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Mateuš Conrad Feb 2017
apologies, but i will not be abstracting people
as mere pronoun users,
i know i should, but i kinda like "painting"
and giving peoeple race, and differences,
i can't really establish what pronoun-bleaching
would do to, oh i don't know,
perhaps i'd be writing this...

back when i still worked as a roofer and was doing
a project in Greenwich,
  nice try, construction industry men don't
go to the gym... what a joy to remember my roots...
anyway...
    what was i saying?
   so i commuted from north east london
this this little village...
and it really has a feel about it that it is a village...
i went into the Greenwich waterstones
bookshop and spotted something interesting...
    a j. k. huysmans trilogy (beginning with la bas)
and ending with *cathedral
, or something like that,
if i knew what the internet was saying,
i'd buy all three books...
     but i did the dumb thing of buying
the first book of the trilogy, that's always in print...
anyway, no small loss...
   and there stood sideways joseph roth's
the antichrist...
              i can't compare it to nietzsche work,
even though i should, given roth was jewish...
and i figured: if the concept is not originally
jewish and greek, and anti- is a prefix much
more easily understood these days with
the existence of anti-matter...
            than say... armilus...
    well... so i was commuting day to day,
and over the course of the project probably read
two of three books, roth's was one of them,
alongside nikos kazantzakis' blockbuster...
but something weird happened when i read roth
for the first time...
     sitting in this dockland train heading south
of the thames, a group of muslim "women"
spotted that i was literate,
     they sat, about 10 metres away from me...
but the word antichrist must have prompted them,
one just said out-loud: you're satan's *****...
huh?
   there i am, reading my own book not raving
mad reading it aloud, and there she has the prank
of associating a book to a very mysterious person
who riddles the bible being completed...
      mein gott: two world wars ever since nietzsche
wrote he was the person with the title kept
sorta on a whim for nearly 2000 years...
     and then two days ago my father has a car accident
and this hijab clad woman is driving,
  but she does a Pilate and doesn't take responsibility,
the passenger that's with her jumps out
   and gives my father his details
and the woman is pristine...
     a *******, what do you call it: sacred cow?
most pedestrians in england are treated as such...
  so she phones her son and gives the phone to my father
and her son says to my father: it's against
the law to phone the police, you can't phone them...
well... hey presto! we're in Saudi Arabia!
and this is what's worrying me...
no... nope... this is what pains me...
    i had to take my ego for a walk tonight...
i had to think a lot of ******* out,
how the ego would whimper and whine like a dog...
there's your "janus" / "contronym"...
ego... dog...
   the leash? i'm thinking with it...
and suddenly, clarifty, i can pierce it's *******
narrative and think about it... as any id might...
what i experienced was an ego-dispossesion...
   i lost it, it turned into an automaton,
robotic misery... hardly the angry Frankenstein monster...
i lost the care for an ego-embodiment...
i was dispossessed by it, robbed, thief! thief!
i needed to come back home and read
heidegger's aphorisms 174 through to 178 from
the ponderings (it would help that you read the
ponderings... after reading being & time)...
the pain i felt was very much akin to being British,
even though it's something i assimilated into...
which could mean that's it's the odd bit...
should i, shouldn't i feel some sentiment for my host
culture?
word are flying around the place,
they're calling it cultural marxism...
well... i come from a culture that had stated
marxism, period, i.e. supported by an economic model,
that worked, and would have worked,
had capitalism not done what capitalism does
naturally: compete!
   i'm watching these cultural marxists and, i think,
i'm watching penguins in a zoo...
  i don't know what to make of these marxists,
who aren't even leninists...
            where's the economic model?!
  
that's the problem of going to a catholic school
in england, attempting to stress multi-culturalism,
i even ojected to being confirmed ritually,
with a bishop from Brentwood,
sorry, too much Irish around the place....
i too thought i was about to say something in Gaelic...
outer-east london: a complete ******* jungle
of biodiversity...
     so did i misplace my allegiences?
to the tongue? to faking an ethnicity?
    of course i'm pisssed off, i spent the past 2 hours
walking the most mundane of walks,
bewildered why this woman in a hijab wouldn't
own up to causing a traffic accident...
i helped him will out the police forms,
and there she is, on paper, smug like some ****** mary
because i'm the one that really doesn't think
that Islam got Project Hair wrong,
me? personally? i think that woman's hands ought to
be covered,
     in thinking terms, a woman's hands could
get me more excited than a woman's foot...
but sure... hell... why not hair?!
              the last time i checked, normal people
have an aversion toward hair...
ever see that person almost vomiting when they found
a stranger's hair in their soup?
  that **** that grows on your hair is the only silk
you've got... how about a few toenail clippings
to boot? first thing a sane would think: ****! ****!
oh, we're going to get on... just fine, just fine...
   the next time i think about encouraging
an **** ******* position's worth of prayer
i'll be a ******* cardinal.
   what's wrong with taking responsibility?
why are Islamic women so immune to the tractātus
of law? where's the jurisprudence?
   i'd call it something more than diabolical...
you can really become a vampire when you're told
the lesson: those that thirst for justice...
  lesser leech...
            who gives a **** whether it was: "but a scratch"?
woman! take responsibility!
  pampered little coconut jugglers...
   now to think of it... leave those curtains,
and this one time: she was walking with a buggy
and a small child and she unveiled herself from
a niqab before me...
           the perfect arabian nightmare i could
have ever witnessed...
             i had long hair back then...
what she revealed from under that niqab?
wait... am i writing this in the times
when the French occupied the Holy Land and had
the first thirst / idea of a colony?
  
this is me, imitating punching a brick wall...
this is me... in a boxing ring...
bashing myself...
            this is me thinking about how man
has no capacity to usher in karma,
how man's concept of law is hardly cosmic,
how man is a kniving ******* that
deserves something beyond a heaven and a hell:
rather: a return to his self...
that's what i keep telling myself:
i don't want heaven, i don't want hell...
i, just, want, to, return, to, my, self...
    yes, that's a reflection,
hence the pronoun has no compound, i.e. isn't
a reflexive understanding for the fluidity of language
expressed by the concerning compound: myself.
perhaps that's just the beginning of understanding
the noumenon / thing in itself, or rather to counter
the fluidity of the word itself, since, evidently
it self makes no sense that could ever produce
a concept akin to the noumenon...

why wouldn't this woman care to give an inkling into
her concept of right and wrong...
she's driving the ******* car, she makes a doo doo...
pauper... **** up!
            i still don't know why it was about hair...
you like a stranger's **** in a soup?
   what's with this middle eastern fetish for covering it?
hey! beginning from 1986, am i sorta automatically
involved in a cult that has a vintage of ageing from
a **** of a camel a long time ago?
  no wonder the knighthood ceremony was initiated
by slapping a newly initiated knight across the cheek,
like i said, a woman's hand is more ******
than her hair...
      i'd say: take up ye care to don gloves!
and that, i'm sure, will never happen.

it's probably the most delicate thing a woman can possess...
a hand...
the rest is what darwinism cared to provide us with:
a black widow, a mantis;
and that's talking pure earnest about the matter...

listen, i spent the past two hours having the ordeal of
an ego... which i had to anti-narrate into theory...
yes, the id was helpful, is actually told me, or rather,
interrupted the ego from the narrative
to give me this *******'s worth of profanity
(and yes, with due reason; ever fill out a police form
concerning some accident? do that, then you'll be equipped
to read Tolstoy)...

so it was ego-possessiveness,
      the ego already thinks its eternally subject...
that's one of the implants...
eternity and god are inherent in ego,
   your heart means absolutely nothing when the ego
has been given certainity that it can't shake off...
what the ego isn't given is a unit of reason
that sees past it... the id...
in relation to dualism and the much active dichotomy
as alternative to an equilibrium of dualism
i will outrightly exclude the superego
  as nothing but antithesis to the ubermann theory
of overcoming man...
  and on their shoulder they once had
the epitomes of cartoon conscience, an angel and a demon...
but thanks to the superego: they had mama
on their left shoulder, and papa on their right shoulder...

just the mere act of shutting that thing up
was enough, and it was apparent,
that writing fiction could be to blame,
   writing fiction can be rightly guessed at
for levitating a condition of medical proportion
into the realm of mythology,
    we have already depersonalised the unit
of ego to the extent that it has become polarised,
bipolar, e.g., comes from a depersonalised
gravity of ego,
we're no longer in need to write books,
we're in a dire need to write our own psyches...
and it all stems from making the basic human unit,
bound to the privacy of thought,
as needing a system that outweighs the moral
stratum,
           what can a person actually be or become
to even dream about asserting that there is
a da-sein (i.e. something, somethingness)
          "happening"?
i feel that there's something worse than a second
nakedness emerging,
         it's this incapacity to move on,
it's a mental nakedness, i am more easily prone
to dress my body in clothes
than i am able to dress my ego in thoughts,
than can correlate adequately, and peacefully...
toward something akin to a symbiosis
that can reach a = status, rather than an
   ≠ or an ≈ status... ****! Aquarius!
isn't the ≈ symbol the basis for it?
oh hell, back into the zodiac...
              
     i know my ego can be a downer,
but at least that's who i am talking about...
aphorisms no. 174 through to 178?
i do odd experiments with books,
     this is the first of its kind,
i'm actually going to rattle-******* this book out
till it feels like having wanked it 20 times
in a single day... i'll write what i "feel",
funny word, that word feel...
you never get to use it these days,
man is more about hammering in nails than
saying: ooh... that hurts...
and we all know what happened to Jesus'
teaching... forgive strangers...
     make sure your former friends are
crucified up-side down...
                 that really went far...
                      i can just see him...
an oasis of bullet-proof clauses...
              about how to handle people...
give them l.s.d. unconsciously!
         then wait for actual l.s.d. to arrive
and then worry...
when they took to their Swiss bicycles...
and writing poetry... and eating a soft-boiled
egg... given the concern for cholesterol:
a hard concept to fathom: that runny yoke...
     never ate mine with salt, i always like
that idea of legalised abortion...
                and we can be just that...
so imaginative to consolidate being mammal
that we can fathom eating chicken eggs
as easily as abortions... runny yokes have no basis
for a morality, or a compass...
they just are... runny... yummy...
             i call yokes the male version of
a woman's fascination with chocolate...
  i think egg yokes are the equivalent of cholocate
for men as chocolate is for women...
or so the advert said...

aphorism 174: as language...

          aphorism 175:
              philosophy catching up to science,
akin to theology catching up to philosophy,
both condescending extracts
that end up with both of the extreme parties
dressing up funny.

aphorism 176: such that newspapers are
the natural preservers? i.e. the idea of historical
escapism.

      (toilet paper does, much much more,
than a newspaper actually provides,
   press freedom is a bit boring to be honest,
beginning with the need for a moral agent
that's less and less moral, and more prone to
darwinism, i.e. selective, which is also said via:
what's natural, in a more and more techno-savvy culture?)

aphorism 177: only as, a rural thinker unto
a rural thinker... a case of describing a perfume
of those thinking about a day after tomorrow,
   but more precisely:
  the day before yesterday that didn't involve them...
say, on the ethnicity basis,
  the talk of being inheriting from the form
of ancestry... how we cultivate cucumbers,
tomatoes, prejudices...
   which is why i'm a slav happily talking a tongue
that's germanic, an off-shoot saxon,
and hopefuly defending it.

aphorism 178:
         "everything great wavers and wobbles,
stands in a storm. the beautiful is difficult."
   Ezra too, with the last, alas.
     but it's true... what happened in england in the second
part of the 20th century was great,
  and it did indeed wobble past the storm into
a desert of retirement...
            a peaceful coming toward terms of
a natural agreement...
   the generation preceding mine enshrined in their
psyche an england they heard over the radio...
king crimson... all such artistic expressions
found a case to take root...
     how parasites never attack a feeble creature
and only take roost in a strong symbiotic partner...
once it was said england could resemble ancient greece,
and it did, from the second part of the 20th century...
but that ended...
               it's gone, i have inherited a communist
past, a marxism with a concept of money,
and economic policy that wasn't inherently competitive,
but it also wasn't a welfare policy of the Marshall Plan,
and all i get is this freakish counter-movement
known as marxism in culture...
   that's worse than marxism in economy!

it should be heartbreaking to say this,
but coming from a monochromatic society,
watching the death of communism...
     i could say it was perfect... but then i can't
given my grandparents have a secure pension plan
that the state provides... i like that joke,
i just said it, and it makes perfect sense...
there is much more of Pilate in the history
of the peoples than there is of Jesus...
washing my hands clean, the companies said,
meaning self-employment...
     unless you have a really hungry libido
you actually do start worrying about keeping up
the numbers...
  companies don't...
      it's a bit of a bollocking...
i come from what could be imagined as a safety
economics of marxism into a marxism of culture
that i simply can't comprehend...
              well: it did give "us" a sense of pride,
and a will to rebuild warsaw without any american
money...
        the russians just said: where's your pride?
do you want to take their money and have it easy?
and when i ask that question:
i just start thinking about arabs without their oily diapers...
oil diaper... not exactly black gold:
oil diapers...
             Ahmed gonna poo poo?
              &nbsp
Mateuš Conrad Jun 2021
bypassing the 502 error: title - whiplash...
body... cream...

original intent:

they're doing road works on a stretch of road
where the brothel sits:
house of the rising sun or whatever you want
to call it... i'm not ready for the thrist:
for the plunge that will extend into half a decade's
worth of not *******...
i'll give it a week or so... before i take the plunge:
proper... mind you... i've already found
the perfect formula for drinking...
the cheapest bottle of australian wine...
at 14%... mixed into the glorious Mayan drink
of the gods' that's kalimotxo...
and if i'm still not "feeling it": i'll top myself
off with some slender-man's whiskey glug-glug...
it worked so well for 4 years without
touching a woman's body...
what the hell prompted me?
to wake up from this slumber?
oh... right... i own two maine **** cats
and when i was grooming the female...
she stuck up her brunt right into my hands...
it felt like: trans-species ******* for a while...
a cog in my brain went loose...
for days i cycled in the night into central London
looking at the flesh market:
of the free peoples of the western world...
what prompted me...
i was grooming my maine **** cat and she
was tempting me with a: ******* hairy apple...
no... wrong... just plain wrong...
perhaps i swing around beard envy & ha...
***** envy (well... imagine a rabbit ******* an elephant...
big **** genre of: and how deep is that...
ahem... hole? standard kama sutra...
not one size fits all)
but when your cat starts to imitate getting it...
**** me... the night... cycling... sweating it off...
until you have to touch the antonym...
but suppose you come across a timid girl
and you get a case of erectile dysfunction...
while you end up caressing her: timidly kissing
her because she's timid...
pointing at her eyebrows... nose... eyes...
ears... pimples... freckles and moles...
the mirror... fingers... elbow... knees...
and asking her to say the Romanian words for them...
sure... a momentary lapse in sanity:
the reason(s) was already self-evident...
take a woman like Ava Lauren...
now... my god... by god... that's a ****-machine...
an *** like a Lamborghini and a body
like a leather armchair...
and she stuck through it... a mandible body
of the extension of the jaw...
some people are born to be boxers...
she was built to be ****** in the confines of
orthodoxy...
dead pornstars though... i.e. Shyla Stylez...
it's really a joke if i ask: would it be necrophilia
if i'm doing it to images of a dead pornstar?
"doing it": best on the toilet...
no... no scented candles... no eager kangaroo *****
no webcam... no thrill...
3 birds:  1 stone: on throne of thrones...
no better way and all the best excuses to later
jump under the shower and get on with the dead...
sorry.. day...
4 years i did... grooming a cat awoke in my a thirst
i thought i had long forgotten...
- kinks: mostly foreplay...
       kissing after all that 2nd base foreplay
while she's on top of you veiling you with her
Turkic raven hair...
immediately after the act: all that virility...
now... dilution...
            kinks: i still tend to rub my hands against
a brick wall before i enter their abode...
i rub my hands against bricks
to demand more from when i'm touching
flesh... nothing can come close when standing
at the altar of a woman's naked body
in dim lighting... with at least 2 mirrors on the wall...
reassurances of cleanliness are highly
welcome... even though by a tonne load of surprises
she would perform ******* with the rubber
commoner of promiscuity...
- kinks: any body attired in latex...
  that's the height: ms. gimp...
                          well... there's that or me endowed
with a cockerel sized endowment about
to **** a maine **** cat during grooming...
as "sick" as finding out you've been doing
the nos. 1, 2 & 3 on the throne of thrones
to a dead pornstar like Shyla Stylez...
in third person: lover-boy all smooches
and octopus tentacles reading the geography
like he might pick up the braille of all the grooves
and hinges...
interruption: i'm no pornographer!
although there's this one allusion:
    Venus in Furs... ol' Leo von Sacher-Masoch...
on the tip of my tongue:
at the tip of my fingers...
to turn stone in skin...
   - i remember being in a strip-club once...
i had to fly to Athens for that one...
i walked into a market sq. and met up with
some random... Greeks... Algerians...
Medi- olive skinned folk...
complete strangers... we drifted around the nightclubs
and watched the girls coming out...
how's that scale of nought through to ten?
below average... and highly demanding...
the four of us decided: **** it...
we climbed into a car and drove to the outskirts
of Athens to a strip-club...
unlike a dog that's chasing cars
i couldn't just... look... a few drinks down
and still eyeing the prize
i had two women around my arms
and my face buried in one's *****:
while some demon-she look on from
the other side of the platform of lost clothing...
another put a green peg on the table
informing me i could have more...
by then i was out of debit... my card was
returned... a bouncer escorted me to the nearest
cash machine in a hotel... started talking
to the receptionist while i was pretending to
withdraw money i didn't have...
right there and then i became a child:
******* my clothes... excitement, fear... both...
dunno... drunks have this build in GPS...
Athens... a city i only just arrived in...
blind drunk mad with love...
i managed to find my way back to the hostel...
**** the guiding beacons into my dreams...
eh... a ******* is never going to be a brothel...

i don't like the argument of:
look... but don't touch... touch... but don't taste...
taste but don't... what comes after taste?
if ever i catch myself watching pornogrpahy
it has to be classic Italian flicks...
on silent...
i can never be fully absorbed:
i'll wait for a real experience to come
with the flood of the senses...
i can't give myself to simulation with all
the sense...
after all... i was probably one of the last
boys who bought a ***** mag in a shop
with... actual expedience of trade...
it was still in the open...
i might have died of shame but at least
i didn't hide it...

                  no shame in Belgium though...
we were visiting world war I graveyards
and the trenches... but at the same time
we were looking for the best brothel in Ypres
while i was the only boy buying a ***** mag...
all ****... shaved... unshaved...
no *******: because a man's imagination
was still fertile... you had a woman's body
impose itself on your psyche like
an x-ray... and you had all that imagination
to subsequently have to swallow...
third party ***** weren't involved:
you never felt like a cul de sac ******...
oddly enough... limp **** hey presto:
can't perform when asked...

ooh... ol' Turkic raven hair:
all her talents in the foreplay...
and all the smooching during *******...
thank god i could never marry...
father children...

4 years it has taken me to wake up to this...
"repressed" reality...
repressed or... even the Teutonic Order
had a brothel in their capital-citadel of Malbork...
Marienburg...
for the love of women who also love:
cleanliness... and the aesthetics of arousal...
for all that's love and all that's not love...
for all that beside love: intimacy without question:
but all the answers...
for two bodies imitating slugs or serpents
where no words are exchanged or given
toward *******: autonomous bodies reaching
for braille with eyes wide open...

- the road to the brothel was closed...
the guys doing the road works cut it off...
not tonight... tonight i'm going to bemoan how:
well... when you start writing...
don't expect to have the same sort of privacy rules
implicit of... whatever the hell you do besides...
why wouldn't a plumber raise these words
from the domain of thought that's probably
his most cherished freedom?
people can still pretend to hide in anonymity
on the internet...
but... why would you... write bogus comments
and troll...
before words become carbon on paper: pencil...
the circus of thinking ought to be enough...
unless: like me... you're going at it like a bull...
i don't think i can have "privacy" anymore...
not that that bothers me...
i'll wear a mask when i put my face on...
but literacy so squandered for the upper-hand
in slighting someone anonymously...

                    ha!           someone would have
written a confession: Anne Sexton brush-up on:
what's important... Anne Sexton... now there was
a ***** that if she was willing could make you
dream all day and night...

why are so many pornstars so... ******* attractive
that you'd wish to push them
into bird-cages with the parrots
or adorn them with white linen niqabs?
as much as i want:
my words are not sacrosanct:
but they're also no Mammon slot-machine
golden-goose mine: perhaps when i'm dead:
something might trickle down into the coffers...
but i doubt that...
words never become shapes or colours
or therefore paintings...
words burn... words and all that becomes
collateral as they dig and drown into
the unconscious: of course... no motive...
just a motif...
    
brother Balaam: fellow diviner of the god
of the Hebrews...
brother Balaam... give me the strength of purpose
to chase more shadows: more more more!
speak to me from under the depths
of the sea of death...
they have left these northern lands...
and as they now stand: proud in their multitude:
and still persist in their clinging to the diaspora:
for i will not glutton myself over
the accomplishments of but one Hebrew:
when i can glorify their deity!

literacy has been squandered:
best strip these people of their "knowledge"
of letters: letter by letter:
let them return to smearing **** on cavern ceilings!
hostile barbarians: paradoxically:
the Vikings were renowned in their celebration
of "effeminate" males: poets...
i could warn a dog or two to bark as i thus:
howl...
               little creatures of dispute...
little belittling lords of shovel ****!
hey! prompt! all verb no noun...
something these leeches might understand... "might"...

all this lubricated tongue has made me think
of something else that happened today...
beside me revisiting the cinema of memory...
grandfather and i: the hyenas of the graveyard:
although even he pronounced that
he was unable to laugh: i guess i started to laugh
for the both of us... eagerly, proper:
with the vowel catcher of the first
arm of the tetragrammaton: HA HA...
while the "other" vowel catcher would
smother the vowels in sighs: AH AH!
exasperated... almost...

       call it PR or whatever you want to call it:
i'd rather stack shelves in a supermarket
than work at a call-centre...
the deceit and the Peter Pan *******
i said: it's not the Shetland Islands...
it's the South East...
i was rummaging on an internet speed
of... 0.1Mbps (megabytes per second)
for a while... i reached a zenith of 0.6 - 0.8(Mbps)...

for a year... if not longer...
and there she was: she came...
this bleached-blonde pchła of a... she did put on just
enough mascara...
obviously taken...
i don't think *** entered my thoughts
when... she... didn't... parade her keychain
that involved a picture of her and her child...
pchła: an endearing term for a girl
of timid build... a body my shadow at noon
could break like a walnut...
i called her an engineer...
she wasn't going to construct a bridge...
she was going to fiddle with my router...
my internet connection...
a woman who had desire for fiddling with:
"dead" things: shadows...
arteries... veins... a concept of a heartbeat...

i just admired her hair...
obviously not natural... bleached...
     she was a body occupying a space...
a welcome intrusion nonetheless...
i sort of enjoyed the silence i surrounded her with...
"sort of": i clearly did...
best be on your way...
a female engineer...
well... from 0.1Mbps... coming up for air
now standing at... 5.6Mbps...
she asked: how did "we" manage?
we just watched a lot of the show live...
but... there were more important things to mind...

the bothersome truth is that:
you can't exactly dig into: pristine good...
this girl who became a "cable guy" engineer...
engineer: "engineer": "tech. support":
i'm not trying to demean her purpose:
i'm the one doodling words on a makeshift
canvas...
i'm no painter or mind having
enough nepotistic authority of: father painter
so i become a fashion designer... etc.

i pin-pointed the proper term though: no?
nepotism?
you just can't objectify certain women...
both of us beguiled having internet providers:
so... shouldn't they penalize the companies
that are all software and bar users?
will the software providers turn off my...
electricity?
the PR Peter Pan stunts... as i told her:
you being the engineer and me being the customer...
we can talk... face to face...
but over the phone?
put me in a confessional booth
with a woman from Mecca and her... double take
on what's to be seen: what's to be heard...
what's to be ******... what's not to be seen / heard...
eaten...

an eager *****: if a ***** is going to give...
but if... she's... this occupied presence...
it's impossible to penetrate her with words...
all i have is:
bleached blonde hair...
heavy mascara... something insinuating combating
nervousness: i am what i am: sorting out cables:
i reassured her: the aesthetics will be dealt with...
a drowning man will cling to a razor's edge to save
himself...
why do i feel so hardly alone
around people who invest so much
in... having children?
it's not like i'm expecting 3rd party sources
to come and salvage me: when completely decrepit...

a woman completely devoid of any ****** advances:
perhaps performing the role of a dentist:
a surgeon: it's already exploited by me
when it comes to: seeing her most ******
parts: her hands... at the grace of a supermarket cashier...
let her be... she's already averting her eyes:
i might insinuate a receding question:
there's the moon... the forest...
come autumn...
maybe i'm focusing on exaggerating myself...
i am: exaggerating myself...

toward a focus of timidity...
as best i can...
    i am a dead end joy-**** at best...
an underperformer at least...
              my own very self worn down
skipping barefoot in memory
right now probably better adorned by a straightjacket...
but who's fooling who...
the readied ***** or this girl working out
cables?

i can respect this one without a need
to pressurise her with a... ******* niqab...
until she might bloat over:
over-suckled... fat... nothing more than
a speed machine for *****-count...
something that doesn't deserve limbs:
is all torso and belongs
to the cult of the bone tomahawk cannibals...

that one motto cited by all Arabs
and pseudo-Arabs: there no water in the desert...
spoken in dearest of the dear that's England:
this green and pleasant land...
where's the ******* desert?!
shovel! both a verb and a noun...
how rare.... perhaps not so much...
        proverbs from the Middle East...
******* to the Middle East and let me
riddle my own: better a sparrow in your
hand than a dove on your roof...
how's that?

better joy in the immediacy of your own:
than peace among your closely associated.
******* H'arab...
you're no Jew... esp. when sitting
on Dino-Lamborghini juice...

castles in the sky: so the psychiatrists says...
or cities built on sand...
every Pakistani / Bangladeshi knows this
proverb...
the times of appeasing the "forever" sober
Arab and his sober-Arab libido...
i'll wait... are now... like i once said:
the horrible has already ah-happened...

and if it hasn't: then i'm still... pretty much
taking a proper role in being the only watchman
on a sly of a kipper...
n'est ce pas?

irritation culminates with:
when you make your own wine...
but don't have the filter equipment...
all that excess "fibre" probably gets your more
drunk than expected...

i haven't had enough to my liking to
somehow dissolve the pledge
to keep at least 72 ****** on a leash...
all that's eternity: given all that's
available and will be:
within the confines of un-chartered space...
send me a postcard from the eye of Jupiter...
i'm more than asking:
imploring: i'm... sort of making:
chain you to me: demands...

tomorrow's a sober head:
tonight... i'll be drunk with both wine
of my own making and...
the memory of a naked body of a woman...
exactly: if she's an engineer: "engineer"
fiddling with my phone socket...
she has a photograph of her and her child
on her keychain...
i wouldn't even dream of...
usurping her... status...

            looking at her felt like eating...
oats... something wholesome...
i met up with you... herr grey...
i did't find any child-fiddling bits...
what... were... you... hiding?!
i will laugh: if you tell me: a heart...
melt my stony enclave...
burn the whole world while you're at it!
there was never going to be any sacrifice
in the crucifix pose:
only purpose for focus: for... submission...
as someone devoid of wanting to continue....
he didn't die for "our" sins...
he died in order to be worshipped...
**** him... let him hang on... father of proselytes...

- point of closure...
for now... i never rose high enough
to suddenly turn cold-turkey: goosebumps
on the *******... still... dead...
i wasn't born into a Buddhist harem...
therefore i sometimes relapse into
the gimmick of the tease...
periodically... every half a decade....
i drink unfiltered self-made wine
and talk about hardly the ******
"exploits":
i come across magnets equivalent to
timid schoolgirls...

some supposed ****** revolution happned:
lob-sided...
given how the girls took the strap-on off
and shoved the **** down
the ******* brains of their bank account
squadron...
     the ******: "******" revolution came out
***-****-side first: thirst:
lopsided: the girls have all their fun...
we die... they come close to old age:
it continues: men tend to think throughout:
that period of concern: supposedly-deemed:
life...

the feminine agony of old age...
grandma's apple pie: **** grandma's apple pie!
i want to drink my wine
with... blisters and...
dis-ingestion...
              
         sucker punch:
            suckle toward a knuckle that might just...
make creases with caresses.
K Balachandran May 2013
1
Backwater nymph,
queen of serpentine black tresses
flaunting its coconut oil gleam;
envy of  leggy girls from the Western ghat mountains,
and lissome  maidens from the plains,
who can never eat as much fish, even if they wish.
Wearing hibiscus flowers,
on coiffure like hood of a king cobra,
your coral lips  silently speak
of hot peppery kisses,
waiting for me at shaded corners.
Your sultry body in me arouses desires,
that could only be whispered in your ears.
2
On a coconut lagoon when we met,
for the first time and spoke,
non stop, as if we knew each other life long,
I heard music in your words.
Oh! in the tongue you spoke,
I heard the cadence of a nightingale
ecstatic, on its wings above the clouds,
love had prompted us to fly above the storms.
Your  gleaming coal black eyes,
like silver hooks, tug at my heart strings,
that makes music, only I can hear,
you are a free flying lark,
above Kerala's lush coconut coast,
that extends from sea shore to the mountains.
3
*When we relished steaming brown rice,
mixed with clarified butter,
with spicy tuna curry, tasting so dainty,
cooked in bubbling sweet coconut milk,
my eyes like two crazy butterflies
circled your face, a blossomed Champak
.

Mashed cassava and roasted squid,
melted on our tongues,
in a perfect culinary language
any one would understand without effort.
4
Your lips had cinnamon scent,
spice land's boons,
when we kissed we touched heaven
of scents and spicy tastes.
When our eyes fell on each other,
near the ancient synagogue,
the hay days of which is over,
a long jasmine garland coiling your hair,
    marked you different,
from the  the ladies of your neighborhood,
                                          surroundi­ng you.
How well you did pretend
that you have never seen my face before!

You have mastered love's cunning,
and all the wily tricks to cheat
the enemies of our fiery love
my Freudian mind perfectly understood.
Just imagine the brouhaha we would invite,
when we elope, in the last boat,
to *Alappuzha, stealthily at midnight.
Cochin----(Now Cochi) ancient sea port in south western sea board of India, in the state of Kerala, South India,where,Greeks, Romans, Phoenicians, Arabs, Jews and Chinese used to frequent even before 1000 BCE,seeking black pepper and other spices. Cochi, it  is said had one of the earliest emporiums of Greeks,showcasing their best of  wares including wine in  containers called amphoras.
**Champak---A plant of Magnolia family with musky fragrented flowers(Michelia champaca)
*** Alappuzha--The lake district of Kerala
sanch kay Jul 2015
think of all the people you've ever met,
and all the conversations that have ever left an impact on you.
think of all the thoughts that those words prompted in you,
and all the actions they led to,
which went and touched more people than you can count.
innumerable words and thoughts,
little cosmic representations of the
souls of people touching us
every.single.day.
your life is forever and inexplicably interconnected with a million others.
forever intertwined, forever in tandem; forever solitary.
Mateuš Conrad  Nov 2016
i. & ii.
Mateuš Conrad Nov 2016
i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound
soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art
.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.
Yenson Aug 2018
But why do they do all this, I asked, shaking my head pitifully.
Its unimaginable  the amount of time and efforts they expend,
over nothing. Not to mention having the inclinations for such
absurdities!.

She leaned in closer and whispered conspiratorially as she puts
down her glass, while she waved at me to lean in closer too.

Her cute lips barely moved as she whispered theatrically,
" this is a secret, don't quote me."
I nodded.

" POST TRUTH" she uttered, " It's all post truth, they have put
all their people in a post truth world and they all live in post truth now"

"Do you know what Post truth means?" she asked, her eyes glaring inquiringly in a straight gaze at mine.

"Yes I do I replied, basically its, ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’", I trotted out. Leaning back in my seat, I considered this, and what she had just shared.

My plight has been Orwellian, from the very start, but I honestly wouldn't have believed people would be so gullible in this day and age. But then who was it that said " No man ever went broke overestimating the ignorance of the public".

Internally I processed things again, Welfare spounging Crooks burgled me, I gave them a piece of my mind, crooks call on their Socialist mates, who then launched an unjustified campaign of
slander, vilification, harassment, hounding, intimidation, ruining
my marriage, career, reputation and my health. I, the victim of a fowl crime becomes the villain and the criminals gentrified working class heroes.

It all seem implausible in Modern Britain, this day and age, yet it's all true.

My silence prompted her, " I don't like it myself and you already know how I feel about them, but..... and she shrugged her slim
shoulders and the look of sadness and resignation in her eyes says
it all. I felt sorry for her, only God knows the leverage, inducement,
threats or dirt at play for her cooperation, given the nature of the ***** politicking that's been playing all these while
and the  results of former experiences. Poor thing, I mused,
knowing her private life was at stake now..

In Post truth terms, you are a rich arrogant privileged and greedy chauvinistic parasite who deserve all you're getting and more. 
Their propaganda machine is devious and slick. 

I couldn't help acknowledging the disingenuous politicking at
play here by our Red comrades, the nasty racial undertones of my
plight had been white-washed, the theft of my hard earned possessions is bye the bye, the bullying and intimidation by the
neighbouring criminals and their subsequent gangstalking covered up. now, what remains is hapless me, alone, unsupported and just the heinous distortions, the misinformation, exaggerations, slander and disinformation exists, and all these are falling into receptive ears by the bucketloads. The general public's moral compass has been twisted and befuddled if not totally obliterated.  

I sat in silence and for a short while, we both avoided eye contact,
finally we looked at each other. She knew I had got the picture and
for a second I saw sorrow in her eyes. Then it was gone, you could
almost glimpse this was a sentiment she wasn't allowed.

I had seen that look before from quite a number of others, nobody dares act against the wave, nobody wants to be considered a traitor
or a sympathiser.

I tried lifting the mood and changed the topic, we made chit-chat
and found laughter in some places, we finished our drinks and left.

On the street walking I once again felt sorry for her and made a
conscious decision not to see her again. I was a persona non gratia
now, and it's not healthy being my friend. Friends are compromised, debriefed and used as baits or informers. I have become a dangerous person to know and the truth has been murdered, cut into little pieces and then incinerated into ashes.

They had perhaps forgotten that TRUTH lives forever, the truth
is the TRUTH and remains the TRUTH, no matter what you do to it.

FOR NOW HOWEVER WE HAVE POST TRUTH, HOW LONG THAT WILL LIVE FOR?
Your guess is as good as mine!

Goodbye dear friend, I watched her walk away, there was an unusual slowness in her steps and she looked back at me just as I was turning away, I did not turn to look back at her again,

I knew I will not be seeing her again................
Post-truth politics (also called post-factual politics and post-reality politics) is a political culture in which debate is framed largely by appeals to emotion disconnected from the details of policy, and by the repeated assertion of talking points to which factual rebuttals are ignored.
‎History · ‎Summary of the truth is contained in the poem - WHERE IS JUSTICE on this site..·
Rsebd Oct 2018
We were standing still, you armored in my arms.
The stage in front of us was brightly lit
but the faces around us I could not see;
we danced while the world revolving around us changed.
I whispered song lyrics in your ear and
your body language prompted me to hold you closer.
So, I did.
For a moment I was sure you were in bed with me
because the air around me smelled of you.
Lost in your fragrance,
I didn’t notice the scene around us change.
Even in a new setting the only person
my eyes could adjust to was you.
Beautiful Woman.
You turned to face me and lay your head gently on my chest.
All while I wore a coy smile.
I felt your hand on the back of my neck
as you raised to the tip of your toes to kiss me.
Just before our lips met, I woke up.
You make me nervous, even when I dream.
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
Mateuš Conrad Feb 2020
why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.
F Alexis  Feb 2013
Disrespect
F Alexis Feb 2013
Excuses, excuses - they'll come in a flood,
When you realize your actions have pushed me away.
Imagine! That I once considered you blood!
But I've had quite enough of the games that you play.

The switch came in stages, a gradual thing,
I first didn't notice; it wasn't too clear.
My perspective grew sharper with distance between,
Felt your backhanded words as they pin-pricked my ears.

You thought I wouldn't notice, would let it slip by,
Never gave me much credit, and that was your fault.
Wrapped your insults in jokes, like arsenic on rye,
And you thought all this time that you wouldn't be caught.

I don't know where you get it - this self-righteous act,
It's not as endearing as you think it to be.
You might take what you want, and then leave it at that,
But I'm telling you now: you'll get no more from me.

I don't know what has prompted you picking this fight.
They're pathetic, yet hurtful, these things that you say.
And I don't know where you think you've gotten the right
To take it out on me when you don't get your way.

For years, it's been happening - don't know how I missed
All the ways you controlled me; I answered to you.
Always did what you wanted, I'm realizing this;
The extent of the selfishness you put me through.

But it changed not too long ago, didn't it, dear?
Oh yes, I grew a spine, and things started to change.
And, oh, you didn't like what you started to hear.
My defying your wants nearly made you deranged.

People grow and they change; it's especially true
For me ever since I was finally free.
So how sad to discover it's not true for you,
You're the same as you were, and as you'll always be.

That's the person you are, who you've been since we met
And it never caused issues until days of late.
The things that you've said are things you will regret,
Because I have no room for your envy-fueled hate.

You've become quite the mean one - I'm sorry, it's true.
You're no longer the person to whom I could turn.
It's a shame (it's a **** shame), but yes, we are through.
And it will not be me who is nursing the burn.

Maybe one day you'll change, and we might reunite.
I'm not getting my hopes up - there's danger in that.
Until then, I hope you learn to treat people right,
Because no one desires to stand by a brat.

Maybe I am the first to address how you are,
But I won't be the last, and this, I can assure.
Your poignant self-righteousness won't get you far,
And I'm sorry - for your case, there isn't a cure.

So remember me now; you'll remember me then,
When you lose all those who used to stand at your side.
You'll remember the disrespect you showed your friend,
For alas, she won't be there, holding you as you cry.
Phyllis T Halle Dec 2012
Caint Complain
                       By Phyllis T.  Halle  February 26, 2006
Growing up in a tiny coal mining town in the hills of Eastern Kentucky,
I frequently heard a response out of the lips of stooped, arthritic miners, toothless women, old before their time,
wretchedly poor widows with six children to feed.
It was just a common reply to the courteous, "How are you?" -
"Caint complain."
The high pitched voices of those descendents of English, Scottish, German, Irish pioneers still echo in my ears and I wonder always at the tenacity, strength and wisdom which resounded firmly in those two words,
                                          "Caint Complain."
Very few people had indoor plumbing, telephones, cars or two pair of shoes. Health insurance, retirement plans, paid sick days, furnaces, pizzas, air conditioners, jet planes, paid vacations, job security, career planning were all unheard of unknowns.
When someone became ill, the ‘‘kindly old general practitioner would come to the house and dispense his little pills and words of encouragement and instruction, knowing the limitations of his skill and ability to heal.
Mothers and fathers still buried their little children who died from diphtheria, pneumonia, whooping cough, measles, diarrhea, croup ( a disorder known in later years as asthma).
Husbands buried wives who died in childbirth, at an alarming rate. "Caint Complain," they'd say gently, with a soft 'almost' smile and deeply troubled eyes.
Sanitation was fought for, vigorously, by hard muscled women, who scrubbed and washed, and swept and mopped.
They'd boiled the family’s clothes which had been worn for a week, in pots in the back yard, "to get ‘em clean."  
Killing germs was not in their vocabulary, but that is what they'd were doing. Ask that little old gal who was out in the yard, stirring the clothes around in boiling water, over an open fire, "How are you doin’?"  
                            "Caint Complain, " she would invariably say.
WHY couldn't they'd complain? Where did their tenacity come from?
Where did that philosophy of not complaining come from?
Where did they find the resolve to place dire, critical deprivation, hard labor and malnourishment behind them and place a smile on their faces and say
                                Caint Complain?

I knew some of those people when they had grown very old and faced birthdays in their late nineties. Without exception, they had the sweetest dispositions, most grateful hearts, kindest words and calmest old ages of any among the many I have known who reached that age!
When the pressures of their life had faded and they had nothing remaining that had to be done except to live out the final part of their life, they did not have a habit of complaint.
Some recent phone calls I have received were what prompted me to think about this. One right after another, friends called and for the first ten minutes of each call, I listened to a long list of complaints about the trials and travails my dear friend was suffering.
Each friend has: no financial worries, a wonderful primary care doctor, prescriptions to keep their heart pumping, eyes seeing, brain focusing, stomach digesting and body sleeping, each night.
They are protected from financial ruin, by medicare and/or HMO, social security checks, pensions, savings and inherited wealth. They have loving, devoted sons, daughters, nieces and nephews who keep in touch and are there for them.
They each one have lovely heated and cooled homes, apartments or condos with every convenience known to Americans; cars or taxi/bus services to get them out and around. More than that, each has beautiful memories which they can call upon to bring a smile to their face at any moment of the day or night. But somehow we find plenty to complain about.
Why haven't we formed the habit of Caint Complain?
Maybe the philosophy of always seeking more comfort, more possessions, more money, more- more- more- of everything, has driven us to achieve, accumulate and accomplish but it required us to never know what the word contentment means.
Contentment doesn't mean having everything at one’s fingertips. It doesn't mean lacking nothing. It certainly doesn't mean every dream and desire fulfilled.

Yet there are many who have enough of everything except the common sense to know when they really "Caint Complain."
Happiness is a fleeting moment of joy. Contentment is finding peace in what you have, what you are and what you have accomplished.
Having the serenity to know which one brings lasting goodness into your life is wisdom.
A SMILE IS THE KNIFE GOD GAVE US TO CUT THE SIZE OF OUR TROUBLES DOWN TO A BEARABLE LOAD.    
Lots of love and hugs, Phyllis
A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.
Hal Loyd Denton Jan 2014
What I seek here is as a writer astutely commented “it was the pure breath of God playing on
Human heart strings” where better to start than an instrument that is played in such fashion
Solely by the wind its name is from ****** the Greek god of the wind my changeup calls for the
Wind of the one true God my line in lost friend not a person but a great black oak that grew on
A California ranch for over a hundred years in a storm it was destroyed the lines read this way
Two divergent seeds the ground did divide one of wooden grain the other flesh and blood
Their branches throughout the community do abide as charming as church bells ringing touching all the
Flesh and blood pertains to the ranch family that was so honored by this majestic guest all those years
That’s what I am speaking of bells are associated with the Aeolian harp because their sound is carried on
The wind crisp and clean without contamination this is written that we might prepare ourselves and
Have the pure spirit blow across our souls and from it have a better year ultimately a better life first in
These examples we will move closer to the Aeolian harp you will see this isn’t just living but its
Excelling in the richest spheres our lives can and must strive for this magnificence we are not
Just here just to expend time and enjoy ourselves we are to be in pursuit of a great and eternal
Reward there are many stratus of life others are in earthy terms more advanced that is only on
Social levels in the spirit we truly are equal each according to their gifts will answer on a same
Plane fair and honest judgment so that alone should birth passion in each one I want to be the
Best I can be not to out show another but to present our selves honorably and show we put in
The same effort as others first know all are not chosen to have such dramatic tunes of the harp
To drift across life’s varied landscape ours still will be unique and the highest tunes possible and
Will resound with glory we ourselves to a degree will be pleasantly surprised truly so it will be
Determined on the closeness we have with His Holy spirit when I first heard the harp was in
Hannibal Missouri I was in this rich place of American story telling the boy hood home of
Samuel Clemens better known as Mark Twain I was on the river frontage road the great
Mississippi was to my right but I wasn’t thinking of Tom Sawyer my thoughts weighed heavy on
My mind I was far away up by Chicago at a church where brother and Sister Willis was pastor
Then back in the present here in Hannibal this was their home town a beautiful blonde eight
Year old was their pride and joy life was full she had a older brother who was ten it was a
Musical joyous life and then dark ominous clouds rolled in one so filled with life small and
Gentle it was one of the cruelest and terrifying cancers sorry even her death was terrifying in
The midst of tears and anguish they prompted the Aeolian harp to play they brought her home
To this historical place that became so much more rich and sacred when they lay her in the
Cemetery it came as a rush it over powered my emotions in my mind I saw her waiting for that
Great call the dead in Christ will rise first and meet him in the clouds of glory then those still are
Living will be caught away with him this young heartbroken father and mother with
Out hesitation or actuation by faith and trust they continued and shortly thereafter they started
And completed a larger church the richness of the harp reached across the lost community
Families in peril confused and lost had their ears and hearts opened by the lives of these
Faithful Parents it’s not just about making heaven but look around you at the great and terrible
Day of Judgment the great white throne and He who sets there once the savoir now the judge
Of the world you have others standing there with you as you look at them you can’t help to
Look Beyond His great light and see out in the darkness the deadly silent crying trembling lost
That no one reached or worse they wouldn’t listen the next story of the harp is about Frank
Bartleman the great man God used to bring modern Pentecost to America through the gate of
Azusa St Los Angels he arrived in Los Angeles with his wife and two young daughters December
22 January his oldest daughter three year old Easter was seized with convulsions and passed
Away he echoed the word from Ester little Queen Ester seemed to have been born for a time such
As this Esther 4:14 “Beside that little coffin with heart bleeding I pledged my life anew for God’s
Work In the presence of death how real eternal issues become of all the music LA has produced
None comes close to the sounds made by the Aeolian harp that day all the days since and all
The Souls whose shouts resounded then and now what joy bells are ringing throughout the
Years you read this the harp cuts thorough every excuse every denial we make when His love is
Calling over pastoral fields over head white clouds azure blue sky a single white dove the son of
Man personally calls to you I love you you’re missing so much following the false and deadly
Trends of this world come let me pull you close your land a waste land of just material things in
My presence unquestioned exception hurts carried for years will be healed only as a father can
Do your guilt will be forever cast away moral purity that your soul cries for will be heaped in
Your life no longer dark shadows that haunt but real true life that satisfies to the uttermost it
Will heal bring new understanding addictions are flimsy bindings that hold only because you
Seek all things that are rooted in disfavor my favor knows no bounds and you will be free I will
Breathe my spirit and you will know the Aeolian harp tunes and breathtaking wonder will swirl
Through your mind heart and spirit Heaven will displace the black strangle hold of this world
Centered anew the rays of the cross and my love breaks every yoke true freedom is yours for
time and eternity

— The End —