(my great, great grandfather as told by my mamasita)

he came from Calbiga
with his Spanish nose
tropic’s warmth allowed him to wear
but a pair of shorts everyday
his shirtlessness revealed
smooth, supple, brown skin
thick shimmering white hair
the only clue to his age
without knife or razor
his fingers felt his face
and tweezered stubble
with a pair of empty clam shells
he slept on a pillow
of hard narrah wood
made smooth and shiny
by years of use
he built his nipa and bamboo house
by the shore
big, sturdy and strong
sheltered at cliff’s foot
it withstood every storm

high atop the cliff
a tree stood tall and huge
a prolific garden of crops and flowers
grew in the soft filtered light of its canopy
cane and banana relinquished skin
in strips scraped clean and sun dried
woven into harvest and fishing baskets
braided into fishing line
he cut down only what he needed
allowing the plants to thrive
long before sustainability was new

old folks said that tall and huge tree
was a faeries’ castle
tending pineapples growing beneath it
Apay Bectay heard a voice beckoning her
a sweet musical melody in the wind
“Bectay…Bectay…”
she peered upward to a vision so beguiling
a beautiful naked lady sitting high on a limb
her skin a pale, pale white
her face and smile radiant
she stroked her long golden hair
with a golden comb
as it flowed alive with the breeze
she appeared as a mermaid underwater
sitting in a sea of swaying green leaves
Apay Bectay ran home for fear of enchantment

one day, my ears followed a peaceful, playful tune
until I came upon Apoy Engo
by his front door post
improvising on a small yellow flute
he had carved by hand
a thin, foot long bamboo chute
harvested from a nearby grove

when the tide was high
you could always find him fishing
by the house, close to shore
rain or shine
as long as the sea was calm
sitting in his banca
slightly stooped
patiently awaiting a bite
for his viand
a woven sun shade hat
tied under his chin
a picture of serenity
accompanied by the soft lapping sea