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Oct 2012
She had hung it up from the mantelpiece in her bedroom, so when he entered the room there it was. It was suddenly lovely and he immediately imagined her body flowing into it, flowing from it. Standing close to the dress he brought his fingers to the fabric, touched gently, stroking then, as though it already held her form and substance.
 
Stepping past thoughts of her that so stirred his body he entered the pattern of the dress. It was a meadow in southern Ontario. July, when already the sun had bleached the profusion of grasses: water chestnut and papyrus sedge. He had stepped from the untidy veranda, past the pond, and down the rough track between the fields unmown, uncut, left fallow. As he entered the breaks of woodland between these swathes of grassland, deciduous leaves, dry and brittle from the summer's heat, were strewn on the path, and between the trees clumps of bramble bushes with berries of red and blue, black and purple.
 
There was no wind. The only sounds an underlay of crickets, his footfall, and the sharp mournful cries of geese on the now distant pond.
 
He saw her like an apparition standing motionless at the woodland’s  boundary; her dress at one with all that surrounded her. When he came close and placed his hand on her shoulder he could smell the sweet dry earth mingling with her body's sweat, a hint of her *** as he placed his cheek against the shower of printed pollen amongst the leaves on her back.
 
Back in the late afternoon bedroom he heard her move about in the kitchen, and the spell broken, he turned away and went downstairs.
 
Several days later, as they prepared for bed, she slipped the dress on. As she stood in the lamplight smoothing it against her flanks, adjusting its fall across her *******, he felt himself faint that such a thing of beauty could be a joy forever . . . and beyond.
A further piece from my collection of prose poems 37 Minutes.
Nigel Morgan
Written by
Nigel Morgan  Wakefield, UK
(Wakefield, UK)   
  6.5k
   Becky Brouse and ---
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