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jamie  Oct 2013
The Cemetry
jamie Oct 2013
i am terribly sorry for this horrifying sight you see, for the caretaker has recently joined the residents and the grass has almost no manners at all. i am also terribly sorry for this deafening silence you hear, for everyone is either lonely or sad and no one bothers to speak or sing. everything here has been reduced to dust, and just let this be at the back of your mind―everywhere you step there is someone underneath. repeat after me: This Is Not A Pun. i remember telling you about how no one ever noticed me or gave me attention but you silenced me with a withering glare and a no-one-cares-about-you lecture. it’s kind of funny each time i think about it, because i still stay by your side desperately inhaling all your methane filled words. if you’re looking for warmth and happiness then you’ve knocked the wrong door, because over here i have seen more regrets than in prisons; more tears than in hospitals; more bruises than in kindergartens. the stars in the night skies here hang limply on their hinges and there is nothing romantic in the way someone appears holding a bouquet of flowers. here is a girl with cherry blossom veins on her wrists, and there is a man with breath like the stinging October wind. everyone is a puzzle piece except that there is no picture to form, and we are all connected by intangible threads. in the most poetic way, everyone here is part of a poem, some rhyming, some free verse, except that there is no end to this poem―new additions. every month, a new spot. under the tree; next to the bench; these are the souls of people who scrape their knees in the empty forest but want to be helped up, an- OH, by the way, if you hear whispers and see movement from under the leaves, it’s not a hallucination. What? Didn’t I tell you?

Welcome to The Cemetery.
there is no clear message so to say
I can hear the song of the trees
It floats from high above my head
Whispering through the rippling leaves
Being also heard by the birds perched
As they begin to dance from branch to branch
And then the birds also join in the song

Listen to the story of the ancient Oak
You shelter in the branches to hear it told
Of a long time ago when fields grew wild
Of the changing centuries that have passed on by
How the Oak has lived through long forgotten battles
It is a story shrouded in a history of hidden lore

Changing colours as the very leaves start to paint
How many artists have these trees always inspired
The Mountain Ash and the Cedar so royal
The tears unseen from the Weeping Willow
The solitude of the lonesome Pine
Gothic secrets in a cemetry of the Yew

I planted a tree to remember those gone by
Knowing as it grows, so their legend lives again
How they changed my life by their own
So now I hope that their song will be sung
Even when I am gone and long forgotten
And like that very tree, I know they will live on



copyright Chris Smith December 12th 2009
ioan pearce Feb 2010
returning from a night outbusting for a peedescretion of a grave yarddark cold cemetry bloddwyn used her pantiesmegan used a wreathto wipe away the dripperssighing with relief early sunday morningworried husbands chatmy bloddwyn had no pants on,my megans worse than that she had a card stuck up her bumand a white carnationsaying....always be remembered....from the firemen down the station
No Pockets on My Clothes


One Act Play

By
Alexander K. Opicho

PROLOGOMENA
For what is yours to bestow is not yours to reserve,
William Shakespeare, (Twelfth night).

CASTE
1. Masika – Catholic Catechist
2. Engalamasi – wife to Masika
3. Nabutusiu – Masika’s girl child
4. Kantawala – Catholic Bishop, of Ndambasi Diocese.
5. Busolo – Area member of Parliament of Ndambasi Constituency.
6. Kasili – treasurer of the Cemetry authorities.
7. Abdulla – A muslim and neighbour to Masika
8. Wenwa – Leader of the baarefu clan to which Masika belongs.
9. Clansmen I and II, Mourners and gravediggers.
10. Diaba – Caretaker of Catholic Church houses in which Masika hails.

ACT ONE
SCENE ONE

In Ndambasi village of Western province of Kenya at Masika’s house.
Masika: (feeling Nabutusiu’s temperature, with the back of his hand) my child is very hot. It is like she is a hot iron in glowing ambers of fire.
Engalamisi: She has been as hot as that since morning. Sometimes even more than that. I am worried.
Masika: Why should you be worried?
Engalamasi: Why must I not be worried when I have already buried my two sons? I am tired of carrying pregnancies for nine months; suckle two years, only to loose my efforts to death.
Masika: I am the one who got tired before. That is why I sold the ancestral land I had inherited from my father so that we could move to a new place. But remember we lossed our two sons to death because of the evil machination of my fellow clansmen. Good luck they are no longer near to us. We are now full fledged members of the Catholic Church. Just have strong faith, Nabutusiu; our daughter will be well very soon. She will not follow a fateful suit of her two brothers.
Engalamasi: The Catholic Church cannot prevent death. I am still worried. More so we are not living in our own home, we are now in a rented house. When my two sons died it was ok, I was in my own home, I had where to hold funeral from, I had where to burry them. Unlike now, I don’t know where am going to bury Nabutusiou.
Masika: My wife! Engalamasi have the gods sent you mad? – Why are you planning to bury a girl who is not yet dead? Nabutusile only has fever.
Nabutusiu: (whining and speaking fantasia) Ooh! My head is burning. My stomach is boiling, my forelimbs are cracking away. I have seen  an old  man ………….man on the sky he is telling me. His name is wenwa….he is preparing out-door fire in three stones…..he is persuading me to go! Oho!
Masika: What!
Nabutusiu: Wenua! Wenwa! Wenwaaa!

Masika: (Leaving Nabutusile to sleep on a papyrus long chair, he covers her up with a shawl). What is worng with my clan? Why is the clan using Wenwa my cousin to finish my family?
Engalamasi: It is true; Nabutusile my child has never set an eye on Wenwa since she was born, she is only seeing him in the sky because he has spelled a curse of death against my child. He has finished her with his powerful voodoo.
Masika: Wenwa will finish a whole world with voodoo.
Engalamasi: Not the whole world, he is only keen on you. He has ever kept an owl’s eye on my house. His evil devices are all behind death of my two sons
(Enters Kantawala)
Masika: (To Kantawala) Karibu, come in your holiness.
Kantawala: Thank you, you all look not happy. What’s wrong?
Masika: Bishop, we are crying. My child, look, she is very sick and whatever verbal signs she has started to show are not good. Am struck with despair, sincerely Bishop am hopeless.
Kantawala: (stoops to examine Nabutusiu)
My daughter! My daughter! (looks up at Masika) is she sick or she is already dead! She is not breathing……her skin is stiff!.
Engalamasi: (rushes to where Nabutusiu is) Oho! She is already dead!Am now childless
(enter mourners)
Mourner I; (Wailling oin the top of the voice) what have you done girl, why didn’t you wait to die after Christman.
Mourners II: O girl! O girl! Why? Why? Young people don’t have to die.
Gravediggers I; (shouting) show me where I will dig the grave for her.
Grave digger II: (to grave digger I) style up! You want to dig the grave, have you prepared a coffin? Moreover, do you want to dig a grave in the rented compound?

CURTAINS

SCENE II
In the mid of the night, there is full moon, frogs are croaking in a choir-like sound, crickets are also singing and the distant crying of the hornbill is also heard. Wenwa is alone on an anthill dressed in wizards gear, monkey clobus and animal skin, leopard tail in his hand with a calabash bowl before him tipping the whisker into  foul liquid on the calabash, whisking around  to spread the liquid as he speaks abracadabraec words in a soliloquy.
Wenwa; (monoloque) Go! Go! Go to death you ugly young girl.
Nabutusiu, go, follow your first brother,
follow your second brother.
Follow them; follow them to the land of deaths.
Follow them quickly
As you have no business
A moving the living
Your place of abide
Is the realm of ancestors
Go! Go! To day before dawn
Sets forth, it must get you in a complete rigor mortis,
Let the fever of evil gods
Sent you mad with twaddle and fold you,
Into a pykitonic curl of death
Die, die, die Nabutusiu!

And as you die mention me not,
Nor mumble about me not
The cause of your demise
Should remain unkown,
Mumble not my name,
Nor yell not my gender
Die silently in defencellesness,
Curl yourself up like a millipede,
Open wide your eyes and
Let you breathes be curtailed,
At once and for all can you die!

Let not your mother sire,
Again and forever let her not
Have her matrix to bear
Anything else closer to a chilld
Walk away to the land of death with all those
That will come after you
Your sisters and brothers
Let them die before birth
Let them be washed away
As a ***** waste forever
In the menstrual blood
Of Engalamasi your mother
Let the spell of infertility
Take hostage your mother’s matrix
And have it all as powerless captive,
Your Mother, that ugliest beast of a woman
Engalamasi your mother let her prosper.

Let the semens of his testicles,
Be charmless and impotent
Let his ***** forever
And ever stay powerlessly limp
Like a dead pullfinch,
Like a dead young mouse
Let Masika’s ***** be balmy
In his undergarments
Let him not ***** before
Any woman, any girl
Let him forget women,
Let women detest him
And let him fear women
in a perilous nausea let him
hold all women onset,
let none  his offspring be seen
anywhere in this land,
our dear land of bareefu.

Letr not the hands
Of Engalamasi and her husband
Be productive to yield anything,
The coins in his hands must
Disappear like smoke
Let them buy nothing
Not even a rabbit
Let poverty eat them
In ruthlessness of a powerful spirit,
The curse of nakedness let it be
On your heads, Engalamasi
And your husband Masika
With  her black fingernails,
Like the claws of the eagle
The spell of foodlessness
It is full might and gear,
Should hoover their household
Let them be poorest paupers
Of the land, east and west
They should die childless
Let Masika be wifeless,
Let him ever be making cold fire
At the barren and dumb fire yard
For generations and generations,
Then let him die alone,
In the housev with his eyes
Wide open, let no one close his eyes,
as he dies.

CURTAINS


SCENE III
At Masika house, at the door yard, the cortege of dead Nabutusia in the coffin hanged on the stool. The mood is funeral like, sombre and mournful, clansmen, mourners, Engalamasi and Masika they are around, sitted at the round table on fold chairs, Mourners are Wailling, walking around the compound.

Clansman I: What is the problem with the clan of Barefu, does it mean it is nowadays blind to the problems of its own sons?
Clansman II: Who do you expect to answer you?
Clansman I: I was only thinking beyond boundaries of silence.
Engalamasi: (sobbing) what did you want the clan to do. My child is already dead; the clan has nothing to do. It can’t bring back my child to life.
Clansman II: (to Engalamasi) we already know that my dear sister –in-law. But what about the burial arrangements. The girl’s cortege has already lasted three days.
And remember it is a taboo in our community for the dead body of unmarried girl of this type (pointing at the coffin) to last for more than three days before being buried.

Masika; (chargedly) what has my girl begged from you! If her Cadavar lasts a week on the death bed before burial will it eat anything from your house? Keep your nose off from my child. She is dead but she is still mine.
Clansman I: Masika! You are an elder. The clan does not expect such a wind of words from the mouth of an elder like you.
Masika: Don’t tell me about your clan.
Clansman I: My clan?
Masika: What did you hear?
Clansman I: What I have just heard from you my brother, is not what I have ever dreamed of in my life. The clan can not be mine alone. It is our clan. One man cannot make a clan.

Masika: I stopped being a man of the clan. I am now a man of the church. The Catholic Church is my clan. It is my brother, it’s my sister, and it is my cousin. Nothing else, so don’t tire my ears with
Clansman II: Brothers, we are all mourning. And mourning has no rules and regulations. Let my brother Masika mourn his daughter Nabutusiu in any manner. His grieve is triggered by history of his experience with the clan.
Clansman I: But it is folly to reject your clan. What can one be without the clan?
Engalamasi: (sobbing) But what can be the clan if it glorifies in death of its people?
Clansman I: (to Engalamasi) my sister-in-law are you connotating the role of voodoo in the death of your daughter.
Masika: A thievish dog always cowardly bark when an old woman waves her cooking stick.
(Enters Kantawala)
Kantawala: My presence is very brief, because am to attend to a bigger funeral of one of our well-to-do Catholic faithful who passed away three days ago.
Gravedigger I (To Kantawala) you mean there is big funeral and small funeral?
Kantawala: What will you call the burial ceremony of a man with four wives, thirty sons and twenty of them are senior officers in the army? even one of them is a Catholic chaplain with the Keya Army Battalions in Sierria Leorne.
Gravedigger I: I will call it bigger funeral.
Kantawala: Yes, and even for your information, more gravediggers are needed there.
Clansman II: Let’s put a side the differences between bigger funeral and small funeral. Let the Bishop tell us his message.
Kantawala: Yes, that is true; I want to ask Masika how far he has gone with the burial arrangement of his daughter. Because the church leaders have only allowed  two days for him to stay with a dead body in the church compound.
Clansman I; (To Masika) How far have you gone with the burial arrangement my brother?
Masika: (To Kantawala) but Bishop…… Bishop…………. Bishop…………
Kantawala: Don’t take things lightly. Kindly remove the dead body from the compound of the church (walks away).
Clansman I; (to Masika) who told me that you are also a Catechist of that church?
Masika; (fearfully) I am a Catechist
Clansman II: Where did you take the money you were paid when you sold your ancestral land?
Engalamasi: (sobbing) what is now all these, doesn’t Bishop Kantawala know that my husband is a Catechist? That my dead daughter was baptized in this church? (She joins mourners, wailing) .
Gravediggers I and II: let us go, we are late for somewhere. But you can sent someone to call us when you are ready for grave digging.

(CURTAINS)

SCENE IV
In Wenwa’s house, Wenwa is dressed in a rain coat, and rubber gum boots, sitted on a papyrus chair playing a banjo, the base is most audible.

Wenwa: (playing a banjo and singing)
Gods of my land and our peole
You are great and marvelous
In your generousity, you gave,
To myself the most magnarimous heart;
Whoever that has never eaten form my palms
May be that one we haven not met
I have fed all people,
A thousand fold food ----seekers,
From my granaries, my baskets,
I extol and exult you gods
Might gods of my land
For the genuine heart
You gave to me fathomless,
Out of all the sons and daughers
Of this clan of ours,
The heroic clan of Barefu.
(Enters Busolo and Kasili)

Busolo: I love your songs they are nice and good.
Wenwa: Thank you, thank you a lot our leader. It is me who has to appreciate your coming to my house. Kindly have your sits (showing them where to sit as he puts aaside the Banjo).

Kasili (sitting) let me sit near the door, I am having some flu. I have to be going out to cough. You know.

Wenwa: it is not a matter my dear elder.
Busolo: (Taking out a cigarette) Wenwa let me sent you to bring me fire please; even if you are my knife-mate, my ‘Bakoki’.
Wenwa: Feel at home Bakoki, this house is as good as your own, (he disappears into the inner chamber and comes back with a glowing amber) Take it carefully my Bakoki, (handing the amber of fire to Busolo).
Kasili: Busolo, you could have brought a matchbox, these ambers of yours can soil hands of mhenshiwa.
Busolo: (blowing out ciggarrete smoke) fire is fire it doesn’t matter the source. Moreover ambers are good in saving energy (gives the amber back to Wenwa)
Wenwa: Has it burned the cigarette?
Busolo: Yes
Wenwa: (Taking back the amber) Good, I wanted that (comes back after throwing the amber at fireyeard at the inner chamber).
Busolo: Am now ok, than when I was coming in. I was getting suffocated of an urge to smoke.
Wenwa: Bakoki, you are right, there is no painful thirsty like that one of need for smoking. It is more harsh than an urge for alcohol.
Busolo: Very true
Kasili: What about an urge for Marijuanna?
Wenwa: Let me come back to answer you (disappears into the inner chamber, comes back with a kettle and mugs).
Kasili: You can now answer
Wenwa: (setting for Busolo and Kasili the mugs, pouring tea for them).
You know what, there is nothing as stupid as developing a habit of consuming Marijuanna. My brother here, my cousin brother you all know, he is none other than Masika. He began consuming Marijuanna. He also encouraged his wife Engalamasi to do the same. Bakoki, I want to confirm to you that the **** affected them badly. They began giving birth to undersized children, children that are as small as a shoe of a woman. The kids have been dying after a month, two months or so. Masika has now sold away his land at a throw away price. He again had to spend all the money received from selling of his land on Marijuanna. Bakoki, as we are talking now, Masika is a destitute of land. He now pretends to be a follower of the Catholic Church.
Busolo: (shaking his head), I now understand.
Wenwa: You better understand (stands to peep out) you are not taking tea, why?
Kasili: We are talking as we take.
Busolo: Now tell us, who bought the land?
Kasili: How big was the land? If I can ask before you give an answer to the question of your Bakoki.
Wenwa: Elders, your questions can even make me shed tears. My brother, that man; Masika and his wife Engalamas.uhm! Sold away two acres of ancestral land to a foreigner. To a person who cannot speak a single word of our language. People come here to mock me that our worthiness clan has lost land to a Somali others say he is a very rich Kikuyu.
Kasili: You want to fell me that Masika sold land of the clan to a Kikuyu man?
Wenwa: Where have your ears gone my fellow elder? The land is already gonie to the Kikuyus!
Kasili: Eheee! (tapping) his lap. Then I can also confirm that Marijuanna is bad.
Wenwa: Why not? Why not? What else can Marijuanna do to a man?
Busolo: (clearing tea from his mug) how can we help such a man now?
Kasili: (pushing a way a half empty mug). Am ok, I had already taken some tea at my home.
Wenwa: (to Busolo) to help him with what? Bakoki, such people should be allowed to chew the full size of their foolishness.

Busolo: What I mean is that helping him to bury his dead daughter.
Wenwa: Which daughter is dead?
Busolo: I don’t know the daughter, but I think he has been having a daughter who died four days ago. It’s Kantawala the bishop who told me.
Kasili: The girl is called Nabutusiu.
Wenwa: Nabutusiu is dead?
Busolo: Yes, Nabutusiu is dead
Wenwa: (laughing extensively) Masika will bury Nabutusiu in Marijuanna, no one told him to sell away his land, if not his ***** foolishness.
Kasili: This is not a laughing matter. In fact we came to consult with you, so that the site of buri
Four ghosts came meeting
Gave each other a greeting
Always met at this cemetry
They were all related, you see

Great grandfather fought World War One
Until that day he was shot and then gone
He died at the age of being thirty two
Never got to the change of things to do

Grandfather was who died in World War Two
Shot dead, out of the blue
He died aged only twenty one
He never got to hold his new baby son

The Grandson fell as the years past
Killed in Desert Storm, explosive blast
His poor child was raised by his Dad
The rain fell on a day so sad

Afghanistan is where the son was shot dead
A ****** put a bullet in his head
So there are four graves next to each other
They hope there will not be another

So these four ghosts meet and salute now
The only way that they could, somehow
If you listen, you hear them sing out loud
Four War Heroes that fell doing their country proud
copyright Chris Smith 2010
dead people understand me
i should visit a cemetry
'cause i think my time has run out on earth
i refuse to tip-toe through life to arrive safely at death
'cause all it takes is one shot
one syringe to induce a blood clot
i can see the needle from here, its quite appealing
or i could get up on the table and free fall from the ceiling
the pain will be temporary, permanent will be the horror
i hope my mom doesnt walk in on a corpse, i should warn her
its funny how the floor becomes a second home during rigormortis
the heart gives up, fingers tingling, this sight is gorgeous
no future in sight, look in my dead eyes, they're glistening
this should have never happend, pain is now an addiction
dead people understand me
i should visit a cemetry
Poem Written While Suicidal.
Kuzhur Wilson Apr 2019
Oh crucified Messiah!
You walk along
The Messi street
Here in Kozhikode playgrounds,
Alone,
Head hung.

You used to write poetry
With your foot
In the green field.
Green pens of press rooms.
How swiftly did they
Turn to red underlines.
—————

I am writing to you
From this land
Where poets will
Always get red card in
Playgrounds of poetry.

You should get down at Kozhikode one day.
I shall introduce you to
MoyduVanimel,
A journalist as old as Kozhikode.

We should roam all around Kozhikode
With him.
We should listen to Vanimel tales,
Sipping hot tea,
At Malapparambu, Puthiyara and Kallayi,
Everywhere that remained under
The spell of your foot.
—————

There is a mosque cemetry
Full of Meezan stones
By the beach.

Tombs
Tattooed with
Foot poetry
By many souls
Who died
Many deaths
In the playground.

You can see,
From your flight itself,
Those Henna trees
That lean towards these tombs
And nod lazily in drizzle.

There,
I shall kneel down
And repeat
The Liturgy for the Losers,
For You.
Liturgy for the Losers
Kuzhur Wilson
Translated by Anand Haridas
I joust myself into jovial life
Jocose tatterdemalion and stygian salaciousness
Umbrage abrogating merit like swamping locusts
The mammoth chip on shouldered kids starving for life
I'm waiting on purgatory, and I'll wait for you with knives out
Cemetry of the artist stubbed beards and pubescence in the Phoenician Lands
He said she should have left the house
Tomahawks can still cut the vineyard, make my loquacity into beer-tap poetry
Flowery, murmur, kumbaya, kalimba de la soul and all thoughts aside
You're hoping music brings the song to my speechless heart
Your dance sounds light the motionless night, only the tapping of starry footsteps
Hob-nobs, more and more, knobs of heaven's doors open to every hippie with angel hair
Crossing the wires of substrates
Sonatas and partitas can be lugubrious, yet, elegantly examined
Nocturnes, from the centuries

Of ten old centurions
Came down to the Colosseum
Gladiator enthralled the chariots of fire
I was with ten ants, burning under the microscope
Tenants of this Roman Empire

Fighting for your rights
Fighting for the people who cannot fight
For the weak, requires peace and understanding
Shiny, homeless people lost the soul to the drugs and marijuana smoke under streetlamps stretching to infinity
This earth is an orchard of flowers
Slightly plump in the middle, it's mother nature
Not zaftig, it has latitudes and longitudes
Lavish life, garish fiefdom, stretches across the bent imagination of perverse minds
Looking for a kiosk in the peak of red skies that do not know blood and aggravation
New Year's Day, the cyka cry Mother Russia and SOS
Shooting flares into the sky
To reach so low, and to reach so high
Shouting slogans, written by the poets
Passion, prejudice, sensibility, comradery these are metiers of poets
Secrets strewed across the bloodless sky
Wishful thinking tantamount to head in the clouds
The clouds have different shapes and size, the fire of the greater existence lends us words in thoughts

— The End —