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Oct 2017
I think it's been four hundred days
since that innocuous defining phase,
But that's if we were keeping count,
and if numbers meant a thing at all.

For isn't time just ornamental,
perhaps even incidental,
when the commodity is sentimental,
or like love, a hypothetical
fundamental ?

Same page?, I ask,
tying to gauge flipping thoughts;
As if I knew where
my book was marked.
But pages, I can dog-ear,
to hold onto a moment
that would otherwise disappear;

An excerpt that I can savour
many moons later,
when love turns to favour
and leaves
a bittersweet flavour.

It's today
I'm looking for,
among shuffling tenses
but the focal lenses
are blurring
And my words
are slurring
for I'm too close
to your near perfect nose,
to find a reason
for why we chose
this.

I'm afraid this poem has turned
into a rhythm & blue,
or maybe it's an untimely cue
to write that song about you and me -
One that's been due
for a month or three.

A nonsense rune
with an infectious tune;
in the four chord beat,
where the lyrics
unfailingly repeat.

A rhythmic monotony
of a romantic comedy -
a stanza about you,
and a chorus about me -
a few things kept true,
and some made up for story.

Something about
wine pink shirts
and warm maroon shawls,
with just a few words
about unsaved phone calls.
A yellow lamp here,
an airport kiss there.
a night spent in fear,
of doubting you'll be there.
A white wall washed
in cinematic glory;
Two kittens tossed in
to make trouble & ***.
And then a pre chorus
about card tricks and foreplay
and the time in the bus,
we talked about a good day.
A few bits borrowed
from the last rhyme I wrote
and that could be followed
by one even before;
For what could I say
that I haven't already proclaimed
in ten odd poems,
gushing with love, unashamed
s
Written by
s  27/F
(27/F)   
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