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(Pompeii/Florence, 1997) Vulcan was real, alive as you were, you and your language, long dead now. Your town was prosperous, with its paved streets, bars, bath-houses, brothels, mosaics, painted walls, graffiti. Your domestic gods too were real to you; they had saved you before, and when the superhuman hammer blows shook your houses, you repaired them, decorated in greater splendour, erected a temple to your protectors. But Vulcan was not appeased - years are not long to the lord of earth and fire. This time he struck swiftly, sending you death from his mountain, overwhelming you as you ran. Your garden gave you no protection, hot fumes choked you, hot ash surrounded you, sealed in your tomb as you died. The ones who excavated your town marvelled at its completeness, and in the ash that filled your garden they found hollows. Filling the hollows with plaster, they found . . . not you, but echoes of yourselves, like statues in a museum. We came to see you, and after that to the Academy, standing in awe at David's perfect marble humanity. But we were troubled by the others, the uncompleted ones, the Prisoners, their twisted limbs, hidden faces, frozen in the act of emerging from the stone, recalling too painfully in their unfinished creation your own agonised poses as you died. *"I had seen birth and death,   but had thought they were different."* .
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Aug 26, 2016
Aug 26, 2016 at 3:02 PM UTC
Garden of the Fugitives **
(Pompeii/Florence, 1997) Vulcan was real, alive as you were, you and your language, long dead now. Your town was prosperous, with its paved streets, bars, bath-houses, brothels, mosaics, painted walls, graffiti. Your domestic gods too were real to you; they had saved you before, and when the superhuman hammer blows shook your houses, you repaired them, decorated in greater splendour, erected a temple to your protectors. But Vulcan was not appeased - years are not long to the lord of earth and fire. This time he struck swiftly, sending you death from his mountain, overwhelming you as you ran. Your garden gave you no protection, hot fumes choked you, hot ash surrounded you, sealed in your tomb as you died. The ones who excavated your town marvelled at its completeness, and in the ash that filled your garden they found hollows. Filling the hollows with plaster, they found . . . not you, but echoes of yourselves, like statues in a museum. We came to see you, and after that to the Academy, standing in awe at David's perfect marble humanity. But we were troubled by the others, the uncompleted ones, the Prisoners, their twisted limbs, hidden faces, frozen in the act of emerging from the stone, recalling too painfully in their unfinished creation your own agonised poses as you died. *"I had seen birth and death,   but had thought they were different."* .
The quotation at the end is from Eliot's Journey of the Magi - see my collection "My Favourite Poetry". For photos see - www.amusingplanet.com/2011/04/garden-of-fugitives-fossilized-victims.html and - www.accademia.org/explore-museum/artworks/michelangelos-prisoners-slaves/
paul-hansford
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Aug 26, 2016
Aug 26, 2016 at 3:02 PM UTC
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