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Matt Sep 2014
She made me wear
A pink french maid's uniform that day
I had to wait on her and her black stud lover Tyrone

Fix them drinks and make them dinner
These are the duties of the ***** cuckold

It's hard to be inferior to him
He is so well-built and powerful
A perfectly sculpted body
A large and powerful manhood
He is every woman's dream

She reminds me that no beautiful woman
Will ever want to be with a ***** like me
That my manhood is too small
That my *** drive is too low
Nature has dealt me a bad hand

I sit by the bedroom door
This time I am not allowed to watch
She only told me that they would be doing it *******

I sit next to the door
I hear her load moans and sighs
I know he is pleasuring her
In ways I never could

My goodness
Forty-five minutes have passed
And they are still going at it

I peer through a crack in the door
He is so powerful that he can hold her up
As he thrusts deep inside her

I am not strong enough
To have *** in the standing position

What a man he is
He can squat 300 pounds
And has a strong powerful ***

Look at him ******
She screams in ecstasy

After she is finished
She will tell me how wonderful he was
As I polish her high heels

After he leaves
I have the humiliating and exciting task
Of giving her oral pleasure

These are the duties of the ***** cuckold
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Venusoul7 Jul 2014
If I did not notice the Silence,
I would not know varieties of Sound
If I did not know of barren desolation,
I would not meet with Wonder the Nature of The Mother
If not blankets of numb Paralysis take Me
I could not feel Elation of Sensation
If not He, then not She
Duties of Duality is precurse to Selfless Compassion
To Change the World, One must know the Scales of Balance that Mediate the Self, once in Centerline, the Soul can Shine a brilliant Intention that Manifest in Action an Energy of Transformation aligned with Earth. Our Prayers be Heard and appreciated, accepted in Heart of the World shall cometh forth a prosperity and Worth Divine for You and I
So all the Children will Understand Intuitively, merging Mind Eternally. Destiny entwined with Currents We Ride, You decide the Destination.
Changing the World One Heart at a Time.
:-))
Rosie Owen Apr 2015
Marriage is changing, from who can get married (37 states now allow gay marriage!) to who actually ends up doing it. Only 26% of millennials are married, a sharp decrease from 36% of Generation X and 48% of baby boomers, according to the Pew Research Center. But marriage isn't obsolete — in fact, in many ways it's thriving as we re-evaluate what the institution really means to us.

And with re-evaluating marriage comes re-evaluating weddings. The Knot's "2014 Real Weddings Study" found that couples are foregoing traditional wedding customs to modernize their nuptials through their choice of rings, dresses and officiants.

That includes — perhaps most importantly — the vows. Couples today are taking cues from badass brides like Amelia Earhart, who banned the word "obey" from her 1931 wedding vows, and reciting promises to one another that reflect the partnerships they strive for. Here are 12 real-life couples who vowed...

1. "To split the difference on the thermostat."

Why it's awesome: When Brad Pitt and Jennifer Aniston got married, Pitt pledged to "split the difference on the thermostat." While that partnership didn't last, as we all know, it was a lighthearted vow that highlights a crucial element of modern marriage: compromise. The key to a happy marriage is learning how to meet halfway.

2. "To be a true and loyal friend to you."

Why it's awesome: Marriages weren't always about intimate, caring partnerships between equals. But we know well enough now that the happiest, most long-lasting marriages are those in which partners see each other as friends (even studies have proven it true). Jevan's vows to Alithea, shared by the Knot, are a reminder that the bedrock of friendship is what makes a modern marriage stand.

3. "To communicate fully and fearlessly."

Why it's awesome: Among the traditional promise of partnership and faith, real-life couple Anne and Gabrielle told the Knot they vowed "to communicate fully and fearlessly" as spouses. In our modern world, we have seemingly endless ways to communicate — text, email, Skype, Snapchat — and yet still have to work to connect. Sitting down face-to-face, making eye contact and being vulnerable with one another is still crucial, as is being honest without fear of judgment from your partner. Emojis aside, that's what really sustains a lasting relationship.

4. "To grab your **** even when we're old and wrinkly."

Why it's awesome: As we become more open about sexuality (thank goodness), it's only natural that a wink and a nudge find their way into the wedding vows. In an open thread on A Practical Wedding, Zach and Kate shared their vows, which included the promise "to hit on you in awesome accents and grab your **** even when we're old and wrinkly." This promise to keep the spark alive even years down the line is no small thing. After all, studies have shown that all it can take is a simple touch to maintain a ****** connection.

5. "To value our differences as much as our common ground."

Why it's awesome: Love is a powerful force to bring people together, even when they're divided by cultural background, religion and, increasingly, politics. As society grows more divisive and we hold tight to our views, it's valuable to remember that our differences don't have to actually divide us, as these vows from real-life couple Greta Christina and Ingrid, told to Patheos, show.

6. "To continue to love your children, as if they were my own."

Why it's awesome: A marriage isn't just a vow to one person, it's a vow to an entire family — future and present. In 2011, Pew Research found that more than 4 in 10 American adults have at least one "step relative" in their family, including a stepparent, a stepchild or a step or half sibling. These adults are just as likely as others to say that family is the most important element of their lives. So it's no surprise that people have been adapting their weddings to encompass the commitment to an entire family, as Sara M. did in her vows, shared on Offbeat Bride.

7. "To comfort you when the Falcons lose and drink beer with you when they win."

Why it's awesome: As Mallory summed up so perfectly to Eddie in their vows, shared by the Knot, appreciating each other's distinct interests and actively sharing in them together makes a huge difference. It goes beyond just putting on the Falcons jersey: Sitting down for the game and sharing a beer is what researchers would call "shared leisure," and it makes a big difference for marital satisfaction. That football game is more than just a football game.

8. "To never try to hurt you just because I'm angry or tired."

Why it's awesome: The chaos of our lives means lots of stress, lots of late nights and lots of exhaustion. (Unsurprisingly, Gallup found that 40% of American adults get less than the recommended amount of sleep.) That can actually wreak havoc on a relationship, which is why it's all the more important to anticipate the challenge. Sarah's vows to her husband, which she shared on A Practical Wedding, are a promise not to take out her stress and exhaustion on him. Instead, she vows to trust him throughout the chaos, "even when we veer from GPS directions, schedules, itineraries and to-do lists."

9. "I have called you my life partner, my significant other, my longtime companion, my lover. ... Now I vow to love you always as my lawfully wedded husband."

Why it's awesome: The vows said by George Takei and longtime partner Brad Altman at their wedding, after the passage of marriage equality in California, were unsurprisingly moving, given they were 21 years in the making. As couples, straight and gay, wait longer to get married (and cohabit in the meantime), labels like "husband" or "wife" are less crucial for defining the relationship than the moments a couple has shared. Takei and Altman's wedding was not proof of their commitment, but rather a tribute to the commitment they had already demonstrated — a truth echoed clearly in their vows.

10. "To be your partner in all things, not possessing you, but working with you as a part of the whole."

Why it's awesome: If we're really striving for egalitarian marriages, then recognizing the equal amounts of work required by each half, as partners, is crucial, especially as women's participation in the workforce keeps growing (57.2% compared to 69.7% for men in 2013). In order for both careers to receive equal focus, a promise not to "possess" but to work to support each other is key. Much like Amelia Earhart refused to use the word "obey," real-life couple Alex and Michelle promised to be each other's "equal in all things" in the vows they shared with the Knot.

11. "I will love you no matter what makes my blood circulate, or even no matter what provides my body with oxygen."

Why it's awesome: Traditional weddings tend to be religious occasions, but with increasing rates of atheism and marriages across faiths, religion is taking a back seat to a more personalized expression of commitment. As of 2013, only one third of couples opted to get married in a church, and even more are removing religion from their vows. But that doesn't mean the vows don't appeal to a higher sense of faith — in the other person or in the world, as these scientific, "atheistic" vows, translated from Swedish and shared on Reddit, prove.

12. "I see these vows not as promises but as privileges."

Why it's awesome: Marriage might have been necessary decades ago, but these days it's more of a choice. So it's only natural that the vows we recite — traditionally a list of duties and obligations — actually reflect the happy choice that marriage now is for so many.

Yuval and Dina chose to frame their vows as honors, as they shared with the Knot: "I see these vows not as promises but as privileges: I get to laugh with you and cry with you; care for you and share with you. I get to run with you and walk with you; build with you and live with you." With between 40% to 50% of marriages in the U.S. ending in divorce, it's more important than ever that couples remind themselves that being with their partner is a privilege in itself, and one to never take for granted.

Source: http://www.graziadressau.com
ALEXANDER K OPICHO

(Eldoret, Kenya;aopicho@yahoo.com)

Poetry is a network of rivers
One river flowing into another
A big river into a small river
A small river into a big one
Some rivers are dead in the catacombs
Others are rapidly flowing down
And up their course making noisy
Roaring waterfalls and poetic whirlpools
Full of the ripple circumlocution as
The whirlwind of gales in the harmattan
And this is the spirit of poetry.

I will sing the songs of Schiller
Hugo, Shakespeare the bard
Alexander Pushkin and Mayakovski,
Homer and Dante the Frenchman son of Maugham
And Dante the Italian father of the divine comedy,
I will sing their songs as they are European rivulets
Of poetry flowing into huge water masses
Of African poemocracy in which
The poetic dystopia is clearly
Couched in the gears of black and white.

I will sing and chant the songs of India
Land of Tagore by shouting his name
Rabitranathe Tagore! Sing for me
The ways of the Indian baby
Your Indian voice is mellifluous like the
Zulu ****** dances Song in full watch
Of King Mswati with dint of libido.

I will sing the songs of revolution
From Bolivia and Chile, neighbours
Of Mexico and Brazil; Brazil in which
Pablo Neruda the dog burrier is a religion
In which was born Paul Freire who forgot
To sing for the world chants and the songs
Of pedagogy of the dystopian poet
Pedagogy of the utopian thespian
Pedagogy of the dystopian bourgeoisie
Pedagogy of the cacotopian capitalist
And pedagogy of the utopian Marxists
Who are mealy mouthied with mutton in  between their ears
Manufacturing and venting dystopian phantasmagoria
I will sing.

Poetry is the river Nile of Africa
Cradling from Uganda at Entebbe
Flowing to Egypt into the Mediterranean Sea
Leaving the statue of Mahatma Gandhi at the cradle
Chanting the pearls of the satyagra
That; in God there is truth and
In truth there is God,
As poetry of Nile flows upwards
Not carrying only poems of love
Or bourgeoisie cosmetic Haikus
Singing carols of summer and Christmas day
But its poetic fluvial is washing away
The heavy social **** of Globalectics
Fearing Pushkin and his love
Shakespeare and his **** of Lucrece
Vladimir Mayakovski and
His slap in the face of public taste,
Schiller and his Cassandra
Master Homer and his Odysseus Iliad
Mocking in an ugly  snook
The Albatross book of the English verse
In tune with Yeats and Rudyard Kipling
Reversing the stanzas to sing of
The world as the Whiteman’s burden.

I will sing everyman and his *****
Every woman and her *******
Every ****** and her flower
I will sing them all and their names
And duties of roles pertinent
In healing the world, abode of mankind
From the impish Mr. Hide of cacotopian streak
To pave way for the saintly Dr. Jekyll
To lull man to sleep in his Cinderella
Of social utopia
As Robert Louis Stevenson
Holds the world a stage
Of dystopia.



Thank you for your audience!
Nigel Morgan Oct 2012
When Zuo Fen woke day was well advanced into the Horse hour. In her darkened room a frame of the brightest light pulsed around the shuttered window. A breeze of scents from her herb garden brought sage, motherwort and lovage to cleanse the confined air, what remained of his visit, those rare aromatic oils from a body freed from its robes. Turning her head into the pillow that odour of him embraced her once more as in the deepest and most prolonged kiss , when with no space to breathe passion displaces reason in the mind.
 
The goat cart had brought him silently to her court in the Tiger hour, as was his custom in these summer days when, tired of his women’s attention, he seeks her company. In the vestibule her maid leaves a bowl of fresh water scented with lemon juice, a towel, her late uncle’s comb, a salve for his hands. Without removing his shoes, an Emperor’s privilege, he enters her study pausing momentarily while Xi-Lu removes himself from the exalted presence, his long tail *****, his walk provocative, dismissive. Zuo Fen is at her desk, brush in hand she finishes a copy of  ‘A Rhapsody for my Lord’. She has submitted herself to enter yet again that persona of the young concubine taken from her family to serve that community from which there seems no escape.
 
I was born in a humble, isolated, thatched house,
And was never well-versed in writing.
I never saw the marvellous pictures of books,
Nor had I heard of the classics of ancient sages.
I am dim-witted, humble and ignorant,
But was mistakenly placed in the Purple Palace . . .

 
He loves to hear her read such words, to imagine this fragile girl, and see her life at court described in the poet’s elegant characters. Zuo Fen’s scrolls lie on his second desk. Touching them, as he does frequently, is to touch her, is to feel mystery of her long body with its disregard of the courtly customs of his many, many women; the soft hair on her legs, the deep forest guarding her hidden ***, her peasant feet, her long fingers with their scent of ink and herbs.
 
He kneels beside her, gradually opening his ringed hand wide on her gowned thigh, then closing, then opening. A habit: an affectation. His head is bent in an obeisance he has no need to make, only, as he desires her he does this, so she knows this is so. She is prepared, as always, to act the part, or be this self she has opened to him, in all innocence at first, then in quiet delight that this is so and no more.
 
‘A rhapsody for me perhaps?’
‘What does Liu Xie say? The rhapsody is a fork in the road . . .
‘ . . . a different line’, he interrupts and quotes,’ it describes people and objects. It pictures appearance with a brilliance akin to sculpture or painting.’
‘What is clogged and confined it invariably opens. It depicts the commonplace with unbounded charm.’
‘But the goal of the form is beauty well-ordered . . . . as you are, dearest poet.’
‘You spoilt the richness of Lui Xie’s ending . . .’
‘I would rather speak of your beauty than Xie’s talk of gardening.’
‘Weeding is not gardening my Lord.’
 
And with that he summons her to read her rhapsody whilst his hands part her gown . . .
 
Over the years since he took her maidenhead, brusquely, with the impatience of his station, and she, on their second encounter deflowered him in turn with her poem about the pleasure due to woman, they had become as one branch on the same tree. She sought to be, and was, his equal in the prowess of scholastic memory. She had honed such facility with the word: years of training from her father in the palace archives and later in the mind games invented by and played with her brother. Then, as she entered womanhood and feared oblivion in an arranged marriage, she invented the persona of the pale girl, a fiction, who, with great gentleness and poetry, guided the male reader into the secrets of a woman’s ****** pleasure and fulfilment. In disguise, and with her brother’s help, she had sought those outside concubinage - for whom the congress of the male and female is rarely negotiable. She listened and transcribed, then gradually drew the Emperor into a web of new experience to which he readily succumbed, and the like of which he could have hardly imagined. He wished to promote her to the first lady of his Purple Chamber. She declined, insisting he provide her with a court distant from his palace rooms, yet close to the Zu-lin gardens, a place of quiet, meditation and the study of astronomy.
 
But today, this hot summer’s day, she had reckoned to be her birthday. She expected due recognition for one whose days moved closer to that age when a birthday is traditionally and lavishly celebrated. Her maid Mei-Lim would have already prepared the egg dishes associated with this special day. Her brother Zuo-Si may have penned a celebratory ode, and later would visit her with his lute to caress his subtle words of invention.
 
Your green eyes reflect a world apart
Where into silence words are formed dew-like,
Glistening as the sun rises on this precious day.
As a stony spring washes over precious jade,
delicate fishes swim in its depths
dancing to your reflection on the cool surface.
No need of strings, or bamboo instruments
When mountains and waters give forth their pure notes . . .

 
Her lord had left on her desk his own Confucian-led offering, in brushstrokes of his time-stretched hand, but his own hand nevertheless, and then in salutation the flower-like character leh (joy)
 
‘Wheresoever you go, go with all your heart’.
 
Meanwhile Xi-Lu stirred on the coverlet reminding Zuo Fen that the day was advancing and he had received no attention or conversation. It was whispered abroad that this lady spoke with her cat whom each afternoon would accompany his mistress on a walk through the adjacent gardens. It was true, Zuo Fen had taught Xi-Lu to converse in the dialect of her late mother’s province, but that is another story.
 
Lying on her back, eyes firmly shut, Zuo Fen surveyed the past year, a year of her brother’s pilgrimage to the Tai Mountains, his subsequent disappearance at the onset of winter, her Lord’s anger then indulgence as he allowed her to seek Zuo Si’s whereabouts. She thought of her sojourn in Ryzoki, the village of stone, where she discovered the blind servant girl who had revealed not only her brother’s whereabouts but her undying love for this strange, ungainly, uncomfortably ugly man who, with the experience gained from his sister’s persistent research had finally learned to love and be loved in equal measure for his gentle and tender actions. And together, their triumph: in ‘summoning the recluse’, and not one alone but a community of five living harmoniously in caves of the limestone heights. Now returned they had worked in ever secret ways to serve their Emperor in his conflict against the war-lord Tang.
 
She now resolved to take a brief holiday from this espionage, her stroking of the Emperor’s mind and body, and those caring sisterly duties she so readily performed. She would remove herself and her maid to a forest cabin: to lie in the dry mottled grass of summer and listen to the rustle of leaves, the chatter of birds, the sounds of insects and the creak-crack of the forest in the summer heat. She would plan a new chapter in her work as a poet and writer: she would be the pale girl no longer but a woman of strength and confidence made beautiful by good fortune, wise management and a generosity of spirit. She needed to prepare herself for her Lord’s demise, when their joyful hours living the lives of Prince and Lady of Xiang, he with his stallion gathering galingales, she with her dreams of an underwater house, would no longer be. She would study the ways of the old. She would seek to learn how peace and serenity might overcome those afflictions of age and circumstance, and when it is said that love’s chemistry distils pure joy through the intense refinement of memory.
This short story with poetry introduces the world of Zuo Fen, one of the first female poets of Chinese antiquity.
Umi  Mar 2018
Angel Sandalphon
Umi Mar 2018
By my dear angel Sandalphon as he has been lead in my hand, leaving a clear trail of a cursive writing on a transient sheet of paper,
A crimson sight, so black that one would be caught in trance, reflected by unnatural light of a lamp flickering in the dark of the night, as his feather releases a sweet scent of fresh yet unused ink,
Together with Zadkiel's blooming and happy memories I then am capable to write such down, in an attempt to create poetry, focused,
The sound of scratchy, itchy, rasping echos through this room I inhabit, but already left spititually, engaged in the world of fantasy,
Word by word, the paper is penetrated by this pen, pleasantly, thoughtfully, gently sliding over it to not damage it by accident,
There is no need for haste, heartache nor rush, not is there the need to be concerned about this angels work, duty and his mission to accompany me throughout each and every writing which unfurls,
Alike a story from my mind, from my emotions, deepest wishes, cast on the physical realm with his help,
And once his strengh weakens, fades, loses might and goes out alike an dying ember he will be dunked in fresh ongoing determination, so that he can repeat his duties with exuberance, joy
Casting a smile on my face once literature has been created,
As then I lay my dark knight, my servant for the night to rest,
Until another poem has to be written and his duty awakens him,
After all, in this dreamlike tale it is well to remember;
You don't have to die in a dream

~ Umi
Brittany Hesse Mar 2015
With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war
Christmas Eve was coming
There was plenty to be done
There were protocols to follow
There were programs to be run

Presents needed wrapping
Elves had duties of their own
They've been doing it for centuries
They could call Christmas in by phone

Reindeer games were scheduled
Christmas Carols to be sung
There were toys to be assembled
There were bells that must be wrung

Christmas Cakes...no problem
For we all know there's just one
It gets passed around each Christmas
And that is half the fun

But, back now to the reindeer games
Donner wasn't there
But, neither were three others
It gave Santa Claus a scare

He called the elven vet in
Said "find out what it wrong"
"If I don't have all my reindeer"
"It'll ruin Rudolph's song"

The vet came back directly
Hoof and mouth was what he said
The reindeer must  miss Christmas
They were all confined to bed

Santa couldn't take it
Reindeer home...what would he do?
He thought real hard about an answer
Where would he find something that flew

The vet said, "I've an answer"
"But, no questions...just your trust"
"I'll get your gifts delivered Santa"
"I just need your magic dust"

Santa said "do your best Doctor"
"We can't have Christmas end like this"
"Are you sure you have an answer?"
"We can't give Christmas time a miss"

The vet and elves went searching
They formed a team like none before
They went around to the animals
And then they knocked on Santa's door

Santa looked at what they'd brought him
His reindeer gone, but here they stood
A team had been assembled
It made Santa sink into his hood

Harnessed up before him
The vet had two dogs and a bear
A ******, goat, and donkey
And a bald, blind cat...stood there

He smiled and said "Dear Santa"
"They may not look like that much now"
"But, they'll get you where you need to be"
"And they'll be led by a brown cow"

If you hear some noises
From your roof, like bleats and barks
Some, meowing or some mooing
And other strange sounds in the dark

Remember, it's just Santa
With his new team for the season
Rex, Rolf, Billy, Ben, Bessie, Joe, and Mike
and a bald, blind cat who's freezin'

Merry Christmas to all and to all....don't look up!!
Pax  Feb 2015
starvation
Pax Feb 2015

How many times we starved ourselves
dreaming something that we can’t have…

How many times we deprived ourselves
from wanting the life we wanted the most
just because we lack something or
having the practical mind that it is not for us…

Sometimes we starved ourselves to limit our flight.
Bound by rules, responsibilities, duties,
or even culture, tradition and religion…
Despite all that, we balance everything
for what’s right, what feels right
The Weighing of the Heart ---

loosely inspired by a poem of a dear friend of mine (Belle), somehow this is a reflection on my part.

inspired by her two poems namely: The Weighing of the Heart & Starvation.

probably I'll delete this later on, it hurts sometimes to reflect the moments I passed on and just starve myself on some aspects of my life. I don't regret it, its just that sometimes you can't help to wonder why i've done that, even though you know yourself the reason why...

due to all your support my friends, I decided to kept this here for awhile longer... thanks all for reading

— The End —