so many faces, so many faces
disfigured lives in hushed tones of living
find  they have no choice
and with eyes discoloured
yet not blind destroy the flowers that bloom
they recognise the work of the infernal serpent
in Miltonian affirmation of a stranger
and a more deadly disfigurement
than that which like sun baked clay
bears its cracks in the haunting of lives
with a medieval gargoylian curse
to becomes the orphans
of nothing, except everything
and ask how does this equate
with so many faces
faces that are struggling for
the paradise to be regained
for the infernal serpent to be slain  
so many faces, so many faces