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Ana S Jan 2016
The classroom is cold.
Dead and old.
The classroom is silent.
Dead and quiet.
The classroom is empty.
Dead and alone.
Yet this classroom is so similar to my home.
Old... Quiet... And empty...
Yes the definition of dead.
Sam Lauzon Nov 2013
She is not noticed at the back of the classroom
The teacher does not raise his head giving her the comfort of his attention towards her unanswered questions
She is ashamed of her silentness

He is noticed by every girl at the front of the classroom
The teacher will give him a good talking to once he asks for his attention to said questions
He is tired of his noise

She left class in a rush
He took his sweet time

She went home with her drunk parents fighting
She fled to her room with music
She did not say a word today or yesterday

He went home drunk fighting with his parents
He went to his room and started playing the guitar
He had said too many words that he now regrets

She, the next day, went back to the classroom
He, the next day, went back to the classroom
Her eyes for the very first time meeting with his
Umesh Ghimire Oct 2014
It is crowed, but still alone
It smells as if you all are here
But it is only the shadow of yours
I realize, why you all are smelling here
Because it is the memories which lasted here
Yes, it is a classroom of ours

The voices are still reflecting on this wall
Vibrating itself into my ears
With my staring eyes full of tears
I feel, I lost you with no choices
But I realize memories are never lost
Yes, it is a classroom of ours

My mind search you in this room
My heart wants to love you in this room
But only I feel, is yours vibrating amazing sound
I think I am suffering now
The addiction of this amazing sound
The only means to live long in this room
Yes, it is a classroom of ours
Yes, it is a classroom of ours
                                              
Umesh Ghimire
This is the poem which I have written when I was alone at classroom
Craig Irving  May 2017
Classroom
Craig Irving May 2017
Classroom, you have gone through much
witness of devotion and inspiration,
of boredom and slumber;
partner to the late learner and early comers;
have experienced a stream of personalities;

Classroom, you have gone through much
unliving witness to adult's birth, growt and depraving;
lifeless room filled with feelings:
that of the boy, thinking he loves,
that of the girl, who shares not that love,
that of the two, hoping it will last,
those of the students, who leave with hope;

Classroom, you sure have gone through much
victim of time, witness of fights;
have observed chaos and intense silence;
your walls reveal our will to be remembered;
Classroom, realm of memories and shadows of the past.
Poemasabi  Aug 2012
The Problem
Poemasabi Aug 2012
In a second grade classroom
a tiny ant with a treasure thinks only of taking it to his colony.
A big hero he will be.
So he drags a piece of popcorn much bigger than he.

he drags
and pulls
and tugs

On a second grade classroom floor,
the ant's work is hard but will be worth it.
A big hero he will be.
So he drags a piece of popcorn much bigger than he.

he drags
and pulls
and tugs

On a second grade classroom rug,
the ant's task seems insurmountable but he knows of no other way.
So for an hour, he retraces his path backwards dragging a piece of popcorn
across the classroom rug.

He drags
and tugs
and pulls

In the open of a second grade classroom,
the ant feels exposed on the carpet but cover is closer now, he can feel it.
It's just there, where the wall meets the carpet.
A space just big enough to hide an ant.

Closer and closer.

He tugs and pulls and drags his prize closer still
Pulling and dragging the popcorn lurches across the carpet.

His rear legs reach cover
Then his thorax, his abdomen, his head with antennae and mandibles

then

The Problem.

and...

In a second grade classroom
a line of popcorn rests
where the carpet meets the wall.
Emisen Dec 2014
There are wolves in the classroom.
They sit and stare
watching, waiting
sniffing the air for a hint of blood.

Remember Red

There are wolves in the classroom.
You have to tread carefully, cautiously
Lest their teeth
Sink into your soft flesh.

There are wolves in the classroom
Whimpering, growling and howling,
Gently now, be wary now

*Remember Red,
Remember.
a day in the life of a teacher :)
Sharina Saad Aug 2013
A pin drop silence
An unusual serene calmness
A solemn way to start a day
in an empty classroom

Even the softest moan...
the loudest roar
Sighed...
counting my own breathing
as I was fidgeting to and fro
in an empty classroom...

123 my heart was beating slow
456 my heart was moving faster
789 my heart was thunderous!
blood boiled up to the head...
from cheerful to moody
from pretty to ugly
smiles... yawns.. smirks... temper!
the veins fighting in the face...
dark red with anger burst!

A sudden... gentle knock on the door..
broke the golden silence
a sweet angel walked in
with head held down
"GOOD MORNING TEACHER"
Applause... Applause... Applause...
Thank you to the sweetest soul..
An empty classroom came to live...
Teaching is a noble profession.
Patience is virtue.
WE ARE THE CHILDREN OF GOD ,,

And as such ,,,
This well could actually be our
elementary schooling ,

In classroom earth we've just not long moved in
To start our years of learning~
Others have been here for their time
As they for knowledge we are yearning~
We've found a lot of mysteries here
Ones that this time we cannot explain~
But we will have the answers when
We've done our years of rein~
Its said in scrolls and the many bibles of God
Gods day is a thousand years to our day one~
So we've only been here six days yet
According to the teachings now of some~
But the ages of this classroom earth
Go back before our knowledge and our knowing
Many different races , species , and gifts of God
Have been in this classroom longer than winds blowing
Our past loves ones spent time in classroom earth
They learned in their way as we've to do~
Then too moved on to yet another higher class
To see the rest of their schooling through~
One by one they've all left this class
As one by one we as well eventually will do~
And one by one this time around
We like them will go to higher classes too~
We wont need or use our bodies there at all
Just our intellect and love~
Lots of positive loving imagination as well
And always help from God both around us and above~

Terrence Michael Sutton
copyright 1978
cosmos  Feb 2016
Classroom Hugot
cosmos Feb 2016
"No more questions?
Let's move on to the next topic"

Mula nang mawala ka,
Sa bawat pagkakataong
Banggitin iyan ng aking mga ****,
Napapatanga ako at itinatanong sa sarili,
"Ganon lang ba kadali yun?"

Sana kasing dali
Ng paglipat ng pahina ng aking libro
Ang paglipat ng puso ko mula sayo, pabalik sakin

Sana kasing dali
Ng pagbura ng marka ng lapis sa kuwaderno
Ang pagbura ng alaala mo sa aking isipan

Sana kasing dali
Ng paglabas pasok ng mga **** sa silid
Ang paglabas pasok mo sa aking mundo

Sana pero hindi

Dahil tila nasa bawat pahina ka ng aking libro
Dahil tila marka ng bolpen ang pilit kong ibinubura
Dahil tila nakalabas ka na ngunit pilit kitang inaanyayahang bumalik
Kahit ilang pagsasanay, pagsusulit, at oral recitations pa
Sana bumalik ka
Pero hindi.

"No more questions?
Let's move on to the next topic"

Paano nga naman kasi ako makakausad
Kung isipan ko'y punong-puno pa rin ng katanungan
Bakit ka sumuko?
Bakit hindi na puwede?
Hindi mo na ba ako mahal?
-------------------------------------
Hindi ko naman ginawa 'to sa classroom nag-aaral ako 'no. Naisip ko lang HAHAHA.
David Walker  Dec 2012
Voices.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Alexia Côté  Jul 2014
Classroom
Alexia Côté Jul 2014
As I walk into my classroom,
And sit down to wait for my copy of the exam,
I turn to look at Pam,
And notice she didn’t eat this morning,
But nobody seems to find this alarming,

As I take out my pencil case,
And sit down to wait to write down my answers,
I look at Sophie,
She suffers from anxiety,
And the stress is making her feel like this is a disaster,

As I sharpen my pencil,
To write more clearly,
I look at Henry,
He’s been thinking of suicide,
And nobody seems to be at his side,

As I take deep breaths,
And sit down to feel no emotion,
I notice Tim,
He is suffering of depression,
And nobody is there to listen to him,

As I get my copy of the exam,
I hear someone burst into tears,
Nobody is looking at Adam,
Who has been keeping in all his fears,
And is not ready to face them,  

As I exit the classroom,
My exam given to my teacher,
I realise life is not an animated feature,
I realise all of these students have something killing them inside,
I realise all of these students have someone because of who they cried,

I realise one of them is I
This is a poem I wrote in class after an exam.
S Anand  Apr 2014
A Farewell Gift
S Anand Apr 2014
To the girl who sits at the opposite end of the classroom,
Tonight you look so beautiful with your make up and your sari and your hair,
I've also seen you in ***** jeans and an old T-shirt and early morning hair; and Oh You look so beautiful!

To the girl who sits at the opposite end of the classroom,
It was always about something that you wore,
I'm not talking about your clothes and I'm not talking about your hair,
It's about you wearing the most genuine smile I have ever seen in my life.

To the girl who sits at the opposite end of the classroom,
When you smiled, I smiled,
When you cried, my heart jumped up and pleaded, "Do something about it!"
And my head said, "Shhhh. She doesn't know you exist, let her friends take care of her!"
And as usual I made the mistake of listening to my head rather than my heart,

To the girl who sits at the opposite end of the classroom,
When you sat next to me during a random presentation,
My palms became sweaty, I was nervous, I was awkward, It.Was.Embarrassing.
And at the end of the presentation when you got up to leave and you turned around and said, "S*, you're funny",
YOU KNEW MY NAME!
It was the best day of my life.

To the girl who sits at the opposite end of the classroom,
When I get old and I'm on my deathbed, I will forget,
I will forget the stairs, the canteen, the classrooms, the teachers, the friends,
I will forget everything,
I will forget me,
But I won't forget you.
snarkysparkles  Oct 2015
A Vision
snarkysparkles Oct 2015
Every word that falls from my lips is untasted, preserved in its bitterness by the space between me and you like a vice that ferments and grows in silence.
But in the reality that a tree will still make a sound if it falls in the forest and no one is there to hear it, I’ll chance to tell your unlistening ears a story that fell into my head today.
I saw myself in a room, in the same reality as your past, but in my present body,
Knowing all that happened between us, and aware of a stigma that does not exist between us as of this moment in your past.
You are a silhouette, a small brown head, among how many other small heads in a classroom, around a table, on the stairways?
Elementary school, maybe even middle school. Years before I know you and you knew me,
When we were separate and had not joined, when existed but were unknown.
Maybe I was a teacher in a classroom, or just another student visiting, on some educational excuse, and watched you, and assessed you. Quiet, and with a quiet something wrong with your body. You were a defect. There was a quiet acceptance and maybe there was a defiance in your brown eyes. Chocolate brown eyes, or iodine? Or gasoline?
I don’t know. I don’t know.
What if I had the chance?
In this reality, I was, for the only time, taller than you. My shadow fell on you, but you were absorbed in a book. Typical. My shadow was too contrasted from the ink to divert your attention.
And here, I had the upper hand.
You were not on your guard, friend. You were trusting, or something like it. Maybe it was the childish, young semblance of cocky assuredness that you were immortal.
Maybe, in this instance, you were innocent.
Maybe you had not yet given up on the fact that none of us ever were.
Something was in my hand, as I stood over your shoulder. It could have been anything to fit the picture, a pencil, a pen. A sharpie.
My eyes were not on the object, so I don’t know. It felt long, sharp, and on the fence about what it was meant to do, to create or to destroy.
I too, was on the fence.
The classroom, suddenly (if it had been filled with filler characters in the vision before this transition) was empty. I, the unperceived grim, had the faceless and unbiased entity of silence on my side as my own personal weapon.
I could do it. I could hurt you. I could hurt you, and make you hurt, and make you bleed that blood through all your organs and your dysfunctional body that has something wrong with it that I will never understand through experience but was left to guess about because I had to trouble myself with something about you to show that I cared, in some form.
Maybe, it would make me whole, would keep me from being dysfunctional. Me, not having given up on the fact that none of us were ever functional to begin with.
Unaware that I was still there, a hovering, self-interested ghost, you turned a page and kept reading in the empty, nondescript classroom that my own mind had designed for you.
I wondered, in that moment, out of nowhere, where all the other kids were.
Knowing you, you had made the independent decision of keeping your solitude. It seems like something even a younger version of you would do. Something that always made me laugh a little, because your comfort with being alone made me uncomfortable in the way that misunderstanding something always makes someone feel uncomfortable with their own perception of reality.
But there was always the chance that (and I always wondered this): the other kids had not wanted to play with you at all, and in defense, you made the choice to be alone.
Was that fortress that you built yourself for the miser of a kingdom of one? Or did it make you feel like a monarch encased in a palace?
You will never, ever answer me that for the simple reason (and you would be right in saying) that I don’t deserve to know what the answer would be.
But back to the vision, in which you are defenseless and under my thumb, and I have been stalling myself from contemplating the morality of my choices.
The water had not yet crossed under the bridge, you see, and I was keeping myself in limbo.
Limbo, I find, is often easier than admitting that you are telling the truth (and finding that you don’t like it) or lying to yourself to make yourself feel better, but always having that little weight against your chest to tell you that you are a liar, and that is the ugly truth of the matter.
I stood over your pale, face with the budding defiance in your chocolate (iodine? gasoline?) eyes. And I would win, if I wanted to.
I took a step into the oblivion of my oblivion, the vision of my vision, the suspended reality of this dream world suspended even still within the reality in which you are reading these words-
I asked myself:
Is it possible to avenge yourself before you have been beaten?
In that reality, in which I stood like the reaper over a younger version of you,
before I loved you, before I hated you,
before I gave so much of me that it was somehow allowable for me to call a part of you mine…
I hesitated so quietly that even a literal tree would not have made a sound in the silence of that envisioned void.
Would it make it better, now, to fix something that had not even been given the chance to have been broken?
My God, what a ******* paradox.
The truth, you ungrateful (and I guess rightfully ungrateful, because this was only the mercy that I owed you) acquaintance (because I guess that’s all I have the right to call you, even after all this time and every word that we’ve spat that I still hear in my heart after months and months of typing messages and then deleting them because there is nothing to say to you and I am painfully aware of this distance within every neuron that makes up my own miserable, wretched, beautiful existence) is that I realized that you, small and quiet and alone by choice,
You had done nothing. Not yet. And it was not you that owed my blood.
And it was not you, in that reality, that was owed this apology.
This is an apology that you will never really receive, because although I have tried to find the words to throw at you, you would never, ever take them, because you are the king of the palace you built yourself,
And I’m just a stranger now, knocking at your doors, with a remarkably familiar face.
And as I lowered my hand, and whatever potential weapon was in it, the smaller version of you never turned around.
Secure in your innocence and protected by it.
At least in my innocence, and maybe even still in my hopes and wishful thinking about who we both are,
You are still innocent.
Innocent. Green, without the thorns yet that would someday make me bleed.
The vision ended there. I never saw your face, and you never saw mine. I guess there was no way to even know for sure that it was you, and not just my imagination placing you there for my own musing. Maybe I just wanted to see you.
Not in a naive way, like I miss you. If I miss anything, it is who I thought you were, not who you have proven yourself to be. I’m sure you feel the same way about me.
This vision must reflect a parting of the ways, a final apology and goodbye, though you will almost certainly never read this and even more certainly never acknowledge that you did if you somehow bridged the gap between the classroom reality and the one in which there is an elephant in whatever room we are accidentally trapped in, together, for the space of a moment before one of us steps out the door.
In the vision, I stepped out the door. My back to you, I heard you turn a page of your book, and continue the story from one page break to the beginning of the next sentence.
And in the same manner, reader, so must I.
Now, we are just strangers in the hall
Without a hurt or hope to give,
Without a word at all.

— The End —