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 Mar 2016 rained-on parade
III
Does the moon look at
Oceans and wonder if they
Sigh at sight with love?
 Mar 2016 rained-on parade
III
While my body bathed
In the awful waves of
Aching, numbing sand baths,
She reminded me that there's
A whole wide ocean out there,

And I need to worry nothing
When her velvet covered arms
Held my head,
Sang me to sleep,
And let me drift away
To some other day,
Perfectly in between
Never knowing
And knowing she'd make it all okay.
 Mar 2016 rained-on parade
III
The frigid sigh of winter
Has all but passed,
But it is the rust behind my eyelids
And the slush in my head
That keeps my window open
And chills me so.
when the river ran
out i wrapped up
what i had left of
the plasma in my
veins and carried
it from city to city
from high hill to
deep valley until
i saw something
that looked like
you out on the far
end of a long field
and i waved to
you, said i'll  just
be  leaving  this
here and let the
sun eat me while
i walked away.
it's been a while.
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.

From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel?         Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.

And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings --
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to **** children
and the blood of children ran through the streets
without fuss, like children's blood.

Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!

Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!

Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull's eye of your hearts.

And you'll ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?

Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!
 Mar 2016 rained-on parade
Caro
The wonderful, vivid mystery of the night
Wants us to love it. The blackbird singing
In the shimmering sigh of evening
Doesn't know the prisons we built
When we set ourselves apart from the clouds
And the dew and the thundering rivers.

If she does, she sings all the same.
The earth goes on, falling in love with the sky
Day after day, over and over again,
Inviting us into the hope of each new sunrise.

The ancient trees whisper their stories
Of Brahma's great eye opening and closing,
Of Indra's jewels glittering away in some
Giant, starry web, and it's a gift, all of it,
Held together by threads of breath and light.

Even if it is all you can do
To breathe, to be, among all this:
The light will find you, dear one, and
You are the opposite of alone.
For Helene.


Ashes on the water, now.
Love's bones like dust downstream.  
At least it got to see itself in our eyes,
Feel itself between hand holding hand

And whispered caresses.
From pillow talk to fists raised at
Concerts, glasses of Portuguese wine
On her balcony to the sound of magpies

We named our neighbours.
We were beautiful.
Began beautifully.
Ended gracefully.

I open hands that held hers and see
Nothing but skin worn by labour,
And air.
Ashes on the water, now.

Embers without a chance against rivers  
Cold with melted mountain snow and
Unyielding differences.
Some loves drown with lungs too full

To cry; others float like a funeral-pyre-
Longboat into the night, ablaze.
King and queen, hand upon hand.
Crowns tied from fresh flowers,

We were beautiful.
Began beautifully.
Slid apart the way a glacier parts from
The hills; slowly, but with the force

Of its thousands of tons.
Ashes on the water,
Where the ghost of our union rests
Underneath the surface of our memories.

I will remember you.
Until the stars burn out, raining the
Dust of themselves like snow upon
These waters that always are moving.
she calls me
she calls me & I don't answer
she calls to say her grandma
is failing fast & the twins
aren't sleeping & they're angry

come on over I say
I only have two calloused hands
& a sixty hour work week
bony feet & a bottle of
chocolate wine & I ask if she's ever
slept four on a full sized mattress

the boys will be fine I say
bring both elmos
a set of pastel paints
& you can run your fuzzy-sock feet
up my legs & warm your small hands
on my space heater heartbeat

grandma will see good Friday
& easter sunday I say
& probably even her own
late April birthday
barely audible as the boys snore
like miniature sawmills
through peppermint toothpaste
ringed open mouths

the last thing I feel before sleep
is her smile stretching across my
bare chest & her hands catch fire
& wander toward a cooler spot of skin
"







"
acknowledgements to John Cage who wrote a piece for piano entitled "4'33" of Silence". This was entirely silent
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