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hiddenvoice
New Orleans    Culture loving, vegetarian, city girl. Waiting for a wave of something new. Resilient. Inspire me.

Poems

There’s a whisper down the field where the year has shot her yield
  And the ricks stand gray to the sun,
Singing:—’Over then, come over, for the bee has quit the clover
  And your English summer’s done.’
    You have heard the beat of the off-shore wind
    And the thresh of the deep-sea rain;
    You have heard the song—how long! how long!
    Pull out on the trail again!

Ha’ done with the Tents of Shem, dear lass,
We’ve seen the seasons through,
And it’s time to turn on the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail—the trail that is always new.

It’s North you may run to the rime-ring’d sun,
  Or South to the blind Horn’s hate;
Or East all the way into Mississippi Bay,
  Or West to the Golden Gate;
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail—the trail that is always new.

The days are sick and cold, and the skies are gray and old,
  And the twice-breathed airs blow damp;
And I’d sell my tired soul for the bucking beam-sea roll
  Of a black Bilbao *****;
With her load-line over her hatch, dear lass,
And a drunken **** crew,
And her nose held down on the old trail, our own trail, the out trail,
From Cadiz Bar on the Long Trail—the trail that is always new.

There be triple ways to take, of the eagle or the snake,
  Or the way of a man with a maid;
But the sweetest way to me is a ship’s upon the sea
  In the heel of the North-East Trade.
Can you hear the crash on her bows, dear lass,
And the drum of the racing *****,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and ’scends on the Long Trail—the trail that is always new?

See the shaking funnels roar, with the Peter at the fore,
  And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
  And the fall-rope whines through the sheave;
It’s ‘Gang-plank up and in,’ dear lass,
It’s ‘Hawsers warp her through!’
And it’s ‘All clear aft’ on the old trail, our own trail, the out trail,
We’re backing down on the Long Trail—the trail that is always new.

O the mutter overside, when the port-fog holds us tied,
  And the sirens hoot their dread!
When foot by foot we creep o’er the hueless viewless deep
  To the sob of the questing lead!
It’s down by the Lower Hope, dear lass,
With the Gunfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail—the trail that is always new.

O the blazing tropic night, when the wake’s a welt of light
  That holds the hot sky tame,
And the steady fore-foot snores through the planet-powder’d floors
  Where the scared whale flukes in flame!
Her plates are scarr’d by the sun, dear lass,
And her ropes are taut with the dew,
For we’re booming down on the old trail, our own trail, the out trail,
We’re sagging south on the Long Trail—the trail that is always new.

Then home, get her home, where the drunken rollers comb,
  And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
  And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They’re all old friends on the old trail, our own trail, the out trail,
They’re God’s own guides on the Long Trail—the trail that is always new.

Fly forward, O my heart, from the Foreland to the Start—
  We’re steaming all too slow,
And it’s twenty thousand mile to our little lazy isle
  Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song—how long! how long!
  Pull out on the trail again!

The Lord knows what we may find, dear lass,
And the deuce knows what we may do—
But we’re back once more on the old trail, our own trail, the out trail,
We’re down, hull down on the Long Trail—the trail that is always new.
O true and tried, so well and long,
  Demand not thou a marriage lay;
  In that it is thy marriage day
Is music more than any song.

Nor have I felt so much of bliss
  Since first he told me that he loved
  A daughter of our house; nor proved
Since that dark day a day like this;

Tho' I since then have number'd o'er
  Some thrice three years: they went and came,
  Remade the blood and changed the frame,
And yet is love not less, but more;

No longer caring to embalm
  In dying songs a dead regret,
  But like a statue solid-set,
And moulded in colossal calm.

Regret is dead, but love is more
  Than in the summers that are flown,
  For I myself with these have grown
To something greater than before;

Which makes appear the songs I made
  As echoes out of weaker times,
  As half but idle brawling rhymes,
The sport of random sun and shade.

But where is she, the bridal flower,
  That must he made a wife ere noon?
  She enters, glowing like the moon
Of Eden on its bridal bower:

On me she bends her blissful eyes
  And then on thee; they meet thy look
  And brighten like the star that shook
Betwixt the palms of paradise.

O when her life was yet in bud,
  He too foretold the perfect rose.
  For thee she grew, for thee she grows
For ever, and as fair as good.

And thou art worthy; full of power;
  As gentle; liberal-minded, great,
  Consistent; wearing all that weight
Of learning lightly like a flower.

But now set out: the noon is near,
  And I must give away the bride;
  She fears not, or with thee beside
And me behind her, will not fear.

For I that danced her on my knee,
  That watch'd her on her nurse's arm,
  That shielded all her life from harm
At last must part with her to thee;

Now waiting to be made a wife,
  Her feet, my darling, on the dead;
  Their pensive tablets round her head,
And the most living words of life

Breathed in her ear. The ring is on,
  The 'wilt thou' answer'd, and again
  The 'wilt thou' ask'd, till out of twain
Her sweet 'I will' has made you one.

Now sign your names, which shall be read,
  Mute symbols of a joyful morn,
  By village eyes as yet unborn;
The names are sign'd, and overhead

Begins the clash and clang that tells
  The joy to every wandering breeze;
  The blind wall rocks, and on the trees
The dead leaf trembles to the bells.

O happy hour, and happier hours
  Await them. Many a merry face
  Salutes them--maidens of the place,
That pelt us in the porch with flowers.

O happy hour, behold the bride
  With him to whom her hand I gave.
  They leave the porch, they pass the grave
That has to-day its sunny side.

To-day the grave is bright for me,
  For them the light of life increased,
  Who stay to share the morning feast,
Who rest to-night beside the sea.

Let all my genial spirits advance
  To meet and greet a whiter sun;
  My drooping memory will not shun
The foaming grape of eastern France.

It circles round, and fancy plays,
  And hearts are warm'd and faces bloom,
  As drinking health to bride and groom
We wish them store of happy days.

Nor count me all to blame if I
  Conjecture of a stiller guest,
  Perchance, perchance, among the rest,
And, tho' in silence, wishing joy.

But they must go, the time draws on,
  And those white-favour'd horses wait;
  They rise, but linger; it is late;
Farewell, we kiss, and they are gone.

A shade falls on us like the dark
  From little cloudlets on the grass,
  But sweeps away as out we pass
To range the woods, to roam the park,

Discussing how their courtship grew,
  And talk of others that are wed,
  And how she look'd, and what he said,
And back we come at fall of dew.

Again the feast, the speech, the glee,
  The shade of passing thought, the wealth
  Of words and wit, the double health,
The crowning cup, the three-times-three,

And last the dance;--till I retire:
  Dumb is that tower which spake so loud,
  And high in heaven the streaming cloud,
And on the downs a rising fire:

And rise, O moon, from yonder down,
  Till over down and over dale
  All night the shining vapour sail
And pass the silent-lighted town,

The white-faced halls, the glancing rills,
  And catch at every mountain head,
  And o'er the friths that branch and spread
Their sleeping silver thro' the hills;

And touch with shade the bridal doors,
  With tender gloom the roof, the wall;
  And breaking let the splendour fall
To spangle all the happy shores

By which they rest, and ocean sounds,
  And, star and system rolling past,
  A soul shall draw from out the vast
And strike his being into bounds,

And, moved thro' life of lower phase,
  Result in man, be born and think,
  And act and love, a closer link
Betwixt us and the crowning race

Of those that, eye to eye, shall look
  On knowledge; under whose command
  Is Earth and Earth's, and in their hand
Is Nature like an open book;

No longer half-akin to brute,
  For all we thought and loved and did,
  And hoped, and suffer'd, is but seed
Of what in them is flower and fruit;

Whereof the man, that with me trod
  This planet, was a noble type
  Appearing ere the times were ripe,
That friend of mine who lives in God,

That God, which ever lives and loves,
  One God, one law, one element,
  And one far-off divine event,
To which the whole creation moves.
Ezra Pound  Aug 2009
Envoi
Go, dumb-born book,
Tell her that sang me once that song of Lawes:
Hadst thou but song
As thou hast subjects known,
Then were there cause in thee that should condone
Even my faults that heavy upon me lie,
And build her glories their longevity.

Tell her that sheds
Such treasure in the air,
Recking naught else but that her graces give
Life to the moment,
I would bid them live
As roses might, in magic amber laid,
Red overwrought with orange and all made
One substance and one color
Braving time.

Tell her that goes
With song upon her lips
But sings not out the song, nor knows
The maker of it, some other mouth
May be as fair as hers,
Might, in new ages, gain her worshippers,
When our two dusts with Waller’s shall be laid,
Siftings on siftings in oblivion,
Till change hath broken down
All things save beauty alone.