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. (or: the night I vanished while still in the room) . He stopped coming home late— not out of guilt, but because there was nothing left to hide. I watched him re-enter like a man returning to a house he built on land that was only technically¹ mine. My scent had faded from the sheets. His cologne now lingered longer than my voice. He called me darling in the same tone I used to use when I meant goodbye. I touched his back one night, the way I used to trace stars across it, and he flinched— not like it hurt, but like it meant nothing. The watch on my wrist had stopped ticking. I hadn’t noticed in days. Over dinner, he quoted my own stories back to me, trimmed for elegance, rearranged for effect. “I don’t remember it like that,” I said. “You weren’t meant to,” he replied, not cruelly—just… correctly. The eclipse doesn’t apologize for the sun. In the mirror, I saw only one of us reflected clearly. And it wasn’t me. I asked him what he wanted. He said, “Everything you’ve ever had.” And smiled like he already did. I laughed. He didn’t laugh back. I told him I loved him. He said, “I know. That’s why this had to happen.” And somewhere in that moment, between my mouth opening and his walking away, I became myth— the kind they misremember on purpose.
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Jun 24, 2025
Jun 24, 2025 at 10:16 PM UTC
The Eclipse IV.
. (or: the night I vanished while still in the room) . He stopped coming home late— not out of guilt, but because there was nothing left to hide. I watched him re-enter like a man returning to a house he built on land that was only technically¹ mine. My scent had faded from the sheets. His cologne now lingered longer than my voice. He called me darling in the same tone I used to use when I meant goodbye. I touched his back one night, the way I used to trace stars across it, and he flinched— not like it hurt, but like it meant nothing. The watch on my wrist had stopped ticking. I hadn’t noticed in days. Over dinner, he quoted my own stories back to me, trimmed for elegance, rearranged for effect. “I don’t remember it like that,” I said. “You weren’t meant to,” he replied, not cruelly—just… correctly. The eclipse doesn’t apologize for the sun. In the mirror, I saw only one of us reflected clearly. And it wasn’t me. I asked him what he wanted. He said, “Everything you’ve ever had.” And smiled like he already did. I laughed. He didn’t laugh back. I told him I loved him. He said, “I know. That’s why this had to happen.” And somewhere in that moment, between my mouth opening and his walking away, I became myth— the kind they misremember on purpose.
Part IV in the myth of Chronogamy is the moment of quiet disappearance—the tragic stillness where the older lover realizes he’s already been replaced, not in a single act, but in hundreds of unnoticed moments. The transformation is complete, but the wound is slow, elegant, and brutal. Here, the poem drapes itself in emotional chiaroscuro—an interplay of presence and absence, where love still lingers, but only as a formality. What was once mythic passion is now procedural. Even language, once intimate, now serves the younger man’s autonomy. The artistic aim is to portray the erasure of self through love, where being seen turns into being studied, and then being overwritten. This is not betrayal in the dramatic sense—this is entropy. The light didn’t leave. It was simply replaced. The Chronogamy Collection: https://hellopoetry.com/collection/136301/chronogamy/ ¹The worst kind of right
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Jun 24, 2025
Jun 24, 2025 at 10:16 PM UTC
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