September 1st, 2001.
I woke up to that same annoying alarm clock, 7:03 AM
Morning shower, morning coffee, morning breakfast –
I changed the calendar but I dropped the tack to hold it up.

September 2nd.
I’m thinking about October,
All the trees ablaze with orange and red, pumpkin pie in the season, cinnamon tingling in the air.
The new Spirit Halloween store opened up around the block. Superhero costumes are pretty cool.

September 3rd.
My mom takes me out to dinner because it’s Monday.

September 4th.
Routine

September 5th.
Routine

September 6th
In calculus, 11 is my favorite number.

September 7th.
Routine

September 8th.
Routine

September 9th.
My routine staccato.
Taxis responds after 3 calls,
My favorite professor gave me a hard time,
I wanna go home.
After the hustle of ants we call people,
loud street venders,
that creepy guy on the street corner,
NO, I do not want to try your new raspberry cheesecake Jack In The Box, I just wanna get my **** food and go home.
I arrive and melt into my sofa, falling asleep to the news.

September 10th.
No alarm clocks.
In the evening, my mom and I go out to dinner because today is Monday.
Red Lobster has the BEST seafood and while we’re eating,
she complains about the air conditioning in her new work place.
She works for some business in the twin towers.

September 11th, 2001
Instead of the alarm, sirens wake me.
I find the tack to hold up my calendar. – It’s Tuesday.
My feet, cold and lifeless, wander around the house until they trip over the scent of smoke.
Those sirens must’ve stopped nearby.
My mom is at work.
I want to get some air,
so I grab the keys off my splintered champagne desk,
****** them into ignition,
fingers wrapping around cruise control,
shifting into reverse,
the monotone GPS lady telling me to turn left.

The smoke is denser.
I follow her voice: turn right.
The smoke is solid.
Keep straight.
The smoke is suffocating.
In 3 hundred feet, turn left
The smoke is the sky –
Charlie Chapman gray.

My mom was at work.
Around me were firetrucks sparking with blinding flashes that screamed the word “emergency.”
My mom was at work.
The sight ahead was morbid. Unnerving. Disastrous.
It was like Halloween, except there were no superhero costumes, only firefighters and policemen.
My mom was at work.
The tower had holes punctured into their glass windows,
Smoke rising like leaves stemming out of the stump of skyscraper.
My mom was at work.
People like ants, fleeing, scattering, put on the mask of apocalyptic expression.
The throaty yells of “it was a plane” stuffed my eardrums
It was a plane, they said, it was a plane.
This was not routine.
My mom was at work.
The alarm woke me up.
I had my morning coffee.
It took all the synapses in my brain to deny what was right in front of me.
My senses detected telephone signals exploding with,
"I’m fine honey, don’t worry,”
Airlines confused and cramming.

I parked my car in overwhelming paralysis.
Above me, a screech of a whistle filled what was left of the air,
Followed by a boom that replicated my heart.
Frozen. Milliseconds frozen.
The plane was flying too low
WHAT HAPPENED?
There were people in those towers,
Everything was an epiphany --
Marriages, birthdays, fathers, sons, mothers, daughters,
Now cadaverous bodies antigravitating in rubble of boring office walls, family pictures.
Death in one swift move of terror.

My mom was at work.
We went to dinner yesterday.
My mom was at work.
The seafood tasted amazing.
My mom was at work.
She complained about the air conditioning.
My mom was at work.
She got a new job in the twin towers.
The twin towers are ablaze
The twin towers are spilling orange and red
They are sending ashes tingling through the air
This was not the October I asked for.
I longed for September 1st
I dropped the tack to hold up my calendar.

It’s Wednesday.
September 12th, 2001.
I did not sleep.
The news kept me awake, kept saying terrorist attack, terrorist attack, identified bodies, many mourning.
Because of their god, they lessened faith in mine.
This was the closest the public eye were to see a warzone-
Text messages cluttered with sympathy.
My routine changed for the rest of my life.

10 years later
Alarm clocks ringing, 7:03AM I stay in bed.
It’s Monday. I do not go out to dinner.
Instead, I drive 5 miles out to the cemetery.
People are still ants, pushing and shoving to where they need to go, they walk as if they had forgotten.
I no longer crave the red and orange of fall, cinnamon is foreign to my senses.
I hate the number 11 because it’s etched on your gravestone.
Your gravestone – gray and dense like the smoke
I wish they were not a constant reminder of the future I live in, but you don’t.
Today, there are no exclaiming yells of people or screeching whistles of planes.
Today there is only silence.

There is only silence.

i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven

Grandma read her Bible every day. She cherished those words of Psalm Twenty-three. With delight, I find that she provided a way for us to physically cling to those words in the days and weeks and months and years to come.
Grandma loved flowers, she loved her church, she loved her dogs, she loved her family and she loved to sew. For each of her children and their children, and their children, and other family and friends she made dolls, potholders, and… quilts. Each one pieced together by her hand. She worked on her last quilt at age 96.
Into each of those quilts we find the words of that psalm symbolically emblazoned. Those words were part of all she did, as God so lovingly knit them into her heart over the years; with every fresh sunrise and stunning sunset, with each beaming smile and falling tear, every sparkling joy and shadowing sorrow, each blossoming flower and obstinate ****, every delightful birth and parting death, and each victory and defeat.

“The Lord is my Shepherd, I shall not want”
So she takes some cloth - scraps from favorite dresses of sunshine yellow, powder blue and rose pink, and with experienced hands stitches patches of provision and contentment into the heart of that quilt that is ours.    

“He maketh me to lie down in green pastures...”
In go some bits of green with a little floral print and we have something to wrap up in for moments of rest in the midst of our tumultuous lives.

“He leadeth me beside still waters...”
She picks up some clear bright blue strips and with them provides some satisfaction amidst all of our frustrations.

“He restoreth my soul...”
She understands that so, she makes sure the quilt is just the right size and lets us know that we are worth the effort and time and love that God focused on her throughout the years.  

She stitches and sews the words...
“He leadeth me in the path of righteousness for His name sake...”
As she joins each piece to another and then to another until they make a square, and one square to another until she has a block, and one block to another until the quilt needs a border; and with that border, she frames for us a picture of what happens when there is a plan. She wants us to know that God has a plan for each of us, that there is a right way.

With the words...
“Yea though I walk through the valley of the shadow of death,
I will fear no evil, for Thou art with me...”
She adds piece upon piece until that quilt is part of who she is, and then she gives it to us, each one, and we have a part of her that tells us who we are. That she is with us, as God is with her. No matter where we go or how far we range, how high we soar or how low we fall, her quilt reminds us that she is part of who we are. She wants us to know that she found her security in her Lord and Savior, Jesus Christ.  Grandma wants each of us to be that secure.

“Your rod and your staff, they comfort me...”
It is amazing how soft and full and pleasant Grandma’s quilts are to the touch. They are quilts of substance.  All those many different pieces of cloth of diverse sources and materials come together to make a quilt that brings us comfort while laying across our lap, or when we curl up in it when a chill is in the air.  Her quilt comforts us because it gives us a boundary that is safe. We are wrapped up safe and warm in here, and the cold world is out there. In the same way Grandma found that God gives that same sense of comfort - boundaries that we are safe within. Comfort comes for each of us when we wrap ourselves up within the boundaries that God has prepared for us.

“You prepareth a table before me in the presence of my enemies,
you anoint my head with oil, my cup runneth over,
Surely goodness and mercy shall follow me all the days of my life...”
Grandma learned long before she began her hundredth year that, as bad as things often got and as bleak as the future often seemed; in proper perspective, God had abundantly and mercifully blessed her. In all those years that she lived alone and independently, she found that God was ever present with her. He was her constant companion. Her quilt provides us now with that sense of her abiding love and presence in our lives, and points to God’s constant presence in hers.  When we wrap ourselves up in our quilts made by Grandma’s own two hands, we can put things into perspective; realizing anew that we, indeed, have been blessed. If nothing else, we can know that we have been touched in such a special way as to have someone who loves us make us each our own personal quilt.

“And I will dwell in the house of the Lord forever.”
Alleluia! To know that Grandma today is safe and secure in the arms of God is a comfort that we cherish. That body, worn down by a century of living here on earth, God will make fit for eternity.
How does that relate to her quilts? It’s all about belonging. She has an eternal home. She belongs there, now. Having been given a quilt by someone who made it especially for you, you can know a little about the sense of belonging that she is experiencing with the saints today. It says that you are part of the person who made it and that they are part of you. You belong.
     There are many, many people in this world who do not know and will never know what it means to belong. Your mama, grandmother, great grandmother has given you that gift; the gift of belonging. She also wants you to know that only God, through Jesus Christ, can give you that gift for eternity.
     More than anything else today Grandma’s prayer for you is that you will find the quilt of God’s love that is found in Jesus Christ. Her hope for you, in the days, weeks, months and years to come, is that you will find contentment, rest, satisfaction, renewal, security, perspective, comfort - and belonging; as you curl up with the quilt she made, just for you.

©2001 Michael S. Davis, An Eulogy by her Grandson
In Memory of Grandma,
Mrs. Beulah Bachman Bradley
December 29, 1901 - August 2, 2001

it's not that i'm writing this: because i didn't have an analogy looking at me... it's not that i'm writing when it's too late... it's that the simplest answers always come too available over a period of time, and with that come too many vulnerable circumstances: because so much was invested in the supposed "truth" affair... maybe i needed a Heidegger or a Kant to complicate me enough, to write out the analogy? and that's putting it mildly: to avoid the Einstein bubble and a return to Newton... yes, big names, but am i to be apprehensive about using them, am i asking them to be my mules? it's when you hear too much that you begin to filter the well-wishers... and want to hear the bare minimum... i wrote what i wrote away from the umbrella of subjectivity, as a non-patriot... if you want objectivity, this is how it sounds... when everyone's damning subjectivity i can see nothing but patriotic demands... and when no one is asking for objectivity, i see lacklustre in teaching a carnation's worth of being a citizen... because i also think your dog ******* on my lawn is gagging for a shotgun's tongue should you not clean it up. that's the basics, my friend. it's not too late that i should i have said these words... it's that you didn't do anything prior to that, that shouldn't have delaid me saying such things as i have said, in the skeleton of analogy... i say them now, because all emotions have been numbed... from someone without any thought for a patriotism... i can express in the simplest way... because after the fact: i didn't see anything worth a noble maintenance to be made a standard for 21st living... disagreeing with me is a futile as telling me that a stone thrown will not sink, over a body of water when upon it it's thrown. you can write as much spaghetti as you want within the framework of quantum physics... but when simple physics comes your way... i'm bemused why you're startled at a punch, and the pouch-clot of blood smitten into your cheek to denotate a bruise... it's almost as if you were expecting deviation from being prone to gravity, endowed with wings... no wonder the event was sober... try repeating the bohemian liberation of the 1950s and 60s... impossible! i didn't do anything too late... the analogy comes when it so chooses... because too many ignoble demands were met and satiated... that this one noble simplification... is so painstakingly unsatisfying!

when i listen to the music of my
youth... dunno... just get stiff-*******...
winter air helps make this
phenomenon acute...
i mean music from the year 1997
through to 2001 -
   the years preceding American
undermining and the narrative
of paranoia...
call it what you like, i call it a
feeling of stiff-******* when i hear it
down the years...
it's not even a nostalgia...
    it's a sort of embarrassing clue...
i am actually embarrassed
at having such tastes...
    it's not the kind of music you'd
be happy about, nostalgic about
the 1980s...
              the embarrassment?
probably because i now realise i was
an incubator for so much delayed
teenage-angst in the artists who
reigned this period...
       the clue is in: mostly rock orientated.
i remember that chubby kid
donning his baggy jeans and black
t-shirts with bands' prints on them...
but i find unquestionable is
the indentation of representing
that call for vogue...
                i remember wearing
a t-shirt with the slogan: *******
is not a crime
          on non-uniform days in
a catholic school...
           and not being touched or told to
take it off...
             it's like i've become father:
or simply memory - to the person i
am today...
           because i can't imagine anything
beyond this day-to-day...
       but whenever i put on the mind
that was influenced by those bribes back then,
i remember the Ilford shopping centre,
and the colours of Gants Hill's park
with those bird cages...
           getting the bus to Ilford,
then a one-stop trip to Seven Kings
wearing the guilty-as-seen uniform...
   i can't see any nostalgia behind,
given my music taste: i get stiff-*******,
a feeling of cold shivers and
embarrassment...
      but it happened before the invulnerable
essence of america died...
      once upon a time people dreamed
of wanting to move to america...
   these days the narrative is a bit like:
and succumb to that paranoia narrative?
i think i'll pass...
       i can get the escapism of
conspiracy theorists... i too thought about
the later mentions of why those buildings
fell down as if someone ticked-off
a domino effect implosion...
    it really did slightly unnatural -
   those twins really did seem like a domino
effect...
       so you hear those stories of very sloppy
murderers...
who forget to shave off their fingerprints with
razors, and shave off their crop of hair
and eye-brows...
                           by writing this i can't
make the situation worse...
                      it just seems like even though
the plain did hit the buildings,
the actual downfall of the buildings seemed
too staccato... i mean that: a stacked tower...
but if you play a game of *jenga,
doesn't the jenga tower fall to the side?
                           it doesn't fall-onto-itself, does it?
i'm sure the same physics principles has
to apply to that fateful event of 2001...
     you'd expect the upper half of the twins
to break-away and fall off...
rather than the whole building literally
cascading and imploding on itself...
folding...
                               you attack a jenga tower
in the middle, and the top bit falls off...
the tower doesn't implode vertically...
      a bit like chopping a tree in the middle
of the trunk... you'll still get a stump,
even if you chop at the root of the stump...
               satan in zeitgeist...
only then dawkin's the god delusion was
published years later, did i read that, apparently,
satan's face donned one of the burning towers...
   me thinks: spot satan and read the *******...
the easiest thing is to now claim that we
are insane... but it's still about the jenga tower
magnified... a jenga tower unravels and the top
bit falls to the side... a jenga tower doesn't fall apart
from top to bottom...
                it falls apart like a lumberjack hacked tree:
to the side...
              i really could write about some
other nieche topic... but it's hard not to write
about the abomination of physics...
     the fact that there was an implosion -
  and that the towers folded vertically,
means that even if a horizontal agitation occured,
the towers couldn't have behaved as they did:
(vertically) folding...
                                 but since the agitation came
from a horizontal perspective, and the fact
that the towers folded vertically,
      the agitation came on a horizontal perspective,
a jenga tower would fall off to the side...
                        yet the towers folded vertically...
   i don't know if that's really only about
writing a + b = c, given b + c = d,
  or whether it already is 1 + 1 = 2...
             **** me, if this isn't the opening bewilderment
we all feel about the 21st century,
no war in iraq or afghanistan can help us...
    attack a jenga tower in the middle:
it doesn't fold vertically! a jenga tower attacked
   horizontally will only ask for you to shout:
timber! who need the bewilderment of quantum
physics, when you have the physics of 2001
to look-up your *** at and muse.

1995 saw the start of Generation Z,
the ‘iKids’ with a knack for this new-fangled technology,
Millennial 2.0,
caught in the limbo of the World Wide Web development and Rose Gold iPhones.
They say we’re adaptable,
but apparently we can’t make our own decisions about anything.
They say that we don’t care about anything
except for our tiny little screens,
but they forget who put them in our hands,
and they forget who they run to for help
when they forget how to troubleshoot.
They forget what kind of technology we need to keep sustaining life in the Information Age,
Caught in a crossfire because
Yeah, we’re 90s kids—but the 90s never really actually ended until 2006,
the only difference between two decades being
how much neon versus how much chrome,
and just how expensive accidentally opening the internet app on your mom’s blackberry phone was.
We’re nostalgic for all the things we can’t quite remember,
and half these high schoolers weren’t actually born until 2000 or 2001.
Most of us aren’t old enough to even remember 9/11, nothing outside of the news clips that our teachers show us in history class every single September.
I was born in the same year as the Columbine shootings.
The United States has not been at peace for a year of my life.
We are always fighting— fighting for everything.
Human equality,
posing arguments about micro aggressions and refugees, seeing the inhumanity in the past that we’re living.

None of us are older than 21,
under such hard scrutiny while Baby Boomers Wave 2 still run our country.
We inherited the Millenial’s exhaustion,
the generation before us spending our childhood fighting for all the things that we have never really believed in.
Fairytales.

Generation Z.
The ‘iKids’ who are going to one day be making leaps and bounds with technology,
the generation to nurse this dying planet back to health,
Millennials 2.0 who know how to learn from our forerunners’ mistakes,
who know how to adapt from Sidekicks to iPhone 6S Plus in less than a decade.
We’re the kids who have realized that fun is found in safe spaces rather than invading each other’s personal spaces.

They say we’re too sensitive,
but at the same time they claim that we’re desensitized.
And I thought we were the generation that couldn't make decisions.

SONG-POEMS

These are poems that were written as songs, or as potential song lyrics, or that could easily become songs if someone were to set them to music (hint! hint!) …


Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



Faithless Lover
by Michael R. Burch

Well I met you darlin’ on a night like this;
the stars were fallin’ as I stole a kiss.

And I fell in love that very night,
as the moon above blessed us with its light.

But the moon was false, and your heart was, too.
Oh, I never dreamed you would be untrue.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Well, we found a preacher and we said some words.
I should have noticed yours were well-rehearsed.

When I looked above, I saw the pale moon frown;
the sky burst open; I began to drown.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Now, since that day, how you've run around.
You’ve been with every boy in town.

Well, I learned my lesson, and I learned it well:
how one night aflame left me cold as hell,
till my heart grew hard in its icy shell.

Now, I'm a faithless lover with a heart of stone.
I seek faceless lovers who leave with the dawn.

Copyright © 1991 by Michael R. Burch



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Copyright © 2001 by Michael R. Burch

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Through the fields of solitude
by Hermann Allmers
set to music by Johannes Brahms
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.

This poem was set to music by the German composer Johannes Brahms in what has been called its “the most sublime incarnation.” A celebrated recording of the song was made in 1958 by the baritone Dietrich Fischer-Dieskau with Jörg Demus accompanying him on the piano.



The Pain of Love
by Michael R. Burch

for T. M.

The pain of love is this:
the parting after the kiss;

the train steaming from the station
whistling abnegation;

every highways’ broken white bar
that vanishes under your car;

each hour and flower and friend
that cannot be saved in the end;

dear things of immeasurable cost ...
now all irretrievably lost.

Copyright © 2013 by Michael R. Burch
Originally published by The HyperTexts

Note: The title “The Pain of Love” was suggested by an interview with Little Richard, then eighty years old, in Rolling Stone. He said that someone should create a song called “The Pain of Love.” I've written the lyrics, now can someone provide the music?



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Copyright © 2001 by Michael R. Burch
Published by The Word (UK), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, The HyperTexts, Inspirational Stories, Jenion, Starlight Archives, TALESetc, Writ in Water, Grassroots Poetry and Poetry Webring



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.

Copyright © 2006 by Michael R. Burch
Originally published by Strong Verse



Flying
by Michael R. Burch


I shall rise
and try the ****** wings of thought
ten thousand times
before I fly ...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last ...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas ...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my very early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a floating and crazily-dancing spirit horse through a storm as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

I believe I wrote this poem as a college sophomore, age 19 or 20. I did not know about the vision and naming of Crazy Horse at the time. But when I learned about the vision that gave Crazy Horse his name, it seemed to explain my poem and I changed the second line from "and yet I would fly" to "and yet I now fly." I believe that is the only revision I ever made to this poem.

Copyright © 1978 by Michael R. Burch
Originally published by The HyperTexts



Momentum! Momentum!
by Michael R. Burch

for the neo-Cons

Crossing the Rubicon, we come!
Momentum! Momentum! Furious hooves!
The Gauls we have slaughtered, no man disapproves.
War’s hawks shrieking-strident, white doves stricken dumb.

Coo us no cooings of pale-breasted peace!
Momentum! Momentum! Imperious hooves!
The blood of barbarians brightens our greaves.
Pompey’s head in a basket? We slumber at ease.

****** us again, great Bellona, dark queen!
Momentum! Momentum! Curious hooves
Now pound out strange questions, but what can they mean
As the great stallions rear and their riders careen?

Originally published by Bewildering Stories

NOTE: Bellona was the Roman goddess of war. The name "Bellona" derives from the Latin word for "war" (bellum), and is linguistically related to the English word "belligerent" (literally, "war-waging"). In earlier times she was called Duellona, that name being derived from a more ancient word for "battle."



Just Yesterday
by Michael R. Burch

Yesterday
she went a-way
and now I don’t know what to sa-ay,
'cause I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she held me tight
and our love lit up the night,
but then our flame was not as bright,
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she left me a-lone
and now I don’t know what I wa-ant ...
I just listen to a song
called “Yesterday” ...

[Descending notes: DUH Duh duh]

Yesterday, oh Yesterday,
Yesterday, oh Yesterday,
I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Stay With Me Tonight
by Michael R. Burch


Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Copyright © 2019 by Michael R. Burch
Originally published by The Lyric



This Train
by Michael R. Burch

To be sung to the melody of "This Train is Bound For Glory" up-tempo.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is cryin’,
cryin’.
This train is flyin’, flyin’, flyin’.

This train is chuggin’ on down the tracks now.
This train is chuggin’ on down the tracks now.
This train’s chuggin’ down the tracks
and it’s gonna have to
take me back now.
This train is chuggin’ on down the tracks now.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is dyin’,
dyin’.
This train is flyin’, flyin’, flyin’.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train must run a little longer.
Oh, this train must run a little longer.
And although I did her wrong, her
love is only gettin’ stronger.
This train must run a little longer.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Copyright © 2001 by Michael R. Burch
Originally published by Poetry Porch



When I Think of You, I Think of Love
by Michael R. Burch

for Beth

When I think of you, I think of Love.
Oh, when I think of you, I think of Love
as magical as the moon and stars above.
And when I think of you, I think of Love.

When I think of you, I start to cry.
Yes, when I think of you, I start to cry.
And I think you know the reason why.
For when I think of you, I think of Love.

When I think of you, I start to smile.
Oh, when I think of you, I start to smile.
I think of you and, dreaming all the while,
when I think of you, I start to smile.

When I think of you, I have to laugh.
Yes, when I think of you, I have to laugh
because it’s certain: you’re my better half!
So when I think of you, I have to laugh.

I think of you as Eve, and at your feet
blooms everything that’s equally as sweet,
as magical as the moon and stars above.
And when I think of you, I think of Love.

I think of you with babies at your breast,
and does and fawns that come at your behest,
as magical as the moon and starts above.
And when I think of you, I think of Love.

I think of you and find myself at peace.
I feed the ducks, the turtles and the geese,
all as magical as the moon and stars above,
and when I think of you, I think of Love.

I think of you as Love, a Love that heals ...
the gentlest Dove that soars and flies and wheels
then looks down on the earth from high above.
And when I think of you, I think of Love.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Hill Down the Road
by Michael R. Burch

I imagine this song being sung to an upbeat tune like “Afternoon Delight” with an emphasis on the last word in each line. The song would come out as a sort of breathless rush — one long, run-on sentence.

There’s a hill down the road
where my babe and me would go
when the sun was sinking low
where the sparkling waters flow

and we’d sit there in the grass
and we’d watch the sunsets pass
and then I’d walk her home,
but we’d never walk too fast

and we’d sit there in the summer
when the sun was in the sky
and we’d talk of our tomorrows
and we’d watch the butterflies

and I loved her even then
although I was so young
and I’ll love her till the time
that my time on earth is done

I wrote this poem as an aspiring songwriter, around age 14. But alas, I was too shy to show my compositions to anyone!

Copyright © 1974 by Michael R. Burch
Originally published by The HyperTexts



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

Copyright © 1976 by Michael R. Burch
Originally published by Romantics Quarterly



Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours —
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976.

Copyright © 1976 by Michael R. Burch
Originally published by The HyperTexts



How Long the Night
(Anonymous Middle English Lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.

Copyright © 2013 by Michael R. Burch
Published by Measure, Setu (India), Poet’s Corner, Glass Facets of Poetry, Better Than Starbucks, Chanticleer, Poetry Brevet and Deviant Art



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!

You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.

Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;

and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.

And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Swan Song
by Michael R. Burch

The breast you seek reserves all its compassion
for a child unborn. Soon meagerly she’ll ration
soft kisses and caresses—not for Him,
but you. Soon in the night, bright lights she’ll dim
and croon a soothing love hymn (not for you)
and vow to Him that she’ll always be true,
and never falter in her love. But now
she whispers falsehoods, meaning them, somehow,
still unable to foresee the fateful Wall
whose meaning’s clear: such words strange gods might scrawl
revealing what must come, stark-chiseled there:
Gaze on them, weep, ye mighty, and despair!
There’ll be no Jericho, no trumpet blast
imploding walls womb-strong; this song’s your last.

Copyright © 2006 by Michael R. Burch
Originally published by The HyperTexts



This is my translation of one of my favorite Dimash Kudaibergen songs, the French song "S.O.S." ...

S.O.S.
by Michel Berger
loose translation/interpretation by Michael R. Burch

Why do I live, why do I die?
Why do I laugh, why do I cry?

Voicing the S.O.S.
of an earthling in distress ...

I have never felt at home on the ground.

I'd rather be a bird;
this skin feels weird.

I'd like to see the world turned upside down.

It ever was more beautiful
seen from up above,
seen from up above.

I've always confused life with cartoons,
wishing to transform.

I feel something that draws me,
that draws me,
that draws me
UP!

In the great lotto of the universe
I didn't draw the right numbers.
I feel unwell in my own skin,
I don't want to be a machine
eating, working, sleeping.

Why do I live, why do I die?
Why do I laugh, why do I cry?

I feel I'm catching waves from another world.
I've never had both feet on the ground.
This skin feels weird.
I'd like to see the world turned upside down.
I'd rather be a bird.

Sleep, child, sleep ...



"Late Autumn" aka "Autumn Strong"
loose translation/interpretation by Michael R. Burch
based on the version sung by Dimash Kudaibergen

Autumn ...

The feeling of late autumn ...

It feels like golden leaves falling
to those who are parting ...

A glass of wine
has stirred
so many emotions swirling in my mind ...

Such sad farewells ...

With the season's falling leaves,
so many sad farewells.

To see you so dispirited pains me more than I can say.

Holding your hands so tightly to my heart ...

... Remembering ...

I implore you to remember our unspoken vows ...

I dare bear this bitterness,
but not to see you broken-hearted!

All contentment vanishes like leaves in an autumn wind.

Meeting or parting, that's not up to me.
We can blame the wind for our destiny.

I do not fear my own despair
but your sorrow haunts me.

No one will know of our desolation.

Keywords/Tags: song, songs, songs of life, lyric, lyrics, music, rock, love, lover, lovers

Thy effigy was so charming
It can grips a heart
Thy face of youthfulness
It can tranquilized a war

Many roses envied thee
Their complaints was loudly burst
That blessed was unjust
That you owned a beauty, to them ugliness

Thy prettiness a weapon
Can  slave a kingdom
But it feared someone
The monstrous beast - the time

Thy beauty was rotten
The one that allured thousand kings
Thy effulgence doom
A star that used to be dream...


written: July 31, 2001 at 7:00 pm

Mysterious Aries

September  Rainbow
A 9/11 Story
By
Jude Kyrie
Dedicated to all who lost on 9/11
September 11, 2001


As a little girl,
he sat next to me
at junior school.
I always liked him.
No  much more than that.

Later at high school
we walked home together.
He would carry my books.
At graduation,
he was my date.
We even went
to college together.

That was when
we broke the chains
of friendship and
he became my lover.
My first and only love.

We married young
it was no surprise
to our parents.
They were expecting it.

Before I knew it
we had three kids.
Two girls and a boy.
Our son looks just like him.

September 10, 2001

It was just like any other day.
He came home from work
Cooked burgers
on the backyard barbeque.

We got the kids to bed
drank a glass of wine
went to bed at ten.
He wanted to make love
but I was exhausted
the kids had
been terror's all day.

September 11,2001

The next day
he kissed me goodbye.
With a see you later honey.
I got a call from my friend
She said quickly
put on the TV.

I saw the towers fall
Turning to ashes
Like my life did
at that moment.

All I could think was
I wish I had made love
to him last night.

September 11, 2015

The children are all
grown up now.
He would be
so proud of them.

I look at my strong
handsome son.
He looks like him exactly.

We stand at ground zero
and say a prayer.
I whisper
it was always you honey
Only you.

As if by magic
he answered me
A giant beautiful rainbow.
Circled over New York City.
And I know it was for me.

Are those parts of my folly?
Those words that I carve to end up with a poesy
I love my hobby in a way that it's kicky
In a sense that in this world, I am free

That a pauper can be a hero daily
For in reality, those events happen in paucity
But it's my wish that this occurrence will not be of perpetuity
For most of the poor possessed a heart of humbly

But really, of most battle poor can hardly get the victory
But it's always to them belongs my sympathy
That If only I got the key to end up their poverty
I will not think twice, simply I'll set them free...

Written: June 30, 2001 @ 8:12 am

Mysterious Aries

HE PHRASE OUR LITTLE HELPER A THOUGHT FROM MY LITTLE TWEEN CHILDHOOD



YA SEE IN 2001, I GOT SICK OF BEING TREATED LIKE A LITTLE YOUNG DUDE BY MY MATES

SO I DECIDED TO TURN MY LIFE AROUND, LIKE, JOIN THE BELCONNEN MAGPIES TO DO THE BBQ

AND BE A VOLUNTEER AT ST VINCENT DE PAUL, WHERE THEY MADE A SANTA CLAUS SUIT FOR ME TO DRESS

UP AS SANTA, FOR THE NEXT TEN YEARS, AND AT THE END OF THE YEAR, I WENT TO WATSON CANBERRA

TECHNOLOGY PARK, WHERE THEY OPENED A BUILDING CALLED THE RAINBOW, WHERE I WANTED TO SHOW OFF

MY COOKING SKILLS, AND MATE I WAS A ****** COOK THERE, I ALSO REMEMBER, THROWING THE BALL

WITH A MATE, AND THE MAN SAID, GUYS THIS IS A BIT DAFT, YA SEE, EACH TIME I COOKED SAUSAGES AND STEAKS

FOR THE HUNGRY HERD AT THE FOOTY, IT MADE ME FEEL NEEDED LIKE AN ADULT, AND I GOT THIS WEIRD VOICE

FROM MY MUM AND DAD WHEN WE LIVED IN WOODBERRY,SAYING I WAS THERE LITTLE HELPER, CAUSE I SAT BEHIND

THE BBQ ALL DAY, NO MATTER WHERE WE WENT TO, YEAH IT WAS SO MUCH FUN, AND THE KIDS WOULD GET A FREE

SNAG, AND A COKE, YEAH, I WORKED HARD, BUT WELL, AND AT THE RAINBOW, I COOKED MEALS LIKE SPAGHETTI BOLOGNAISE

BEEF STROGANOFF, PIZZAL HEAPS OF DELICIOUS STEWS AND SOUPS, AND I TRIED TO COOK THE BBQ THERE AS WELL,

MAN IT WAS ACE, WE ALSO WENT ON A FEW TRIPS, AND I HELPED COOK AND CLEANED UP, ACTUALLY I ROUGHED IT

BY SLEEPING IN THE TENT, LIKE I WAS LIVING LIFE LIKE IT’S ONE BIG ADVENTURE, SOMETIMES I FELT DAD

REALLY WANTED ME, TO BE NICE TO THEM, BUT IT WAS HARD, CAUSE, I AM AN ADULT, WHO TOOK PRIDE IN HELPING

PEOPLE JUST LIKE ME, AND THEY ARE JUST LIKE ME, DEALING WITH MY ISSUES, BUT MATEY, I REALISE JUST BECAUSE

THEY SHARE MY VIEWS, DOESN’T MEAN THEY WANT TO ADMIT THIS, AND IT DOESN’T MEAN THEY LIKE ME APPOLOGIZING

ALL THE TIME, JUST BECAUSE THEY HATE FOOTBALL EVEN IF I LIKED IT, AND I WAS A TAD CHIRPY, AND EVEN IF NOBODY HATED ME

I STILL THOUGHT TO MYSELF, THAT THIS WAS WEIRD, I AM GIVING THESE DUDES A HOT MEAL, AND THEY SPENT THE WHOLE

TIME WINGING AND WHINING LIKE TWO YEAR OLDS, BUT THAT WAS BECAUSE THEY WERE MENTALLY UNSTABLE, THEY CAN’T BE NICE

CAUSE THE SYSTEM HASN’T BEEN NICE TO THEM, YA SEE, I DON’T BELIEVE IN CHRISTIANITY I AM A BUDDHIST AND DESPITE PEOPLE

TRYING TO SHOVE JESUS DOWN MY THROAT, I PREFER PEOPLE TO KEEP THEIR BELIEFS TO THEMSELVES, IT’S A TOUCHY SUBJECT

RELIGION, BUT THEN AGAIN, I DON’T PREACH BUDDHISM THOUGH, I HELPED AT THE RAINBOW 2001 TO 2004 AND IN 2002, I WENT TO

THE CHRISTMAS PARTY IN MY VINNIES MADE SANTA SUIT, WHERE YOU CAN SEE IT ON AAA YOUTUBE TV AND AARON CLAYTON

ON YOUTUBE, I HEAR THESE WORDS, FROM ALL THE MEN, AS I WAS BEING MY HELPFUL MAN, TO VOLUNTEER WORK, MAKING

A VOICE, FROM MEN SAID, HEY HANG ON, YOUR OUR LITTLE HELPER, I REMEMBERED BOUNCING AROUND ON MUMS BACK

AND MAYBE THE CAMPFIRES WHEN I WAS YOUNG, BROUGHT ON THE HELPING AT THE FOOTY, BECAUSE IT’S A BBQ, AND IT WAS

SORT OF THE OLD FASHIONED WAY, AND I HELPED A LOT, THEY SAID, HANG ON OUR LITTLE HELPER, BUT I MIGHT HAVE BEEN

TRYING TO BE ONE OF THOSE HELPFUL YOUNG DUDES, YA KNOW WORK ALL DAY, WITHOUT ANY PAY, BUT THAT WAS ALRIGHT

CAUSE I ENJOYED WORKING ALL DAY, AND I REMEMBER I HIKED THROUGH THE SNOWY MOUNTAINS IN THONGS AND, YEAH NOTHING

BAD HAPPENED, BUT I DON’T DO THAT NOW, DUDES

YA SEE I DID THE BBQ AT BELCONNEN MAGPIES

I PLAYED SANTA AT VINNIES AND ON YOUTUBE

I HELPED COOK MENTALLY UNSTABLE PEOPLE  A MEAL AT THE RAINBOW

I WAS A CHIRPY FELLOW THERE, TO BRING HAPPINESS TO THAT PLACE

I HELPED OUT AT THE MASTERS GAMES MARQUEE AT THE SOFTBALL

I WAS A TABLE CLEARER

I PICKED UP ******* AT THE KANGA CUP SOCCER

I AM WILLING TO LEARN ALL ASPECTS OF THE ENTERTAINMENT INDUSTRY

I BATTLE A VOICE SAYING I AM TOO WOOSEY FOR LIFE, BY OLD MATES

I WORKED AT OCTOBERFEST, PICKING UP *******

THEY TOOK THE MICKEY OUT OF ME, BANGING ON THE TABLE AS I WAS TAKING ******* FROM UNDERNEATH

YEAH, THE VOICE COULD’VE BEEN TRUE, I WAS THE ADULTS LITTLE HELPER

BUT I WAS A BIG HELP, I WAS A HARD WORKING RUN OF THE MILL MAN

I SUFFERED MORE THAN OTHER MEN, BECAUSE I NEVER EARNED THAT MUCH MONEY

I WORKED WELL AT AINSLIE VILLAGE, HELPING THE MENTALLY UNSTABLE YET AGAIN, **** I AM A NICE PERSON

I BATTLE VOICES IN MY HEAD, FOR A LAMOUS CRIME I DID UMPTEEN YEARS AGO

BACK WHEN I FELT MORE POWERFUL THAN DINOSAURS

I DON’T WANT TO BE JUDGED FOR THAT, NO WAY NO HOPE NO FEAR

I WAS CANBERRA’S BIG HELPER BETWEEN THE YEARS 2001 AND 2013

I ALSO PICKED UP ALL THE ******* SPILT OUTSIDE A HOPPER AT KINGSLEYS CHICKEN

AND PUT ‘EM INSIDE THE HOPPER, I AM A GOOD BOY, BETTER THAN MINJAE

NOW I AM READY TO BE AN ENTERTAINER, SO LOOK OUT WORLD HERE COMES SANTA BRIAN ALLAN

OUR BIG HELPER TO CANBERRA, CAUSE I PARTIED IN CLUBS ALL OVER THE PLACE

ON BOWLING WEEKENDS AND WEEKS, I’VE BEEN ALMOST EVERYWHERE

HOBART ADELAIDE SYDNEY MELBOURNE BATEMANS BAY GOLD COAST HERVEY BAY

JERVIS BAY SNOWY MOUNTAINS GRAMPIANS MERIMBULA, SALE GOSFORD NEWCASTLE

MAITLAND PORT STEPHENS ORANGE SCONE DUBBO ILLAWARRA WOLLONGONG

A FEW MORE PLACES, BUT ALL THIS SHOWS, I LIVE MY LIFE LIKE IT’S ONE BIG ADVENTURE

AND THAT IS WHAT I DO, FOR YOU

YA SEE I WAS TRYING TO TAKE DAD OUT OF HIS KID, BUT HE WAS TOO STUBBORN

HE WANTED TO PLAY ALL DAY, NOT WORRY ABOUT THE WORLD

OH YEAH, BOW BOW