciless countenance of limitation

yet could time be an illusion
rooted in a narrow awareness
bereft of an eternal
inexhaustible self effulgent now
the rapture
an eternal ******

if we could only penetrate into it
would it swallow us
and blot out the drama of creations theater

is the
now
conscious
illimitable
ecstatic
a perfect meta moment ?

we hear from sacred texts
like the Vedas... Bhagavad Gita.... and Kabbalah
that we may enter beyond the veil
passed time and its ravages
passed mind and its distortions

not to the heaven of religion
in its endless
closed system precepts
anthropomorphic metaphors
theistic gobbledygook
and
sophomoric social engineering
a kind of cliffs notes
god for dummies

we can enter
the eternal abode of the divine
a point between
the splitting of seconds
revealed through the simple act of mindful breathing
pierced by the effort of a focused mind
we definitely can!
but do we dare?
Lucius Furius Aug 2017
It promised to be quite ordinary,
that old student/new student/faculty social hour.

I had come to Champaign with high hopes a year earlier,
starting a new career (--and hoping to find someone to love).
Now, with just three months left,
my studies had been a success,
but I had not found anyone to love.
And now I was thinking beyond Champaign:
where I would go, what I would do with my new degree.

I scanned the faces in the crowd.
Mixed in with all-too-familiar classmates and teachers were new people:
A formidable, blonde-haired woman
with a big voice and a large imitation pearl necklace;
no meek, retiring librarian here; a Valkyrie.
A guy with wire-rimmed glasses in his early twenties;
congenial, but serious; he had studied engineering.
A girl; stylish, extroverted;
loved Faulkner; engaged to be married.
A sensitive, thirty-ish woman; recently divorced;
her ex had stuck her with a mountain of credit card debt.
And you, in a pink dress.
No jewelry, not much makeup.
Nice figure.
Very simple, very pretty.
A wonderful smile.
Obviously bright.
You had gone here as an undergraduate.
You had taught school in Iowa for several years
and now were back to get a Library degree.
You had grown up on a farm.
You were eminently lovable.
You were, amazingly, unmarried.

I felt that I was at an art exhibition in nineteenth century France.
Here was Raffaelli's "Boulevard of the Italians"
which had sold for 500 francs.
Over here Lecomte de Nouy's "Ramses in His Harem"
which had brought 1900.
And over here in the corner, neglected,
Van Gogh's, "The Artist's Room at Arles".
I felt like shouting,
"My friends, can't you see the beauty of this painting:
its simplicity and purity, its energy; the symphony of its colors!
You have opted for these smooth, conventional paintings
and left this one, the most valuable of all, unsold. . . ."

I felt like hugging you, right then and there.

You were number two or three on my all-time "instant attraction" list.
But I was wary -- so many others had not worked out, why would you?

Our first date was a "Streetcar Named Desire".
I put my arm around you during the play and held your hand as we walked back    toward your apartment.
I invited you to "Bubby and Zadie's" cafe. You refused and offered no alternative.
I was devastated. So this, too, would come to nothing.
We would walk the three blocks back to your apartment.  We would say    goodnight.
I would go home and cry. That would be that.

But when we arrived, my hopes soared: you invited me up to your apartment. You really just didn't like Bubby and Zadie's -- and you liked and trusted me well enough that the intimacy of your apartment didn't seem inappropriate. We talked for a long time and kissed. When I left, all traces of wariness were gone. The coming weeks would not be ordinary.
Hear Lucius/Jerry read the poem: humanist-art.org/old-site/audio/SoF_058_champaign.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Antino Art Aug 18
I am the only Asian in this bar right now.
Be my friend!
I will check the box of your social diversity quota.
Granted, I only speak a mispronounced fraction of
my immigrant parents' native tongue.
Ala Jackie Chan, I do not understand the words coming out the mouths of anyone on that massive continent (Russia included) that I appear to be more or less from.
But, I do eat spaghetti with chopsticks.
I am mystical as
fox, or Kitsune, in Japanese folklore.
I can hit you with wisdom worthy of a fortune cookie as fast as Google can tell you that the Philippines is nearly 2000 miles away from China. I want to say I'm from an exotic island where they play basketball in sandals and drink soda from plastic bags- like, A-level material you could make a movie out of in Slumdog Millionaire fashion and get awarded for your romantic portrayal of poverty you think is three worlds away from home. But nah, I'm just a kid from South Florida. Paved driveways and cul de sacs. But I do pump both fists in the air watching Manny Pacquio PPV fights on a bootleg stream. Beyond that, I'm probably the worst Asian there is. Not the crazy rich kind with a PHd. I dropped out of engineering after one semester and cannot solve a rubix cube. I never learned kung fu. Though I'm learning to face the adversity of becoming a single parent after my daughter's home broke in two. I write marketing proposals to pay the rent and poetry to fight without fighting in the spirit of Sun Tzu. My eyes do not slant in the direction of your narrative. I once ran in a pick up game where I caught the nickname of Yao Ming. Yao, I am 5 foot 8. Though I fall short of expectation, I can still check your diversity box on the way down and do a cool pen spin after to punctuate my intellectual prowess. I also happen to own an assortment of Japanese swords made in China, which I intend to use as heirlooms. This is what cultural colonization looks like: me, in a bar, the last samurai standing confused in an age of melting pots, Korean tacos and Asian slaw made by corporate imposters with names like PF Chang. What in the slaw is Asian? I wish I knew!  I wish I knew the true value of my heritage to be worthy of carrying it forward. Like how my grandfather planted a Malonggay tree in our backyard whose leaves my mother would pick and boil to make tinolang manok -the Filipino version of chicken soup- as a weeknight staple on our dinner table. I can barely soft boil an egg for instant ramen. Or how my motherland's socioeconomic gap tooth smile is so wide that it drove over 10 million of its native sons and daughters off its shores to find work overseas as servants on cruise ships and hospitals to feed the families they barely get to see. To follow their trail blazing footsteps, let me be the second generation tipping point where some form of cyclical tradition breaks. That way, I can raise my daughter free of predetermined scripts. So as the worst Asian in this or any bar, cheers:
to being the first of a new kind.
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