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Tongues
Mammoth Lakes   

Poems

Jerry Howarth Nov 2021
Text: Act 2:1-21; Isa. 28:11
Intro: Speaking in tongues was a special gift given to  special men, for a special purpose for a special people for a special period of time.

Now read 2:1-12; Isa.28:11 The first truth I want you to know, is that the tongues in Acts 2, was an actual human language, not some heavnly language.

The day of Pentecost of the apostles preaching the Gospel in a gentile language, of which they had never learned, was prophesied by the prophet, Joel and Isa.

Note in the Isa.28 passage,vs.11 that the Apostles would speak win a stammering lips and another tongue i.e. another language, the Gentile language.

A. Stammering lips , compared to the Jewish lanuage which is an
     easy flowing language, the Gentile language is staccato sounding
     language, or as this Scripture renders it "stammering" sounding.
B. So Scripure has established that the original speaking in tongues
     was a specific human language, given to special men - the 12
    Apostles.
       ....and note also,  these men had not been striken in the spirit or
       had someone lay hands on them and utter heavenly words over
      them, and declare  they had just been baptized in the Holy
     Ghost.
     ans declare he or she jad just been baptized in thr Holy Ghost.
C. Next take note, that this  speaking in a language  which they had never peviously learned, was for a special purpose -the proclaiming the wonderful works ofGod -Acts 2:11 and God's plans for the future Acts 2:17-20., and the most important purpose , V.21 to proclaim God's salvation - "Whosoever shall call upon the Name of the Lord, shall be saved."

Now I want to pull over to the side of the road, and park for awhile and talk to you,  who-so-ever-you are  who  thinks you have talked in tongues - have you ever used that gift to proclaim the Word of God, the Word of salvation? Of course  you haven't; because as I Corth. 14:9 says "Except you utter by tongue (a language) words to understand, how shall it be known what is spoken? For you shall speak in the air."
                               Personl Illustraion
At one time I worked among sme Mexican men who did not speak or uderstand the English language. I and a particuler Mexican man and I became friends. I invited him to church,which he refused, Why? As he said, I could not understand laguage or the music.

I'm saying very bluntly to anyone reading this who thinks you have a special gift of speakig in tongues,  except you speak in a language they understand, proclaiming the wonderful works and wonderful work of God, you are fooling yourself or have been fooled by someone else that you have the gift of speaking in tongues.

"But Preacher, I know I was speaking in a heavenly language because I had no control over my tongue."

"I understand that, and will address it in a few minutes."
But right now I want to review what we have leaned thus far.
1. Speaking in tongues is an earthly known language, not
    some heavenlylanguage.
2. Speaking in a unleaned language was specia gift of the Holy Spirit
    given to some special men for a special purpose.
3. That purppse was to proclaim the Word of salvation to some
   special people the Israelites, IOW the Jewish people.
a.Isa. 28: 11,12 says "Yet thet would not hear" so now go to the New
   Testament I Cor. 14:21 which subsatuates Isa,  28: 11-12,In the law
   it is written,  with men of other tongues (languages) other lips,  
  will   I speak to this people, and yet for all that they will not hear
  me, saith the Lord" I Cor. 14:22 says "Tongues are for a SIGN, not to
  them that believe but to them that believe not." and John 1:11 tells
  us who the unbelievers are "Jesus came unto His own but His own
  recieved Him not"

Now I'm going to address those who say "I know I'm speaking in tongues, because I have no control over my tongue,
You are not going to like me for what I am going to say, but you really need to hear it.
Look at Acts 16:16-18 and pay attention to details. This girl had no control over her following Paul around and actually was sayimg some things we today, might have easiy been drawn in to her, "These men are the servants of the most high God which show us the way of salvation."

But Paul recognized her for what she was, a demon possessed
person, and even though she was saying some wonderful things, Paul said,"I command you in the name of Jesus Christ, come out of her" and she came out the same hour.

OK< now what I am about to tell you, if this young girl  had no control over her tongue, just as this damsel had no control over her tongue, is it possible you are being controlled by an evil spiirit. If you have no idea of what you  are saying, has it ever entered your mind that a satanic spirit is cursing Jesus, using your tongue to do so

Remember, tongues are a known human language, and you have no idea wht you are saying, so its a very possiblity that an  evil spirit is speaking in some forign laguage through the use of your vocal chords,  Not to Praise Jesus, But curse Him.

Now I know there are several passages that have to do with speaking in tongues,(An unlearned language), but keep in mind that tongues was a SIGN FOR THE JEWISH PEOPLE and in every pasage where tongues were spoken, they were always  speakin in a Gentile language that the Jewish people had lerned, and always the were proclaiming the Gospel to a, or, some Jews.

In closing, I am going to show you from Scripture, that the gift of tonges was for a SPECIAL PEOPLE for a SPECIAL PERIOD OF TIME and that time has long ago passed on, SO speaking in tongues
is not for today ICor. 13:8 "...whether there be tongues, they shall cease."

When did they cease? Look at 13:10  "When that which is perfect (complete) is come, then that which is in part (incomplete) shall be done away,"

"When "that" which is perfect is come" is not a reference to Jesus' return, as some have taught, Why? Because the word "that" is a neuter word, neither male nor female and so is talking about the completion of the Scriptures. Besides, Jesus is not a "that".

Ok, you may ask, "When was the completion of the Scrptures?" Look at the last word in Revelation. With the salutation of John's writings, came the end of many of the speaking gifts, such as the gift of tongues.

Today with the completion of thr verbal insp[iraion ofmScriptre, tongues are no longer needed; We hve God's last wrd to the world of humanity in writtn form. God has laid aside His daligs with Israel, so the SIGN of tonges is no longer needed for them; everyone gets the Gospel of God's Word the same way......through the written Wrd of God.
           From Jerry Howarth's Book of Sermons
ymou
Surely there was fire in that place
Long dragon tongues of flame
Tasting everything in sight
Leaving it burning cinders
Incredible heat wafted from
The prophet
Sweat bullets dripped then burst
Covering his face
Blanketing his broad shoulders
With salt liquid warmth
Every eye in the arena
Trained on him
No, they could not look away
They'd sold their souls
Happy with the bargain
Even if not quite
A fair exchange  
He sang of proving one's devotion
Jethro Tull sings Aretha Franklin
The sweat made it work
And the flying tongues of fire
That set upon the heads of
Everyone in the building
Forced them to speak Hopelandic
So everyone could understand
So no one understood
But the prophet
Who sang songs of desolation
Songs of depression
Songs of dislocation and isolation
Heavy weights to bear
And not a dry eye in the house
Smoke rose through those windows
Firemen never came
Crowley paid lackies to keep the doors
Locked from the outside
So
The prophets demise
Buried in several feet of ash and soot
His last words:
"So Be It"
Hundreds upon hundreds of his
Disciples
Mouths stuffed with debris
The tongues of fire ascended
When the last pulse tapered off into stillness
Suzi Quatro didn't break a sweat
Heavy axe slung laying 'gainst her shin
Bruised but hidden by spandex
Old men and dogs in the audience
Leering, craving different meats
Suzi doesn't notice
Fonzie's still a few years down the road
Suzi's got credentials
Winkler ain't weakened them yet
And with those credentials
She's gonna rock
She's gonna make 'em forget about
The prophet
And all the heavy **** he was always
Layin' on 'em
She said "Watch me play bass guitar"
And whipped out 50 classic bass riffs in a row
The people who had followed her in
Seemed impressed
But not nearly as amazed as they were
By the sight of countless tongues of flame
Descending upon their congregation
The end result being
Remarkably similar to the incident with
Flaming tongues and the prophet
What it all means
Nobody knows
Best not to interrupt good rock and roll shows
Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.