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bucky Nov 2014
you're screaming at me--"b-b-b-b-b-b-o-n-e-s"
death rattle of the century
now the floor, now the eyes in the window, now the fridge door
swung open
gateway to paradise
b-b-b-b-b-b-o-n-e-s
******* magnum opus
stutter-screech
blood blood blood in the streets
(blood blood blood in your teeth,
in your sheets
"******* christ, i want to **** you")
m-m-m-m-m-m-a-r-t-y-r complex
you're cruel.
now the casket wide open,
now the eyes in the windows,
now the showerhead, now you,
framed portrait, you,
"this isnt over,"
you, buzzing in my skull
(b-b-b-b-b-b-o-n-e-s)
quiet down.
wasp nest lying at your feet
bug, holy thing, germ
("this, this, this")
now the bed, now the covers thrown back,
now an empty casket.
theres no grace in slaughterhouses
no sweetness on the tip of a dead man's tongue--
******* death of princes, i could
devour you whole, i could
eat the oyster-world raw.
b-b-b-b-b-b-o-n-e-s
and a note attached to a javelin.
(and they'll say, "welcome to the end of the world")
all of my poems sound the same
J a c k   t h e   R i p p e r ,  
A K A ,  
T h e   L e a t h e r   A p r o n
r o a m s   t h i s   p l a c e .
A n d   h e r e ' s   a    g e n t  
d e a r   S i r   o r   M a ' a m  
w i t h   w h o m   y o u  
w o n ' t   w a n t  " f a c e   t o   f a c e " .

T o   m e e t   o r   g r e e t  
o n  a  q u i e t   s t r e e t  
m a y   n o t   b e  
s u c h   a   w i s e   i n t a k e .
F o r  i f   y o u   s h o u l d  
I  t h i n k  t h a t  y o u    
w i l l   r e a l i s e   a   b i g   m i s t a k e .

H e  i s   w e l l   r e n o w n  
b y   S c o t l a n d   Y a r d  
f o r   b e i n g   q u i t e  
a   d a n g e r o u s   l a d .
F o r   s u r e l y   h e ' l l  
m a r k   y o u r   c a r d  
a n d   o n c e   h e   h a s  
y o u   w o n t   b e   g l a d .

H e   w a l k s   t h e   t o w n  
b e f o r e   y o u r   e y e s ,  
n o - o n e   l i v i n g  
k n o w s   h i s   f a c e .
P e r h a p s   h e   i s  
o n e   o f   t h e   b o y s  
o r   s e l l s   f r u i t  
i n   t h e   M a r k e t   P l a c e .

H e   m a y  h a v e   m e a s u r e d  
y o u   f o r   a   s u i t .  
C u t   y o u r   h a i r  
o r   s h a v e d   y o u r   c h i n .
O r   t a u g h t   y o u r   c h i l d  
t o   p l a y   t h e   f l u t e .  
O r   l i s t e n e d  
a s   y o u   c o n f e s s   a   s i n .  

B u r i e d   a   m e m b e r  
o f   y o u r   c l a n .  
O r   b a k e d   y o u r   b r e a d .  
A   f a m i l y   m a n .  
T h e   s h o p   k e e p e r  
w h o   s e r v e s   y o u r   n e e d
b y   s e l l i n g   y o u  
y o u r   f a m i l y   f e e d .  

Y o u r   B r o t h e r   i n   l a w  
o r   U n c l e   s u c h .  
T h e   h u s b a n d  
t h a t   y o u   l o v e   s o   m u c h .
T h e   l o c a l   b o b b y  
o n   t h e   b e a t .  
H e   c o u l d   b e  
a n y o n e  y o u   m e e t .

P e r h a p s   i t s   s a f e r  
t o   s t a y   h o m e ,  
h a v e   n o - o n e   t h e r e
j u s t   b e   a l o n e .  
H o l d   y o u r   b r e a t h  
w h e n   d o o r   d o e s   k n o c k .  
K e e p i n g  y o u r s e l f  s a f e  
b e h i n d   t h e   l o c k .

N e v e r   l e a v i n g ,  
s e c u r e     i n s i d e ,  
w i t h   e v e r y   n o i s e  
j u s t   r u n   a n d   h i d e .
O r   t a k e   y o u r   c h a n c e
o u t   o n   t h e   s t r e e t  
b u t   f e a r   o f   e v e r y o n e   y o u   m e e t .

S o   k e e p   y o u r   e y e s  
a n d   e a r s   a w a r e .  
A n   a w k w a r d   l o o k  
a   w e a r y   s t a r e .
F o r   a l l   c o u l d   b e  
s e t   i n   h i s   s i g h t  
w h e n   w e   w a l k   o u t  
  i n t o   t h e   n i g h t .

P e r h a p s   a   c h a n c e  
w e   h a v e   t o   t a k e  
i f   f r e e d o m   i s  
t h e   c h o i c e  y o u   m a k e .
J u s t   h o p e  
a s   y o u r   l i f e   d r a g s   a l o n g   ,  
t h a t  M r   R i g h t ' s
n o t   M r   W r o n g .
24th March 2015
© Copyright Christopher K Bayliss 2014
B l i s t e r i n g   f e e t ,  
w o r n   d o w n   t o   t h e   b o n e .
H a d   t o   m a k e   m y   e s c a p e .
T h e y   w o n ? t   l e a v e   u s   a l o n e .

T h e y   b e a t   a n d   t h e y   w h i p p e d  m e
T o   t h e   e d g e   o f   m y   l i f e .
E v e n   b e a t i n g   m y   C h i l d r e n
A n d   R a p i n g   m y   w i f e .

I f   w e   r e t a l i a t e .
I t   w o r s e n s   o u r   p a i n .
A n d   a f t e r   t h e y   b e a t   u s .
T h e y   b e a t   u s   a g a i n .

T h e y   b e l i e v e   i n   t h e i r   h e a r t .
W e   a r e   r e a l l y   n o   g o o d .
A n d   t o   d i e   f o r   t h e i r   c a u s e .
I s   t o   d o   w h a t   w e   s h o u l d .

P e o p l e   a r e   D y i n g .
A l l   o v e r   t h e   p l a c e .
B u t   t o   t h o s e   t h a t   d o   k i l l .
W e   d o   n o t   h a v e   a   f a c e .

O u r   o n l y   d e f e n c e .
I s   h o w   f a s t   w e   c a n   r u n .
T r y i n g   t o   e l u d e .
W h a t   t h e i r   b u l l e t s   h a v e   d o n e .

S o   w e   r u n   f o r   o u r   l i f e .
L o t s   d o   n o t   g e t   a w a y .
T h e   u l t i m a t e   p r i c e .
I s   w h a t   t h e y   w i l l   p a y .

I   w i l l   w a l k   t o   t h e   e n d .
T r y   t o   f i n d   a   n e w   l i f e .
A w a y   f r o m   t h i s   h o r r o r .
T h i s   t u r m o i l ,   t h i s   s t r i f e .

F i n d   s o m e w h e r e   t h a t ? s   g o o d .
L e a v e   t h i s   h e l l   f a r   b e h i n d .
S o m e w h e r e   I   c a n   m i x .
W i t h   t h o s e   p e a c e f u l   a n d   k i n d .

W h e r e   I   w a l k   d o w n   t h e   s t r e e t .
A n d   I   d o n ? t   h a v e   t o   c r y .
A t   t h e   p o i n t   o f   a   g u n .
B e c a u s e   I   d o   a n n o y .

J u s t   f o r   b e i n g   a   m a n .
J u s t   f o r   b e i n g   a l i v e .
J u s t   f o r   w a n t i n g   t o   n o t .
J u s t   t o   h a v e   t o   s u r v i v e .

S o   I ? m   l e a v i n g   t h i s   l a n d .
T h e   l a n d   o f   m y   k i n d .
A n d   a l l   m y   p o s s e s s i o n s .  
I   a m   l e a v i n g   b e h i n d .

I n   t h e   h o p e   f o r   a   p l a c e .
W h e r e   w e   c a n   f i n d   s o m e   p e a c e .
N o t   m u r d e r   a n d   h a t e .
F r o m   e l e c t e d   t h i e f .

W h e r e   s t a r v a t i o n   a n d   d r o u g h t .
I s   n o t   w o r s e n e d   b y   t h r e a t .
A n d   a  p l a c e   w h e r e  m y   l i f e
D o e s  n o t   e d g e   o n   a   b e t .

I   c a n   n o   l o n g e r   l i v e  h e r e .
S o o n e r   t o   d i e .
S o  i ' m  w a l k i n g   a w a y .
N o   m o r e   l i v i n g   a   l i e .

S o   o f f   I   w i l l   b e .
B a r e   h e a t   o r   b a r e   c o l d
H a v i n g   t o   t r a v e l .
W i t h   a l l   I   c a n   h o l d .

T h i s   p a c k a g e   o f   m o r s e l s .
H o w   t h e y   m a k e   u s   l i v e .
W e   h a v e   n o t h i n g   t o   o w n ,  
W e   h a v e   n o t h i n g   t o   g i v e .

S o   m y   o p t i o n s   a r e   e a s y .
A   c h a n g e   I   a m   t r y i n g .
E i t h e r   g e t   b u s y   l i v i n g .
O r   g e t   b u s y   d y i n g.
26 March 2015
© Copyright Christopher K Bayliss 2014
Mateuš Conrad Feb 2020
.had i not come across the tironian ⁊... my my... what is a 7? did tiro invent a counter to VII? it was not all borrowed numbers from the sankskirt wielding hindus?! tironian... now that's someone you don't hear of much these days, it's all aesop and spartacus... if even that... tiro formerly a footnote in the life of cicero... for a B and a III - stenography's 3... Q and R or IX - stenography's 9... yes, we europeans didn't invent the current numbers... but just imagine... the details of +, - x, ÷ hidden within the jazz hands and counting with your fingers and the abacus... and how you will not find roman algebra... or that the discovery of calculus took both: numbers, and letters... etc. etc., but that we didn't invent numbers... as the slave Tiro... and his stenography of letters... i ascribe stenography as the original proposal for modern numbers... perhaps they would have "thought": II (+) III (=) V... or... oh i forget the cliche of Rome and the seven hills... i see: I, V, X: L, C, D, M... seven hills or what? who needs 10 digits when you can do just fine with... 7? the seven headed beast of revelation... i call that bait... but they built a... ******* coliseum working with: a year is bound to "spelling" rather than counting... CCCLXV... then again... with letters as numbers perhaps all of mathematics was once upon a time only practical, practical architecture... beautiful architecture and what not... glass shards would fizzle out: because of their proportions... imagine geometric-algebra with: letters and letters rather than superscript numbers: yet to arrive from the Raj of india... or otherwise found in ol' Tiro's stenography of letters... tender waiting buds of welcomed may... because we really borrowed numbers from: what was not already in letters, bound, waiting for a steographer to revise the matter of "counting"... all of ancient mathematics was without a hypothetical... without an algebra.... concrete evidence suggests that: a mathmetician was someone who had enough spacial awareness... numbers drafted for taxes and building coliseums... beauty marked by IX + XI = **! quiet odd... i see the 7 headed beast, the roman numerals beside the seven hills of the ancient resting place of papal bones: I, V, X: L, C, D, M... that numbers came to us from the Raj, from Persia? we had a 7 in the form of the greek gamma Γ... all that was required was codifying a looking into a mirror... might i stress the importance of narcissus in this affair? the unconscious of narcissus: Γ | ⁊... aren't i the lucky one... with a leash on the baron of the talk of shattering of mirror: never sounds like the shattering of glass!

as ever, opening a bottle of ms. amber and sitting down
to a sudoku...
to ensure this sponge of a brain slurps up
some wet concrete...

//
   \\
                      __   (⁜)      "oop" □ here
                      ⁁  †               ‗
"oop" □ over
here...   focus points...
the kaleidoscopic eyes...

words to abstract words are not enough...
anagrams are: "abstracts" of words using words...
i'm too tired to play games of this
nature... i want to return to...
VI + IV = X... somewhat daringly... return to...


a box over here: ◰ (yes, like so...
with the isolated number missing,
e.g.
or an ◲...

                     a line of 9: ――――――― here and
now "there" |
                      |
                      |
               ­       |
                      |
                      |
        ­              |    in vertical
                      |
                      |

i've seen how people lock their smart-phones...
•   •   •
•   •   • and whatever ✭ pentagram "zigzag"
•   •   •

   opens it up... a sudoku puzzle, can very much
be a bunch of stacked pentagrams:
                            ✭
                       ­  ✭✭✭
                      ✭✭✭✭✭
                   ✭✭✭✭✭✭✭
the eyes will always wander to-and-fro...
again... what sort of i.q. does the darting eyes?
i'm not that good with crosswords...
as a bilingual i already have a crossword
in my head...
i don't play games of anagrams...

you want to write a cascade poo'em... write this...
otherwise peer into...
this will never make a study of geometry...
this is a 9² "problem"... more like a canvas to
relax in... sudoku says the hiroshima pundit...
i say... it's a 9²: niner squared...
in the UN approved phonetic alpha-beta...
why isn't it the alpha-omega...
choicest of wordings...
i guess an alphabet implies a cascade that...
cascades?

          A                  B                ­  C
   x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

but what if the following narrative...
took place... with the numbers being replaced
by letters... better still, something more simpler...
what it A1(1) - the bracket implying
the number placed in the square A1:
which consists of 9 numbers...
0 is never part of a puzzle... nor should it be...
0 is a number that acts as more a function
of (x) and of (÷)...
you can deem 0 to be involved in addition
and subtrtaction...
but... not really...
0 acts as a prime multiplier and divider...
it's so clearly omitted in addition and subtraction...
that... ancient romans... said 1 = I...
3 = III... while 10 = X....
while 9 = IX and 11 = XI...
and 20 = **...

but what is a 9² (sudoku) puzzle was to replace
numbers with greek letters?
why not greek letters?

however much i put into these scribbles...
maximum effort... minimum return rate... so i will not
do as i anticipated myself in doing:
reaching into a dimension of ambition...
i'd only say... it was much easier calling it a...
A1(1) rather than a Aa(1) narrative...
don't ask me why... perhaps the whiskey has...
"muddled" me...

but...

          A                  B                  C
­   x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

was more simple to solve than

          A                  B                  C
   x     x     1     x     x     x     x     9     1
a x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
b 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
c 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

  borrows from puzzle no. 11,337...
to solve and explain puzzle no. 11,341...

but in between... let's watch the optical
schematic: ▣, ▤ / ▥,
              ▦ / ▩ and ▨ / ▧...
while at the same time: squadron-✭
                       mein gott:
this over-inflated nihon squat and square...
as donal rumsfeld said: the known knowns,
the known unknowns and the unknown unknowns...
because he's not just like...
the bullet-point and the next target practice
of: **** bad... **** all good...
the war criminal Slobo Milošević from
Yugol you-go...
the english isles would know know...
as to why... a mongol invasion would never
set them back a century...
or as to how the ottoman turks teasing...
was only a romance in romania...
because... even if Finland is the quirky odd
kid in the whole bunch of the Scandinavian
sandwich of rar herrings and gherkins
and rye bread...
well sort me out oh please sort me out...
tell me that listening to
these debut albums... or near misses...
silverchair - frogstump...
everclear - sparkle and fade...
stone temple pilots - songs from the vatican gift shop...
it also made sense to be a pre-teen...
listening to these albums
with an uncle with a car... eating cheap
chicken wings while he washed the car
from some next-or-no-other *****-circus date...
after that... it didn't make a sense to own
a car... if there was the bus...
and a dream of riding a horse everywhere...

this little moi: this solo experience...
of the long hair of gods
and the long beards of men...
and the of the sikhs and the devils...
and how it didn't make sense to grow
both at the same time...
long hair in my youth...
while playing, slumpt in...
catch-up-baghdad...
i too thought it was going to be that
simple... a demigod grows long hair...
a demi-imbecile of the most basic
infernal hides the scythe moon
and the chin behind a turban of a beard...
the god with long hair...
the devil and his... beard and itch...
eden of ***** having migrated from
the cushion of underwear:
fully exposed to... not tended to...
or the scrub of stubble...
or what's not... the venus glory sheen...
smoothed or smothered skin
that still belongs to the buttocks of the newly
born...

yes... in between the songs strawberry and
heartspark dollarsign - from everclear's debut...
i too wish i took drugs...
fortunate as i am unfortunate: words and letters
are in x-ray black and white...
what good would licking some mushroom
do for me, or for you?
excesses of colours, among these dams and bridges?
among these sputniks of  precursor numbers?

even if the blanks, were to replaced with a 0
for the other algebra unknown...
tier above... hyperscript a 1 - 9...
i.e.

          A                  B                  C
   0     0     1     0     0     0     0     9     1
a 0     0     0     6     9     0     3     0     4
   0     0     3     0     0     0     5     1     7
   9     0     0     0     1     7     6     0     0
b 3     5     0     0     0     0     0     0     0
   7     0     0     0     5     4     8     0     0
   0     0     7     0     0     0     2     9     8
c 8     0     0     8     2     0     4     0     6
   0     0     2     0     0     0     0     0     0

mirror, mirror on the wall...
who isn't a charlize theron 0 = negation
of them all?
abigail mac is not a *****
doppelgänger of alicia vikander?

no better need to drink...
nonetheless the sun still shines on the question...
sudoku 9²: what it the cardinal numbers
were to be replaced with cardinal letters...
notably greek...
the alpha male the beta male the gamma and
the omega are all covered...
so is pi... given xi (11) is 0...

          A                  B                  C
   0     0     1     0     0     0     0     0     0
a 0     0     0     6     9     0     3     0     4
   0     0     3     0     0     0     5     1     7
   9     0     0     0     1     7     6     0     0
b 3     5     0     0     0     0     0     0     0
   7     0     0     0     5     4     8     0     0
   0     0     7     0     0     0     2     9     8
c 8     0     0     8     2     0     4     0     6
   0     0     2     0     0     0     0     0     0

thus? Iota = 1, A = 2, B = 4, Γ = 7, Δ = 3,
rho (Ρ) = 9, Π =...
B should equate itself to 8 in the stenographic
origin of numbers...
depending on which stenography you decide
upon...
Iota = 1, A = 2, B = 8, Γ = 7, Δ = 3, P = 9....
no lower-case, please...
intuitively: zeta: Ζ = 5...
what's missing? we have: 1, 2, 8, 7, 3, 9, 5...
4 and 6...
                     Η = 4 and Σ = 6...
rubric, please!
1 = I
2 = A
3 = Δ
4 = H
5 = Z
6 = Σ
7 = Γ
8 = B
9 = P...

and how would a sudoku look like... thus?

          A                  B                  C
   0     0     I     0     0     0     0     P     I
a 0     0     0     Σ     P     0     Δ     0     H
   0     0     Δ     0     0     0     Z     I     Γ
   9     0     0     0     I     Γ     Σ     0     0
b Δ     Z     0     0     0     0     0     0     0
   Γ     0     0     0     Z     H     B     0     0
   0     0     Γ     0     0     0     A     P     B
c B     0     0     B     A     0     H     0     Σ
   0     0     A     0     0     0     0     0     0

notably when the following narrative unfolds
and

          A                  B                  C
  ­ x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

becomes

          A                  B                  C
   4     8     1     5     7     3     9     6     2
1 2     7     5     6     9     1     3     8     4
   6     9     3     4     8     2     5     1     7
   9     2     8     3     1     7     6     4     5
2 3     5     4     P     Σ     8     7     2     1
   7     1     6     2     5     4     8     3     9
   5     4     7     1     3     6     2     9     8
3 1     3     9     8     2     5     4     7     6
   8     6     2     Γ     H     9     1     5     3

via B1(1) C1(6) C1(8) C1(2) C1(9) A1(9) A3(9) A1(5) A1(6) C3(7) C2(7) C3(1) A2(1) A3(1) B3(5) A3(3) A2(6) A2(2) A2(8) A2(4) C2(4) C2(5) B2(3) A3(5) B1(5) C3(5) C3(3) C2(1) C2(9) C2(3) C2(2) B2(2) B1(2) A1(2) A1(7) B1(8) B1(4) B1(7) B1(3) B2(8) B3(9) B3(6) A3(6) A3(8) A3(4) A1(4) A1(8)... post-script in greek numerals...
B2(Σ), B2(P), B3(H), B3(Γ)...

and if this is bingo... then bingo more... B2(x) and B2(y)...
and B3(y) and B3(x)...
my god... the fun time i'm missing when having
to raise children...
esp. among those superior intellects
of men... who... upon being married...
upon raising children...
return to the manosphere and talk to other
males without harems as if they were:
either constipated... circumcised...
or needing a father figure for that all encompassing
shorthand:
i didn't go to university to study chemistry...
i went... to the university of life!
a supermarket cashier clerk...
was the sort of cocktail shake-up required
for my bottled shampoo!

a ring a capturing a female is enough
qualifications to overlord the conversation
whether by topic or "feel"...
among ones... the la's nostalgia regret...
that would never arrive at blur or oasis
when it came to growing up in 1990s cool
britannia...

coming home to little town Poland...
is a carnival better than landing in Warsaw...
i can't say the same should i come,
and arrive in Loon'don's queue...
or the tubes under tarmac...

but of course drinking would get in the way...
to raising children...
perhaps drinking will allow...
a cameo father-figure role with a ******* child...
akin to: john wayne oscar winner for hard grit...
or: i'll **** my trousers because it's:
gonna be a rainman sort of day...
to start licking windows...
because: fear... prior to the mirror...
and the tongue that would no dare
to usurp the phallus in the serpent analogy...

yes... i noted "wrong"... i made a siamese blunder...
a siamese *** myopia...
two puzzle boxes... "the same" postal box...
the same university level education
of a non-high-school tier drop-out...
esp. because there's still no honda civic
worth a 33 year old to user the tinder app
to bother the wasp hive / harem... or some whatver
future of: this scenario never made it into blade runner...
or the inspiration for blade runner...
the one twin dead talking from the grave about
the future...
perhaps it was original for philip k. ****...
but perhaps... like any poet...
he's the host... and it was jane charlotte ****
speaking playing peek-a-boo from the grave?
there's no future in my writing...
i guess if this isn't "me"... then it's my
maternal great-grandfather and me talking about
shadows and dentists...
last time i had the foggiest...
i had a tootache...
so it's settled...
senior "chopin" and quasi "chopin"...
an internal joke...
how's the family?
family beside the atoms and the period table?
oh fine fine...
after all i heard the myth:
he didn't have any of his teeth pulled out...
but he also threw a tonne of coffe into the river
because certain people in europe even in
the 20th century didn't know what to do with coffee beans...

the spirit of adventure and exploration...
notably prolific in a landlocked
experience of the czech republic or moldova...
or... idaho... or...
i see water i want to see waterfalls...
i want to turn the anchor in a pumpkin carriage
and call the waves my horses!
to call an island a ship!
to call a continent a yawn and backward peoples...
and branch out... like a phototropism...
leaving all these continental europeans
living the nocturnal life of:
growth on **** sort of fungus of a past...

there's certainly a mistake in here...
but... unless you're just watched: shock & awe movie...
or still retain: the times weekly subscription...
what's a pedantry's "safe space" of automated
complications:
oh the joys of not having to cling to passing
a telegraph of genes and keeping it a minimum
of: two adults ******* better produce at least
two replicas... rather than that chinese
1 child per couple failure of ******-short-circuits...
oh the burden of reading some french thinking,
some german thinking...
nothing of a locke mea culpa as
the current phrase: pilate washing his hand
like a o.c.d. sufferer...

Tiro the new Aesop!
🙉 🙈 🙊
           monkey branch, busy cousin
of the follow-through deviation from gravity
in the upsillon - the parabola of a banana...
called the canary dip...
otherwise: my! what a treat!
what greater ambitions to write...
in order to write something
that would never become so quickly screened
like a stephen king novel...
obviously the contra comes from...
the loitering dean koontz...

it must be a curse of the surname...
i have a ****** surname...
well... unless you add... no...
adolf had a surname...
that germans must have found funny...
stalin had a surname...
that the russians must have found funny...
ghenghis simply could: in a present-participle
of: can...
and future present as a pop. surname
in pakistan: khan...
which sorts out the "problem" as to why
there's a stephen king and a dean koontz...
the answer is self-evident...
as i'm sure every smith and handy
becomes a plumber or the better part
of anyone day when he's struggling
with sightseeing and tourism...
of what might become...
the better part of a Thursday burrowing
from Hades into Tartarus.
Dave Williams  Jul 2016
beatpoem
Dave Williams Jul 2016
b-dumm dumm
b-dumm dumm
b-dumm dumm
b-dumm dumm tchka ta weh...
tchka tchka tchka b-dumm

dumm dumm tchka tsk dumm tchka tish
dumm dumm tchka tsk dumm tchka tash
dumm dumm tchka tsk dumm tchka dish
tsk dumm b-dumm dumm tchka dumm bash

b-dumm dumm tish tchka dumm dumm tash
b-dumm dumm tish tchka dumm dumm tash
boom boom boom tchka tchka dumm bash
dumm bash-bash, dm-bash bash, dm-bish

tchka tchka dumm dumm ting
boom boom tchka tchka dumm bash ting
shik shik shika tika tik tik ting
boom boom tchka shika boom ting bish

boom shika tchka boom bash boom ching
boom, b-dumm dumm tika tika tika ting
boom shika shika boom bish bash beng
tika tika tika dumm boom boom ting

boof.. ka tchka boom boom cha
b-boof boof ka tchka boom boom cha
boom boom ka tchka tchka boom tish
tchka tchka dumm tsk tsk (dubudu) kish

(dubudu) (dubudu) (dubudu) tish
(dubudu) (dubudu) dub dub tesh
(dubudu) (dubudu) (dubudu) tsk tchka dish
dub.. b-dub dub taka tchka ting

dub dub tchka tsk dumm tchka ting
dub dub tchka tsk dumm tchka tash
dub dub tchka tsk dumm tchka ting
dub dub dub, b-dub dub dub mmm
b-dub dub dub, b-dub dub dub mmm
b-dub dub dub, b-dub dub dub mmm
b-dub mmm dub
b-dub mmm dub
b-dub
b-dub
b-dummm
only vaguely makes sense when read out aloud.
U p   w i t h   t h e   b i r d i e s .
O u t   w i t h   t h e   l a r k s .
W a l k i n g   t h e   s t r e e t s .
T r e k k i n g   t h e   p a r k s .

F i n d i n g   a   r a t h e r .
S u i t a b l e   p l a c e .
B e g g i n g   f o r   m o n e y .
T h i s   i s   m y   d i s g r a c e .

N o   h o m e   I   c a n   s p e a k   o f .
U n l e s s   I   b r e a k   s o m e   l o c k s .
S o   m y   e v e n i n g s   I   s p e n d .
I n   t h i s   o l d   c a r d b o a r d   b o x .

A t   t i m e s   I   g e t   h o m e s i c k .
M o s t   n i g h t s   I   s o b .
W h a t   h a v e   I   b e c o m e .
A   d o w n   a n d   o u t   s l o b .

I   d r e a m t   o f   t h i s   E n g l a n d .
T h i s   p l a c e   t h e y   w o u l d   g i v e .
M o n e y   t o   s p e n d .
A   n i c e   p l a c e   t o   l i v e .

P i c k i n g   u p   b u t - e n d s .
W h e n   I   w a n t   a   s m o k e .
M y   t o i l e t s   a   b u s h .
T h i s   i s n ? t   a   j o k e .

I   f o u g h t   t o   g e t   h e r e .  
T h i s   l a n d   t h a t   I   s e e .
N o   o t h e r   p l a c e .
W h e r e   I   w a n t e d   t o   b e .

T h o s e   r a c i s t   c o m m e n t s .
W a t e r   o f f   a   d u c k s   b a c k .
D r u g   d e a l e r s   a r e   r i f e  a n d
P o l i c i n g   i s   s l a c k .

B u t   w h e n   y o u r   i l l e g a l .
Y o u   c a n t   p i c k   u p   t h e   p h o n e .
Y o u r   p r o b l e m s   y o u   h a v e  
  y o u  m u s t  d e a l   w i t h   a l o n e .

I   w i s h   I   h a d   n e v e r .
B e l i e v e d   a l l   t h e   c r a p .
T h e n   I   w o u l d n ? t   b e   h e r e .
I n   t h i s   a w f u l   t r a p .

I   l o o k   e v e r y d a y .
F o r   a   w o m a n   t o   s h a r e .
T o   m a k e   m e   a l l   l e g a l .
T h e n   I   s h a l l   n o t   c a r e .

W a l k   a r o u n d  h a p p y .
N o   m o r e   t o   s o b .
G o   w h e r e   I   l i k e .
G e t  a  r e a l   j o b .

I f   t h i s   d o e s   c o n t i n u e.
T h e   s t r e e t s   I   m u s t   r o a m .
I ' l l  r o b   a   r i c h   w h i t e   m a n .
B u y   a   t i c k e t   h o m e .

A n d   n e v e r   a g a i n .
W i l l   I   e v e r   r e t u r n .
A   l e s s o n   i n   l i f e .
I   h a v e   f a s t   c o m e  t o  l e a r n .
24th March 2015
© Copyright Christopher K Bayliss 2014
Mateuš Conrad Mar 2018
-

who said my life was interesting? i didn't, sure as **** i remained covert, but suddenly the lies started sinking in, he started breathing fire, and i started breathing ash... we agreed that both us were to remain insomnia, or rather, live in the unconscious of the living, he would wake them, while i would allow them the circus fancies; so we watched a bit of bergman's wild strawberries, i'd mute the t.v. and watch, i'd write, what was being "said" while listening to music... he'd sit sober as a judge, while i'd drink like a jester and poke fun at the fact that: not every drunk can dis-dis-clone-dyslexicon-dyslexia... ****... SPELL! in a furore!

ernest! stay on cuba with the absinthe
and the shotgun... wait your turn, mo'fo...
cast of characters
(a) dr. isah borg
            (b) marianne borg
             (d) dr. evald borg

                  any of them, born shvine?
cheap jokes, an empty theatre
and an echoing laughter coming from
the echo and no cave...

a - where are we?
   b - the children wanted to stretch their legs
a - but it's still raining
b - i told it's your great day: they want
     to pay homage
         - slept well?
a - yes, but i dreaming; i've been having the most
ridiculous dreams lately
b - why ridiculous
a - as though i'm trying to say something
      i don't want to hear
b - what's that?
a - that i'm dead although i'm alive
b - you know, you and Evald are much alike
a - so you've said
b - Evald has said exactly the same thing
a - about me? i'm not surprised
b - no, about himself
    a - he's only 38
  b - will i bore you with the details?
a - no, i'd be grateful if you told me
b - happened a few months ago
    - i wanted to talk to Evald, so we drove to
the sea.
      - he sat where you are; it was raining then, too...

           i'm pretty sure at this point
my "plagiarism" is not really a "plagiarism"
since, Mojo B overe there is deaf as an oak
trying to lip read the movie,
as i once lip-read a nurse going to work
in a surgeon's theatre,
so i said, excuse me miss,
   can i not look into your eyes
but rather read your lips,
this clamour cackle iron hoof stampede
is doing my head in,
   can i read your lips instead?
   on a train, going from
      (DYS-LEX-IA! U.S.A! U.S.A.!
          DYS-LEX-IA! U.A.E!)
    goldersgreen (learning a karate
chop while learning to not cry
when getting kicked in
the ***** is a hard lesson to learn)
to some honk-honk outpost
for recruiting the new pool-ease
enforcers... Hendon?
                           /
d - well, now you've got me trapped,
supposed you want to tell me something
unpleasant

            (d! shh... i skipped a bit...
  don't tell Mr. Fantastic about our little:
do me tender, build me a temple
bits... i spent a good amount of
bourbon on this crap)

b - i wish i needn't tell you about it
d - i understant, you've found someone else
b - don't be childish
   d - what do you expect me to think?
   you say you want to talk to me
       - we drive all this way and i'm still waiting
   - for god's sake, marianne, tell me what it is
now
b - you almost make me laugh
     - so you think i've done a ******?
   stolen money?

           (1st narrator interlude:
   apart from me cherishing emotional
irresponsibility,
                  and having duty? yes...
you wouldn't exactly taking
a ***** donor's ***** theft, would you,
mary?)

      - i'm pregnant

   (2nd narrator interlude:
   and they lived, happily, every, after)

d - you sure
b - it's definite

        (3rd narrator interlude:
  lucky for you mate,
   the one last time, 10 years ago phoned
me up an' says: i think i'm pregnant...
     oh look... it, a clown with a sad face
but happy eyes
                                   )
                                              (
               ­                    )
                but at least it's definite,
rather than: i think i am:
i.e. it's only my indefinite self scenario)

d - so that's the secret?   (4th narrator interlude:
                                             tissues and the toilet
                                         are mine,
                                        well, you know,
                synch. if your eggs are nothing but
yolk at the end of the 6th day,
                          on the 1st day my ideas are
nothing but day, year, zodiac, 0)

    b - i'm tell you now that i'm going to have
this child

   d - you put it bluntly
    - you know you must choose between me
and the child
   b - poor Evald
  d - don't "poor" me
    - it's an absurd life; even worse to make more
  wretches... and think they'll be better off
b - don't equivocate
   c1 - call it what you like, i was an unwelcome
child, all right
       - is the old man sure i'm his son?
     c2 - very touching, but no excuses for
childish behaviour

   d - must be at the hospital at three,
  won't discuss this
b - coward
d - yes, i'm a coward...
        
    the best you can do is watch the movie...
and you already know who
C1 & C2 are...
                          
   as with b - you know this is wrong
     (i.e. "this": hard to point the blame at
yourself, isn't it...
       hard to chant mea culpa) -
by now pronouns masquarade as
gender orientations,
given the neuter: it...
                            
                          righ­t now pronouns
are more about spatial coordination than
anything else...

  but you already know who C1 and C2 are
in relation to B and D,
      as you know that A and D are related
as being father, and son...
                as much as B is related to E,
who is of course the predecesor of B in
relation to A.

if i found this text on the internet,
well, a simple ctrl c ctrl p...
               and to think i can still read my own
handwriting.

— The End —