the film plays
a 1950's film
I am lost for a moment;
dancing to the blues and looking into the eyes of a lover -they're grey.
grey eyes. grey skin. grey lips. grey ballroom.
grey. grey. grey. -everything is grey.
But his eyes are a deep grey with light specks,
and the tiles on the floor are patterned with different shades,
and he is dressed with dark grey attire
-but he is the most colourful thing I have ever seen.
In a colourful world you would think things would be complementary;
but the more colourful it appears, the more black and white it is;
the carpet is red, just red, the walls are white, just white,
his eyes are brown. Just brown.
but in this film his eyes are grey -light, grainy, grey.
There's grey in his eyes,
and there's grey all around me,
but my, I seem to have gotten lost;
his eyes are the most colourful things I've ever seen in my life.
the film stops.
(Nicole Joanne) all rights reserved
Dec 4, 2014
Dec 4, 2014 at 7:45 PM UTC
the film plays
a 1950's film
I am lost for a moment;
dancing to the blues and looking into the eyes of a lover -they're grey.
grey eyes. grey skin. grey lips. grey ballroom.
grey. grey. grey. -everything is grey.
But his eyes are a deep grey with light specks,
and the tiles on the floor are patterned with different shades,
and he is dressed with dark grey attire
-but he is the most colourful thing I have ever seen.
In a colourful world you would think things would be complementary;
but the more colourful it appears, the more black and white it is;
the carpet is red, just red, the walls are white, just white,
his eyes are brown. Just brown.
but in this film his eyes are grey -light, grainy, grey.
There's grey in his eyes,
and there's grey all around me,
but my, I seem to have gotten lost;
his eyes are the most colourful things I've ever seen in my life.
the film stops.
(Nicole Joanne) all rights reserved
