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Raymond Johnson Apr 2016
I've caught you like the common cold
but I have no interest in getting better
spare me the nyquil
I'll pass on the penicillin
I have no love for codeine
your presence is the most sobering thing I know.
I miss spoke a few seconds ago
there's nothing common about you
you're a rare strain of virus
and I'm patient zero
diagnosis: terminal
infect me,
corrupt me,
do your very worst.
break me down into my component parts
and return me to the earth from which I came.
I have made my peace.
I will rise from that same earth, lazarus of chocolate skin
a little stronger
a little wiser
immunized by your viral love to the horror of the world.
so take me
make & unmake me
I would die a thousand deaths by your hands.
Raymond Johnson Mar 2016
a kind of cosmic static -
the background noise lurking behind everything since that fiery moment in which everything came to be.
human beings are the only beings with big enough ears and smart enough brains to hear it.
and it’s killing us.
it whispers about the space.
the vast, yawning emptiness that is 99.0000000000000000000058 percent of the universe
and how small and unimportant we are in the face of it.
the stars are deaf to the call of the void.
and all of the less arrogant animals simply don’t care.
but humanity is smart, and intelligence has lead to efficiency.
we’ve optimized and agricultured and technologized ourselves into a vast wealth of free time.
and in that free time we’ve taken up the hobby of thought; of navel gazing; of looking within and without.
and when we turned the rods and cones of our eyes inwards the void stared back. unflinching, unblinking. and it roared, and every one of us heard.
we try to block it out with our various vices but in the end they are all in vain.
we inhale glittering ivory dust, conflagrate various flora of every shape and size,
gulp down poisons like desert floors that have never seen a drop of rain, genuflect before effigies of deities of questionable existence, sing and dance, **** and **** and **** and steal and covet, all in search of a kind of purpose.
some soft cottony bliss to plug our ears to the roar of the void.
but we cannot stop it. the slow bleed of grains of sand out of the hourglasses of our lives is one wound we will never be able to heal.
for void thou art, and unto void thou shalt return.
Raymond Johnson Jan 2015
the year is two thousand and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.

and and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.
Raymond Johnson Oct 2014
sparks light the darkness
for precious quarters of seconds.

the lonely lighter flame reaches its arms towards the cloudless sky.

lifting the stained glass sacrament to your lips -

inhale.
inhale.
inhale.

exhale, your worries and a small part of your soul.

your mind enters the fog, running from something.

neon lights oscillate like angered ancient specters
bathing us in an eerie glow.

hide the small square under your tongue. the familiar bitter taste fills your mouth. you've been here before.

"expand your consciousness", they say.

your heartbeat doubles, and your mind enters the fog, running from something.

pop the tab unscrew the cork-
pour.
pour.
pour.

gulp it down, soak it up like a desert floor that has never seen a drop of rain,

and chase it with a rainbow of pretty pills.

your body becomes numb, and your mind enters the fog, running from something.

from the dawn of time til our deaths we humans have been running from something.
running from our fears,
running from our thoughts,
running from our memories,
running from ourselves.

we chase the void so ravenously we fail to notice the voids opening up inside of each and every one of us.

there is something to be said about the quality of our reality if we are constantly seeking mind altering substances to escape it.
Raymond Johnson Aug 2014
“pinky promise you’ll be there for my play?”

i don’t do pinky promises.

“why not?”

I don’t make promises that i can’t keep. because a broken promise is just about as bad as a broken tequila bottle shoved into the soft spot just below your ribs.

“…what?”

speaking of tequila, let me tell you why i don’t do pinky promises.
it was a few falls ago, three if you really want to get technical.
i’d come down to visit you on a weekend instead of staying home to study like i should’ve been.
it was eleven to eleven. 

drunk. dear gods we were drunk. we’d just stumbled out of the greasiest mexican restaurant i’d ever eaten in. 
but hey. the margaritas were cheap, and more importantly, they were the only place in the area that would serve to minors. They even included a free shot of tequila when you asked for your check, that went down with similar smoothness to the way my debit card slid through the reader and emptied my bank account a little more.


but yes. you and i were drunk. and as we strolled down fifth avenue i-

“me?”

No, i mean her. not you.

“who is ‘her?’”

that’s not important. do you want me to tell the story or not?

“whatever…”

anyways. as we strolled down sixth avenue i-

“i thought it was fifth avenue?”

Can you not?

“sorry….”

as we strolled down whatever the **** avenue it was, i couldn’t tell my feet from the concrete because the street lamps tinged everything an odd warm shade of brownish orange.
to stop myself from falling i reached out and wrapped my arm around your shoulder. 

I can still feel the fur from your coat brushing on my cheek.
you didn’t protest, and i sure as hell wasn’t going to stop.
we were drunk. and talking. 
talking about nonsense, about school, about our grades, about boys… 
it’s funny that if we talked for long enough, without a doubt, our conversation would drift to the subject of love.

You knew that I liked you. back then i thought you just liked to torture me. 

we stopped at the burning open palm of the street light before us. 
i stopped you mid-sentence. 
‘i could love you better’.

after those five words left my lips i suddenly wasn’t very drunk anymore.
 
silence. 

there was no turning back now,  so i had to just roll with it. 

‘you waste all of this time on these boys who do nothing but hurt you…. but i’ve loved you for years now. you and i both know that you deserve better. that i would be better. every single time you come up in conversation with my old friends or my parents they ask whether or not we’ve finally gotten together or not. what’s stopping us?’

You stared at me for a long time, saying nothing, but it didn’t take a psychic to see the indecisiveness and longing and anxiety and fear swirling inside of you like your unmentionables in your Maytag.

“I guess i don’t really have a good reason. it’s just…. awkward, you know?” 

She paused. I tried not to betray any emotion with my face. 

"I'll cut you a deal. if in two years, we aren't seeing anybody... we'll give 'us' a shot." 

Not quite the answer I was looking for, but it was better than a flat out 'No'. little did I know at the time that they were essentially the same thing. 

I stuck out my pinky finger.

'Pinky promise?'
"Pinky promise”, she replied.

We locked eyes, locked pinkies in an embrace, and seconds later the ghostly white of the pedestrian walk signal shone down on us. 

We broke our gaze and walked off into the night.

That was three years ago, and it’s probably safe to say that we won’t be taking that shot.
I don’t hold it against her. But i learned through three years of waiting not to make promises that you can’t or don’t intend to keep.
  Jun 2014 Raymond Johnson
Claire Davis
I trace the curve of your spine
And write my secrets on your bones

We're surrounded by others
But your eyes say we're all alone

Is it that I'm myself with you,
Or that you're yourself with me?
Maybe it's the feeling of togetherness,
the power of we.

I don't know of it was that **** smirk
Your scent,
Your clothes
Or your jokes
All I know is you turned me inside out
My usual thought-out replies
Replaced with a measly choke

There's really no thesis to this,
No ******, no conclusion

Everything I just described so vividly
Is merely a self-made illusion

I haven't met you yet - the one that'll make flowers blossom in the corners of my mind

Who I'll crave and adore
And with whom I will spend my time

I'm not waiting for you, I have no time to seek

You're somewhere living your own life.
Each minute,
Hour,
Week.

The memories you're making now I will hear about in years to come

Along with your whispers in my ear: "This is it... you're the one."

Maybe you think you're in love now, with him or she

But the universe will make it happen

The one you love... it'll be me.
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