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The meal is lovely, yes,
I’m glad we came here.
The questions are arriving, not too heavily,
but drip-fed between mouthfuls.
Chew. Answer, a ladder of sentences.

Maybe I should be telling you
about the seasonal affective disorder,
or the fibromyalgia that attacks my back.
You’ll need to know this going forwards,
I'm sure.

You have already mentioned depression,
the gurgling storm in the brain.
I nod, offer empathy even though
I didn’t mean to.
The meal is lovely.

There’s a cherry birthmark blotch
on my right thigh you’ll see.
I don’t say this. It’s not appropriate.
We hide things
so we can make a game of it later.

Perhaps you play the flute,
collect comic books,
are an expert at knitting.
Weeks to trickle by treacle-like,
facts set to spring up as flowers.

Sip of drink to shut me up.
Our truths floating like shuttlecocks
across the table.
The meal? Yes, it’s lovely.
I am thinking of later, of tomorrow morning.
Written: February 2019.
Explanation: A poem written in my own time, not based on real events. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
you’re telling all I’ve heard before.
ugly bubbles of language,
sentences spool out like half
torn cassette tape.

I’m as salty as the sea,
aubergine bruise drinking my shin,
my phone on 2%
and my watch five minutes slow.

and you go, Mr. Yo-Yo,
leaning in, backing out,
eyes like mucky puddles,
crescent moon split lip.

what a way to trigger
a new age, tobacco kisses
on my skin, mud blotch on my skirt,
Your gift, love you.
Written: February 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Perhaps it is simply a case
of stepping on,

fingers bent into palms,
knuckles milky white,

the typically British palaver
of locating a seat

with their tasteless patterns,
a table with the sticky

residues of fifteen coffees.

Perhaps it is simply a case
of zoning out,

reels of fields.

Perhaps it is simply a case
of a phone turned on,

a book with the spine
not quite fractured.

Of course, of course,
perhaps it is simply a case

of not stepping on,

of wallowing in your ragged
safety net fashioned

from string, from dead skin.

But, of course,

you shouldn’t, but you will,
but you can’t, but you can,

but you want to,
but you won’t do.

Perhaps then, it is simply a case
of one foot in front of the other,

stepping off, fists unclenched,
pulse regular and thumping

at the wrists,
your own language of success.
Written: January 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
these are
the people
we know

used to know
and we
wonder

if they
think of us
now and then

a name
in the breeze
still drifting

years later
but what
would we say

that is
to say
do we care
Written: January 2018.
Explanation: A very simple poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
I tried to tell the sea what I was thinking.
It simply unfurled its blue vowels at me,
a slippery blush at my feet.
   So I asked again; a similar response,
cauldron of murmurs into nothing.

Close by, a dog followed its owner,
a lady, lobbing a tennis ball,
the animal a black exclamation.
It panted excitement at me,
pink ribbon tongue sloshing about
like the sea when it sidles
back to where it came.

I asked, once more; there was no reply.
A glossy breath,
in and out, like all of us.
Written: December 2018.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
I.

fingers are ready
for numerous unwrappings
disposed colour clumps

---

II.

blink-and-miss applause
******* snap jokes tumble out
steam quivers on up

---

III.

everything exposed
fairy lights still flickering
night unrolls black tongue
Written: December 2018.
Explanation: A set of three haikus relating to the Christmas period - not meant to be taken seriously, and a deviation from my normal style of work. This follows a similar set of (fairly samey) haikus written over the past few years - 'Yuletide Trilogy' (2012), 'Stocking Fillers' (2013), 'Christmas Triptych' (2014), ‘Festive Trio’ (2015), ‘Pulling Crackers’ (2016), and Joyeux Noël (2017). The title is Spanish for 'Merry Christmas.' All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
And when you say love,
as if the first chilled sip of champagne slapping your tongue,
I know you know I know. You, thinking of summer walks
in the park with a pet we'll soon own, a whisky sunset
and a John Legend song, strawberries half-licked
in molten chocolate. We'll kiss - fireworks.
*** to make us sweat.

I smile, because what else would I do?
I think of bags for life sleeping beneath the eyes,
black apostrophe hairs on the brink of the sink.
Perhaps splashes of blood on the sheets, scrunched stomach,
arguments that sprint out our mouths,
temporary electrocutions.
We'll kiss - loose knot. *** to make us fret.
Written: December 2018.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
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