Mar 2019
Do you remember the night I came
down, and you were sitting on the
windowsill? One leg up and the
other left hanging, in one of your
white oversized shirts and your
hot-pink pajama pants. Outside
the snow fell like feathers, blue
in the moonlight and black in the
shadows, with a tinge of orange
from that annoying nearby streetlight.
You looked at me, saw me in my
blue boxer briefs and teal t-shirt,
and you didn’t say a word, and
neither did I. Neither of us had
to. I sat down beside you, a mirror
image, and we stared with deafening
expressions. The snow piled on
like feathers strewn across the
room of two lovers too happy to
control themselves. I looked into
the darkness, and you glanced at
the orange sun tainting the solemn
blue hue. And then you turned away,
walked away. I stayed, watching
the snow fall in the dark.
-
by Aleksander Mielnikow
down, and you were sitting on the
windowsill? One leg up and the
other left hanging, in one of your
white oversized shirts and your
hot-pink pajama pants. Outside
the snow fell like feathers, blue
in the moonlight and black in the
shadows, with a tinge of orange
from that annoying nearby streetlight.
You looked at me, saw me in my
blue boxer briefs and teal t-shirt,
and you didn’t say a word, and
neither did I. Neither of us had
to. I sat down beside you, a mirror
image, and we stared with deafening
expressions. The snow piled on
like feathers strewn across the
room of two lovers too happy to
control themselves. I looked into
the darkness, and you glanced at
the orange sun tainting the solemn
blue hue. And then you turned away,
walked away. I stayed, watching
the snow fall in the dark.
-
by Aleksander Mielnikow
'Ello ya'll! So, I'm usually too busy stroking other things to stroke my own narcissism, but I just want to say that, if I take my ego out of the equation and judge this poem dissociatively, I believe it is the best poem I have written. I wrote it with the intent of there being a deeper meaning behind it. But since I've written it, I keep thinking of different ways you readers would interpret the bits and pieces, and I keep coming up with countless different ideas between the images and details and the relationship. It's honestly freaking me out. But aside from my obvious boasting, I would encourage you other poets and writers to read back on your own works and try doing the same thing. Put yourself in someone else's shoes and see if your bits and pieces can be interpreted in a different light than you initially intended. You might be pleasantly surprised that one of your works is more complex than you thought possible, and you can use what you learn from that odd experience in future works. Anyways, I hope my shameless self-promotion isn't too intrusive in my bigger message/advice, and in the end I just hope you read and enjoy. Ciao!
