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A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, thankful to receive the momentary peace.

A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade.
Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.

Our only closure, a black screen, with bright white letters, slowly scrolling up.


The end.
Just something I had fun writing, figured not posting it would be a waste despite it not being "poetry", just an experiment I guess. I feel like it would be good, in like, a high-school, short story competition. *****.
Education Gives Luster to Motherland

Wise education, vital breath
Inspires an enchanting virtue;
She puts the Country in the lofty seat
Of endless glory, of dazzling glow,
And just as the gentle aura's puff
Do brighten the perfumed flower's hue:
So education with a wise, guiding hand,
A benefactress, exalts the human band.

Man's placid repose and earthly life
To education he dedicates
Because of her, art and science are born
Man; and as from the high mount above
The pure rivulet flows, undulates,
So education beyond measure
Gives the Country tranquility secure.

Where wise education raises a throne
Sprightly youth are invigorated,
Who with firm stand error they subdue
And with noble ideas are exalted;
It breaks immortality's neck,
Contemptible crime before it is halted:
It humbles barbarous nations
And it makes of savages champions.
And like the spring that nourishes
The plants, the bushes of the meads,
She goes on spilling her placid wealth,
And with kind eagerness she constantly feeds,
The river banks through which she slips,
And to beautiful nature all she concedes,
So whoever procures education wise
Until the height of honor may rise.

From her lips the waters crystalline
Gush forth without end, of divine virtue,
And prudent doctrines of her faith
The forces weak of evil subdue,
That break apart like the whitish waves
That lash upon the motionless shoreline:
And to climb the heavenly ways the people
Do learn with her noble example.

In the wretched human beings' breast
The living flame of good she lights
The hands of criminal fierce she ties,
And fill the faithful hearts with delights,
Which seeks her secrets beneficent
And in the love for the good her breast she incites,
And it's th' education noble and pure
Of human life the balsam sure.

And like a rock that rises with pride
In the middle of the turbulent waves
When hurricane and fierce Notus roar
She disregards their fury and raves,
That weary of the horror great
So frightened calmly off they stave;
Such is one by wise education steered
He holds the Country's reins unconquered.
His achievements on sapphires are engraved;
The Country pays him a thousand honors;
For in the noble ******* of her sons
Virtue transplanted luxuriant flow'rs;
And in the love of good e'er disposed
Will see the lords and governors
The noble people with loyal venture
Christian education always procure.

And like the golden sun of the morn
Whose rays resplendent shedding gold,
And like fair aurora of gold and red
She overspreads her colors bold;
Such true education proudly gives
The pleasure of virtue to young and old
And she enlightens out Motherland dear
As she offers endless glow and luster.
it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
1260

Because that you are going
And never coming back
And I, however absolute,
May overlook your Track—

Because that Death is final,
However first it be,
This instant be suspended
Above Mortality—

Significance that each has lived
The other to detect
Discovery not God himself
Could now annihilate

Eternity, Presumption
The instant I perceive
That you, who were Existence
Yourself forgot to live—

The “Life that is” will then have been
A thing I never knew—
As Paradise fictitious
Until the Realm of you—

The “Life that is to be,” to me,
A Residence too plain
Unless in my Redeemer’s Face
I recognize your own—

Of Immortality who doubts
He may exchange with me
Curtailed by your obscuring Face
Of everything but He—

Of Heaven and Hell I also yield
The Right to reprehend
To whoso would commute this Face
For his less priceless Friend.

If “God is Love” as he admits
We think that me must be
Because he is a “jealous God”
He tells us certainly

If “All is possible with” him
As he besides concedes
He will refund us finally
Our confiscated Gods—
Gabriel K  Sep 2015
#9
Gabriel K Sep 2015
#9
“******* is fun”
she concedes
afternoon after New Year's eve,
it's something
I guess
kinna forward progress
she never said as much
when we convenience-****** before.
Did she got feeling?
I like that
the power
so I slow down
withdraw
teasy kinna tongue kinna thing
taste of ****
sweat
****.

9pm my phone rings
Barbara
wants something:
I'm not in love with you any more
let it go to Voicemessage
return to bed
slide a hand over Jeanie's waist
she shrugs my arm away
hungover.
It is New Year's Day.
© Gabriel K

This is a companion piece to the poem NYE14
Go quickly, turn the radio up, for the classics.
I want to hear the Aria, and the sweep of the violin and the thud of the cello.
Desire it, for me, so such that my heart beats and sways with the music.
Pull black lace around my shoulders,
and tie my hair up in knots and curl, should that be my desire.
Read sections of Elliot, Ghibran, and Cohello to me by candlelight, barely are our knees yet to be touched,
and I can hear the sound your lungs make in the pauses between the lines,
trying to understand, the very moment of clarity, the writer, concedes to the reader.
Allow my voice to be heard amongst the depth of the inclement music,
despite how quiet it may seem in, that, moment.
Do not call me by my name, I should not desire it, even if for a moment;
it tastes like absinthe, without the sugar, and is bitter and intoxicating and raw on the tongue
and that it would no longer be my desire, but yours.
If I should desire it, I want you to be sure of yourself;
I want your heart to pulse so loudly, it is the only sound you hear,
and your mind becomes unconscious to my form, only my forceful presence.
Tie me up, in *******; bind my feet, my arms, and my *******;
use wax, and chains, and leather.
Be afraid, be very afraid, to  love me like this.
Place your palm on my back and hold me, like, this.
Be a wall I can cling to, feel my desire for my nails claw at your fascia, at your concrete chest,
let me make my mark in you, and you will feel, good, very oh, so, good about that.
Be slightly nervous, by my desires, but oh so tense and excited.
I want you wanton and willing, but I desire you hesitant and forbidden.
I am the labyrinth, I am a woman, I was not built to be understood;
but bring me ***, bring me braces, bring me your rough delicate touch,
and you will see i was built for Desire.
If I must, I must desire to be enjoyed and entertained, I want you to make me smile, yes, you.
To do this, is akin to going to battle and i want to see you are ready to go to war for this very simple desirable quest.
Feel the stockings on my legs and deem them available to be held between your fingers.
But not yet.
Desire, if it must be met, must be met by me through me, by you.
If I must desire, You must desire it, too
Seamus Heaney  Oct 2010
Bogland
We have no prairies
To slice a big sun at evening--
Everywhere the eye concedes to
Encrouching horizon,

Is wooed into the cyclops' eye
Of a tarn. Our unfenced country
Is bog that keeps crusting
Between the sights of the sun.

They've taken the skeleton
Of the Great Irish Elk
Out of the peat, set it up
An astounding crate full of air.

Butter sunk under
More than a hundred years
Was recovered salty and white.
The ground itself is kind, black butter

Melting and opening underfoot,
Missing its last definition
By millions of years.
They'll never dig coal here,

Only the waterlogged trunks
Of great firs, soft as pulp.
Our pioneers keep striking
Inwards and downwards,

Every layer they strip
Seems camped on before.
The bogholes might be Atlantic seepage.
The wet centre is bottomless.
CH Gorrie Jul 2013
I do not like the architecture of the mall.
It's discordant and lax. The architects
dismissed all Edwardian charm
and even the Gothic grace.
When crossing my field of vision,
the mall concedes defeat,
whimpering against a prismatic sky:

"I am a hodgepodge of ambition distressed,
resolute on pioneering a style unlike anything past,
but locked off in dead history, trapped
in a monologue whose audience is myself."

I presume it's the same across the world,
architecture molded into something impulsive,
something so forced it falls flat.

Where have all the artchitects gone?
Nat Lipstadt Dec 2018
Her Name is Woman


~for Woman~

The body replenishes, even the signs of decay
that come for reparation,
Positive confirmation
her organism survives, alive,
tree circles yet measuring time,
Till a devitalizing time comes, when,
this cellular process concedes degeneration

Then the wondering shifts; new facts sifted;
now the reckoning is not a calculation of
Mortality but of her living immortality;
dive to divine neath her black cloaking, reading
Wounded word revelations, her own Bible stories,
giving nomination to Woman-name

The long shadows that her souls excavations cast,
costs of her stories individual,
Highwaymen robbed her with glass knives
but each remaining black hole lights a story, lost, but
Burning icy inviting, pulling us into book boxes inside,
compost of sheets of composed white clarity

Care not that each riddling reference is obliged to be
oblique, inexplicit,
Woman her name, all encompassing,
her views codified in lines of faith,
Woman, is that not
a mining, and a manifest,
of hidden birthing,
comforting us in warm shades of
Human courage


12/26/18  5:51pm
For the poet Woman
Axion Prelude  Jan 2018
Epithet
Axion Prelude Jan 2018
The somber whispers of defeat haunt the wind; my skin reels at its chilling touch

Harmony concedes to an epithet of solemn solitude; it creeps within my very bones
Dakota Demery Feb 2012
Inside my Garden
Of Misleading Wonders,
I house a particular Rose.
A Rose of great beauty,
A Rose so wonderous,
A Rose worthy of masterful prose.
The Pinprick Rose,
A great fickle Rose,
A Rose o' so painful to grow,
This enchanting Rose,
So painful to grow,
So fickle and slow,
Is rightfully so,
As its planter, you see, I ought to know.
Its petals are Rubies,
Diamonds its dew,
Its stem is of Jade -oh- and emeralds too.
It grows in the night,
Quite far out of sight,
A rather shy creature,
Quite partial to fright.
But when it is grown,
And when it's full bloom,
And when it bright petals burst forth from their womb,
It changes...
This Pinprick Rose,
So worthy of prose,
So painful to grow,
So fickle and slow,
So dark in the night,
So far out of sight,
So partial to fright--
It changes.
Its Petals, they bleed,
Its Stem takes on weeds,
Its Dew all concedes.
It Thorns all out lash,
The Rose starts to thrash,
Your life could be ending with just one simple slash.
The Rose is a monster, once it is grown,
That's the whole point, in Fate it is sewn...
Inside my Garden
Of Misleading Wonders,
I house a particular Rose.
A Rose of great Evil,
A Rose so murderous,
A Rose worthy of masterful prose.
The Pinprick Rose,
A great fickle Rose,
A Rose o' so painful to grow,
This ensnaring Rose,
So painful to grow,
So fickle and slow,
Is rightfully so,
As its planter, you see, I ought to know...
About a Misleading Wonder
lluvia de abril Dec 2015
What shall I say
to the promise of bright moons?

Your lips, I never could refuse

And to your voice at 3:00 am
what shall I say?

You are better at this game
I’ve lost to you, my heart concedes

Is that a kiss that claims my
skin, my thoughts, the me?

Yes...yes...yes

I shall say yes to moonlit nights
so long as you propose
a kiss for every star

I will accept, as you propose
the moon is at my feet and always
bright at night

I shall say yes
my knight at dawn
yet
will you then
stay the night?

Dawn is a kiss, but
for me, for me
sunrise is in your eyes

and the world
the world will always be
for you to save
stay
On the night he stayed and built a bridge from the hues of moonlight into the calm of dawn and rays of sun.

*Credit  for title and inspiration to someone special.
James LR Aug 2018
Above the wind plains roaring white
With lightning crack's climaxing light
In the prepubescent gloom
Of fear, excitement, unrealized doom
The moon appears in cloudy skies
With blissful sighs as knowledge dies

****** grasses ripped from home
As breeze embraces seed and blows
To new beginnings and new ends
Where e'er the Fates may deign to send
A rose's bud seeps from below
Mixed with sticking undertones

When innocence concedes the stage
To reside in maturation's cage
And foolish fancy takes to flight
The sun forever fades to night
Started out as a normal poem, and uh...I have no idea how it got here

— The End —