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****** Errata" is a collection of poems about the ****** and how erotica sometimes gets us in trouble! ****** Errata by Michael R. Burch I didn’t mean to love you; if I did, it came unbid- en, and should’ve remained hid- den! *** Less Heroic Couplets: Marketing 101 by Michael R. Burch Building her brand, she disrobes, naked, except for her earlobes. *** Negligibles by Michael R. Burch Show me your most intimate items of apparel; begin with the hem of your quicksilver slip ... *** Warming Her Pearls by Michael R. Burch for Beth Warming her pearls, her ******* gleam like constellations. Her belly is a bit rotund ... she might have stepped out of a Rubens. *** Cover Girl by Michael R. Burch Cunning at sunning and dunning, the stunning young woman’s in the running to be found **** on the cover of some patronizing lover. In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself. *** Who Can Understand Her? by Michael R. Burch Who can understand her? Can the stars, uncertain in their radiant argosy, who never saw such love, nor such desire, as when she bent to tower over me, her hair a perfumed waterfall descending, and then her ******* and then—ah!—Ecstasy! *** First Base Freeze by Michael R. Burch I find your love unappealing (no, make that appalling) because you prefer kissing then stalling. *** Nun Fun Undone by Michael R. Burch for and after Richard Thomas Moore Abbesses’ recesses are not for excesses! *** Less Heroic Couplets: *** Hex by Michael R. Burch for and after Richard Thomas Moore Love’s full of cute paradoxes (and highly acute poxes). Published by ***** of Parnassus, Lighten Up Online* and Poem Today *** Retro by Michael R. Burch Now, once again, love’s a redundant pleasure, as we laugh at my childish fumblings through the acres of your dress, past your wily-wired brassiere, through your ******* pink billows of thrill-piqued frills ... Till I lay once again—panting redfaced at your gayest lack of resistance, and, later, at your milktongued mewlings in the dark ... When you were virginal, sweet as eucalyptus, we did not understand the miracle of repentance, and I took for granted your obsessive distance ... But now I am happily unbuttoning that chaste dress, unhitching that firm-latched bra, tugging at those parachute-like ******* the ones you would have gladly forgotten had I not bought them in this year’s size. Originally published by Erosha *** Poppy by Michael R. Burch “It is lonely to be born.” – Dannie Abse, “The Second Coming” It is lonely to be born between the intimate ears of corn . . . the sunlit, flooded, shellshocked rows. The scarecrow flutters, listens, knows . . . Pale butterflies in staggering flight ascend the gauntlet winds and light before the scything harvester. The winsome buds of cornflowers prepare themselves to be airborne, and it is lonely to be shorn, decapitate, of eager life so early in love’s blinding maze of silks and tassels, goldened days when life’s renewed, gone underground. Sad confidante of worm and mound, how little stands to be regained of what is left. A tiny cleft now marks your birth, your reddening among the amber waves. O, sing! Another waits to be reborn among bent thistle, down and thorn. A hoofprint’s cleft, a ram’s curved horn curled inward, turned against the heart, a spoor like infamy. Depart. You came too late, the signs are clear: whose world this is, now watches, near. There is no ****** for the heart. Originally published by Borderless Journal *** Virginal by Michael R. Burch For an hour every wildflower beseeches her, "To thy breast, Elizabeth." But she is mine; her lips divine and her ******* and hair are mine alone. Let the wildflowers moan. *** If Love Were Infinite by Michael R. Burch If love were infinite, how I would pity our lives, which through long years’ exactitude might seem a pleasant blur—one interlude without prequel or sequel—wanly pretty, the gentlest flame the heart might bring to bear to tepid hearts too sure of love to flare. If love were infinite, why would I linger caressing your fine hair, lost in the thought each auburn strand must shrivel with this finger, and so in thrall to time be gently brought to final realization: love, amazing, must leave us ash for all our fiery blazing. If flesh’s heat once led me straight to you, love’s arrow’s burning mark must pierce me through. *** Plastic Art or Night Stand by Michael R. Burch Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse. We never questioned why “love” seemed less real the more we touched her, and forgot her face. Absorbed in molestation’s sticky feel, we failed to see her staring into space, her doll-like features frozen in a smile. She held us in her marionette’s embrace, her plastic flesh grown wet and slick and vile. We groaned to feel our urgent fingers trace her undemanding body. All the while, she lay and gaily bore her brief disgrace. We loved her echoed passion’s squeaky air, her tongueless kisses’ artificial taste, the way she matched, then raised our reckless pace, the heart that seemed to pound, but was not there. *** She Was Very Pretty by Michael R. Burch She was very pretty, in the usual way for perhaps a day; and when the boys came out to play, she winked and smiled, then ran away till one unexpectedly caught her. At sixteen, she had a daughter. She was fairly pretty another day in her squalid house, in her pallid way, but the skies ahead loomed drably grey, and the moonlight gleamed jaundiced on her cheeks. She was almost pretty perhaps two weeks. Then she was hardly pretty; her jaw was set. With streaks of silver scattered in jet, her hair became a solemn iron grey. Her daughter winked, then ran away. She was hardly pretty another day. Then she was scarcely pretty; her skin was marred by liver spots; her heart was scarred; her child was grown; her life was done; she faded away with the setting sun. She was scarcely pretty, and not much fun. Then she was sparsely pretty; her hair so thin; but a light would sometimes steal within to remind old, stoic gentlemen of the rules, and how girls lose to win. *** Cold Snap Coin Flip by Michael R. Burch Rise and shine, The world is mine! Let’s get ahead! Or ... Back to bed, Old sleepyhead, Dull and supine. *** Song Cycle by Michael R. Burch Sing us a song of seasons— of April’s and May’s gay greetings; let Winter release her sting. Sing us a song of Spring! Nay, the future is looking glummer. Sing us a song of Summer! Too late, there’s a pall over all; sing us a song of Fall! Desist, since the icicles splinter; sing us a song of Winter! Sing us a song of seasons— of April’s and May’s gay greetings; let Winter release her sting. Sing us a song of Spring! *** The Unregal Beagle vs. The Voracious Eagle by Michael R. Burch I’d rather see an eagle than a beagle because they’re so **** regal. But when it’s time to wiggle and to giggle, I’d rather embrace an angel than an evil. And when it’s time to share the same small space, I’d much rather have a beagle lick my face! *** Over(t) Simplification by Michael R. Burch “Keep it simple, stupid.” A sonnet is not simple, but the rule is simply this: let poems be beautiful, or comforting, or horrifying. Move the reader, and the world will not reprove the idiosyncrasies of too few lines, too many syllables, or offbeat beats. It only matters that she taps her feet or that he frowns, or smiles, or grimaces, or sits bemused—a child—as images of worlds he’d lost come flooding back, and then ... they’ll cheer the poet’s insubordinate pen. A sonnet is not simple, but the rule is simply this: let poems be beautiful.
0
Mar 4, 2023
Mar 4, 2023 at 10:13 AM UTC
****** Errata
****** Errata" is a collection of poems about the ****** and how erotica sometimes gets us in trouble! ****** Errata by Michael R. Burch I didn’t mean to love you; if I did, it came unbid- en, and should’ve remained hid- den! *** Less Heroic Couplets: Marketing 101 by Michael R. Burch Building her brand, she disrobes, naked, except for her earlobes. *** Negligibles by Michael R. Burch Show me your most intimate items of apparel; begin with the hem of your quicksilver slip ... *** Warming Her Pearls by Michael R. Burch for Beth Warming her pearls, her ******* gleam like constellations. Her belly is a bit rotund ... she might have stepped out of a Rubens. *** Cover Girl by Michael R. Burch Cunning at sunning and dunning, the stunning young woman’s in the running to be found **** on the cover of some patronizing lover. In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself. *** Who Can Understand Her? by Michael R. Burch Who can understand her? Can the stars, uncertain in their radiant argosy, who never saw such love, nor such desire, as when she bent to tower over me, her hair a perfumed waterfall descending, and then her ******* and then—ah!—Ecstasy! *** First Base Freeze by Michael R. Burch I find your love unappealing (no, make that appalling) because you prefer kissing then stalling. *** Nun Fun Undone by Michael R. Burch for and after Richard Thomas Moore Abbesses’ recesses are not for excesses! *** Less Heroic Couplets: *** Hex by Michael R. Burch for and after Richard Thomas Moore Love’s full of cute paradoxes (and highly acute poxes). Published by ***** of Parnassus, Lighten Up Online* and Poem Today *** Retro by Michael R. Burch Now, once again, love’s a redundant pleasure, as we laugh at my childish fumblings through the acres of your dress, past your wily-wired brassiere, through your ******* pink billows of thrill-piqued frills ... Till I lay once again—panting redfaced at your gayest lack of resistance, and, later, at your milktongued mewlings in the dark ... When you were virginal, sweet as eucalyptus, we did not understand the miracle of repentance, and I took for granted your obsessive distance ... But now I am happily unbuttoning that chaste dress, unhitching that firm-latched bra, tugging at those parachute-like ******* the ones you would have gladly forgotten had I not bought them in this year’s size. Originally published by Erosha *** Poppy by Michael R. Burch “It is lonely to be born.” – Dannie Abse, “The Second Coming” It is lonely to be born between the intimate ears of corn . . . the sunlit, flooded, shellshocked rows. The scarecrow flutters, listens, knows . . . Pale butterflies in staggering flight ascend the gauntlet winds and light before the scything harvester. The winsome buds of cornflowers prepare themselves to be airborne, and it is lonely to be shorn, decapitate, of eager life so early in love’s blinding maze of silks and tassels, goldened days when life’s renewed, gone underground. Sad confidante of worm and mound, how little stands to be regained of what is left. A tiny cleft now marks your birth, your reddening among the amber waves. O, sing! Another waits to be reborn among bent thistle, down and thorn. A hoofprint’s cleft, a ram’s curved horn curled inward, turned against the heart, a spoor like infamy. Depart. You came too late, the signs are clear: whose world this is, now watches, near. There is no ****** for the heart. Originally published by Borderless Journal *** Virginal by Michael R. Burch For an hour every wildflower beseeches her, "To thy breast, Elizabeth." But she is mine; her lips divine and her ******* and hair are mine alone. Let the wildflowers moan. *** If Love Were Infinite by Michael R. Burch If love were infinite, how I would pity our lives, which through long years’ exactitude might seem a pleasant blur—one interlude without prequel or sequel—wanly pretty, the gentlest flame the heart might bring to bear to tepid hearts too sure of love to flare. If love were infinite, why would I linger caressing your fine hair, lost in the thought each auburn strand must shrivel with this finger, and so in thrall to time be gently brought to final realization: love, amazing, must leave us ash for all our fiery blazing. If flesh’s heat once led me straight to you, love’s arrow’s burning mark must pierce me through. *** Plastic Art or Night Stand by Michael R. Burch Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse. We never questioned why “love” seemed less real the more we touched her, and forgot her face. Absorbed in molestation’s sticky feel, we failed to see her staring into space, her doll-like features frozen in a smile. She held us in her marionette’s embrace, her plastic flesh grown wet and slick and vile. We groaned to feel our urgent fingers trace her undemanding body. All the while, she lay and gaily bore her brief disgrace. We loved her echoed passion’s squeaky air, her tongueless kisses’ artificial taste, the way she matched, then raised our reckless pace, the heart that seemed to pound, but was not there. *** She Was Very Pretty by Michael R. Burch She was very pretty, in the usual way for perhaps a day; and when the boys came out to play, she winked and smiled, then ran away till one unexpectedly caught her. At sixteen, she had a daughter. She was fairly pretty another day in her squalid house, in her pallid way, but the skies ahead loomed drably grey, and the moonlight gleamed jaundiced on her cheeks. She was almost pretty perhaps two weeks. Then she was hardly pretty; her jaw was set. With streaks of silver scattered in jet, her hair became a solemn iron grey. Her daughter winked, then ran away. She was hardly pretty another day. Then she was scarcely pretty; her skin was marred by liver spots; her heart was scarred; her child was grown; her life was done; she faded away with the setting sun. She was scarcely pretty, and not much fun. Then she was sparsely pretty; her hair so thin; but a light would sometimes steal within to remind old, stoic gentlemen of the rules, and how girls lose to win. *** Cold Snap Coin Flip by Michael R. Burch Rise and shine, The world is mine! Let’s get ahead! Or ... Back to bed, Old sleepyhead, Dull and supine. *** Song Cycle by Michael R. Burch Sing us a song of seasons— of April’s and May’s gay greetings; let Winter release her sting. Sing us a song of Spring! Nay, the future is looking glummer. Sing us a song of Summer! Too late, there’s a pall over all; sing us a song of Fall! Desist, since the icicles splinter; sing us a song of Winter! Sing us a song of seasons— of April’s and May’s gay greetings; let Winter release her sting. Sing us a song of Spring! *** The Unregal Beagle vs. The Voracious Eagle by Michael R. Burch I’d rather see an eagle than a beagle because they’re so **** regal. But when it’s time to wiggle and to giggle, I’d rather embrace an angel than an evil. And when it’s time to share the same small space, I’d much rather have a beagle lick my face! *** Over(t) Simplification by Michael R. Burch “Keep it simple, stupid.” A sonnet is not simple, but the rule is simply this: let poems be beautiful, or comforting, or horrifying. Move the reader, and the world will not reprove the idiosyncrasies of too few lines, too many syllables, or offbeat beats. It only matters that she taps her feet or that he frowns, or smiles, or grimaces, or sits bemused—a child—as images of worlds he’d lost come flooding back, and then ... they’ll cheer the poet’s insubordinate pen. A sonnet is not simple, but the rule is simply this: let poems be beautiful.
There are ****** poems by Michael R. Burch, but nothing too graphic.
Written by
62/M/Nashville, Tennessee
Mar 4, 2023
Mar 4, 2023 at 10:13 AM UTC
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