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American poetry, the poetry of the United States, arose first as efforts by colonists to add their voices to English poetry in the 17th century well before the constitutional unification of the thirteen colonies, although before this unification a strong oral tradition often likened to poetry existed among Native American societies. Unsurprisingly, most of the early colonists' work relied on contemporary British models of poetic form, diction, and theme. However, in the 19th century a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad poets from the United States had begun to take their place at the forefront of the English-language avant-garde. Anne Bradstreet (March 20, 1612 – September 16, 1672), née Dudley, was the most prominent of early English poets of North America and first writer in England's North American colonies to be published. She is the first Puritan figure in American Literature and notable for her large corpus of poetry as well as personal writings published posthumously. Born to a wealthy Puritan family in Northampton, England, Bradstreet was a well-read scholar especially affected by the works of Du Bartas. A mother of eight children and the wife of a public officer in the New England community, Bradstreet wrote poetry in addition to her other duties. Her early works read in the style of Du Bartas but her later writings develop into her unique style of poetry which centers on her role as a mother, her struggles with the sufferings of life and her Puritan faith. Guillaume de Saluste Du Bartas (1544, Monfort – July 1590, Mauvezin) was a Gascon Huguenot courtier and poet. Trained as a doctor of law, he served in the court of Henri de Navarre for most of his career. Du Bartas was celebrated across sixteenth- and seventeenth-century Europe for his divine poetry, particularly L'Uranie (1584), Judit (1584), La Sepmaine; ou, Creation du monde (1578), and La Seconde Semaine (1584-1603). Relatively little is known about Du Bartas’ life. Born in 1544, Guillaume Sallustre descended from a family of wealthy merchants in Montfort (in the Armagnac region). His family name later became ‘Saluste’ rather than 'Sallustre', perhaps to invite comparison with the Roman historian Sallust. He was possibly a student at College de Guyenne in Bordeaux (Michel de Montaigne’s school), and studied law in Toulouse under Jacques Cujas: he became a doctor of law in 1567, and subsequently a judge in Montfort in 1571. He gained the lordship of nearby Bartas (becoming Sieur Du Bartas) on his father’s death in 1566. He married Catherine de Manas, a local noblewoman, in 1570 and they had four daughters together: Anne, Jeanne, Marie and Isabeau.
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Nov 11, 2018
Nov 11, 2018 at 10:03 AM UTC
American Poetry Untitled
American poetry, the poetry of the United States, arose first as efforts by colonists to add their voices to English poetry in the 17th century well before the constitutional unification of the thirteen colonies, although before this unification a strong oral tradition often likened to poetry existed among Native American societies. Unsurprisingly, most of the early colonists' work relied on contemporary British models of poetic form, diction, and theme. However, in the 19th century a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad poets from the United States had begun to take their place at the forefront of the English-language avant-garde. Anne Bradstreet (March 20, 1612 – September 16, 1672), née Dudley, was the most prominent of early English poets of North America and first writer in England's North American colonies to be published. She is the first Puritan figure in American Literature and notable for her large corpus of poetry as well as personal writings published posthumously. Born to a wealthy Puritan family in Northampton, England, Bradstreet was a well-read scholar especially affected by the works of Du Bartas. A mother of eight children and the wife of a public officer in the New England community, Bradstreet wrote poetry in addition to her other duties. Her early works read in the style of Du Bartas but her later writings develop into her unique style of poetry which centers on her role as a mother, her struggles with the sufferings of life and her Puritan faith. Guillaume de Saluste Du Bartas (1544, Monfort – July 1590, Mauvezin) was a Gascon Huguenot courtier and poet. Trained as a doctor of law, he served in the court of Henri de Navarre for most of his career. Du Bartas was celebrated across sixteenth- and seventeenth-century Europe for his divine poetry, particularly L'Uranie (1584), Judit (1584), La Sepmaine; ou, Creation du monde (1578), and La Seconde Semaine (1584-1603). Relatively little is known about Du Bartas’ life. Born in 1544, Guillaume Sallustre descended from a family of wealthy merchants in Montfort (in the Armagnac region). His family name later became ‘Saluste’ rather than 'Sallustre', perhaps to invite comparison with the Roman historian Sallust. He was possibly a student at College de Guyenne in Bordeaux (Michel de Montaigne’s school), and studied law in Toulouse under Jacques Cujas: he became a doctor of law in 1567, and subsequently a judge in Montfort in 1571. He gained the lordship of nearby Bartas (becoming Sieur Du Bartas) on his father’s death in 1566. He married Catherine de Manas, a local noblewoman, in 1570 and they had four daughters together: Anne, Jeanne, Marie and Isabeau.
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Nov 11, 2018
Nov 11, 2018 at 10:03 AM UTC
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