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VI. I, Ophelia ______________________________________________________________ {The Drowning} It was her-- Flower Child. Weeping Woman. Crazed Ophelia-- who taught me that the drowning is in the letting go and not in the doing. Ophelia did not flee to the riverside with the intention of drowning herself, no-- it was merely a promise of bouquets-- daisies, violet, rosemary,  rue-- of wild, velveteen petals nestled softly against tear-stained cheekbones; pine needles-- ticklish-- beneath raw feet (do you recall how The Little Mermaid danced upon knives in the name of true love?); and the train of her nightgown a focal point for dewy leaves and frayed bird feathers. For it was flying she thought of as she climbed the scarred willow and cradled herself atop its highest bough, severed blossoms in hand, legs dangling precariously over blustering currents. But when the bough b r o k e , the cradle did   f                               a                                ­   l                                       l, and down came mad girl cradle and all. But you must understand-- the dismemberment of the willow's flailing limbs was not her doing; when the rapids dragged her down to the belly of the murky river bed, she merely gave no struggle as death lapped at her ribs-- she merely submitted, allowed the snivelling maw of the river to swallow her whole. Now, I think it suiting that I ponder the demise of the Flower Child (wilted in her ruin); Weeping Woman (tears reunited with the eye of the water lily); Crazed Ophelia (forgotten) and all she has taught me of drowning as I let myself fall asleep in the bathtub at three o clock in the morning, all the while a little drunk and so very sad. (You'd might have even thought I wanted to drown myself. ) ___________________________________________________________ {The Resurrection} Doused in the pallid wash of blue stage light, and the clamour of imaginary tides growling in my ears, I metamorphosize into Hamlet's Ophelia and all the other Ophelias who came before me-- mad. broken. lost. women. Women who were never capable of quieting the sea trembling in their veins; the barbaric deluge festering within their souls; the siren songs musing to the cavernous twists of their hearts, piercing through artery with stalagmite precision. These women succumbed,   not to the water, but to the burden of their own desire. love. heartbreak. None of them survived. Except for me, of course. And, I must admit, it took my writing this poem to finally understand why that is-- why-- how-- I have managed to stay alive, despite dreaming of that same siren song that lured my foremothers to their destructions. See, alone, Ophelia could not weather   the tempest seething over her. But I different-- I am not alone. Because I carry with me the spirits of all the Ophelias who came before me, the fragments of their beings melding together to create a brilliant gossamer of hope. And that is why, together, we can breathe underwater. ______________________________________________________________ {Blackout} Ophelia Bows, her performance immortalized through the remembrance of a standing ovation.
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Sep 27, 2018
Sep 27, 2018 at 10:00 PM UTC
I, Ophelia (Part Six--I, Ophelia)
VI. I, Ophelia ______________________________________________________________ {The Drowning} It was her-- Flower Child. Weeping Woman. Crazed Ophelia-- who taught me that the drowning is in the letting go and not in the doing. Ophelia did not flee to the riverside with the intention of drowning herself, no-- it was merely a promise of bouquets-- daisies, violet, rosemary,  rue-- of wild, velveteen petals nestled softly against tear-stained cheekbones; pine needles-- ticklish-- beneath raw feet (do you recall how The Little Mermaid danced upon knives in the name of true love?); and the train of her nightgown a focal point for dewy leaves and frayed bird feathers. For it was flying she thought of as she climbed the scarred willow and cradled herself atop its highest bough, severed blossoms in hand, legs dangling precariously over blustering currents. But when the bough b r o k e , the cradle did   f                               a                                ­   l                                       l, and down came mad girl cradle and all. But you must understand-- the dismemberment of the willow's flailing limbs was not her doing; when the rapids dragged her down to the belly of the murky river bed, she merely gave no struggle as death lapped at her ribs-- she merely submitted, allowed the snivelling maw of the river to swallow her whole. Now, I think it suiting that I ponder the demise of the Flower Child (wilted in her ruin); Weeping Woman (tears reunited with the eye of the water lily); Crazed Ophelia (forgotten) and all she has taught me of drowning as I let myself fall asleep in the bathtub at three o clock in the morning, all the while a little drunk and so very sad. (You'd might have even thought I wanted to drown myself. ) ___________________________________________________________ {The Resurrection} Doused in the pallid wash of blue stage light, and the clamour of imaginary tides growling in my ears, I metamorphosize into Hamlet's Ophelia and all the other Ophelias who came before me-- mad. broken. lost. women. Women who were never capable of quieting the sea trembling in their veins; the barbaric deluge festering within their souls; the siren songs musing to the cavernous twists of their hearts, piercing through artery with stalagmite precision. These women succumbed,   not to the water, but to the burden of their own desire. love. heartbreak. None of them survived. Except for me, of course. And, I must admit, it took my writing this poem to finally understand why that is-- why-- how-- I have managed to stay alive, despite dreaming of that same siren song that lured my foremothers to their destructions. See, alone, Ophelia could not weather   the tempest seething over her. But I different-- I am not alone. Because I carry with me the spirits of all the Ophelias who came before me, the fragments of their beings melding together to create a brilliant gossamer of hope. And that is why, together, we can breathe underwater. ______________________________________________________________ {Blackout} Ophelia Bows, her performance immortalized through the remembrance of a standing ovation.
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VinylPoetry
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23/F/Canada
Sep 27, 2018
Sep 27, 2018 at 10:00 PM UTC
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