the narrative does not cling to classicalism of stating whether the pronoun usage is either singular or plural or both to allow an armchair of expression; after all... there's enough for us to bypass the classical philosophical debate about subject and object, simply investigating pronoun usage in relation to singularity or pluralism.*

there’s a theory where poetry came from,
one read: cleopatra wanted to hear sweet-nothings
calibrating a razor with a viper’s kiss...
another read: she báthory?
she báthory? she the one that turned milk into blood?
she can burn in hell.
i thought we were un-dialectical in the realms of concern?
no... you see... poetry came from punctuated-impressionism...
or a fear of it... punctuation of course, not from the impressionism...
poets fear punctuation...
give them a semi-colon
and
they
treat
it
like a sidelined line of verse.
this is poetry in mathematical equations:
i had a pear(,)
it was a spare(.)
i had a care for traffic(-)
so i missed( )
the expressions and started using an obelisk to quarter up the mammoth
into chop suey...
poets simple say: next line! when prose says next paragraph
and the prized execution of the 100m sprint . . . (.)
that’s universal alpha romeo with alfa bravo charlie delta (echo)...
come on in the u-turn... give us a smile......... :),
poets says... i need breathing space
without sentenced timing of silence, for the toad to feed inspiration
and envy!
no wonder you came with the alpha - zulu
alphabet given that you used ɪɡ and zoʊ...
so tell me... where’s this copernican west upside down
(this heliocentric west with east being the big bang)?!
i'd swear the thing stopped orbiting in circles
and a thing that's on it's thought started to become
orbital... a fashion sense of the 60s 70s 80s 90s repeated -
that's right, the whole thing became heliocentric
and we became narcissists instead of solipsists
in the geocentric system of worked-up plagiarism
with adequate excuses.)
it's here it the poets apprehensive of punctuation symbology
and instead writing "sparingly,"
to write, e.g.:
i
hate
        this
love
                affair
claimed
                     to
be
          the
world...
                 i
rather
                         chisel
chequers
                         into
geometry
                     of
x4
              90º.
makes sense poets begot fear of
punctuation and not grammar, they
serviced to explore nothing else,
leaving grammar open long enough to *****
mathematics in... remember...
poets are firstly concerned with punctuation...
secondly with grammar...
philosophy for poets is grammar;
**** i'm um um so drunk i'll need to revise.