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Mateuš Conrad Jan 2020
.remember this youtube channel: harakiri diat...

i think this genre of music has a name: brutalism...
last night i watched 50 book recommendations
by the cosmicsceptic...
beside his oxford specific titles relating
to his philosophy and theology degree...
came the fictional books...
i presumed that i didn't read anything going
into this video...

i can be forgiven for not reading a christopher
hitchens when i've read some knausgård...
perhaps i presume to have not read anything...
because... i do quiet enjoy the act of reading...
so much so that... only scraps remain for me that
are: useful...

i can't imagine finding any use from a book
if it's not already in it...
apparently i'm not so under-read as i led myself
to believe...
but this is not about literature...
i was looking for a genre to encompass...
say... vomito *****...
the klinik...
the soft moon...
but i couldn't come to anything of worth...
not until i foraged for the more obscure...
the raw pulp...
primitive knot - ******* of brutalism...
again... the channel harakiri diat
has the music covered...
zeit und geist... i am the fire...
let's keep it clean...
i would go as far as to include
bohren & der club of gore: midnight radio
into this whole mix...

as much as i'd love to push for die krupps...
no can do... their stuff is polished goods...
vomito ***** is polished goods...
but there's still something raw about them...
once upon a time there was this "thing"
about doom metal... electric wizard... etc.,
but i can say... this new brutalism is...
by far... better than a gavin mcinnes diet
of punk... i never liked punk...
i never liked punk as i never liked rap...
hip hop yes and all that jazzmatazz fussion...
some solid grit...

after all... Romford, Essex...
probably the last bastion of the music shop...
a his-master's-voice with a vinyl section...
my idea of a tennis-court,
a cafe, a swimming-pool, a park,
a church even... because you can never really
own too many records...

and between me and you:
what's the difference between me and my neighbor?
he plays his music, mostly rap...
on the speakers... and sings along to the songs...
he finishes the day with some r'n'b and stops
singing... i take over...

headphones in, 6ft2 posture hunched in a chair
scribbling with chicken-pecking precision
some long lost "hierogylphic"...
and of course: in between some, literature...
but it was only about the music...
youtubers ruined youtube as much as
the "legacy media"... or the next will smith...
"vlogger"...

once upon a time youtube was a haven for people
like me: who only used it to find new music...
somehow the glitches started and the music video
recommendations died: youtube thesaurus algorithm
became corrupt or something...

would i ever sing-along to a song?
not if it's as raw as a stake-tartar and the dish
needs to be served with merely thinking to compliment it...
i'll repeat what i've already said:
gentlemen! the jukebox is ******!
- and i was the type to listen and then buy
a physical copy... even though i didn't have to...
i could go back and listen to the same stuff again...
out of principle...

no car = no car insurance no road tax...
no mobile phone = no... bill...
in terms of primitive knot, though?
would you rather go blind or deaf?
that's a tough one...

listening to primitive knot or watching
a latex lucy b.d.s.m. short *****-flick...
i know: it's the obvious synonym overlap...
but at the same time it isn't...
gimp suits or all those other unicorns of the bedroom...
but no... the most forbidden act i ever managed
to fathom in a brothel was a kiss...
one time i pulled out a ***** from a drawer
when she went with the money to the madame
of the parlour and coming back asked me:

do you want to use it?
*** to me is like rye bread...
it's not a ******* croissant...
toasting alone will do the trick...
language is already complicated by necessity...
of crosswords and the boredom
that most mono-lingual people feed not having
learned a crossword of bilingualism...
why would i inhibit this fact of voyeurism?
apparently there's something immoral watching
someone get pleasured...
perhaps i should find some rare footage of
a peter anthony allen hanging...
or Leroy Hall, Jr. at the Riverbend (Nashville, Tennessee)?
perhaps i should start jerking off on
a whim, from time to time...
over execution footage?

perhaps it's that sort of conundrum...
you see someone eating ice-cream and enjoying it...
you therefore? buy yourself a cone?
god almighty... but the added responsibility
of also owning the fridge and freezer
when that spontaneous whim passes...
after all... there's always that diet of...
the girls jerking off into the camera...
which is probably the least guilt-riddled form
of ******* on the planet...

hey! if she's doing it... and you sat down
on the throne of thrones to do the no. 1 and the no. 2...
let's call it no. 3 and taking a baptism later (no. 4)...
esp. if you haven't been circumcised...
at this point: i feel sorry for the circumcised men...
that do not live within the rigours of a hasidic orthodoxy:
the circumcised man: the subservient woman...
the circumcised man: the woman in a niqab...
i guess that's how it works, no?
imagine the problems...
if the man were circumcised... but the woman...
was not supposed to pay any sort
of "penalty"...

then again: one would expect to find the best
***** under the crucifix...
stigmata pin-head and all those dittos...
and heads... but i am a connoisseur... 1970s...
1980s... but it must be Italian...
no... not German... and certainly not English...
chances are: yes, French... but more or less
Italian... and it's always on a whim...
connoisseur... well there are videos where
you can find a pregnant woman parading her bump...
and squeezing her *******...
and that's about it...

i want to imagine what those 9 months
of pregnancy must feel like...
for better or for worse... the oral demands...
perhaps i haven't written about this sort of stuff
for a long enough period...

now an interlude where i smoke a cigarette
is bound to be... exquisite...

it sure as hell is the safest way to arrive
at some sort of *** that's purely plesurable:
a gradation of *** without consequences...
but is this a celebration?
a woman ******* on camera with
her toys is a celebration...
me my ******* and the phantom hand...
there's no theatre in it...
the utility of taking a ****, taking a ****...
doing "it"... then having a shower...
and then "repressing" it...
not having "repressed" it to begin with...

i did a month once...
i came to the conclusion... that i'm more impulse
prone, i was planning my next brothel
visit... after a month i was still planning it...
then i relieved myself and...
would you believe it? the impetus dissolved!
i don't know what these right-wing
europa-identitarians are coming up with...
so much attention on:
i enjoy reading as much as i enjoy taking
a ****... notably the constipated kind
but esp. more of the diarrhoea nature...
hello mr. **** hello mrs. geiser!

perhaps that's why i wouldn't ever be a fan
of ******... i enjoy taking a **** too much...
or perhaps i'm just too old fashioned...
but this began as something orientating oneself
around a music genre...
how did it come down to pornogrpahy?

jean genet: the thief's journal...
i was really hoping for something marquis de sade
-esque... there was still too much:

solo girl does her bit...
so well in fact... that... buying a *** doll
must only remain a h'american thing...
*** is already shamed when marriage comes
along in anglo-saxon societies...
notably the inflateable sheep or doll
on those normie stag parties...
*** and children and the joke is:
you can only have good ***...
if you're ******* for procreative reasons...
bypassing the ****** for the sake
of the children...

otherwise... well no ******* doesn't help...
if... there's no wife in a niqab in public...
or some kosher wifey either...

i still have mine and i will keep that...
as... almost... a security policy...
a prenup...

pauk-mumije (1982 bosnian post punk)...
perhaps brutalism is just post-punk?

i remember it quiet clearly...
i still can't fall asleep without listening to music...
as i couldn't back then...

otchim - james dean...
the bass and no guitar riffs until the chorus
comes... and... ha ha... it's in fwench!
just like i could **** her without listening
to really... atmospheric music...
by 2007 standards that was equal to:
the dandy warhols...
but that was 2007...

these days... hardly candles and
black sun dreamer - post-traumatic stress disorder...
back then it was candles
and type o negative...
the candles and... catching a mouse...
no trap... a labyrinth of obstacles
and she sitting on the bed giggling while
i played being a maine ****...
and i did catch the mouse...
held it by the tail... let it lose on the stairwell...
and then watch its traumatised body try to
find a hole... scuttle and then fall...
to a depth of a greater serenity of
a... vermin's suicide: with no monkey sing-along
of... this mouse has done the cheese...

and it was sad when i was naive and
i accidently killed my hamster in a similar
fashion... but some ***** Abel...
but at least the mouse allowed me to
circumstance a Pontius Pilate relief...
and she asked me: what did you do with the mouse?

oh... it committed suicide.

chicago research compilation... tape CRO15...
perhaps listening to the cure
or depeche mode was once a "thing"...
no... burtalism is not post-punk...
pisse - kohlrubenwinter...
red zebra - i can't live in a livingroom...

my one personal joke...
in england i started calling the livingroom...
the civilroom...
pokój cywilny - if it must stress the St. Cyril...
so it must: комната гражданский..
brutalism is not post-punk...

stiff little fingers... are punk's creamy pie...
oto - bats...
bodychoke - cruelty
       "            - red dog
       "            - the red sea
legendary divorce - age with us...

somehow more of my ****** valnetine...
and less sonic youth...

i do remember pretending to date...
at high school...
the first question was always a nervous
build-up to the question:
'what music are you into?'

weird party - acne puncture...

well would you believe it...
some of us are still after something that
finds no sort of aleviation
in the alternative that's an aydin paladin
video...

POPEiUM - papacidal coronation...
Münn - II. in defeat...
a john peel: a no john peel...
the sort of piano that makes
a debussy or a satie blush...
AMORT - die hexes...

the current standard of... the stoogers...
or stooges... and... air no concern...
the limbo artifact of ***...
formerly known as the... limbo pickling...
of the undead...
and all those that come with an eczema and
the scabs of leprosy...
and vampires: those syphilitic zombies...

susumu yokota, and all those stupid,
solipsictically assured cats, grinning...
menace of the grin!
full cheese impromptu with a display
of teeth!
a night promenade into the forest
listening to: demdike stare's tryptych...

i haven't tried... but from 1pm through to 5pm...
i could phone classic.fm and ask
for... a song to be played in my name...
perhaps i'll phone in...
if i catch the right "once upon a time"...
and find it... as i found...
christopher young's: something to think
about...

**** and music... many interludes...
perhaps some little borat-britain references...
and then: none...
per 1K there's a cult...
per 10K there's a counter-culture...
come the 918 apostles... of jonestown...
there's no leftover for no...
alternative...

the restless mind starts its exercise
in petty squabbling....
why weren't i the respected,
vatican proof for a plumber!
why wasn't i to become,
the undertaker!

i too feel: the claustrophobia
of the ensue of the paragraph...
what is primitive knot contra U2...
mainstream? sod it: knot it a blood
and a sundail!
blood dries... the mercurial mythology
dries a solidity of
something becoming more an echo...
and less a sodden-print of the foot...
which the tide will,
nonetheless relate itself as...
worthy of being erased...

the violin concerto...
the piano nocturnes...
and the symphonies...
and the operas...
later the ballet...
beside... a chopin would write a nocturne...
a debussy would write one also...
but...
debussy writes a nocturne...
satie writes a nocture...
but a schumann?! a schubert?!
they write a concerto!
none of their work could have been written
in solide with a solipsistic monologue
escapade...

perhaps i can only appreciate chopin via
his nocturnes...
otherwise i am not convinced...
the greats wrote.... symphonies...
operas... never accompany pieces
to make their instrument an oak...
a tree... and not something resdual
to later make a mahoganny piano / table
of...

pianists! you only hear of their prowess!
Liszt! Chopin! Debussy! Satie...
exclaim as if to: suprise the "audience"
with either knowledge or...
adoration?
can a violinist make the same sort
of statements?
a pianist will play... with an accompaniment...
he will never become the maestro
predisposition
of the polyphony...

a chopin only heard the piano...
a debussy only heard a piano: solo...
a beethoven or a mozart...
what violin solo? what of a violin concerto?!
is that a trick question?
old father bach...
no instrument: well...
shubert loved allowing a piano ****
a bunch of harem violins in a harem crescendo
of a concerto...

but a nocturne? the polyphony of...
the "polyphony" of...
two pianos playing side-by-side...

- the joint"laura's"1967 kk proto prog freak phych -
no, that's not it...
- and no... it's not omega - gyöngyhajú lány...
- well **** on me...
locomotiv moscow is not a band...
but an f.c.... beg your pardon...

as i do hope that i am wrong about
a minor "technicality"...
somehow classical, essential...
and nothing worth or being able to: hum...
or sing-along-to...
always serious and finding outlets
of a necessity in being: thought of...
perhaps there's this grand:

technicality of not finding oneself sighing
or crying for that matter...
vaughan williams is more required...
for the expanse of a cowboy movie
horizon...
or that technical term...
the: deconstruction of the dutch angle
in the perspective shot...

but we don't talk about *** as much
as we don't engage in it...
and we certainly don't talk about music...
the absolute brutal needs to be found...
a butterfly a lotus a kiss in a brothel...
all else is... the slaughterhouse....

this has been a...
no Friday night in Soho can match-up...
i've spent better nights in
Amsterdam...
and no... the red light district was
never going to be a cannabis cafe for me...
or some Vermont-esque quest for a better
pint of ale...
*** was on sale...
there was not real point of making
any money from it in the medium of fiction...
it was always going to be
ugly, frictive... below par of expectation...
but it was always going to
be fathomable... fathomable in a sense
of it being respected...
as a hierarchical undermining...

oh what since was, truly was concrete...
but the verbiage came along
and fiddled with the fog and the end-result
deems itself abstract...
there's the concrete of drought...
and the abstract of locust.
there's the concrete of a mountain...
and the abstract of a pyramid;
there's the concrete of death...
and the abstract of a mosileum;
after all... a grave is a coping mechanism
of someone who...
never began the inquiry... of mortality...
joking as a child might...
pretending to handshake his own shadow.

as i have found the antithesis of narcissus...
the man who fell in love with his shadow.
Wise Eye  Mar 2015
A Cigarette
Wise Eye Mar 2015
Once more I close my eyes.
A violin plays like a blazing fire.
I feel calm yet tears cover my eyes.

The fire burns through my lungs.
I hear the silence of many thoughts.
The concerto ends, I applaud.
Once more I open my eyes.
John F McCullagh Dec 2011
Paul Wittgenstein returned from war,
feeling half a man.
He had fought his nations’ battles
at the cost of his right hand.
The loss of an appendage
scars anyone, its true.
Paul was a pianist-.
With just one hand what could he do?

Paul Wittgenstein was fortunate
Having Ravel for a friend.
A confidante of Gershwin,
He said Paul would play again..
He wrote a sweet piano piece
To be played with just one hand.
If you close your eyes and listen
You would never guess his plan.
A composer of precision,
With a jazzy playful side,
His left handed concerto
Was one to make the angels cry

Paul Wittgenstein took to the stage
A sea of faces looking on.
He played the piece so brilliantly
None guessed his hand was gone.
Not until he left his seat
To bow to their applause
Some gasped in their astonishment,
But most just cheered and roared.



Ravel's Concerto for the Left Hand is one of the most brilliant and important of 20th-century concertos for any instrument. Composed for Paul Wittgenstein, a pianist who lost his right arm during World War I, there is no way by simply listening that you would ever know its secret. Both of Ravel's concertos were heavily influenced by jazz--possibly also by his acquaintance with Gershwin--and successful performances must combine his customary precision with a certain ability to "swing" the tunes. --David Hurwitz
Jeff Stier Oct 2016
A most pious man
whose well-tempered music
brushed the cobwebs
from the throne of God

Evolution was made manifest
across deep time
these lyrical figures
achieve the same purpose
in the space between the morning star
and the dawn

A fallow field
is sewn with pearls
a moonlit beach
illuminated by shadow
every scrape of the fiddler's bow
merges mind with the present
harvests the meaning
in the moment

The composer
that good man
was
for a time
church organist at St. John's
its notable steeple leaning
all askew
as a rebuke against God
or perhaps the drunken architect

A finger of candlelight
plays across the manuscript
a fugue echoes
through the still church

And though no living person
on that still winter's night
shares the organist's solemn delight
the stirring mass of possibility
that is posterity
awaits
Mateuš Conrad Sep 2017
i'm sorry, embracing darwinism is an abandonment
of carpe diem: there is no way that
the anglophone world will ever fully embrace
existentialism, the anglophone world is
orientated around up-keeping their golden
quack's worth of the goose that laid
golden eggs in a grimm's tale -
    it will not pass me, even though i'm drunk
and half the spectator's worth of chant,
you're not getting "one" past me...
             why? it's simple!
            the english speak more shakespeare
than dante...
             and that's for starters...
     whenever i look at english t.v.
i'm less glutton & more anorexic,
    less political & therefore more docile...
the ******* nodding brigade.
  nod, sneeze, nod some more,
pretend it's head-banging, you *******
tickling peckham *****...
          *******, and **** your
ellie charlie and prince albert whatever you
******* call him of edinburgh
who could play that vampire, like he always
plays a vampire, that charles dance:
****** has a 11" ****'s worth of voice...
now come on, darwinism is nearing death...
    i'd prefer the idea of nibbling on bamboos
like some panda; you sure we didn't
evolve from bears, instead monkeys?
mono-apparent diet though...
come on, take it to ease up life...
             seems i has a lost sense of humour
running rampant...
     even the russians are laughing:
**** me: that's a joke in itself...
          moscow giggles?
    that really ought to come from a *******'
**** joke philander of breezes
smoking a cinnamon ridden pipe
with a jew on the side...
               kippah for a bowl?!
             what, jews are careless when saying
a joke, you being anti-semitic all of a sudden
while i say mine?
       chinese never slurped a noodle soup
while utilising chopsticks?! you sure
you didn't see grandpa ying-ju slurp
that chicken broth up?!
they didn't! bring in the french cuisine experts
regarding au jus!
*******, gonna boil them like,
wide-awake,
oh i've seen a chicken get decapitated on
a stump of wood, with the cannibalism
that ensued, while the decapitated head
rolled off the slub, lazy eyed while
the other chickens made a religion,
and pecked at the blood...
           silence of the lambs had its hannibal:
time for a caesar:
       concerto of lobsters....
           shrill... itching with a chalk pecker
on a blackboard...
so what's absurd with coupling darwinism
with continental darwinism?
well...
  man gets the monkey,
woman? she gets the black widow & the mantis...
that's what!
            i'm not not up for that sort of
gamble...
          someone should have said:
english darwinism does not couple well
with continental existentialism,
to be honest darwinism is the enemy of
existentialism...
   the two can't co-exist!
          we already have the thematics in
place with women:
the upper hand, given the numbers,
man resorts to monkey, woman?
   a black widow spider & the mantis...
   who has the upper-hand?
   english "existentialism" i.e. darwinism
is crude, obsolete, hardly revelatory -
tell you what's crude about "reality"
one man who just sat on a toilet,
another who sat on an armchair,
and another who sat in an electric chair,
walk into a bar...
                  what? there's no joke,
the joke is already stated in the disparity!
you don't reach the heights of existentialism
with a shortcut akin to darwinism...
you don't get that benefit!
        come on, get with it:
you already have enough fickle people
playing peanuts and gherkins with:
             god is dead: enter the dietitian;
you're busy, make a move at imitating
the icelandic peoples,
and incorporating an app. that tells your
mating partner, if you're at least 5 times removed
cousins: you know, so we don't get anymore
orangutan reminders in human form
(downs, eyes really close together,
can't miss them: the mad call them: 'ere
by god's grace... or that strange form of love
coming from a psychotic *****);
no, darwinism is really ******* in terms
of "trying" to catch up to continental existentialism...
darwinism in comparison to existentialism
is a neanderthal...
   oops...
       man gets the drumming monkey,
a girl gets the black widow & the mantis -
       and then we inherit the nag hammadi
trans- of everything without exception sexuality:
boy gets pink, girl gets blue...
and we're all happy gleeful
  passing st. peter with a ***** strapped to his head:
**** me... these "pearly" gates, look
    just like those gates of auschwitz!
can i just have the fate of those
concerto lobsters, please?
    i'd like to sing a song while boiling
within the zenith of a castrato exclaiming:
          i lost m'ah *****! yet i kept on singing!
******* at tickling the ivories,
at inducing the jet buttons
to chortle, say, in a concerto ;
but I do strum and flirt
with those amazing royal,
88 unrepentant loyal
keys for Jupiter and Saturn,
for Mars and Neptune,
making a blank bland tune
for extraterrestrial beings for fun.

On the cosmic moors
the moon's whirling feet
cease for my discordance.
What a slurred entrance
by F in D major!

Only a novice--an amateur.
I'm no magnificent pianist,
O majestic Mercury.

Summon the stars the search
to lead for a supreme virtuoso,
one of  no incongruent ingenuity
like this dilettante--a pseudo
music polymath, counsels Thebe.

A Mozart, Beethoven, or Bach?

Any of the greats scored above, as well
as geniuses like David and Handel.

Impressario fly! Flee thou away
and go get a classic maven.
Otherwise sleep there forever at Erebus,
never dream of waking up in Eden.

Circuitous world stops: strings break off
at the Earth's axis--
the Sun's panels pause

and darkness' movement begins
its own obscure notes to improvise:

apace demented melody
is released,-- bathos of symphony:
tinny wine of concord
settles on the lees of discord.

Asteroids hooting some ***** calls
when into the grand chrysolite chamber--
in her tailor-made blistering gown--
strolls in the coruscating Venus
in the sturdy arm of jaundiced Uranus,
garbed in his glistening stomacher.

Like a ball, all eyes are bouncing
hither and thither, up and down,

googling and ogling,
once more at them leering,

gaping at the irreplaceable paintings of
da Vinci, Picasso, and Van Gogh
cavorting  upon the weightless walls

to the romantic performance of Strauss
in the palace orchestral of Bacchus.
John F McCullagh Dec 2011
Grandfather John, my mother's dad,
remarried later on in life.
When he passed on his vast wealth
passed largely to this second wife.
Thus did her children benefit
from the bulk of his estate.
My mother and my Uncle John
relatively little, sad to state.
Sometime after the internment date
a piano was shipped to our home.
A piece Step- Grandma didn't want
She didn't play and lived alone.
When my mother was a child
living up in Marble Hill
She'd learned to play the instrument
that now she merely wished to ****.
In mortal rage she grabbed an axe
and like a batter swung away
It was a fair bit of exercise
(She had played baseball in her day.)
Such sounds that spinnet then produced
were likely never heard before.
such atonal melodies
as she ripped and smashed its core.

the Axe concerto was concluded
when only splinters still remained
She went and stored the axe away-
After than she never played
this is a true story. Every word.
Nigel Morgan Nov 2012
There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.
Logan Robertson Apr 2017
My little deer
Is that you
peeking between the trees
peering at the stag
but your heart's
still not at ease
... time ago
a short time
a stray cupid's arrow
shot the night air
splitting your spirit in two
frightened you took off
from the foreboding
hiding in a lea
there was sun
and cloudless skies
but not really
as your insides
raged
in a storm
in a hourglass
with sand pebbles fighting
to heal
for the best
now as you peer
between the trees
of salvation
do you hear
birds singing near a brook
... songs sung
so beautiful
in concerto
with the chipmunks, *****, crickets
then, as you take
that step forward
so lion hearted
peering
between those
branches
of redemption
my little deer
are there rays
of sunshine
peeking back

LR-4/23/17
This poem I write with passion, mainly because the deer personifies all the women in my life that walked away.

— The End —