Another Autobiographical Anomaly✍️

My memory, how is it working?
Reconstructing what I will,
But no matter how I will it,
Using tricks or keeping still,
It goes downhill while lurking.

Mostly, I can’t get the date
Or the event - details I railed at,
Smiled or wailed at.
Where I laid the pen just used;
That is NOT amusing.

Histamine.
I read that histamine boosts memory.
Priority.
What do I prioritise with ear, nose, eye?

My husband tells a story
But his story and the history keep changing.
Joke?
Sheer smoke based on illusion in the first place?
He’s an honest man.
Why change the plan or plane?
How to help boost our brain!
Enigma
And for some a stigma.

Diet, food:
The marvel is the wondrous good
It does in spite
Of all the things we don’t do right.
We’re losing neurons constantly
From ages six- or seventy.
Exercise:  
Training.  Learning.. Instrument.
Being bent on something!  Anything!
For just about all/everything is heaven sent.
That’s what I read
And what I think,
And where my intuition and my instinct lead.

Anyway, this poem is just another way to do it.
Renewing bits with any course available,
And one in which a syllable will stick.
The main thing is to get a kick
Out of the rhythmic lyric of our life.
Yes?

Another Autobiographical Anomaly 2.11.2019 Pure Nakedness II; Arlene Nover Corwin

Pick up any respected poetry collection. Are there poems that go on and on about ex lovers? I'm not talking about a motif or a metaphor, I'm talking about something like:

"I remember your hair color
I remember your shirt size
I remember your favorite ice cream"

Did any of that seem interesting? No, it's a list of junk you miss. People in a similar position might find it relatable, but what's to stop that from being a blog or Tumblr post?

If you're going to be autobiographical, you need to walk a thin line between whining and writing poetry. Plath wrote poetry about her life, but she sure as hell did not write strictly about her life.

It has to be alive on its own accord, not because you're a human being there to be the meat puppet for a human idea.

(poems from the Chinese translated by Arthur Waley)

Last night the clouds scattered away;
A thousand leagues, the same moonlight scene.
When dawn came, I dreamt I saw your face;
It must have been that you were thinking of me.
In my dream, I thought I held your hand
And asked you to tell me what your thoughts were.
And you said: ‘I miss you bitterly . . . “

As Helen drifted into sleep the source of that imagined voice in her last conscious moment was waking several hundred miles away. For so long now she was his first and only waking thought. He stretched his hand out to touch her side with his fingertips, not a touch more the lightest brush: he did not wish to wake her. But she was elsewhere. He was alone. His imagination had to bring her to him instead. Sometimes she was so vivid a thought, a presence more like, that he felt her body surround him, her hand stroke the back of his neck, her ******* fall and spread against his chest, her breath kiss his nose and cheek. He felt conscious he had yet to shave, conscious his rough face should not touch her delicate freckled complexion . . . but he was alone and his body ached for her.

It was always like this when they were apart, and particularly so when she was away from home and full to the brim with the variously rich activities and opportunities that made up her life. He knew she might think of him, but there was this feeling he was missing a part of her living he would never see or know. True, she would speak to him on the phone, but sadly he still longed to read her once bright descriptions that had in the past enabled him to enter her solo experiences in a way no image seemed to allow. But he had resolved to put such possible gifts to one side. So instead he would invent such descriptions himself: a good, if time-consuming compromise. He would give himself an hour at his desk; an hour, had he been with her, they might have spent in each other’s arms welcoming the day with such a love-making he could hardly bare to think about: it was always, always more wonderful than he could possibly have imagined.

He had been at a concert the previous evening. He’d taken the train to a nearby town and chosen to hear just one work in the second part. Before the interval there had been a strange confection of Bernstein, Vaughan-Williams and Saint-Saens. He had preferred to listen to *The Symphonie Fantastique by Hector Berlioz. There was something a little special about attending a concert to hear a single work. You could properly prepare yourself for the experience and take away a clear memory of the music. He had read the score on the train journey, a journey across a once industrial and mining heartland that had become an abandoned wasteland: a river and canal running in tandem, a vast but empty marshalling yard, acres of water-filled gravel pits, factory and mill buildings standing empty and in decay. On this early evening of a thoroughly wet and cold June day he would lift his gaze to the window to observe this sad landscape shrouded in a grey mist tinted with mottled green.

Andrew often considered Berlioz a kind of fellow-traveller on his life’s journey of music. Berlioz too had been a guitarist in his teenage years and had been largely self-taught as a composer. He had been an innovator in his use of the orchestra and developed a body of work that closely mirrored the literature and political mores of his time.  The Symphonie Fantastique was the ultimate love letter: to the adorable Harriet Smithson, the Irish actress. Berlioz had seen her play Ophelia in Shakespeare’s Hamlet (see above) and immediately imagined her as his muse and life’s partner. He wrote hundreds of letters to her before eventually meeting her to declare his love and admiration in person. A friend took her to hear the Symphonie after it had got about that this radical work was dedicated to her. She was appalled! But, when Berlioz wrote Lélio or The Return to Life, a kind of sequel to his Symphonie, she relented and agreed to meet him. They married in 1833 but parted after a tempestuous seven years. It had surprised Andrew to discover Lélio, about which, until quite recently, he had known nothing. The Berlioz scholar David Cairns had written fully and quite lovingly about the composition, but reading the synopsis in Wikipedia he began to understand it might be a trifle embarrassing to present in a concert.

The programme of Lélio describes the artist wakening from these dreams, musing on Shakespeare, his sad life, and not having a woman. He decides that if he can't put this unrequited love out of his head, he will immerse himself in music. He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully.

Lélio consists of six musical pieces presented by an actor who stands on stage in front of a curtain concealing the orchestra. The actor's dramatic monologues explain the meaning of the music in the life of the artist. The work begins and ends with the idée fixe theme, linking Lélio to Symphonie fantastique.

Thoughts of the lovely Harriet brought him to thoughts of his own muse, far away. He had written so many letters to his muse, and now he wrote her little stories instead, often imagining moments in their still separate lives. He had written music for her and about her – a Quintet for piano and winds (after Mozart) based on a poem he’d written about a languorous summer afternoon beside a river in the Yorkshire Dales; a book of songs called Pleasing Myself (his first venture into setting his own words). Strangely enough he had read through those very songs just the other day. How they captured the onset of both his regard and his passion for her! He had written poetic words in her voice, and for her clear voice to sing:

As the light dies
I pace the field edge
to the square pond
enclosed, hedged and treed.
The water,
once revealed,
lies cold
in the still air.

At its bank,
solitary,
I let my thoughts of you
float on the surface.
And like two boats
moored abreast
at the season’s end,
our reflections merge
in one dark form.

His words he felt were true to the model of the Chinese poetry he had loved as a teenager, verse that had helped him fashion his fledgling thoughts in music.

And so it was that while she dined brightly with her team in a Devon country pub, he sat alone in a town hall in West Yorkshire listening to Berlioz’ autobiographical and unrequited work.

A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with *****. The drug is too feeble to **** him but plunges him into a heavy sleep accompanied by weird visions. His sensations, emotions, and memories, as they pass through his affected mind, are transformed into musical images and ideas. The beloved one herself becomes to him a melody, a recurrent theme [idée fixe] which haunts him continually.

Yes, he could identify with some of that. Reading Berlioz’ own programme note in the orchestral score he remembered the disabling effect of his first love, a slight girl with long hair tied with a simple white scarf. Then he thought of what he knew would be his last love, his only and forever love when he had talked to her, interrupting her concentration, in a college workshop. She had politely dealt with his innocent questions and then, looking at the clock told him she ‘had to get on’. It was only later – as he sat outside in the university gardens - that he realized the affect that brief encounter might have on him. It was as though in those brief minutes he knew nothing of her, but also everything he ever needed to know. Strange how the images of that meeting, the sound of her voice haunted him, would appear unbidden - until two months later a chance meeting in a corridor had jolted him into her presence again  . . . and for always he hoped.

After the music had finished he had remained in the auditorium as the rather slight audience took their leave. The resonance of the music seemed to be a still presence and he had there and then scanned back and forward through the music’s memory. The piece had cheered him, given him a little hope against the prevailing difficulties and problems of his own musical creativity, the long, often empty hours at his desk. He was in a quiet despair about his current work, about his current life if he was honest. He wondered at the way Berlioz’ musical material seemed of such a piece with its orchestration. The conception of the music itself was full of rough edges; it had none of that exemplary finish of a Beethoven symphony so finely chiseled to perfection.  Berlioz’ Symphonie contained inspired and trite elements side by side, bar beside bar. It missed that wholeness Beethoven achieved with his carefully honed and positioned harmonic structures, his relentless editing and rewriting. With Berlioz you reckoned he trusted himself to let what was in his imagination flow onto the page unhindered by technical issues. Andrew had experienced that occasionally, and looking at his past pieces, was often amazed that such music could be, and was, his alone.

Returning to his studio there was a brief text from his muse. He was tempted to phone her. But it was late and he thought she might already be asleep. He sat for a while and imagined her at dinner with the team, more relaxed now than previously. Tired from a long day of looking and talking and thinking and planning and imagining (herself in the near future), she had worn her almost vintage dress and the bright, bright smile with her diligent self-possessed manner. And taking it (the smile) into her hotel bedroom, closing the door on her public self, she had folded it carefully on the chair with her clothes - to be bright and bright for her colleagues at breakfast next day and beyond. She undressed and sitting on the bed in her pajamas imagined for a brief moment being folded in his arms, being gently kissed goodnight. Too tired to read, she brought herself to bed with a mental list of all the things she must and would do in the morning time and when she got home – and slept.

*They came and told me a messenger from Shang-chou
Had brought a letter, - a simple scroll from you!
Up from my pillow I suddenly sprang out of bed,
And threw on my clothes, all topsy-turvey.
I undid the knot and saw the letter within:
A single sheet with thirteen lines of writing.
At the top it told the sorrows of an exile’s heart;
At the bottom it described the pains of separation.
The sorrows and pains took up so much space
There was no room to talk about the weather!

now i know why i might engage with writing obscene
poems, chauvinism included, but still there
is no burning excuse in my mind with the way
western society actively desires censorship of certain
words, i already attributed censoring obscene
words as worse than what this tactic precipitates into:
the apathetic spread of *******, and violence
in general... it crosses my mind that sparring with violent
language cushions people from violet action...
to utilise violent language with that: pardon my French
attitude does more good than evil on the users...
how many road rage incidents could have been avoided
if people were unable to watch their tongue:
somehow we're making language sterile, by actively
pursuing this sort of censorship: which is not even
remotely politically related / motivated, we're bringing
an anaemic status quo in how fluidly we speak -
we desire to not hear the sometimes funny and the sometimes
awful... but we choose to see the god-fearing horrific...
ask any blind-man about music and he'd say:
well, i can dance to it in a nucleus position, centrally
gravitational pull - but ask the deaf man about
what he has to say when seeing **** written to counter
obscenity, as in cartoon-like: f&%£! it's just plain silly,
pocket-sized expression of psychotic behaviours,
rummaging through them i find only one source of inspiration:
the fact that we're in this blind-man's garden of innocence,
somehow dressed in the camouflage of censorship such
a tiny problem, that it does indeed require 23 mattresses
for the princess to not feel the frozen *** agitating her...
this sort of censorship in its application is under
a false sense of purpose, it really doesn't change people's
behaviour for the better, it doesn't pacify them, in does
the reverse: it infuriates, it makes violence more potent...
i'm still trying to figure out why such words
will make our perceptions saintly... unless of course
that's the reason behind them, as way of invoking an
anaesthetic placebo, a placebo that's actually active rather
than passive - presuming the anaesthetic placebo gives
way to an aesthetic active apathy-inducing ingredient...
meaning we can't bare to hear swear words, but we can
gladly watch 20 hours of 20 : 1 ****... censoring **** ****
**** **** will not escape Newtonian physics...
given our current scenario, Newtonian physics is far
more important than Einstein's relativity, i'd hate to be
in denial about cause & effect... as began with Socrates,
i too abhor moral relativism... of course Newton got
the gravity bit wrong, but i like the simpler version...
plus... there was no Romance with Einstein...
no apple, no tree, no Voltaire... meaning we don't necessarily
write history collectively, with all of us starting from
the big bang or the view from the Galapagos islands...
we don't... we continue writing history not from a
collective consciousness genesis... or from the collective
unconscious genesis - that's Jung with his archetypes
(devil, god, wise man, mother, father etc.) rather than
dreams (Freud) - we can chose were to write the future...
it's not so much ignorance as arm-chair intellectualism,
it's not about the safety of understanding something,
but the comfort of choosing to understand something...
which is pretty much to my excuse for my previous poems...
Heidegger... and that concept of Dasein -
i never bothered to understand it to the point of
reacting subjectively to it, by that i mean an interest
in writing about it, an interpolation of the subject with
alternative variations... i objectified it, i also countered it
when objectifying the concept turned out to be an
everyday object, shortening my quest.
the counter? hiersein, i.e. being here, here denoting a
solipsistic classification of awareness with / in the world -
which is basically me in my room, admiring my library,
my record collection, my torn sneakers, everything that
is classified exclusive to what dasein evolves into
when all its grammatical weaving only express a verb,
i.e. concern... so i thought, given this what can hiersein
(being here / nonchalance) actually show me as
my lack of interest in: "changing the world".
it became obvious yesterday, i had a hard time when i
didn't read the day's copy of the times (more on this later),
instead i had to suffice with construction site media,
you might have heard of this newspaper: the daily star,
at 20 pence a pop, you will see what £1.20 makes to
your psyche... but that's basically it, i objectified Heidegger's
concept and made it into an everyday object, in this
case and as the only case available: a newspaper -
and the trick is? well, with a newspaper like daily star
you don't actually experience dasein - it's completely
missing in this style of media, and that's worrying given
my barbaric poetry of yesterday... it's missing, not there,
such object-for-object chirality is what gives birth to
hiersein (being here); but today i returned to my usual
media diet, a flicked through the times and the natural
balance of personal objects and a fresh impersonal object
coexisted - the newspaper is truly the most adequate
compounded expression of Heidegger's dasein -
which i attribute to the constant need to emphasise an
empathy with others... empathising is a neutral form
of sympathising, since sympathy is sourced in shared
experiences: **** victims (e.g.) - therefore empathy is
something that in the ontological structuring of dasein,
which opposes the ontological structuring of hiersein,
which is structured by apathy; there is nothing else for
me to write, apart from the compendium proof
of the disparity of sources, i.e. headlines and subheadings:

- prior compendium -

i will never understand the point of autobiographies,
the majority of autobiographies are written
on a p.s. basis, after the facts / actions,
never immediately, concerning ideas /
solidified thoughts, thoughts condensed into idea
that allow thinking / cognitive narration to
continue regardless with what's being achieved...
i haven't anything autobiographical dissimilar
with something biographical...
Plato wrote that wonderful biography like
Shakespearean theatre, but i guess his critics felt
the claustrophobic tug & pull of mermaids...
still the problem ascends heights unparalleled -
even with ghost writers doing the leg-work...
cheap-buggers never learned to write, let alone read,
and here they are writing biographies...
ah, **** it... they're only sketches... whether biographic
or autobiographic... they're still mere sketches...
if this was the art world the revenue would come
posthumously, when it comes to literacy
nothing really distinguishes poets from
those prescribing pedestrian signs...
the Olympians can moan at the vacant stadium...
that there's a hierarchy in sports,
with the favoured monochrome idealisation
of where the bunny money is in the whirlpool
of the rabbit hole investment: football, volleyball...
but the literary events are the same...
people love to lie that they read the bestseller to
its full extent... but treat books like chairs and tables...
inertia prone half finished, sat on for 2 weeks of
the entire year... the Olympians are very much
like poets, and i care to distance myself from either
demand for more interest being invoked...
i like esoteric sports, i like esoteric writing...
but that's how it stand: poets are Olympians where
novelists are footballers, who retire at 30 and
then think about what to do with their wages
that are 10x higher than the everyday labourer...
start a restaurant, buy a strip of houses in Liverpool
like Michael Owen? good guess, here's to exploiting
youth disgracefully... that's what they're getting,
and these are the dilemma points to consider...
they're the equivalent gladiators of our time,
Rome was just a sleeper before it awoke once more...
but i'll never understand why these
people decided to exploit literature for gain...
all these academics with their pristine purity of discovery
are pacified when dictating print,
what poet, has a chance in hell, to appear gladly
excavated from Plato's cave of television?
about none.
i too was focusing on 20th century literature,
before 21st literature came about...
and i thought, oh god: they're really going to create
a totalitarian democracy, every artist will be
strip-searched for adding cinnamon and chilli to their
writing to bounce away from conformist
sober and sane extraction of alter wordings...
this 21st scene will become polarised...
we'll have the extinction of One Direction over a joint,
while the Rolling Stones drank a keg of whiskey
and pulled off a show... we'll have moralisation
of the fans to subdue the artists, which will mean
no artist will ably create a zeitgeist to rebel... everyone
will suddenly experience a weird sort of communism...
the worst kind... it will mean having
all the mental freedoms without the ability to
economise a coup... basically an inertia, an immediate
fatality... we can't economise a coup...
which boils down to why so many autobiographies
aren't really biographic, but rather consolidating,
by the meaning: autobiographic i intended to relate
the everyday... the most secretive account of life:
the everyday... this is stressing Proust,
even though i preferred Joyce over Proust i keep
the everyday the prime ideal: the only detail,
so that an autobiography can make sense,
automation of writing, like breathing or sneezing...
not some monetary-spinning device 20 years after
the facts... 20 years later you're pretty much writing
fiction... i am all for the biosphere of expanding
Alveoli... but when did you ever read an autobiography
that mentioned the taste of weak coffee
from the Friday of 20th of August 2016? never;
you read autobiographies
like you read self-help books...  waiting for
all that experience regurgitating motivational talk
about reaching a plateau of comparative success...
i can understand autobiographies written by the elders,
i understand biographies written about people
posthumously - but the tragedy is, given the spinning
wheel of money? we're getting "auto" biographies
written toward their 3rd volume renditions of
people aged 30... let alone 40... so much for
western society having the upper hand on political matters...
just saying: sort your own **** before trying
to sort other people's problems...
i could understand if these autobiographies were written
as described: automaton solo... but they're not...
before the compendium it's this everlasting presence
of a desired body of power being depicted:
prior the monopoly of knowledge, there was a monopoly
of literacy... given that 99% of us are literate, it
actually doesn't mean a third donkey's *******
whether we can read, or write, we got shelved in controlling
this once priestly vanity, we got taught bureaucracy alongside...
but the monopoly of literacy is way past us,
we're being convened in the ability to monopolise knowledge,
(oh please, don't let the paranoia seep in,
remember yourself when reading me, once in a while,
i don't drag you to phantasmagorical heights, even if i could,
i'd prefer you being agile in learning how to be bored
than letting your repel the same boredom i too share,
well... but **** me if you want to be the next Lenin) -
and the easiest way to monopolise knowledge? the media...
you basically need a lot of facts, and an evolved version
of dialectics, dialectics being the prime enemy of democracy
(it's not an alternative political model like despotism as
we are held to believe, it's actually dialectics,
suppressing other forms of collectivisation is the one
sure method of suppressing the attempt at dialectics
(individualism) - by making people overly opinionated,
ergo: the inability to engage with opinions, blind-alleys
throughout all plausible attempts to do so) -
so once you have enough facts to fiddle with the Rubik's cube
of juxtaposition, you end up with the ultra-scientific
form of dialectics... the matter of opinion in relation
to truth without a relative uniformity that prescribes
the status quo stasis is a debate about how accurate
we all are: i.e., is that true to the closest centimetre,
or the closest millimetre? it's a bit like watching a Zeno
paradox:
                 10.1                           and 10.01
      which one's tortoise and which is Achilles?
well, you know; ah ****! the compendium of the two
newspapers which got me slightly depressed...

- the compendium -

a. daily star

- B. BRO SAM'S SECRET 'NERVOUS BREAKDOWN'
- Laura & Jason's baby joy
- Robbie (Williams) £1.6M a night!
- BREXIT BOOST ON JOB FRONT
- ANGE DAD BACKS TRUMP
- JR'S wife Linda set to Holly
- Edd's no Beverly Hills flop
(Lana among cow *******)
- LAURA: OUR TINY TROTTS WILL BE WORLD-BEATERS
- FURY AT BAD LOSERS' SLURS
- 'Jealous sis' jibes
- MAKE YOUR KID AN OLYMPICS ACE
- Peaty: I want to be a rapper
- TV girl really ill
- **** SAM, 'ON THE BRINK OF BREAKDOWN'
- COSTA ***** HELL
- CAGING ANJEM WILL INSPIRE NEW JIHADIS
- POG'S LOADED AGENT BUYS CAPONE'S LAIR
- I'll make Kylie a pop star
- JEZ DOESN'T KNOW ANT FROM HIS DEC
- GUILTY OF DEMONIC SAVAGERY
- Great British Rake In
- Britain is *******
- BAYWATCH U.K.
- Va Va Vroom
- JUST JANE: My lover snubs plea to get wed
- HART: I'LL DECIDE WHEN TO GO.

b. the times

- Boy victim becomes a symbol of Assad's war
- US Olympics swimmers invented robbery tale, say Rio police
- Make us sell healthy food, supermarkets implore May (P.M.)
- Lost weekend of the lying best man
- fears over free speech delay law to silence hate preacher
- Met's 'commuter cops' live in France
- Husbands happiest when they earn half as much as wives
- Socialists plot to drive Britain left
- Fake human sacrifice filmed at European high altar of physics
- Officers investigated over ex-footballer's Taser death
- Number of pupils taking languages at record low
   (Mandarin @ 2,849 - % decrease of 8.1,
    alarmingly religious studies 27,032 up by 4.9%
    and psychology of status 59,469 up by 4.3%....
    meaning the mad will soon be diagnosing the sane
   as mad, just because the curriculum said so)
- Top grades add up to 100% at the school for maths prodigies
- Deprived sixth formers thrive on competition
- European students rush to get into British universities
- DVLA earns £10m selling driver's details
- Mystery over Kenyan death of aristocrat
- Journalist who voted twice reported to police for
  'fraud'
- Tomato tax threatens European trade war
- Love story of the Pantomime
- Homeless conmen fleeced widow, 81
- Brownlee brothers at the Olympics...
- Hopeful shoppers give sales a lift after Brexit vote
- MoD guard could be stood down despite terrot threat
- Owners spit mansion after failing to sell
- The job with international appeal: saving our hedgehogs
- Finch warns unborn chicks if weather gets warm
- Migrant violence rises after decline in policing around Jungle
- Longest road tunnel promises a relaxing ride under Pennines
- Mothers step up to drive Tube trains through night
(rowdy teens ageing exponentially on a Saturday night
when not getting a lift, ******...)
-MP's deal with bookmaker to be investigated
- Ebola nurse 'hid high temperature'
- Shoesmith's ex-huspand kept child *******
- Morpurgo war tale springs into life
- Supergran fights off teenage muggers
- IVF is more successful for white women
OPINION SECTION
- Great political fiction is good for democracy
- the BBC is leaving its audiences in the dark
- airline food? just pass me the gin and tonic
- Modern Olympics began on the fields of Rugby
/ greasy polls, holding firm, tongue tied,
  call for compulsory targets to tackle obesity,
second in line, mindfulness course, cost of planning,
puffins v. ship rats.... and all future letters to the editor /
- Moscow presses Turkey for access to US airbases
- Hundreds killed each month in Assad's jails
- Putin bans celebration of defeated KGB coup
(another James Bond movie on the cards,
i'm assured, and with a moral carte blanche) -
Hollande clams Carla Bruni spied concerning his
use of diapers...
- Euthanasia tourists flock Belgian A & E from France,
  where a revival of ****** made people dress shark-fin
  sharp on the catwalk...
- Mosquito pesticide linkage application = intersex /
   East German women
- Haiti cholera linked to Nepalese **** and ***** via
  the

I pride myself on differences,
but know at heart we're all one
I tried to do the dishes,
but only two knives made the cut.
Now I wonder if I can
accomplish more than thought possible
judging dull wounds in grunting cans;
feeling pistol grooves and wrist slitters,
I am at home again.

Lying, mining, dying figure heads
make their way to the foot of my bed,
and ask if they may lull me to sleep
with dreams of pneumonia and epilepsy.
I ask them to politely leave,
but they perch on boasting names of society,
reciting to me, too condescendingly,
"surely, we know better than you."
Now all of their heads fit askew.


Save the money and excuse for material attachment.
Keep running through your doll houses.

I pull on my hair to make it grow.
You pull on heart strings to teach a lesson, I suppose
we're in the same sinking boat.
But you are my vital poison.
My body collapses- a muted a noise and-
each time I awake perfectly poised
at your feet and frozen mouth.
How will I ever make you love me now?

Life's a Hawaii postcard
pleading, "go experience the vibrant colors."
There's more to see beyond the rainbow trees,
but they'll still satisfy most cravings.

Every threaded fiber of my being
keeps me pondering
if cells are just too shy to speak,
or if they've always spoken through me,
whispering, "scratch to win the lottery."

I want to write children's books,
and release doves from hidden cages;
watch awe wipe over next generation;
use my candies as their safe haven.
Away this world that have caused them pain-
I Am its new name.

Affection is a mistress of mine.
I still crave her like sunlight.
stare into her eye until I am blind
She's addicting even after she harms you.

I'll keep my heals neck deep
in anxiously wading water.
til I sing it into deep sleep,
its current pulls me under.
and I am at home again.

The lover in these poems
is me;
the doctor,
Love.
He appears
as husband, lover
analyst & muse,
as father, son
& maybe even God
& surely death.

All this is true.

The man you turn to
in the dark
is many men.

This is an open secret
women share
& yet agree to hide
as if
they might then
hide it from themselves.

I will not hide.

I write in the ****.
I name names.
I am I.
The doctor's name is Love.

Cocky yet humble,
Yelling at a mumble.
just another contradiction,
Self destructive predilection.
Smart enough to know better,
Yet too dumb to care whether,
I'm dead inside and rotting out,
Or simply just living with doubt.

So the story goes,
Only heaven knows
Why I do the things I do.
I just wish I knew.

Tall, small build,
Not strong willed.
yet willing to finish the mission.
Watch my plans reach their fruition.
Stuff four friends in a white panel van,
Keep them on the road as long as I can.
So we can fit our piece in the puzzle plan.
Cause I'm nothing, simply nothing without any fans.

So my hair, it grows,
And the wind it blows,
Hopefully in the right direction.
To the next intersection.

Evil, yet good,
And Misunderstood.
Idle hands, busy mind
Produce horrific crimes.
Play with emotions to sway
People's affections swing my way.
Yet never carry out the ***** deed at hand.
I'll call it a conscience, say never again, but I'm just a man.

My eyes wander,
Will's getting stronger.
But it's just too hard not to see
Or adequately appreciate beauty.

Calm and enthusiastic,
Dull but charismatic,
Maybe a dash of eccentricity.
Throw in Some single minded duplicity,
Add in a heaping helping of guilt to top it off.
Let cool for twenty years and let the odor waft,
Then you get a blue eyed, brown haired ****** bag.
Who wants nothing more than his childhood back.

So much for growing up.
So much for no regrets.
I wouldn't mind staying young,
But time just won't relent.

there once was a woman named ferrin
who got sick of the skin she was wearin'.
so she tugged on the zipper
and let the world rip 'er
in half so she'd finally stop carin'!

I remember when I was at the concert.
I could feel the tsunami of the crowd
As the headliner started.
Nothing to hear but screaming and music.
Electricity shot through the veins of all,
Some intoxicated, some not
we all feel the same musical passion.
The time of excitement was now.

Pit after pit of swarms engulf the crowd.
******* in the unexpected but willing.
But to protect a friend,
I was a fortress against the mob.
Listening to the music, the lights flashed.
and from nowhere known,
A natural weapon struck my face.
Turning around, feeling no pain,
But assured of the severity
by the river of blood I unwillingly donated.

Into the washroom, I stumbled.
Blood mixing with the nectar of life.
Outside to the medic I casually waltzed.
Swollen eyes, nose, and disappointment.
Hearing the music from outside the hall,
my heart dropped, I blew the plans of fun.
But never fear, new friends are made.
The blood stops its own current,
and memories are established.
Stories to tell in the future.

Let me tell you a story.

When I was young, I was convinced one of two things would happen:
I would either die young or I would live ignorant.
And I was allowed to believe it.
I was careful, avoiding snakes, spiders, dirt, human beings, love.
I horded books, enough to give myself a doctorate in any field.
And I was called paranoid. Idiotic. A fool. Freak. Doomed.
But, I kept living anyway. Destroyed, most of the strings in me cut.
But living. And I was allowed to believe it was a gift.

Of course, this is a fiction, lie, metaphor, but the truth stands.
Children are not born to be afraid. They are taught.
Fear is conditioned. Rewarded. Considered a virtue.
The wildness of youth is tromped upon by cleat-clad "caution."
Gone are bright eyes, reckless smiles, heads thrown back. Life.
Dull glances, insurance, cul-de-sacs, and bitten tongues reign. Fear.
And fear is one of the deepest scars we can inflict upon another.

This story is not mine, though I have been the one to tell it.
But I am human. An ocean. A fault line. A candle facing a storm.
This tale, in some chisled fascet, mirrors my own.
And it will continue as long as I draw breath.

i have to admit...

Bulgarian prostitutes

are the most responsible
women i've ever known...

condoms? full bodied
latex?

      contraception pills?

cam s videos?

                 my my....
what a ******* rainbow!


so conversation is
the supposedly "new ****"?
ahead of my "time"...

if ever coincidentally,
the ideal escapism /
entrapment...

          twangy twangy...
American accent
like the sound of a Boston banjo...
the ******* to boot,
with it...

              that awkward uncle?
and some teenage girl making a video
blog?
about how difficult it was
to enter a video-convention?
what is, and what isn't, funny?

      i tuned into the drama brigade...
like you might tune into
the current MTV with teenage moms...

she's bloated, and
making extra making
pregnant teen jerking off videos?!
**** me...
               that's about a month
that has just disappeared from
my calendar!

           Murphy, meet dropkick
McMurphy...
     McMurphy,
meet kayleigh McDurmut...
yeah...
that one... balancing
the one legged hop and spew...

personally?
i like watching videos of 14 old girls...
gets me in the mood,
of anticipating fatherhood...
which, given my drinking...
will never materialize...

in terms of ****?
i already overstated the excesses of
condoms...
   and what, could always become,
the Latino **** crisis of
a Cuban post-scriptum...
            personally?
i don't appreciate unnecessary
surprises?
  pro-life or alternatively...
   i don't like surprises...
not those kind of surprises...
        esp. involved in trans-nationalism
******* strap-on tendencies
of adhered to normalizations...
no...
     sorry...
L O V E... doesn't spell out
    vole...
        or whatever variant...
i wouldn't even have cared to object
to sustaining a unit of family,
by invigorating the concept of
Anastasia!
            bribing an orphan to
fake a biological clockwork of...
supposing you weren't mine...
  but my mind, which you have began to
ingest...
      what is this, folly,
this geneticist argument about,
both the act of procreation,
and the necessity of the said act,
with the attached confinement of
pursuing the tag of proclaiming
a continuum of genes?!
      i can't, and i won't figure it out...
**** it...
         sad old "uncle" syndrome...
     but a sigh of relief...
i'm actually looking for pornographic
alternatives...
         it doesn't actually begin or end
within the confines of extremity...
.gif, pictures, fine art...
     14 year old girls making
autobiographical videos...
   and? less *******,
and more... giggling...
               could i have had the tenacity
of becoming, a father!
   my god!

i guess a man will always find
adopting a child, more appealing...
to the consensus of
the anti-thesis of a prodigy...
once he has allowed himself
a chance...
to pet, an animal.