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I was thinking about Poe, that poor dark son of a ***** wandering the streets of Baltimore with ravens in his pockets and stories clawing at his ribs, and the bells— always those ******* bells. Too odd for the bourgeois, too broke for solace, a mind that wouldn’t let Annabel Lee rest while the grave kept calling. He wrote like a man with a fever trying to outrun the cemetery, quill pen shaking in his hand, every word a flickering candle. They say lunacy. They say ***** and ***** I’ve heard maybe rabies from a cat he loved. They always want to make a pet out of tragedy, something to control. But I know what hunger looks like— that emptiness that won’t shut up until you get the words down, the line, that dirt road through the madness. Dylan Thomas knew it too, knew it on the rocks and neat, saw the way words can sing long into that good night, even while the liver taps out. He left Wales and did the collegiate tour in America. Poems couldn’t save him from lectures and tenure. Fern Hill became a parking lot as he insulted his brain with bourbon. They call it romantic. Horse **** It’s just a pudgy little man trying to quiet the crowd in his head with vowels and whiskey, trying to tame the fire without getting burned. And Van Gogh— ******* Vincent— cutting a little piece off himself as a present for a ***** Sunflowers blazing like big jagged fires, yellow flames in his mind, screaming what his mouth never could. History says he was broken and mad, but broken things understand light. Crazy people smile more than bored people ever do. He knew beauty was temporary, that starry nights would exit stage right and fade to black. And he didn’t look away. The paint was food. The canvas an empty stomach. These weren’t legends. They lived. They had mothers and brushed their teeth. They used the toilet. They were men with rough luck, tragic habits, and a pure need to create something before the clock called them home. They loved. They lived hard, fast, walking bent into a cruel world. Not because they loved death, but because they couldn’t stand silent mediocrity. Here’s to Poe in the alley, Dylan at the pub, Vincent staring down peasants and sunlight with equal love. They paid the price. It cost them. Blood, ***** and sadness for the crime of seeing too much. And somehow, someway, a few of the blind learned to see.
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Dec 19, 2025
Dec 19, 2025 at 8:01 AM UTC
That Dirt Road through the Madness
I was thinking about Poe, that poor dark son of a ***** wandering the streets of Baltimore with ravens in his pockets and stories clawing at his ribs, and the bells— always those ******* bells. Too odd for the bourgeois, too broke for solace, a mind that wouldn’t let Annabel Lee rest while the grave kept calling. He wrote like a man with a fever trying to outrun the cemetery, quill pen shaking in his hand, every word a flickering candle. They say lunacy. They say ***** and ***** I’ve heard maybe rabies from a cat he loved. They always want to make a pet out of tragedy, something to control. But I know what hunger looks like— that emptiness that won’t shut up until you get the words down, the line, that dirt road through the madness. Dylan Thomas knew it too, knew it on the rocks and neat, saw the way words can sing long into that good night, even while the liver taps out. He left Wales and did the collegiate tour in America. Poems couldn’t save him from lectures and tenure. Fern Hill became a parking lot as he insulted his brain with bourbon. They call it romantic. Horse **** It’s just a pudgy little man trying to quiet the crowd in his head with vowels and whiskey, trying to tame the fire without getting burned. And Van Gogh— ******* Vincent— cutting a little piece off himself as a present for a ***** Sunflowers blazing like big jagged fires, yellow flames in his mind, screaming what his mouth never could. History says he was broken and mad, but broken things understand light. Crazy people smile more than bored people ever do. He knew beauty was temporary, that starry nights would exit stage right and fade to black. And he didn’t look away. The paint was food. The canvas an empty stomach. These weren’t legends. They lived. They had mothers and brushed their teeth. They used the toilet. They were men with rough luck, tragic habits, and a pure need to create something before the clock called them home. They loved. They lived hard, fast, walking bent into a cruel world. Not because they loved death, but because they couldn’t stand silent mediocrity. Here’s to Poe in the alley, Dylan at the pub, Vincent staring down peasants and sunlight with equal love. They paid the price. It cost them. Blood, ***** and sadness for the crime of seeing too much. And somehow, someway, a few of the blind learned to see.
I just posted a new long-form reading on my YouTube channel — the first half of my short story Whoops! along with two poems, There Was a Time Without the Internet and Under My Bed. If you’d like to hear the work read aloud, you can find it here: 👉 YouTube Reading: https://www.youtube.com/watch?v=Kq0UTaJahjg If you’re interested in the books, they’re available on Amazon under my name — poetry and short fiction, raw and unpolished, for those who like it that way. Also, a quick shout-out: a group of us meet on Zoom the last Friday of every month to read poetry and talk shop. It’s relaxed, welcoming, and always a good time. I’d love to see more familiar (and new) faces. Thanks, as always, for reading — and for the continued support.
thomas-w-case
Written by
59/M/Clear Lake
Dec 19, 2025
Dec 19, 2025 at 8:01 AM UTC
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