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Andrew  Aug 2017
Accident
Andrew Aug 2017
You struck me in mid-flight
With a face lit by dim light
Your hair that didn't care
Flowed like the time we shared
But we fell prey to accidental accidents
Because of your taxing mental acumen
Yet I chose to see through a cute lens
When you spat acid like aliens
More specifically xenomorphs
For a career course
That endeared divorce

Everything was an accident
A train wreck to be precise
Take to the extreme extent
When you saw love in my eyes
Kitbag of Words Jan 2018
an incredible incite (the ruthless volatility of words)

~for L.B.~

the only place of solitaire solitude in the city accompanies me
like a faithful country dog that doesn’t know better to be afraid,
of moving cars, sleepless night terrors and unscripted “dreams”

where image and words say come “follow me” with ruthlessness and no cloying come hither looks and
see and take and recall with perfect midnight blue sky clarity for

the incredible incite of credible insight

surfacing unexpectedly in a intemperate pool of slushy snow,
that will be an ice storm of painful confrontations with naked
inner truths standing outside in sunny sub zero playground

there is great risk.  volatility gone wild. when the speed
governor is removed and you live at 100 mph on local streets,
when the merest slight of an accidental incidental touch
transforms into an incite incident and hell is the threat
that you will not die today and your own words will ruthless
pull from the nerve places where sensible and sensual cannot
coexist and this write this script is a poetical insight inside, an
incredible incite and what your spilling is spaghetti sauce blood
when you left your brain on broil, instead of the faking daily of
slow simmering ineffectual intellectual words that just don’t
cut the crap. your addiction complete, you cannot live without
the incredible incite, the ruthless volatility of words,
otherwise why rough write what you see
in the blind
beyond the blind


1/6/18 5:03am
Twelfth Night, Act 1, Scene 5
“I took great pains to study and ’tis poetical
Grace  Jun 2018
the hush hushed
Grace Jun 2018
I cant tell you how much the hush hush hurts,

the gaps,

[the deliberately left blanks]

the silences that make me scared of saying words out loud.


It's the switching of meanings that does it,

all the tip toe awkwardness

the swift, unconscious side steps.


It's the whole long stretch of silence,

the whole deliberate

accidental

hush hush of something I never even knew the name of.  


It's the casual,

forgettable

drops of slights

that I'm still turning

over and over.


It's a hush hush never intended to be malicious but

the quiet twists and tears

and so I can never tell you how much the hush hush hurts

because the silence keeps me hush hushed too.
Working through some things I guess. It's hard to address the hush hush when you know it wasn't malicious, just accidental or a result of a different time. I wonder if they even know about the hush hush? I wonder if they know they kept it? Anyway it's something I need to work through and poetry helps or something

Note: So we talked about the hush hush without words but it's okay, maybe it's how we do things best. And the hush hushed becomes a thing of vibrant, rainbow colours and it's lifting off my shoulders and I think in a glowing kind of way that maybe there's something in this that will be okay. And I wonder how you knew but for now it remains hush hushed because I can’t quite talk about it yet. I wear it instead, I wear my colours instead and maybe that speaks enough for the moment. (Fourteenth of September Two Thousand and Eighteen)
Nat Lipstadt Dec 2015
Time: 7:30 pm
Temp.: 68F

~~~
overlooking the runways,
festooned by
accidental heavenly whimsy,
or humanistic whimsical inten-sity,
all the the planes and trucks are flashing
electrifying speckles, of eclectically synced
red and green

it is not my holiday,
but no matter,
like every New Yorker this day,
I am happily celebrating its
double U,
unique, unusual

"record breaking warmth"

yes, the Fahrenheit is outtasight, and by the dawn of
early eve~night,
the Centigrade is spiraling in reverse retrograde,
as the temp eases on down, just below seventy degrees,
on this dewinterized twenty fourth day of
December, two nought and fifteen

traffic is light, the terminal, an unbusy, slim shadow of itself,
the maddening crowds gone, now all are among
the dearly departed and either/or, the newly arrived

so composition of the observational, brings cheer and smiles to my faith,
(I mean my face),
the crowning quietude of clear skies, the absence of street smart
city  bustle and hustle,
the languid atmosphere at the gates,
(where seldom is heard an encouraging word)#
makes me reconsider the true meaning of
the au courant phraseology of this day

"record breaking warmth"

for there is indeed
a calm invisible warmth suffusing all tonite,
chests glowing from fireplaces within,
contentment chamber containers in both hearth and heart,
and I am thinking
miracle,
about all the human warmth
on this celebrated evening,
holy night

indeed,
it is breaking records of
recorded human fusion,
the united commonality of millions warming
his and her stories world-over,
that your personal poet is
warming to record
# but not tonight, as I am
unbelievably,
upgraded!
SC Kelley Aug 2018
I write about the stars too much.

I blame you.

Eyes holding galaxies in sweet captivity.

That starstruck feeling when you look at me.

Lips that taste of constellations.

Ecstacy of cosmic proportions.

Words drawing me in like a black hole.

Your body, like a goddess swimming in stardust.

Accidental perfection parallel to the Milky Way.

Your laugh as bright as a thousand supernovas.

Heart made of stars, filling the space in my own.

I write about the stars too much.

But really, I just write about you, the best of them all.

~S.C. Kelley
For My Love
onlylovepoetry May 2017
twice by god's accidental interference,
our crash vehicles, super sized shopping carts,
connect, we are manger-penalized for unnecessary roughness
and disturbing the supermarkets peace

what better way to judge character than to examine
a single persons shopping cart  contents?

hers,
all organic, milk, heirloom tomatoes, even the Chardonnay,
grown upon the farms of the island and vineyards on
the forks that shelter the isle from the ravages of the Atlantic

mine,
Hebrew National franks, yellow mustard,
very classy brioche buns, a six pack of Corona Light,
and funny colored, funny looking, rusted russet potato chips

with a tremulous smile, and an overly loud, derisive sniff,
pronounces me dead man walking sooner than later,
to which, I respond,
then, teach me, where shall we dine tonight?

later that night,
after a thousand kisses of her fluttering eyelashes,
she props herself upon an elbow and
in a tone sincere and caring,
extracts from the poet promises of
natural exclusivity

from now on, healthy, natural only, organic and pure,
from the soul soil of our shared habitat

her suntan skin, garden-digging hand, I clasp,
softly climbing on top of her,
announce with total genuine sincerity and solemnity;

I swear it, from now on, all my loving will be sourced locally

rewarded with a laugh and a gentle but hard enough,
garden to table (with her free hand), head smacking,
I noting nod, good naturedly
that both the laugh and smack,
as well,

sourced locally,
sourced lovingly,

which then seeded
this new only love jointly authored poem,
planted in our mingling blossoming crashing
bodies


5/29/17 i
12:43pm
L B Oct 2017
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem:

Painting a Function Different

I peek out over the railing of reality’s magic
Beyond the porch-floor
Minerva hangs her wash
making the invisible visible
Eighty two and three quarters deaf
she doesn’t notice  
But this is, in fact, reality
Has always been this way—
Bent and bird-like existence  
Balanced on two twigs—always busy—

Her task, is the ******* of space  
Cutting coupons, crushing aluminum cans, ironing
The three phenomena which I must....

Things no one notices—
climbing on the abstract surface of a picture
Switching the curtains  
God! I wish from the infinity of space..she wouldn’t…!

It figures that—
Rusty, her cat, is weaving in fortune or misfortune  
I try to fix them—
Her ankles now
And she curses at accidental quality
from the corner of her mouth
which has only one form
Clothespin or cigarette?  
Long johns and animals and men in heaven
and bureau scarf and sheets—all, non-infinite deities
surround us translucent, contained
  
I decide what to get for her birthday—

We are good friends
through painting a function different

For me?
Predestined necessity.

Minerva?
forgets her manners
and eats like a survivor—

Thanks going without saying.
Thank you to my friend, Minerva for those years we shared living by the river.  And thanks, to my daughter, Andi, for seeing this poem in an academic assignment.

Art is what it is, imploring us to touch its experience.... It asks no approval.  It seldom gives reasons.
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