I die every single day. It comes slowly, gas leaking out of a tank; a river drying up to a trickle. It has taken years to notice, but here I am: On empty. In a muddy riverbed.
    Standing on the short timeline of my life, I look back at the man of the past. The man is not myself, and yet he is more complete than me. He is younger – yes – but brimming with delight. He knows nothing of Walls and Comments and Likes, and yet he is whole. He has no outlet for his happiness other than his own physical canvas. His sadness is absolute and crushing, but it belongs to him.
I am not he.
I am the autumn of his soul.
There is an emptiness inside me.
    It has not grown like the lines on my face nor the aches in my bones. It is something immeasurable.  
    I want to step out of my own identity.
    I want to live in a construct that is more unique than my own.
    We talk of living vicariously through others, but I live vicariously through myself. I live ten feet behind and thirty seconds after my own person. I watch the man in front of me go through every motion, and I feel nothing. I notate the changes, categorize the achievements, collate the emotions, and I feel nothing. On paper, I look quite good. Great things make headlines. Pictures show unforgettable memories, laughter, joy, and contentment.
    And every feeling of inadequacy, vulnerability, shame, doubt, and fear is greeted with a blind eye.
    The more my construct grows, the more I diminish.
    I am the Portrait of Dorian Gray, reversed.
    Each day the picture is more successful, happy, wealthy, and loved.
    And the man weakens and decays.
    I am frightened of what I’ve become.  
    If there is a way to halt this, I spend every day searching for it. Perhaps, in moments of looking into another’s eyes, I can hide from nothing. At those times, the construct falls away, and the man on the timeline comes crashing into the present.
    I wonder who will greet me in the morning. Will the Man diminish, or will the Portrait grow fainter instead?